Delphi Complete Works of William Dean Howells

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Delphi Complete Works of William Dean Howells Page 1044

by William Dean Howells

“But if Miss Bentley—”

  “She will think whatever I do; I shall feel as she does,” he answered, with dignity.

  “Yes, I know,” I urged. “It would not be for her; it would not certainly be for yourself. But if you could see it as the only form of reparation which her mother can now offer you both, and the only mode of expressing your own forgiveness — Recollect how you felt when you thought that it was Mrs. Bentley’s death; try to recall something of that terrible time—”

  “I don’t forget that,” he relented. “It was in mercy to Edith and me that our trial is what it is: we have recognized that in the face of eternity. I can forgive anything in gratitude for that.”

  I have often had to criticise life for a certain caprice with which she treats the elements of drama, and mars the finest conditions of tragedy with a touch of farce. No one who witnessed the marriage of Arthur Glendenning and Edith Bentley had any belief that she would survive it twenty-four hours; they themselves were wholly without hope in the moment which for happier lovers is all hope. To me it was like a funeral, but then most weddings are rather ghastly to look upon; and the stroke that life had in reserve perhaps finally restored the lost balance of gayety in this. At any rate, Mrs. Glendenning did live, and she is living yet, and in rather more happiness than comes to most people under brighter auspices. After long contention among many doctors, the original opinion that her heart trouble was functional, not organic, has been elected final, and upon these terms she bids fair to live as long as any of us.

  I do not know whether she will live as long as her mother, who seems to have taken a fresh lease of years from her single act of self-sacrifice. I cannot say whether Mrs. Bentley feels herself deceived and defrauded by her daughter’s recovery; but I have made my wife observe that it would be just like life if she bore the young couple a sort of grudge for unwittingly outwitting her. Certainly, on the day we lately spent with them all at Gormanville, she seemed, in the slight attack of asthma from which she suffered, to come as heavily and exactingly upon both as she used to come upon her daughter alone. But I was glad to see that Glendenning eagerly bore the greater part of the common burden. He grows stouter and stouter, and will soon be the figure of a bishop.

  THE PURSUIT OF THE PIANO.

  I.

  Hamilton Gaites sat breakfasting by the window of a restaurant looking out on Park Square, in Boston, at a table which he had chosen after rejecting one on the Boylston Street side of the place because it was too noisy, and another in the little open space, among evergreens in tubs, between the front and rear, because it was too chilly. The wind was east, but at his Park Square window it tempered the summer morning air without being a draught; and he poured out his coffee with a content in his circumstance and provision which he was apt to feel when he had taken all the possible pains, even though the result was not perfect. But now, he had real French bread, as good as he could have got in New York, and the coffee was clear and bright. A growth of crisp green watercress embowered a juicy steak, and in its shade, as it were, lay two long slices of bacon, not stupidly broiled to a crisp, but delicately pink, and exemplarily lean. Gaites had already had a cantaloupe, whose spicy fragrance lingered in the air and mingled with the robuster odors of the coffee, the steak, and the bacon.

  He owned to being a fuss, but he contended that he was a cheerful fuss, and when things went reasonably well with him, he was so. They were going well with him now, not only in the small but in the large way. He was sitting there before that capital breakfast in less than half an hour after leaving the sleeping-car, where he had passed a very good night, and he was setting out on his vacation, after very successful work in the June term of court. He was in prime health; he had a good conscience in leaving no interests behind him that could suffer in his absence; and the smile that he bent upon the Italian waiter as he retired, after putting down the breakfast, had some elements of a benediction.

  There was a good deal of Gaites’s smile, when it was all on: he had a generous mouth, full of handsome teeth, very white and even, which all showed in his smile. His whole face took part in the smile, and it was a charming face, long and rather quaintly narrow, of an amiable aquilinity, and clean-shaven. His figure, tall and thin, comported well with his style of visage, and at a given moment, when he suddenly rose and leaned from the window, eagerly following something outside with his eye, he had an alert movement that was very pleasant.

