Anger must be an excellent antidote to fear, for surely something worked to alleviate my natural alarm. I did not undress that night, nor even take off my shoes, but rather sat in that dark hollow bedroom gazing at the small square of diamond-paned window until I heard all of the house fall quiet. Richard's door at last closed. There came those distant echoing booms that meant other bolts had been put in place.
And when the grandfather clock in the great hall chimed the hour of eleven, Rampling Gate was as usual fast asleep.
I listened for my brother's step in the hall. And when I did not hear him stir from his room, I wondered at it, that curiosity would not impel him to come to me, to say that we must go together to discover the truth.
It was just as well. I did not want him to be with me. And I felt a dark exultation as I imagined myself going out of the room and down the stairs as I had the night before. I should wait one more hour, however, to be certain. I should let the night reach its pitch. Twelve, the witching hour. My heart was beating too fast at the thought of it, and dreamily I recollected the face I had seen, the voice that had said my name.
Ah, why did it seem in retrospect so intimate, that we had known each other, spoken together, that it was someone I recognized in the pit of my soul?
"What is your name?" I believe I whispered aloud. And then a spasm of fear startled me. Would I have the courage to go in search of him, to open the door to him? Was I losing my mind? Closing my eyes, I rested my head against the high back of the damask chair.
What was more empty than this rural night? What was more sweet?
I opened my eyes. I had been half dreaming or talking to myself, trying to explain to Father why it was necessary that we comprehend the reason ourselves. And I realized, quite fully realized—I think before I was even awake—that he was standing by the bed.
The door was open. And he was standing there, dressed exactly as he had been the night before, and his dark eyes were riveted on me with that same obvious curiosity, his mouth just a little slack like that of a school boy, and he was holding to the bedpost almost idly with his right hand. Why, he was lost in contemplating me. He did not seem to know that I was looking at him.
But when I sat forward, he raised his finger as if to quiet me, and gave a little nod of his head.
"Ah, it is you!" I whispered.
"Yes," he said in the softest, most unobtrusive voice.
But we had been talking to each other, hadn't we, I had been asking him questions, no, telling him things. And I felt suddenly I was losing my equilibrium or slipping back into a dream.
No. Rather I had all but caught the fragment of some dream from the past. That rush of atmosphere that can engulf one at any moment of the day following when something evokes the universe that absorbed one utterly in sleep. I mean I heard our voices for an instant, almost in argument, and I saw Father in his top hat and black overcoat rushing alone through the streets of the West End, peering into one door after another, and then, rising from the marble-top table in the dim smoky music hall you. . . your face.
"Yes. . ."
Go back, Julie! It was Father's voice.
". . . to penetrate the soul of it," I insisted, picking up the lost thread. But did my lips move? "To understand what it is that frightened him, enraged him. He said, 'Tear it down!'"
". . . you must never, never, can't do that." His face was stricken, like that of a schoolboy about to cry.
"No, absolutely, we don't want to, either of us, you know it. . . and you are not a spirit!" I looked at his mud-spattered boots, the faintest smear of dust on that perfect white cheek.
"A spirit?" he asked almost mournfully, almost bitterly. "Would that I were."
Mesmerized I watched him come towards me and the room darkened, and I felt his cool silken hands on my face. I had risen. I was standing before him, and I looked up into his eyes.
I heard my own heartbeat. I heard it as I had the night before, right at the moment I had screamed. Dear God, I was talking to him! He was in my room and I was talking to him! And I was in his arms.
"Real, absolutely real!" I whispered, and a low zinging sensation coursed through me so that I had to steady myself against the bed.
He was peering at me as if trying to comprehend something terribly important to him, and he didn't respond. His lips did have a ruddy look to them, a soft look for all his handsomeness, as if he had never been kissed. And a slight dizziness had come over me, a slight confusion in which I was not at all sure that he was even there.
"Oh, but I am," he said softly. I felt his breath against my cheek, and it was almost sweet. "I am here, and you are with me, Julie. . ."
"Yes. . ."
My eyes were closing. Uncle Baxter sat hunched over his desk and I could hear the furious scratch of his pen. "Demon wretch!" he said to the night air coming in the open doors.
