Delphi Complete Works of William Dean Howells

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Delphi Complete Works of William Dean Howells Page 1093

by William Dean Howells


  “Something of a spy, no?” he asked at these times of the waiter, who, flattered by the penetration of a frequenter of his caffè, and the implication that it was thought seditious enough to be watched by the police, assumed a pensive importance, and answered, “Something of a spy, certainly.”

  Upon this Tonelli was commonly encouraged to proceed: “Did I ever tell you how I once sent one of those ugly muzzles out of a caffè? I knew him as soon as I saw him, — I am never mistaken in a spy, — and I went with my newspaper, and sat down close at his side. Then I whispered to him across the sheet, ‘We are two.’ ‘Eh?’ says he. ‘It is a very small caffè, and there is no need of more than one,’ and then I stared at him and frowned. He looks at me fixedly a moment, then gathers up his hat and gloves, and takes his pestilency off.”

  The waiter, who had heard this story, man and boy, a hundred times, made a quite successful show of enjoying it, as he walked away with Tonelli’s fee of half a cent in his pocket. Tonelli then had left from his day’s salary enough to pay for the ice which he ate at ten o’clock, but which he would sometimes forego, in order to give the money in charity, though more commonly he indulged himself, and put off the beggar with, “Another time, my dear. I have no leisure now to discuss those matters with thee.”

  On holidays this routine of Tonelli’s life was varied. In the forenoon he went to mass at St. Mark’s, to see the beauty and fashion of the city; and then he took a walk with his four or five young friends, or went with them to play at bowls, or even made an excursion to the main land, where they hired a carriage, and all those Venetians got into it, like so many seamen, and drove the horse with as little mercy as if he had been a sail-boat. At seven o’clock Tonelli dined with the notary, next whom he sat at table, and for whom his quaint pleasantries had a zest that inspired the Paronsina and her mother to shout them into his dull ears, that he might lose none of them. He laughed a kind of faded laugh at them, and, rubbing his pale hands together, showed by his act that he did not think his best wine too good for his kindly guest. The signora feigned to take the same delight shown by her father and daughter in Tonelli’s drolleries; but I doubt if she had a great sense of his humor, or, indeed, cared anything for it save as she perceived that it gave pleasure to those she loved. Otherwise, however, she had a sincere regard for him, for he was most useful and devoted to her in her quality of widowed mother; and if she could not feel wit, she could feel gratitude, which is perhaps the rarer gift, if not the more respectable.

  The Little Mistress was dependent upon him for nearly all the pleasures and for the only excitements of her life. As a young girl she was at best a sort of caged bird, who had to be guarded against the youth of the other sex as if they, on their part, were so many marauding and ravening cats. During most days of the year the Paronsina’s parrot had almost as much freedom as she. He could leave his gilded prison when he chose, and promenade the notary’s house as far down as the marble well in the sunless court, and the Paronsina could do little more. The signora would as soon have thought of letting the parrot walk across their campo alone as her daughter, though the local dangers, either to bird or beauty, could not have been very great. The green-grocer of that sequestered campo was an old woman, the apothecary was gray, and his shop was haunted by none but superannuated physicians; the baker, the butcher, the waiters at the caffè were all professionally, and, as purveyors to her family, out of the question; the sacristan, who sometimes appeared at the perruquier’s to get a coal from under the curling-tongs to kindle his censer, had but one eye, which he kept single to the service of the Church, and his perquisite of candle-drippings; and I hazard little in saying that the Paronsina might have danced a polka around Campo San Giuseppe without jeopardy so far as concerned the handsome wood-carver, for his wife always sat in the shop beside him. Nevertheless, a custom is not idly handed down by mother to daughter from the dawn of Christianity to the middle of the nineteenth century; and I cannot deny that the local perruquier, though stricken in years, was still so far kept fresh by the immortal youth of the wax heads in his window as to have something beauish about him; or that, just at the moment the Paronsina chanced to go into the campo alone, a leone from Florian’s might not have been passing through it, when he would certainly have looked boldly at her, perhaps spoken to her, and possibly pounced at once upon her fluttering heart. So by day the Paronsina rarely went out, and she never emerged unattended from the silence and shadow of her grandfather’s house.

