Well, it was a most exciting time, take it all around, and Tom got cords of glory. The judge took the di’monds, and stood up in his pulpit, and cleared his throat, and shoved his spectacles back on his head, and says:
“I’ll keep them and notify the owners; and when they send for them it will be a real pleasure to me to hand you the two thousand dollars, for you’ve earned the money—yes, and you’ve earned the deepest and most sincerest thanks of this community besides, for lifting a wronged and innocent family out of ruin and shame, and saving a good and honorable man from a felon’s death, and for exposing to infamy and the punishment of the law a cruel and odious scoundrel and his miserable creatures!”
Well, sir, if there’d been a brass band to bust out some music, then, it would ’a’ been just the perfectest thing I ever see, and Tom Sawyer he said the same.
Then the sheriff he nabbed Brace Dunlap and his crowd, and by and by next month the judge had them up for trial and jailed the whole lot. And everybody crowded back to Uncle Silas’s little old church, and was ever so loving and kind to him and the family and couldn’t do enough for them; and Uncle Silas he preached them the blamedest jumbledest idiotic sermons you ever struck, and would tangle you up so you couldn’t find your way home in daylight; but the people never let on but what they thought it was the clearest and brightest and elegantest sermons that ever was; and they would set there and cry, for love and pity; but, by George, they give me the jimjams and the fantods and caked up what brains I had, and turned them solid; but by and by they loved the old man’s intellects back into him again, and he was as sound in his skull as ever he was, which ain’t no flattery, I reckon. And so the whole family was as happy as birds, and nobody could be gratefuler and lovinger than what they was to Tom Sawyer; and the same to me, though I hadn’t done nothing. And when the two thousand dollars come, Tom give half of it to me, and never told anybody so, which didn’t surprise me, because I knowed him.
1896
MELVILLE DAVISSON POST
The Corpus Delicti
The technical skill that MELVILLE DAVISSON POST (1869–1930) brought to his short stories helped make him the most commercially successful magazine writer of his time. Born in West Virginia, he practiced criminal and corporate law for eleven years before devoting himself to writing full-time. He died at the age of sixty-one after falling from a horse. He played an important role in the development of the detective story, and while his name may not be familiar to any but the most devoted readers of detective fiction, he was regarded as the best American mystery short story writer of the early twentieth century by no less an authority than Ellery Queen.
It is difficult to create a memorable character, but Post succeeded in doing it twice. The more likely to be remembered today is Uncle Abner, the backwoods protector of the innocent in Virginia during Thomas Jefferson’s presidency. Not a member of a police force, Abner, known for his integrity and sense of justice, believed that evil would be defeated because of the omnipresence of God. His cases were collected in Uncle Abner: Master of Mysteries (1918).
A more conventional figure and undoubtedly of greater significance is Randolph Mason, a brilliant but utterly unscrupulous lawyer. Born in Virginia but practicing in New York, Mason recognizes that there is little correlation between justice and the law. In the past, criminals had tried to avoid capture, but in the Mason stories the paramount concern is the avoidance of punishment. He explains his amoral philosophy in one of his stories:
No man who has followed my advice has ever committed a crime. Crime is a technical word. It is the law’s term for certain acts which it is pleased to define and punish with a penalty. What the law permits is right, else it would prohibit it. What the law prohibits is wrong, because it punishes it. The word moral is a purely metaphysical one.
The Mason stories were all based on genuine legal loopholes, eventually bringing about numerous changes to criminal procedure.
Erle Stanley Gardner, who created the very moral lawyer Perry Mason, so admired Post’s short stories that he named his own detective after Post’s.
“The Corpus Delicti” was first published in The Strange Schemes of Randolph Mason (New York: G. P. Putnam, 1896).
***
I.
“THAT MAN MASON,” said Samuel Walcott, “is the mysterious member of this club. He is more than that; he is the mysterious man of New York.”