"No!" I said. Father turned in the door of the music hall and cried my name.
"Love me, Julie," came that voice in my ear. I felt his lips against my neck. "Only a little kiss, Julie, no harm. . ." And the core of my being, that secret place where all desires and all commandments are nurtured, opened to him without a struggle or a sound. I would have fallen if he had not held me. My arms closed about him, my hands slipping into the soft silken mass of his hair.
I was floating, and there was as there had always been at Rampling Gate an endless peace. It was Rampling Gate I felt around me, it was that timeless and impenetrable soul that had opened itself at last. . . A power within me of enormous ken. . . To see as a god sees, and take the depth of things as nimbly as the outward eyes can size and shape pervade. . . Yes, I whispered aloud, those words from Keats, those words. . . To cease upon the midnight without pain. . .
No. In a violent instant we had parted, he drawing back as surely as I.
I went reeling across the bedroom floor and caught hold of the frame of the window, and rested my forehead against the stone wall.
For a long moment I stood with my eyes closed. There was a tingling pain in my throat that was almost pleasurable where his lips had touched me, a delicious throbbing that would not stop.
Then I turned, and I saw all the room clearly, the bed, the fireplace, the chair. And he stood still exactly as I'd left him and there was the most appalling distress in his face.
"What have they done to me?" he whispered. "Have they played the cruelest trick of all?"
"Something of menace, unspeakable menace," I whispered.
"Something ancient, Julie, something that defies understanding, something that can and will go on."
"But why, what are you?" I touched that pulsing pain with the tips of my fingers and, looking down at them, gasped. "And you suffer so, and you are so seemingly innocent, and it is as if you can love!"
His face was rent as if by a violent conflict within. And he turned to go. With my whole will, I stood fast not to follow him, not to beg him to turn back. But he did turn, bewildered, struggling and then bent upon his purpose as he reached for my hand. "Come with me," he said.
He drew me to him ever so gently, and slipping his arm around me guided me to the door.
Through the long upstairs corridor we passed hurriedly, and through a small wooden doorway to a screw stairs that I had never seen before.
I soon realized we were ascending the north tower of the house, the ruined portion of the structure that Richard and I had not investigated before.
Through one tiny window after another I saw the gently rolling landscape moving out from the forest that surrounded us, and the small cluster of dim lights that marked the village of Rampling and the pale streak of white that was the London road.
Up and up we climbed until we had reached the topmost chamber, and this he opened with an iron key. He held back the door for me to enter and I found myself in a spacious room whose high narrow windows contained no glass. A flood of moonlight revealed the most curious mixture of furnishings and objects, the clutter that suggests an attic and a sort of d
en. There was a writing table, a great shelf of books, soft leather chairs and scores of old yellowed and curling maps and framed pictures affixed to the walls. Candles were everywhere stuck in the bare stone niches or to the tables and the shelves. Here and there a barrel served as a table, right alongside the finest old Elizabethan chair. Wax had dripped over everything, it seemed, and in the very midst of the clutter lay rumpled copies of the most recent papers, the Mercure de Paris, the London Times.
There was no place for sleeping in this room.
And when I thought of that, where he must lie when he went to rest, a shudder passed over me and I felt, quite vividly, his lips touching my throat again, and I felt the sudden urge to cry.
But he was holding me in his arms, he was kissing my cheeks and my lips again ever so softly, and then he guided me to a chair. He lighted the candles about us one by one.
I shuddered, my eyes watering slightly in the light. I saw more unusual objects: telescopes and magnifying glasses and a violin in its open case, and a handful of gleaming and exquisitely shaped sea shells. There were jewels lying about, and a black silk top hat and a walking stick, and a bouquet of withered flowers, dry as straw, and daguerreotypes and tintypes in their little velvet cases, and opened books.
But I was too distracted now by the sight of him in the light, the gloss of his large black eyes, and the gleam of his hair. Not even in the railway station had I seen him so clearly as I did now amid the radiance of the candles. He broke my heart.
And yet he looked at me as though I were the feast for his eyes, and he said my name again and I felt the blood rush to my face. But there seemed a great break suddenly in the passage of time. I had been thinking, yes, what are you, how long have you existed. . . And I felt dizzy again.