  The thing outside which had caught, and which now kept, his eye as long as he could see it, was a case in the shape of an upright piano, on the end of a long, heavy-laden truck, making its way with a slow, jolting progress among the carts, carriages, and street cars, out of the square round the corner toward Boylston Street. On the sloping front of the case was inscribed an address, which seemed to gaze at Gaites with the eyes of the girl whom it named and placed, and to whom in the young man’s willing fancy it attributed a charming quality. Nothing, he felt, could be more suggestive, more expressive of something shy, something proud, something pure, something pastoral yet patrician, something unaffected and yet chic, in an unknown personality, than the legend:

  Miss Phyllis Desmond,

  Lower Merritt,

  New Hampshire.

  Via S. B. & H. C. R. R.

  Like most lawyers, he had a vein of romance, and this now opened in pleasing conjectures concerning the girl. He knew just where Lower Merritt was, and so well what it was like that a vision of its white paint against the dark green curtain of the wooded heights around it filled his sense as agreeably as so much white marble. There was the cottage of some summer people well above the village level, among pines and birches, and overlooking the foamiest rush of the Saco, to which he instantly destined the piano of Phyllis Desmond. He had never known that these people’s name was Desmond, and he had certainly never supposed that they had a daughter called Phyllis; but he divined these facts in losing sight of the truck; and he imagined with as logical probability that one of the little girls whom he used to see playing on the hill-slope before the cottage had grown up into the young lady whose name the piano bore. There was quite time enough for this transformation; it was seven years since Gaites had run up into the White Mountains for a month’s rest after his last term in the Harvard Law School, and before beginning work in the office of the law firm in New York where he had got a clerkship, and where he had now a junior partnership. The little girl was then just ten years old, and now, of course, the young lady was seventeen, or would be when the piano reached Lower Merritt, for it was clearly meant to arrive on her birthday; it was a birthday-present and a surprise. He had always liked the way those nice people let their children play about barefoot; it would be in character with them to do a fond, pretty thing like that; and Gaites smiled for pleasure in it, and then rather blushed in relating the brown legs of the little girl, as he remembered seeing them in her races over her father’s lawn, to the dignified young lady she had now become.

  He amused himself in mentally following the piano on its way to the Sea Board & Hill Country R. R. freight-depot, which he was quite able to do from a habit of Boston formed during his four years in the academic course and his three years in the law-school at Harvard. He knew that it would cross Boylston into Charles Street, and keep along that level to Cambridge; then it would turn into McLane Street, and again into Lynde, by this means avoiding the grades as much as possible, and arriving through Causeway Street at the long, low freight-depot of the S. B. & H. C., where it would be the first thing unloaded from the truck. It would stand indefinitely on the outer platform; and then, when the men in flat, narrow-peaked silk caps and grease-splotched overalls got round to it, with an air of as much personal indifference as if they were mere mechanical agencies, it would be pulled and pushed into the dimness of the interior, cool, and pleasantly smelling of pine, and hemp, and flour, and dried fruit, and coffee, and tar, and leather, and fish. There it would abide, indefinitely again, till in the same large impersonal way it was pulled and pushed ou
t on the platform beside the track, where a freight-car marked for the Hill Country division of the road, with devices intelligible to the train-men, had been shunted down by a pony engine in obedience to mystical semaphoric gesticulations, from the brakeman risking his life for the purpose among the rails, addressed to the engineer keeping his hand on the pulse of the locomotive, and his head out of the cab window to see how near he could come to killing the brakeman without doing it.

  Gaites witnessed the whole drama with an interest that held him suspended between the gulps and morsels of his breakfast, and at times quite arrested the processes of mastication and deglutition. That pretty girl’s name on the slope of the piano-case continued to look at him from the end of the truck; it smiled at him from the outer platform of the freight-house; it entreated him with a charming trepidation from the dim interior; again it smiled on the inner platform; and then, from the safety of the car, where the case found itself ensconced among freight of a neat and agreeable character, the name had the effect of intrepidly blowing him a kiss as the train-man slid the car doors together and fastened them. He drew a long breath when the train had backed and bumped down to the car, and the couplers had clashed together, and the maniac, who had not been mashed in dropping the coupling-pin into its socket, scrambled out from the wheels, and frantically worked his arms to the potential homicide in the locomotive cab, and the train had jolted forward on the beginning of its run.