“I was much surprised to see him,” answered his companion, Marshall St. Clair, of the great law firm of Seward, St. Clair & De Muth. “I had lost track of him since he went to Paris as counsel for the American stockholders of the Canal Company. When did he come back to the States?”
“He turned up suddenly in his ancient haunts about four months ago,” said Walcott, “as grand, gloomy, and peculiar as Napoleon ever was in his palmiest days. The younger members of the club call him ‘Zanona Redivivus.’ He wanders through the house usually late at night, apparently without noticing anything or anybody. His mind seems to be deeply and busily at work, leaving his bodily self to wander as it may happen. Naturally, strange stories are told of him; indeed, his individuality and his habit of doing some unexpected thing, and doing it in such a marvelously original manner that men who are experts at it look on in wonder, cannot fail to make him an object of interest.
“He has never been known to play at any game whatever, and yet one night he sat down to the chess table with old Admiral Du Brey. You know the Admiral is the great champion since he beat the French and English officers in the tournament last winter. Well, you also know that the conventional openings at chess are scientifically and accurately determined. To the utter disgust of Du Brey, Mason opened the game with an unheard-of attack from the extremes of the board. The old Admiral stopped and, in a kindly patronizing way, pointed out the weak and absurd folly of his move and asked him to begin again with some one of the safe openings. Mason smiled and answered that if one had a head that he could trust he should use it; if not, then it was the part of wisdom to follow blindly the dead forms of some man who had a head. Du Brey was naturally angry and set himself to demolish Mason as quickly as possible. The game was rapid for a few moments. Mason lost piece after piece. His opening was broken and destroyed and its utter folly apparent to the lookers-on. The Admiral smiled and the game seemed all one-sided, when, suddenly, to his utter horror, Du Brey found that his king was in a trap. The foolish opening had been only a piece of shrewd strategy. The old Admiral fought and cursed and sacrificed his pieces, but it was of no use. He was gone. Mason checkmated him in two moves and arose wearily.
“‘Where in Heaven’s name, man,’ said the old Admiral, thunderstruck, ‘did you learn that masterpiece?’
“‘Just here,’ replied Mason. ‘To play chess, one should know his opponent. How could the dead masters lay down rules by which you could be beaten, sir? They had never seen you’; and thereupon he turned and left the room. Of course, St. Clair, such a strange man would soon become an object of all kinds of mysterious rumors. Some are true and some are not. At any rate, I know that Mason is an unusual man with a gigantic intellect. Of late he seems to have taken a strange fancy to me. In fact, I seem to be the only member of the club that he will talk with, and I confess that he startles and fascinates me. He is an original genius, St. Clair, of an unusual order.”
“I recall vividly,” said the younger man, “that before Mason went to Paris he was considered one of the greatest lawyers of this city and he was feared and hated by the bar at large. He came here, I believe, from Virginia and began with the high-grade criminal practice. He soon became famous for his powerful and ingenious defenses. He found holes in the law through which his clients escaped, holes that by the profession at large were not suspected to exist, and that frequently astonished the judges. His ability caught the attention of the great corporations. They tested him and found in him learning and unlimited resources. He pointed out methods by which they could evade obnoxious statutes, by which they could comply with the
apparent letter of the law and yet violate its spirit, and advised them well in that most important of all things, just how far they could bend the law without breaking it. At the time he left for Paris he had a vast clientage and was in the midst of a brilliant career. The day he took passage from New York, the bar lost sight of him. No matter how great a man may be, the wave soon closes over him in a city like this. In a few years Mason was forgotten. Now only the older practitioners would recall him, and they would do so with hatred and bitterness. He was a tireless, savage, uncompromising fighter, always a recluse.”
“Well,” said Walcott, “he reminds me of a great world-weary cynic, transplanted from some ancient mysterious empire. When I come into the man’s presence I feel instinctively the grip of his intellect. I tell you, St. Clair, Randolph Mason is the mysterious man of New York.”
At this moment a messenger boy came into the room and handed Mr. Walcott a telegram. “St. Clair,” said that gentleman, rising, “the directors of the Elevated are in session, and we must hurry.” The two men put on their coats and left the house.