  If I were here telling a story of the Paronsina, or indeed any story at all, I might suffer myself to enlarge somewhat upon the daily order of her secluded life, and show how the seclusion of other Venetian girls was the widest liberty as compared with hers; but I have no right to play with the reader’s patience in a performance that can promise no excitement of incident, no charm of invention. Let him figure to himself, if he will, the ancient and half-ruined palace in which the notary dwelt, with a gallery running along one side of its inner court, the slender pillars supporting upon the corroded sculpture of their capitals a clinging vine, that dappled the floor with palpitant light and shadow in the afternoon sun. The gate, whose exquisite Saracenic arch grew into a carven flame, was surmounted by the armorial bearings of a family that died of its sins against the Serenest Republic long ago; the marble cistern which stood in the middle of the court had still a ducal rose upon either of its four sides; and little lions of stone perched upon the posts at the head of the marble stairway climbing to the gallery, their fierce aspects worn smooth and amiable by the contact of hands that for many ages had mouldered in tombs. Toward the canal the palace windows had been immemorially bricked up for some reason or caprice, and no morning sunlight, save such as shone from the bright eyes of the Paronsina, ever looked into the dim halls. It was a fit abode for such a man as the notary, exiled in the heart of his native city, and it was not unfriendly in its influences to a quiet vegetation like the signora’s; but to the Paronsina it was sad as Venice itself, where, in some moods, I have wondered that any sort of youth could have the courage to exist. Nevertheless, the Paronsina had contrived to grow up here a child of the gayest and archest spirit, and to lead a life of due content, till after her return home from the comparative freedom and society of Madame Prateux’s school, where she spent three years in learning all polite accomplishments, and whence she came, with brilliant hopes and romances ready imagined, for any possible exigency of the future. She adored all the modern Italian poets, and read their verse with that stately and rhythmical fulness of voice which often made it sublime and always pleasing. She was a relentless patriot, an Italianissima of the vividest green, white, and red; and she could interpret the historical novels of her countrymen in their subtilest application to the modern enemies of Italy. But all the Paronsina’s gifts and accomplishments were to poor purpose, if they brought no young men a-wooing under her balcony; and it was to no effect that her fervid fancy peopled the palace’s empty halls with stately and gallant company out of Marco Visconti, Nicolò de’ Lapi, Margherita Pusterla, and the other romances, since she could not hope to receive any practicable offer of marriage from the heroes thus assembled. Her grandfather invited no guests of more substantial presence to his house. In fact, the police watched him too narrowly to permit him to receive society, even had he been so minded, and for kindred reasons his family paid few visits in the city. To leave Venice, except for the autumnal villeggiatura was almost out of the question; repeated applications at the Luogotenenza won the two ladies but a tardy and scanty grace; and the use of the passport allowing them to spend a few weeks in Florence was attended with so much vexation, in coming and going upon the imperial confines, and when they returned home they were subject to so great fear of perquisition from the police, that it was after all rather a mortification than a pleasure that the government had given them. The signora received her few acquaintances once a week; but the Paronsina found the old ladies tedious over their cups of coffee or tumblers of lemonade, and declare
d that her mamma’s reception days were a martyrdom, — actually a martyrdom, to her. She was full of life and the beautiful and tender longing of youth; she had a warm heart and a sprightly wit; but she led an existence scarce livelier than a ghost’s, and she was so poor in friends and resources that she shuddered to think what must become of her if Tonelli should die. It was not possible, thanks to God! that he should marry.

