What was unknown until almost a century after Alcott’s death is that she wrote numerous thrillers and melodramatic novels and stories anonymously and pseudonymously as A. M. Barnard, and with such skill that her payments were substantially greater than those for the work she produced under her own name. Discovered by Madeleine Stern, a bookseller and scholar, several collections of these previously uncollected ripping yarns were published in the 1970s and 1980s.
The tales were written in the day when melodramatic stage plays were immensely popular and commonly featured beautiful, virtuous young women under threat, handsome and stalwart young men who loved them and were willing to risk everything to save them, and villains so heinous that audiences were encouraged to hiss at them whenever they stepped onto the stage, literally twirling the ends of their mustaches.
“A Double Tragedy: An Actor’s Story” is not a stage play, but it easily could have been converted into one, with all the characters and situations slotted into their assigned roles. It is, in fact, surprising that it never was adapted to the stage, as Alcott was devoted to the theater and especially to Shakespeare, as will be seen here. Her work was so professional that her publisher asked her for more and more fiction, even paying her in advance. When this story was delivered to Frank Leslie, he gave it the honor of placing it on the first page of the first issue of his newest publication.
“A Double Tragedy: An Actor’s Story” was originally published in the June 3, 1865, issue of Frank Leslie’s Chimney Corner; it was first collected in A Double Life: Newly Discovered Thrillers of Louisa May Alcott, edited by Madeleine B. Stern (Boston: Little, Brown, 1988).
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CHAPTER I
CLOTILDE WAS IN her element that night, for it was a Spanish play, requiring force and fire in its delineation, and she threw herself into her part with an abandon that made her seem a beautiful embodiment of power and passion. As for me I could not play ill, for when with her my acting was not art but nature, and I was the lover that I seemed. Before she came I made a business, not a pleasure, of my profession, and was content to fill my place, with no higher ambition than to earn my salary with as little effort as possible, to resign myself to the distasteful labor to which my poverty condemned me. She changed all that; for she saw the talent I neglected, she understood the want of motive that made me indifferent, she pitied me for the reverse of fortune that placed me where I was; by her influence and example she roused a manlier spirit in me, kindled every spark of talent I possessed, and incited me to win a success I had not cared to labor for till then.
She was the rage that season, for she came unheralded and almost unknown. Such was the power of beauty, genius, and character, that she made her way at once into public favor, and before the season was half over had become the reigning favorite. My position in the theater threw us much together, and I had not played the lover to this beautiful woman many weeks before I found I was one in earnest. She soon knew it, and confessed that she returned my love; but when I spoke of marriage, she answered with a look and tone that haunted me long afterward.
“Not yet, Paul; something that concerns me alone must be settled first. I cannot marry till I have received the answer for which I am waiting; have faith in me till then, and be patient for my sake.”
I did have faith and patience; but while I waited I wondered much and studied her carefully. Frank, generous, and deep-hearted, she won all who approached her; but I, being nearest and dearest, learned to know her best, and soon discovered that some past loss, some present anxiety or hidden care, oppressed and haunted her. A bitter spirit at times possessed her, followed by a heavy melancholy, or an almost fierce unrest, which nothing could dispel but some stormy drama, where she could vent her pent-up gloom or desperation in words and acts which seemed to have a double significance to her. I had vainly tried to find some cause or explanation of this one blemish in the nature which, to a lover’s eyes, seemed almost perfect, but never had succeeded till the night of which I write.
The play was nearly over, the interest was at its height, and Clotilde’s best scene was drawing to a close. She had just indignantly refused to betray a state secret which would endanger the life of her lover; and the Duke had just wrathfully vowed to denounce her to the Inquisition if she did not yield, when I her lover, disguised as a monk, saw a strange and sudden change come over her. She should have trembled at a threat so full of terror, and have made one last appeal to the stern old man before she turned to defy and dare all things for her lover. But she seemed to have forgotten time, place, and character, for she stood gazing straight before her as if turned to stone. At first I thought it was some new presentiment of fear, for she seldom played a part twice alike, and left much to the inspiration of the moment. But an instant’s scrutiny convinced me that this was not acting, for her face paled visibly, her eyes dilated as they looked beyond the Duke, her lips fell apart, and she looked like one suddenly confronted by a ghost. An inquiring glance from my companion showed me that he, too, was disturbed by her appearance, and fearing that she had over-exerted herself, I struck into the dialogue as if she had made her appeal. The sound of my voice seemed to recall her; she passed her hand across her eyes, drew a long breath, and looked about her. I thought she had recovered herself and was about to resume her part, but, to my great surprise, she only clung to me, saying in a shrill whisper, so full of despair, it chilled my blood—
“The answer, Paul, the answer: it has come!”
The words were inaudible to all but myself; but the look, the gesture were eloquent with terror, grief, and love; and taking it for a fine piece of acting, the audience applauded loud and long. The accustomed sound roused Clotilde, and during that noisy moment a hurried dialogue passed between us.
“What is it? Are you ill?” I whispered.
“He is here, Paul, alive; I saw him. Heaven help us both!”
“Who is here?”