Samuel Walcott was not a club man after the manner of the Smart Set, and yet he was in fact a club man. He was a bachelor in the latter thirties, and resided in a great silent house on the avenue. On the street he was a man of substance, shrewd and progressive, backed by great wealth. He had various corporate interests in the larger syndicates, but the basis and foundation of his fortune was real estate. His houses on the avenue were the best possible property, and his elevator row in the importers’ quarter was indeed a literal gold mine. It was known that, many years before, his grandfather had died and left him the property, which, at that time, was of no great value. Young Walcott had gone out into the gold-fields and had been lost sight of and forgotten. Ten years afterward he had turned up suddenly in New York and taken possession of his property, then vastly increased in value. His speculations were almost phenomenally successful, and, backed by the now enormous value of his real property, he was soon on a level with the merchant princes. His judgment was considered sound, and he had the full confidence of his business associates for safety and caution. Fortune heaped up riches around him with a lavish hand. He was unmarried and the halo of his wealth caught the keen eye of the matron with marriageable daughters. He was invited out, caught by the whirl of society, and tossed into its maelstrom. In a measure he reciprocated. He kept horses and a yacht. His dinners at Delmonico’s and the club were above reproach. But with all he was a silent man with a shadow deep in his eyes, and seemed to court the society of his fellows, not because he loved them, but because he either hated or feared solitude. For years the strategy of the match-maker had gone gracefully afield, but Fate is relentless. If she shields the victim from the traps of men, it is not because she wishes him to escape, but because she is pleased to reserve him for her own trap. So it happened that, when Virginia St. Clair assisted Mrs. Miriam Steuvisant at her midwinter reception, this same Samuel Walcott fell deeply and hopelessly and utterly in love, and it was so apparent to the beaten generals present, that Mrs. Miriam Steuvisant applauded herself, so to speak, with encore after encore. It was good to see this courteous, silent man literally at the feet of the young debutante. He was there of right. Even the mothers of marriageable daughters admitted that. The young girl was brown-haired, brown-eyed, and tall enough, said the experts, and of the blue blood royal, with all the grace, courtesy, and inbred genius of such princely heritage.
Perhaps it was objected by the censors of the Smart Set that Miss St. Clair’s frankness and honesty were a trifle old-fashioned, and that she was a shadowy bit of a Puritan; and perhaps it was of these same qualities that Samuel Walcott received his hurt. At any rate the hurt was there and deep, and the new actor stepped up into the old time-worn, semi-tragic drama, and began his role with a tireless, utter sincerity that was deadly dangerous if he lost.
II.
PERHAPS A WEEK after the conversation between St. Clair and Walcott, Randolph Mason stood in the private writing-room of the club with his hands behind his back.
He was a man apparently in the middle forties; tall and reasonably broad across the shoulders; muscular without being either stout or lean. His hair was thin and of a brown color, with erratic streaks of gray. His forehead was broad and high and of a faint reddish color. His eyes were restless inky black, and not over-large. The nose was big and muscular and bowed. The eyebrows were black and heavy, almost bushy. There were heavy furrows, running from the nose downward and outward to the corners of the mouth. The mouth was straight and the jaw was heavy, and square.
Looking at the face of Randolph Mason from above, the expression in repose was crafty and cynical; viewed from below upward, it was savage and vindictive, almost brutal; while from the front, if looked squarely in the face, the stranger was fascinated by the animation of the man and at once concluded that his expression was fearless and sneering. He was evidently of Southern extraction and a man of unusual power.
A fire smoldered on the hearth. It was a crisp evening in the early fall, and with that far-off touch of melancholy which ever heralds the coming winter, even in the midst of a city. The man’s face looked tired and ugly. His long white hands were clasped tight together. His entire figure and face wore every mark of weakness and physical exhaustion; but his eyes contradicted. They were red and restless.