  The signora herself seldom cared to go out, for the reason that it was too cold in winter and too hot in summer. In the one season she clung all day to her wadded arm-chair, with her scaldino in her lap; and in the other season she found it a sufficient diversion to sit in the great hall of the palace, and be fanned by the salt breeze that came from the Adriatic through the vine-garlanded gallery. But besides this habitual inclemency of the weather, which forbade out-door exercise nearly the whole year, it was a displeasure to walk in Venice on account of the stairways of the bridges; and the signora much preferred to wait till they went to the country in the autumn, when she always rode to take the air. The exceptions to her custom were formed by those after-dinner promenades which she sometimes made on holidays, in summer. Then she put on her richest black, and the Paronsina dressed herself in her best, and they both went to walk on the Molo, before the pillars of the lion and the saint, under the escort of Tonelli.

  It often happened that, at the hour of their arrival on the Molo, the moon was coming up over the low bank of the Lido in the east, and all that prospect of ship-bordered quay, island, and lagoon, which, at its worst, is everything that heart can wish, was then at its best, and far beyond words to paint. On the right stretched the long Giudecca, with the domes and towers of its Palladian church, and the swelling foliage of its gardens, and its line of warehouses — painted pink, as if even Business, grateful to be tolerated amid such lovely scenes, had striven to adorn herself. In front lay San Giorgio, picturesque with its church and pathetic with its political prisons; and, farther away to the east again, the gloomy mass of the madhouse at San Servolo, and then the slender campanili of the Armenian convent rose over the gleaming and tremulous water. Tonelli took in the beauty of the scene with no more consciousness than a bird; but the Paronsina had learnt from her romantic poets and novelists to be complimentary to prospects, and her heart gurgled out in rapturous praises of this. The unwonted freedom exhilarated her; there was intoxication in the encounter of faces on the promenade, in the dazzle and glimmer of the lights, and even in the music of the Austrian band playing in the Piazza, as it came purified to her patriotic ear by the distance. There were none but Italians upon the Molo, and one might walk there without so much as touching an officer with the hem of one’s garment; and, a little later, when the band ceased playing, she should go with the other Italians and possess the Piazza for one blessed hour. In the mean time, the Paronsina had a sharp little tongue; and, after she had flattered the landscape, and had, from her true heart, once for all, saluted the promenaders as brothers and sisters in Italy, she did not mind making fun of their peculiarities of dress and person. She was signally sarcastic upon such ladies as Tonelli chanced to admire, and often so stung him with her jests that he was glad when Pennellini appeared, as he always did exactly at nine o’clock, and joined the ladies in their promenade, asking and answering all those questions of ceremony which form Venetian greeting. He was a youth of the most methodical exactness in his whole life, and could no more have arrived on the Molo a moment before or after nine than the bronze giants on the clock-tower could have hastened or lingered in striking the hour. Nature, which had made him thus punctual and precise, gave him also good looks, and a most amiable kindness of heart. The Paronsina cared nothing at all for him in his quality of handsome young fellow; but she prized him as an acquaintance whom she might salute, and be saluted by, in a city where her grandfather’s isolation kept her strange to nearly all the faces she saw. Sometimes her evenings on the Molo wasted away without the exchange of a word save with Tonelli, for her mother seldom talked; and then it was quite possible her teasing was greater than his patience, and that he grew taciturn under her tongue. At such times she hailed Pennellini’s appearance with a double delight; for, if he never joined in her attacks upon Tonelli’s favorites, he always enjoyed them, and politely applauded them. If his friend reproached him for this treason, he made him every amend in answering, “She is jealous, Tonelli,” — a wily compliment, which had the most intense effect in coming from lips ordinarily so sincere as his.

