But the pioneer was not indolent, in any sense. He had no dreaminess—meditation was no part of his mental habit—a poetical fancy would, in him, have been an indication of insanity. If he reclined at the foot of a tree, on a still summer day, it was to sleep: if he gazed out over the waving prairie, it was to search for the column of smoke which told of his enemy's approach: if he turned his eyes toward the blue heaven, it was to prognosticate to-morrow's storm or sunshine: if he bent his gaze upon the green earth, it was to look for “Indian sign” or buffalo trail. His wife was only a help-mate—he never thought of making a divinity of her—she cooked his dinner, made and washed his clothes, bore his children, and took care of his household. His children were never “little cherubs,”—“angels sent from heaven”—but generally “tow-headed” and very earthly responsibilities. He looked forward anxiously, to the day when the boys should be able to assist him in the field, or fight the Indian, and the girls to help their mother make and mend. When one of the latter took it into her head to be married—as they usually did quite early in life; for beaux were plenty and belles were “scarce”—he only made one condition, that the man of her choice should be brave and healthy. He never made a “parade” about anything—marriage, least of all. He usually gave the bride—not the “blushing” bride—a bed, a lean horse, and some good advice: and, having thus discharged his duty in the premises, returned to his work, and the business was done.
The marriage ceremony, in those days, was a very unceremonious affair. The parade and drill which now attend it, would then have been as ridiculous as a Chinese dance; and the finery and ornament, at present understood to be indispensable on such occasions, then bore no sway in fashion. Bridal wreaths and dresses were not known; and white kid gloves and satin slippers never heard of. Orange blossoms—natural and artificial—were as pretty then as now; but the people were more occupied with substance, than with emblem.
The ancients decked their victims for the sacrifice with gaudy colors, flags, and streamers; the moderns do the same, and the offerings are sometimes made to quite as barbarous deities.
But the bride of the pioneer was clothed in linsey-wolsey, with hose of woollen yarn; and moccasins of deer-skin—or as an extra piece of finery, high-quartered shoes of calf-skin—preceded satin slippers. The bridegroom came in copperas-colored jeans—domestic manufacture—as a holiday suit; or, perhaps, a hunting-shirt of buckskin, all fringed around the skirt and cape, and a “coon-skin” cap, with moccasins. Instead of a dainty walking-stick, with an opera-dancer's leg, in ivory, for head, he always brought his rifle, with a solid maple stock; and never, during the whole ceremony, did he divest himself of powder-horn and bullet-pouch.
Protestant ministers of the gospel were few in those days; and the words of form were usually spoken by a Jesuit missionary. Or, if the Pioneer had objections to Catholicism—as many had—his place was supplied by some justice of the peace, of doubtful powers and mythical appointment. If neither of these could be procured, the father of the bride, himself, sometimes assumed the functions, pro hâc vice, or pro tempore, of minister or justice. It was always understood, however, that such left-handed marriages were to be confirmed by the first minister who wandered to the frontier: and, even when the opportunity did not offer for many months, no scandal ever arose—the marriage vow was never broken. The pioneers were simple people—the refinements of high cultivation had not yet penetrated the forests or crossed the prairies—and good faith and virtue were as common as courage and sagacity.
When the brief, but all-sufficient ceremony was over, the bridegroom resumed his rifle, helped the bride into the saddle—or more frequently to the pillion behind him—and they calmly rode away together.
On some pleasant spot—surrounded by a shady grove, or point of timber—a new log-cabin has been built: its rough logs notched across each other at the corners, a roof of oaken clapboards, held firmly down by long poles along each course, its floor of heavy “puncheons,” its broad, cheerful fireplace, large as a modern bed-room—all are in the highest style of frontier architecture. Within—excepting some anomalies, such as putting the skillet and tea-kettle in the little cupboard, along with the blue-edged plates and yellow-figured tea-cups—for the whole has been arranged by the hands of the bridegroom himself—everything is neatly and properly disposed. The oaken bedstead, with low square posts, stands in one corner, and the bed is covered by a pure white counterpane, with fringe—an heirloom in the family of the bride. At the foot of this is seen a large, heavy chest—like a camp-chest—to serve for bureau, safe, and dressing-case.