In the private dining-room the dinner party was in the best of spirits. Samuel Walcott was happy. Across the table from him was Miss Virginia St. Clair, radiant, a tinge of color in her cheeks. On either side, Mrs. Miriam Steuvisant and Marshall St. Clair were brilliant and lighthearted. Walcott looked at the young girl and the measure of his worship was full. He wondered for the thousandth time how she could possibly love him and by what earthly miracle she had come to accept him, and how it would be always to have her across the table from him, his own table in his own house.
They were about to rise from the table when one of the waiters entered the room and handed Walcott an envelope. He thrust it quickly into his pocket. In the confusion of rising the others did not notice him, but his face was ash white and his hands trembled violently as he placed the wraps around the bewitching shoulders of Miss St. Clair.
“Marshall,” he said, and despite the powerful effort his voice was hollow, “you will see the ladies safely cared for, I am called to attend a grave matter.”
“All right, Walcott,” answered the young man, with cheery good nature, “you are too serious, old man, trot along.”
“The poor dear,” murmured Mrs. Steuvisant, after Walcott had helped them to the carriage and turned to go up the steps of the club,—“The poor dear is hard hit, and men are such funny creatures when they are hard hit.”
Samuel Walcott, as his fate would, went direct to the private writing-room and opened the door. The lights were not turned on and in the dark he did not see Mason motionless by the mantel-shelf. He went quickly across the room to the writing-table, turned on one of the lights, and, taking the envelope from his pocket, tore it open. Then he bent down by the light to read the contents. As his eyes ran over the paper, his jaw fell. The skin drew away from his cheekbones and his face seemed literally to sink in. His knees gave way under him and he would have gone down in a heap had it not been for Mason’s long arms that closed around him and held him up. The human economy is ever mysterious. The moment the new danger threatened, the latent power of the man as an animal, hidden away in the centers of intelligence, asserted itself. His hand clutched the paper and, with a half slide, he turned in Mason’s arms. For a moment he stared up at the ugly man whose thin arms felt like wire ropes.
“You are under the dead-fall, aye,” said Mason. “The cunning of my enemy is sublime.”
“Your enemy?” gasped Walcott. “When did you come into it? How in God’s name did you know it? How your enemy?”
Mason looked down at the wide bulging eyes of the man.
“Who should know better than I?” he said. “Haven’t I broken throug
h all the traps and plots that she could set?”
“She? She trap you?” The man’s voice was full of horror.
“The old schemer,” muttered Mason. “The cowardly old schemer, to strike in the back; but we can beat her. She did not count on my helping you—I, who know her so well.”
Mason’s face was red, and his eyes burned. In the midst of it all he dropped his hands and went over to the fire. Samuel Walcott arose, panting, and stood looking at Mason, with his hands behind him on the table. The naturally strong nature and the rigid school in which the man had been trained presently began to tell. His composure in part returned and he thought rapidly. What did this strange man know? Was he simply making shrewd guesses, or had he some mysterious knowledge of this matter? Walcott could not know that Mason meant only Fate, that he believed her to be his great enemy. Walcott had never before doubted his own ability to meet any emergency. This mighty jerk had carried him off his feet. He was unstrung and panic-stricken. At any rate this man had promised help. He would take it. He put the paper and envelope carefully into his pocket, smoothed out his rumpled coat, and going over to Mason touched him on the shoulder.
“Come,” he said, “if you are to help me we must go.”
The man turned and followed him without a word. In the hall Mason put on his hat and overcoat, and the two went out into the street. Walcott hailed a cab, and the two were driven to his house on the avenue. Walcott took out his latchkey, opened the door, and led the way into the library. He turned on the light and motioned Mason to seat himself at the table. Then he went into another room and presently returned with a bundle of papers and a decanter of brandy. He poured out a glass of the liquor and offered it to Mason. The man shook his head. Walcott poured the contents of the glass down his own throat. Then he set the decanter down and drew up a chair on the side of the table opposite Mason.
The Best American Mystery Stories of the Nineteenth Century Page 60