“Hush! not now; there is no time to tell you.”
“You are right; compose yourself; you must speak in a moment.”
“What do I say? Help me, Paul; I have forgotten every thing but that man.”
She looked as if bewildered; and I saw that some sudden shock had entirely unnerved her. But actors must have neither hearts nor nerves while on the stage. The applause was subsiding, and she must speak. Fortunately I remembered enough of her part to prompt her as she struggled through the little that remained; for, seeing her condition, Denon and I cut the scene remorselessly, and brought it to a close as soon as possible. The instant the curtain fell we were assailed with questions, but Clotilde answered none; and though hidden from her sight, still seemed to see the object that had wrought such an alarming change in her. I told them she was ill, took her to her dressing-room, and gave her into the hands of her maid, for I must appear again, and delay was impossible.
How I got through my part I cannot tell, for my thoughts were with Clotilde; but an actor learns to live a double life, so while Paul Lamar suffered torments of anxiety Don Felix fought a duel, killed his adversary, and was dragged to judgment. Involuntarily my eyes often wandered toward the spot where Clotilde’s had seemed fixed. It was one of the stage-boxes, and at first I thought it empty, but presently I caught the glitter of a glass turned apparently on myself. As soon as possible I crossed the stage, and as I leaned haughtily upon my sword while the seconds adjusted the preliminaries, I searched the box with a keen glance. Nothing was visible, however, but a hand lying easily on the red cushion; a man’s hand, white and shapely; on one finger shone a ring, evidently a woman’s ornament, for it was a slender circlet of diamonds that flashed with every gesture.
“Some fop, doubtless; a man like that could never daunt Clotilde,” I thought. And eager to discover if there was not another occupant in the box, I took a step nearer, and stared boldly into the soft gloom that filled it. A low derisive laugh came from behind the curtain as the hand gathered back as if to permit me to satisfy myself. The act showed me that a single pers
on occupied the box, but also effectually concealed that person from my sight; and as I was recalled to my duty by a warning whisper from one of my comrades, the hand appeared to wave me a mocking adieu. Baffled and angry, I devoted myself to the affairs of Don Felix, wondering the while if Clotilde would be able to reappear, how she would bear herself, if that hidden man was the cause of her terror, and why? Even when immured in a dungeon, after my arrest, I beguiled the tedium of a long soliloquy with these questions, and executed a better stage-start than any I had ever practiced, when at last she came to me, bringing liberty and love as my reward.
I had left her haggard, speechless, overwhelmed with some mysterious woe; she reappeared beautiful and brilliant, with a joy that seemed too lovely to be feigned. Never had she played so well; for some spirit, stronger than her own, seemed to possess and rule her royally. If I had ever doubted her love for me, I should have been assured of it that night, for she breathed into the fond words of her part a tenderness and grace that filled my heart to overflowing, and inspired me to play the grateful lover to the life. The last words came all too soon for me, and as she threw herself into my arms she turned her head as if to glance triumphantly at the defeated Duke, but I saw that again she looked beyond him, and with an indescribable expression of mingled pride, contempt, and defiance. A soft sound of applause from the mysterious occupant of that box answered the look, and the white hand sent a superb bouquet flying to her feet. I was about to lift and present it to her, but she checked me and crushed it under foot with an air of the haughtiest disdain. A laugh from behind the curtain greeted this demonstration, but it was scarcely observed by others; for that first bouquet seemed a signal for a rain of flowers, and these latter offerings she permitted me to gather up, receiving them with her most gracious smiles, her most graceful obeisances, as if to mark, for one observer at least, the difference of her regard for the givers. As I laid the last floral tribute in her arms I took a parting glance at the box, hoping to catch a glimpse of the unknown face. The curtains were thrown back and the door stood open, admitting a strong light from the vestibule, but the box was empty.
Then the green curtain fell, and Clotilde whispered, as she glanced from her full hands to the rejected bouquet—
“Bring that to my room; I must have it.”
I obeyed, eager to be enlightened; but when we were alone she flung down her fragrant burden, snatched the stranger’s gift, tore it apart, drew out a slip of paper, read it, dropped it, and walked to and fro, wringing her hands, like one in a paroxysm of despair. I seized the note and looked at it, but found no key to her distress in the enigmatical words—
“I shall be there. Come and bring your lover with you, else—”
There it abruptly ended; but the unfinished threat seemed the more menacing for its obscurity, and I indignantly demanded,
“Clotilde, who dares address you so? Where will this man be? You surely will not obey such a command? Tell me; I have a right to know.”
“I cannot tell you, now; I dare not refuse him; he will be at Keen’s; we must go. How will it end! How will it end!”
I remembered then that we were all to sup en costume, with a brother actor, who did not play that night. I was about to speak yet more urgently, when the entrance of her maid checked me. Clotilde composed herself by a strong effort—
“Go and prepare,” she whispered; “have faith in me a little longer, and soon you shall know all.”