  That was the last of the piano, and Gaites threw it off his mind, and finished his breakfast at his leisure. He was going to spend his vacation at Kent Harbor, where he knew some agreeable people, and where he knew that a young man had many chances of a good time, even if he were not the youngest kind of young man. He had spent two of his Harvard vacations there, and he knew this at first hand. He could not and did not expect to do so much two-ing on the rocks and up the river as he used; the zest of that sort of thing was past, rather; but he had brought his golf stockings with him, and a quiverful of the utensils of the game, in obedience to a lady who had said there were golf-links at Kent, and she knew a young lady who would teach him to play.

  He was going to stop off at Burymouth, to see a friend, an old Harvard man, and a mighty good fellow, who had rather surprised people by giving up New York, and settling in the gentle old town on the Piscatamac. They accounted for it as well as they could by his having married a Burymouth girl; and since he had begun, most unexpectedly, to come forward in literature, such of his friends as had seen him there said it was just the place for him. Gaites had not yet seen him there, and he had a romantic curiosity, the survival of an intensified friendship of their Senior year, to do so. He got to thinking of this good fellow rather vividly, when he had cleared his mind of Miss Desmond’s piano, and he did not see why he should not take an earlier train to Burymouth than he had intended to take; and so he had them call him a coupé from the restaurant, and he got into it as soon as he left the breakfast-table.

  He gave the driver the authoritative address, “Sea Board Depot,” and left him to take his own way, after resisting a rather silly impulse to bid him go through Charles Street.

  The man drove up Beacon, and down Temple through Staniford, and naturally Gaites saw nothing of Miss Desmond’s piano, which had come into his mind again in starting. He did not know the colonnaded structure, with its stately porte-cochère, where his driver proposed to leave him, instead of the formless brick box which he remembered as the Sea Board Depot, and he insisted upon that when the fellow got down to open the door.

  “Ain’t no Sibbod Dippo, now,” the driver explained, contemptuously. “Guess Union Dippo’ll do, though;” and Gaites, a little overcome with its splendor, found that it would. He faltered a moment in passing the conductor and porter at the end of the Pullman car on his train, and then decided that it would be ridiculous to take a seat in it for the short run to Burymouth. In the common coach he got a very good seat on the shady side, where he put down his hand-bag. Then he looked at his watch, and as it was still fifteen minutes before train-time, he indulged a fantastic impulse. He left the car and hurried back through the station and out through the electrics, hacks, herdics, carts, and string-teams of Causeway Street, and up the sidewalk of the street opening into it, as far as the S. B. & H. C. freight-depot. On the way he bet himself five dollars that Miss Desmond’s piano would not be there, and lost; for at the moment he came up it was unloading from the end of the truck which he had seen carrying it past the window of his restaurant.

  The fact amused him quite beyond the measure of anything intrinsically humorous in it, and he staid watching the exertions of the heated truckman and two silk-capped, sarcastic-faced freight-men, till the piano was well on the platform. He was so intent upon it that his interest seemed to communicate itself to a young girl coming from the other quarter, with a suburban, cloth-sided, crewel-initialed bag in her hand, as if she were going to a train. She paused in the stare she gave the piano-case, and then slowed her pace with a look over her shoulder after she got by. In this her eyes met his, and she blushed and hurried on; but not so soon that he had not time to see she had a thin face of a pathetic prettiness, gentle brown eyes with wistful brows, under ordinary brown hair. She was rather little, and was dressed with a sort of unaccented propriety, which was as far from distinction as it was from pretension.

  When Gaites got back to his car, a few minutes before the train was to start, he found the seat where he had left his hand-bag and light overcoat more than half full of a bulky lady, who looked stupidly up at him, and did not move or attempt any excuse for crowding him from his place. He had to walk the whole length of the car before he came to a vacant seat. It was the last of the transverse seats, and at the moment he dropped into it, the girl who had watched the unloading of the piano with him passed him, and took the sidewise seat next the door.