  The signora was weary of the promenade long before the Austrian music ceased in the Piazza, and was very glad when it came time for them to leave the Molo, and go and sit down to an ice at the Caffè Florian. This was the supreme hour to the Paronsina, the one heavenly excess of her restrained and eventless life. All about her were scattered tranquil Italian idlers, listening to the music of the strolling minstrels who had succeeded the military band; on either hand sat her friends, and she had thus the image of that tender devotion without which a young girl is said not to be perfectly happy; while the very heart of adventure seemed to bound in her exchange of glances with a handsome foreigner at a neighboring table. On the other side of the Piazza a few officers still lingered at the Caffè Quadri; and at the Specchi sundry groups of citizens in their dark dress contrasted well with these white uniforms; but, for the most part, the moon and gas-jets shone upon the broad, empty space of the Piazza, whose loneliness the presence of a few belated promenaders only served to render conspicuous. As the giants hammered eleven upon the great bell, the Austrian sentinel, under the Ducal Palace, uttered a long, reverberating cry; and soon after a patrol of soldiers clanked across the Piazza, and passed with echoing feet through the arcade into the narrow and devious streets beyond. The young girl found it hard to rend herself from the dreamy pleasure of the scene, or even to turn from the fine impersonal pain which the presence of the Austrians in the spectacle inflicted. All gave an impression something like that of the theatre, with the advantage that here one’s self was part of the pantomime; and in those days, when nearly everything but the puppet-shows was forbidden to patriots, it was altogether the greatest enjoyment possible to the Paronsina. The pensive charm of the place imbued all the little company so deeply that they scarcely broke it, as they loitered slowly homeward through the deserted Merceria. When they reached the Campo San Salvatore, on many a lovely summer’s midnight, their footsteps seemed to waken a nightingale whose cage hung from a lofty balcony there; for suddenly, at their coming, the bird broke into a wild and thrilling song, that touched them all, and suffused the tender heart of the Paronsina with an inexpressible pathos.

  Alas! she had so often returned thus from the Piazza, and no stealthy footstep had followed hers homeward with love’s persistence and diffidence! She was young, she knew, and she thought not quite dull or hideous; but her spirit was as sole in that melancholy city as if there were no youth but hers in the world. And a little later than this, when she had her first affair, it did not originate in the Piazza, nor at all respond to her expectations in a love-affair. In fact, it was altogether a business affair, and was managed chiefly by Tonelli, who having met a young doctor, laurelled the year before at Padua, had heard him express so pungent a curiosity to know what the Paronsina would have to her dower, that he perceived he must be madly in love with her. So with the consent of the signora he had arranged a correspondence between the young people; and all went on well at first, — the letters from both passing through his hands. But his office was anything but a sinecure, for while the Doctor was on his part of a cold temperament, and disposed to regard the affair merely as a proper way of providing for the natural affections, the Paronsina cared nothing for him personally, and only viewed him favorably as abstract matrimony, — as the means of escaping from the bondage of her girlhood and the sad seclusion of her life into the world outside her grandfather’s house. So presently the correspondence fell almost wholly upon Tonelli, who worked up to the point of betrothal with an expense of finesse and sentiment
that would have made his fortune in diplomacy or poetry. What should he say now? that stupid young Doctor would cry in a desperation, when Tonelli delicately reminded him that it was time to answer the Paronsina’s last note. Say this, that, and the other, Tonelli would answer, giving him the heads of a proper letter, which the Doctor took down on square bits of paper, neatly fashioned for writing prescriptions. “And for God’s sake, caro dottore, put a little warmth into it!” The poor Doctor would try, but it must always end in Tonelli’s suggesting and almost dictating every sentence; and then the letter, being carried to the Paronsina made her laugh: “This is very pretty, my poor Tonelli, but it was never my onoratissimo dottore who thought of these tender compliments. Ah! that allusion to my mouth and eyes could only have come from the heart of a great poet. It is yours, Tonelli, don’t deny it.” And Tonelli, taken in his weak point of literature, could make but a feeble pretence of disclaiming the child of his fancy, while the Paronsina, being in this reckless humor, more than once responded to the Doctor in such fashion that in the end the inspiration of her altered and amended letter was Tonelli’s. Even after the betrothal, the lovemaking languished, and the Doctor was indecently patient of the late day fixed for the marriage by the notary. In fact, the Doctor was very busy; and, as his practice grew, the dower of the Paronsina dwindled in his fancy, till one day he treated the whole question of their marriage with such coldness and uncertainty in his talk with Tonelli, that the latter saw whither his thoughts were drifting, and went home with an indignant heart to the Paronsina, who joyfully sat down and wrote her first sincere letter to the Doctor, dismissing him.

 

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