In the middle of the floor—directly above a trap-door which leads to a “potato-hole” beneath—stands a ponderous walnut table, and on it sits a nest of wooden trays; while, flanking these, on one side, is a nicely-folded tablecloth, and, on the other, a wooden-handled butcher-knife and a well-worn Bible. Around the room are ranged a few “split-bottomed” chairs, exclusively for use, not ornament. In the chimney-corners, or under the table, are several three-legged stools, made for the children, who—as the bridegroom laughingly insinuates while he points to the uncouth specimens of his handiwork—“will be coming in due time.” The wife laughs in her turn—replies, “no doubt”—and, taking one of the graceful tripods in her hand, carries it forth to sit upon while she milks the cow—for she understands what she is expected to do, and does it without delay. In one corner—near the fireplace—the aforesaid cupboard is erected—being a few oaken shelves neatly pinned to the logs with hickory forks—and in this are arranged the plates and cups;—not as the honest pride of the housewife would arrange them, to display them to the best advantage—but piled away, one within another, without reference to show. As yet there is no sign of female taste or presence.
But now the house receives its mistress. The “happy couple” ride up to the low rail-fence in front—the bride springs off without assistance, affectation, or delay. The husband leads away the horse or horses, and the wife enters the dominion, where, thenceforward, she is queen. There is no coyness, no blushing, no pretence of fright or nervousness—if you will, no romance—for which the husband has reason to be thankful! The wife knows what her duties are and resolutely goes about performing them. She never dreamed, nor twaddled, about “love in a cottage,” or “the sweet communion of congenial souls” (who never eat anything): and she is, therefore, not disappointed on discovering that life is actually a serious thing. She never whines about “making her husband happy”—but sets firmly and sensibly about making him comfortable. She cooks his dinner, nurses his children, shares his hardships, and encourages his industry. She never complains of having too much work to do, she does not desert her home to make endless visits—she borrows no misfortunes, has no imaginary ailings. Milliners and mantua-makers she ignores—“shopping” she never heard of—scandal she never invents or listens to. She never wishes for fine carriages, professes no inability to walk five hundred yards, and does not think it a “vulgar accomplishment,” to know how to make butter. She has no groundless anxieties, she is not nervous about her children taking cold: a doctor is a visionary potentate to her—a drug-shop is a dépôt of abominations. She never forgets whose wife she is,—there is no “sweet confidante” without whom she “can not live”—she never writes endless letters about nothing. She is, in short, a faithful, honest wife: and, “in due time,” the husband must make more “three-legged stools”—for the “tow-heads” have now covered them all!
Such is the wife and mother of the pioneer, and, with such influences about him, how could he be otherwise than honest, straightforward, and manly?
But, though a life in the woods was an enemy to every sort of sentimentalism—though a more unromantic being than the pioneer can hardly be imagined—yet his character unquestionably took its hue, from the primitive scenes and events of his solitary existence. He was, in many things, as simple as a child: as credulous, as unsophisticated. Yet the utmost cunning of the wily savage—all the strategy of Indian warfare—was not s
ufficient to deceive or overreach him! Though one might have expected that his life of ceaseless watchfulness would make him skeptical and suspicious, his confidence was given heartily, without reservation, and often most imprudently. If he gave his trust at all, you might ply him, by the hour, with the most improbable and outrageous fictions, without fear of contradiction or of unbelief. He never questioned the superior knowledge or pretensions of any one who claimed acquaintance with subjects of which he was ignorant.