There was something almost solemn in her tone; her eye met mine, imploringly, and her lips trembled as if her heart were full. That assured me at once; and with a reassuring word I hurried away to give a few touches to my costume, which just then was fitter for a dungeon than a feast. When I rejoined her there was no trace of past emotion; a soft color bloomed upon her cheek, her eyes were tearless and brilliant, her lips were dressed in smiles. Jewels shone on her white forehead, neck, and arms, flowers glowed in her bosom; and no charm that art or skill could lend to the rich dress or its lovely wearer, had been forgotten.
“What an actress!” I involuntarily exclaimed, as she came to meet me, looking almost as beautiful and gay as ever.
“It is well that I am one, else I should yield to my hard fate without a struggle. Paul, hitherto I have played for money, now I play for love; help me by being a calm spectator to-night, and whatever happens promise me that there shall be no violence.”
I promised, for I was wax in her hands; and, more bewildered than ever, followed to the carriage, where a companion was impatiently awaiting us.
CHAPTER II
WE WERE LATE; and on arriving found all the other guests assembled. Three strangers appeared; and my attention was instantly fixed upon them, for the mysterious “he” was to be there. All three seemed gay, gallant, handsome men; all three turned admiring eyes upon Clotilde, all three were gloved. Therefore, as I had seen no face, my one clue, the ring, was lost. From Clotilde’s face and manner I could learn nothing, for a smile seemed carved upon her lips, her drooping lashes half concealed her eyes, and her voice was too well trained to betray her by a traitorous tone. She received the greetings, compliments and admiration of all alike, and I vainly looked and listened till supper was announced.
As I took my place beside her, I saw her shrink and shiver slightly, as if a chilly wind had blown over her, but before I could ask if she were cold a bland voice said,
“Will Mademoiselle Varian permit me to drink her health?”
It was one of the strangers; mechanically I offered her glass; but the next instant my hold tightened till the slender stem snapped, and the rosy bowl fell broken to the table, for on the handsome hand extended to fill it shone the ring.
“A bad omen, Mr. Lamar. I hope my attempt will succeed better,” said St. John, as he filled another glass and handed it to Clotilde, who merely lifted it to her lips, and turned to enter into an animated conversation with the gentleman who sat on the other side. Some one addressed St. John, and I was glad of it; for now all my interest and attention centered in him. Keenly, but covertly, I examined him, and soon felt that in spite of that foppish ornament he was a man to daunt a woman like Clotilde. Pride and passion, courage and indomitable will met and mingled in his face, though the obedient features wore whatever expression he imposed upon them. He was the handsomest, most elegant, but least attractive of the three, yet it was hard to say why. The others gave themselves freely to the enjoyment of a scene which evidently possessed the charm of novelty to them; but St. John unconsciously wore the half sad, half weary look that comes to those who have led lives of pleasure and found their emptiness. Although the wittiest, and most brilliant talker at the table, his gaiety seemed fitful, his manner absent at times. More than once I saw him knit his black brows as he met my eye, and more than once I caught a long look fixed on Clotilde,—a look full of the lordly admiration and pride which a master bestows upon a handsome slave. It made my blood boil, but I controlled myself, and was apparently absorbed in Miss Damareau, my neighbor.
We seemed as gay and care-free a company as ever made midnight merry; songs were sung, stories told, theatrical phrases added sparkle to the conversation, and the varied costumes gave an air of romance to the revel. The Grand Inquisitor still in his ghostly garb, and the stern old Duke were now the jolliest of the group; the page flirted violently with the princess; the rivals of the play were bosom-friends again, and the fair Donna Olivia had apparently forgotten her knightly lover, to listen to a modern gentleman.
Clotilde sat leaning back in a deep chair, eating nothing, but using her fan with the indescribable grace of a Spanish woman. She was very lovely, for the dress became her, and the black lace mantilla falling from her head to her shoulders, heightened her charms by half concealing them; and nothing could have been more genial and gracious than the air with which she listened and replied to the compliments of the youngest stranger, who sat beside her and was all devotion.
I forgot myself in observing her till something said by our opposite neighbo
rs arrested both of us. Some one seemed to have been joking St. John about his ring, which was too brilliant an ornament to pass unobserved.
“Bad taste, I grant you,” he said, laughing, “but it is a gage d’amour, and I wear it for a purpose.”
“I fancied it was the latest Paris fashion,” returned Keen. “And apropos to Paris, what is the latest gossip from the gay city?”
A slow smile rose to St. John’s lips as he answered, after a moment’s thought and quick glance across the room.
“A little romance; shall I tell it to you? It is a love story, ladies, and not long.”
A unanimous assent was given; and he began with a curious glitter in his eyes, a stealthy smile coming and going on his face as the words dropped slowly from his lips.
“It begins in the old way. A foolish young man fell in love with a Spanish girl much his inferior in rank, but beautiful enough to excuse his folly, for he married her. Then came a few months of bliss; but Madame grew jealous. Monsieur wearied of domestic tempests, and, after vain efforts to appease his fiery angel, he proposed a separation. Madame was obdurate, Monsieur rebelled; and in order to try the soothing effects of absence upon both, after settling her in a charming chateau, he slipped away, leaving no trace by which his route might be discovered.”
The Best American Mystery Stories of the Nineteenth Century Page 17