  She took it with a weary resignation which somehow made Gaites ashamed of the haste with which he had pushed forward to the only good place, and he felt as guilty of keeping her out of it as if he had known she was following him. He kept a remorseful eye upon her as she arranged her bag and umbrella about her, with some paper parcels which she must have had sent to her at the station. She breathed quickly, as if from final hurry, but somewhat also as if she were delicate; and tried to look as if she did not know he was watching her. She had taken off one of her gloves, and her hand, though little enough, showed an unexpected vigor with reference to her face, and had a curious air of education.

  When the train pulled out of the station into the clearer light, she turned her face from him toward the forward window, and the corner of her mouth, which her half-averted profile gave him, had a kind of piteous droop which smote him to keener regret. Once it lifted in an upward curve, and a gay light came into the corner of her eye; then the mouth drooped again, and the light went out.

  Gaites could bear it no longer; he rose and said, with a respectful bow: “Won’t you take my seat? That seems such a very inconvenient place for you, with the door opening and shutting.”

  The girl turned her face promptly round and up, and answered, with a flush in her thin cheek, but no embarrassment in her tone, “No, I thank you. This will do quite well,” and then she turned her face away as before.

  He had not meant his politeness for an overture to her acquaintance, but he felt as justly snubbed as if he had; and he sank back into his seat in some disorder. He tried to hide his confusion behind the newspaper he opened between them; but from time to time he had a glimpse of her round the side of it, and he saw that the hand which clutched her bag all the while tightened upon it and then loosened nervously.

  II.

  “Ah, I see what you mean,” said Gaites, with a kind of finality, as his friend Birkwall walked him homeward through the loveliest of the lovely old Burymouth streets. Something equivalent had been in his mind and on his tongue at every dramatic instant of the afternoon; and, in fact, ever since he had arrived from the station at Birkwall’s door, where Mrs.
Birkwall met them and welcomed him. He had been sufficiently impressed with the aristocratic quiet of the vast square white old wooden house, standing behind a high white board fence, in two acres of gardened ground; but the fine hallway with its broad low stairway, the stately drawing-room with its carving, the library with its panelling and portraits, and the dining-room with its tall wainscoting, united to give him a sense of the pride of life in old Burymouth such as the raw splendors of the millionaire houses in New York had never imparted to him.

  “They knew how to do it, they knew how to do it!” he exclaimed, meaning the people who had such houses built; and he said the same thing of the other Burymouth houses which Birkwall showed him, by grace of their owners, after the mid-day dinner, which Gaites kept calling luncheon.

  “Be sure you get back in good time for tea,” said Mrs. Birkwall for a parting charge to her husband; and she bade Gaites, “Remember that it is tea, please; not dinner;” and he was tempted to kiss his hand to her with as much courtly gallantry as he could; for, standing under the transom of the slender-pillared portal to watch them away, she looked most distinctly descended from ancestors, and not merely the daughter of a father and mother, as most women do. Gaites said as much to Birkwall, and when they got home Birkwall repeated it to his wife, without injuring Gaites with her. If he saw what Birkwall had meant in marrying her, and settling down to his literary life with her in the atmosphere of such a quiet place as Burymouth, when he might have chosen money and unrest in New York, she on her side saw what her husband meant in liking the shrewd, able fellow who had such a vein of gay romance in his practicality, and such an intelligent and respectful sympathy with her tradition and environment.

  She sent and asked several of her friends to meet him at tea; and if in that New England disproportion of the sexes which at Burymouth is intensified almost to a pure gynocracy these friends were nearly all women, he found them even more agreeable than if they had been nearly all men. It seemed to him that he had never heard better talk than that of these sequestered ladies, who were so well bred and so well read, so humorous and so dignified, who loved to laugh and who loved to think. It was all like something in a pleasant book, and Gaites was not altogether to blame if it went to his head, and after the talk had been of Burymouth, in which he professed so acceptable an interest, and then of novels, of which he had read about as many as they, he confided to the whole table his experience with Miss Phyllis Desmond’s piano. He managed the psychology of the little incident so well that he imparted the very quality he meant them to feel in it.

 

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