The character of his intellect, like that of the Indian, was thoroughly synthetical: he had nothing of the faculty which enables us to detect falsehood, even in matters of which we know nothing by comparison and analogy. He never analyzed any story told him, he took it as a unit; and, unless it violated some known principle of his experience, or conflicted with some fact of his own observation, never doubted its truth. At this moment, there are men in every western settlement who have only vague, crude notions of what a city is—who would feel nervous if they stepped upon the deck of a steamboat—and are utterly at a loss to conjecture the nature of a railroad. Upon either of these mystical subjects they will swallow, without straining, the most absurd and impossible fictions. And this is not because of their ignorance alone, for many of them are, for their sphere in life, educated, intelligent, and, what is better, sensible men. Nor is it by any means a national trait: for a genuine Yankee will scarcely believe the truth; and, though he may sometimes trust in very wild things, his faith is usually an active “craze,” and not mere passive credulity. The pioneer, then, has not derived it from his eastern fathers: it is the growth of the woods and prairies—an embellishment to a character which might otherwise appear naked and severe.
Another characteristic, traceable to the same source, the stern reality of his life, is the pioneer's gravity.
The agricultural population of this country are, at the best, not a cheerful race. Though they sometimes join in festivities, it is but seldom; and the wildness of their dissipation is too often in proportion to its infrequency. There is none of the serene contentment—none of that smiling enjoyment—which, according to travellers like Howitt, distinguishes the tillers of the ground in other lands. Sedateness is a national characteristic, but the gravity of the pioneer is quite another thing; it includes pride and personal dignity, and indicates a stern, unyielding temper. There is, however, nothing morose in it: it is its aspect alone, which forbids approach; and that only makes more conspicuous the heartiness of your reception, when once the shell is broken. Acquainted with the character, you do not expect him to smile much; but now and then he laughs: and that laugh is round, free, and hearty. You know at once that he enjoys it, you are convinced that he is a firm friend and “a good hater.”
It is not surprising, with a character such as I have described, that the pioneer is not gregarious, that he is, indeed, rather solitary. Accordingly, we never find a genuine specimen of the class, among the emigrants, who come in shoals and flocks, and pitch their tents in “colonies;” who lay out towns and cities, projected upon paper, and call them New Boston, New Albany, or New Hartford, before one log is placed upon another; nor are there many of the unadulterated stock among that other class, who come from regions further south, and christen their towns, classically, Carthage, Rome, or Athens: or, patriotically, in commemoration of some Virginian worthy, some Maryland sharpshooter, or “Jersey blue.”
The real pioneer never emigrates gregariously; he does not wish to be within “halloo” of his nearest neighbor; he is no city-builder; and, if he does project a town, he christens it by some such name as Boonville or Clarksville, in memory of a noted pioneer: or Jacksonville or Waynesville, to commemorate some “old hero” who was celebrated for good fighting.[73] And the reason why the outlandish and outré so much predominate in the names of western towns and cities, must be sought in the fact referred to above, that the western man is not essentially a town-projector, and that, consequently, comparatively few of the towns were “laid out” by the legitimate pioneer. We shall have more to say of town-building under another head; and, in the meantime, having said that the pioneer is not gregarious, let us look at the manner of his emigration.
Many a time, in the western highways, have I met with the sturdy “mover,” as he is called, in the places where people are stationary—a family, sometimes by no means small, wandering toward the setting sun, in search of pleasant places on the lands of “Uncle Sam.” Many a time, in the forest or on the prairie—generally upon some point of timber which puts a mile or two within the plain—have I passed the “clearing,” or “pre-emption,” where, with nervous arm and sturdy heart, the “squatter”[74] cleaves out, and renders habitable, a home for himself and a heritage for his children.
Upon the road, you first meet the pioneer himself, for he almost always walks a few hundred yards ahead. He is usually above the medium height, and rather spare. He stoops a little, too; for he has done a deal of hard work, and expects to do more; but you see at once, that unless his lungs are weak, his strength is by no means broken, and you are quite sure that many a stately tree is destined to be humbled by his sinewy arm. He is attired in frontier fashion: he wears a loose coat, called a hunting-shirt, of jeans or linsey, and its color is that indescribable hue compounded of copperas and madder; pantaloons, exceedingly loose, and not very accurately cut in any part, of like color and material, defend his lower limbs. His feet are cased in low, fox-colored shoes, for of boots, he is, yet, quite innocent. Around his throat and wrists, even in midsummer, you see the collar and wristbands of a heavy, deep-red, flannel-shirt. Examine him very closely, and you will probably find no other garment on his person.
His hair is dark, and not very evenly trimmed—for his wife or daughter has performed the tonsure with a pair of rusty shears; and the longer locks seem changed in hue, as if his dingy wool hat did not sufficiently protect them against the wind and rain. Over his shoulder he carries a heavy rifle, heavier than a “Harper's ferry musket,” running about “fifty to the pound.” Around his neck are swung the powder-horn and bullet-pouch, the former protected by a square of deer-skin, and the latter ornamented with a squirrel's tail.
You take note of all these things, and then recur to his melancholy-looking face, with its mild blue eyes and sharpened features. You think he looks thin, and conjecture that his chest may be weak, or his lungs affected, by the stoop in his shoulders; but when he lifts his eyes, and asks the way to Thompson's ferry, or how far it is to water, you are satisfied: for the glance of his eye is calm and firm, and the tone of his voice is round and healthy. You answer his question, he nods quietly by way of thanks, and marches on; and, though you draw your rein, and seem inclined to further converse, he takes no notice, and pursues his way.
A few minutes afterward, you meet the family. A small, light wagon, easily dragged through sloughs and heavy roads, is covered with a white cotton cloth, and drawn, by either two yokes of oxen, or a pair of lean horses. A “patch-work” quilt is sometimes stretched across the flimsy covering, as a guard against the sun and rain. Within this vehicle are stowed all the emigrant's household goods, and still, it is not overloaded.
There is usually a large chest, containing the wardrobe of the family, with such small articles as are liable to loss, and the little store of money. This is always in silver, for the pioneer is no judge of gold, and, on the frontier, paper has but little exchangeable value. There are then two light bedsteads—one “a trundle-bed”—a few plain chairs, most of them tied on behind and at the sides; three or four stools, domestic manufacture; a set of tent-poles and a few pots and pans. On these are piled the “beds and bedding,” tied in large bundles, and stowed in such manner as to make convenient room for the children who are too young to walk. In the front end of the wagon, sits the mother of the family: and, peering over her head and shoulders, leaning out at her side, or gazing under the edge of the cotton-covering, are numerous flaxen heads, which you find it difficult to count while you ride past.
There are altogether too many of them, you think, for a man no older than the one you met, a while ago; and you, perhaps, conjecture that the youthful-looking woman has adopted some of her dead sister's children, or, perchance, some of her brothers and sisters themselves. But you are mistaken, they are all her offspring, and the father of every one of them is the stoop-shouldered man you saw ahead. If you look closely, you will observe that the mother, who is driving, holds the reins with one hand, while, on the other arm, she supports an infant not more than six months old. It was for the advent of this little stranger, that they delayed their emigration: and they set out while it was very young, for fear of the approach of its successor. If they waited for their youngest child to attain a year of age, they would never “move,” until they would be too old to make another “clearing.”
You pass on—perhaps ejaculating thanks that your lot has been differently cast, and thinking you have seen the last of them. But a few hundred yards further, and you hear the tinkling of a bell; two or three lean cows—with calves about the age of the baby—come straggling by. You look for the driver, and see a tall girl with a very young face—the eldest of the family, though not exceeding twelve or thirteen years in age. You feel quite sure, that, besides her sun-bonnet and well-worn shoes, she wears but one article of apparel—and that a loose dress of linsey, rather narrow in the skirt, of a dirty brown color, with a tinge of red. It hangs straight down about her limbs, as if it were wet, and with every step—for she walks stoutly—it flaps and flies about her ankles, as if shotted in the lower hem. She presents, altogether, rather a slatternly figure, and her face is freckled and sunburnt.
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