I realized that I had risen and I was standing beside him at the window and he was turning me to look down and the countryside below had unaccountably changed. The lights of Rampling had been subtracted from the darkness that lay like a vapor over the land. A great wood, far older and denser than the forest of Rampling Gate, shrouded the hills, and I was afraid suddenly, as if I were slipping into a maelstrom from which I could never, of my own will, return.
There was that sense of us talking together, talking and talking in low agitated voices and I was saying that I should not give in.
"Bear witness, that is all I ask of you. . ."
And there was in me some dim certainty that by knowledge alone I should be fatally changed. It was the reading of a forbidden book, the chanting of a forbidden charm.
"No, only what was," he whispered.
And then even the shape of the land itself eluded me. And the very room had lost its substance, as if a soundless wind of terrific force had entered this place and was blowing it apart.
We were riding in a carriage through the night. We had long long ago left the tower, and it was late afternoon and the sky was the color of blood. And we rode into a forest whose trees were so high and so thick that scarcely any sun at all broke through to the soft leafstrewn ground.
We had no time to linger in this magical place. We had come to the open country, to the small patches of tilled earth that surrounded the ancient village of Knorwood with its gabled roofs and its tiny crooked streets. We saw the walls of the monastery of Knorwood and the little church with the bell chiming Vespers under the lowering sky. A great bustling life resided in Knorwood, a thousand hearts beat in Knorwood, a thousand voices gave forth their common prayer.
But far beyond the village on the rise above the forest stood the rounded tower of a truly ancient castle, and to that ruined castle, no more than a shell of itself anymore, as darkness fell in earnest, we rode. Through its empty chambers we roamed, impetuous children, the horse and the road quite forgotten, and to the Lord of the Castle, a gaunt and white-skinned creature standing before the roaring fire of the roofless hall, we came. He turned and fixed us with his narrow and glittering eyes. A dead thing he was, I understood, but he carried within himself a priceless magic. And my young companion, my innocent young man passed by me into the Lord's arms. I saw the kiss. I saw the young man grow pale and struggle to turn away. It was as I had done this very night, beyond this dream, in my own bedchamber; and from the Lord he retreated, clutching to the sharp pain in his throat.
I understood. I knew. But the castle was dissolving as surely as anything in this dream might dissolve, and we were in some damp and close place.
The stench was unbearable to me, it was that most terrible of all stenches, the stench of death. And I heard my steps on the cobblestones and I reached to steady myself against the wall. The tiny square was deserted; the doors and windows gaped open to the vagrant wind. Up one side and down the other of the crooked street I saw the marks on the houses. And I knew what the marks meant. The Black Death had come to the village of Knorwood. The Black Death had laid it waste. And in a moment of suffocating horror I realized that no one, not a single person, was left alive.
But this was not quite right. There was someone walking in fits and starts up the narrow alleyway. Staggering he was, almost falling, as he pushed in one door after another, and at last came to a hot, stinking place where a child screamed on the floor. Mother and Father lay dead in the bed. And the great fat cat of the household, unharmed, played with the screaming infant, whose eyes bulged from its tiny sunken face.
"Stop it," I heard myself gasp. I knew that I was holding my head with both hands. "Stop it, stop it please!" I was screaming and my screams would surely pierce the vision and this small crude little room should collapse around me, and I should rouse the household of Rampling Gate to me, but I did not. The young man turned and stared at me, and in the close stinking room, I could not see his face.
But I knew it was he, my companion, and I could smell his fever and his sickness, and the stink of the dying infant, and see the sleek, gleaming body of the cat as it pawed at the child's outstretched hand.
"Stop it, you've lost control of it!" I screamed surely with all my strength, but the infant screamed louder. "Make it stop!"
"I cannot. . ." he whispered. "It goes on forever! It will never stop!"
And with a great piercing shriek I kicked at the cat and sent it flying out of the filthy room, overturning the milk pail as it went, jetting like a witch's familiar over the stones.
Blanched and feverish, the sweat soaking his crude jerkin, my companion took me by the hand. He forced me back out of the house and away from the crying child and into the street.
Death in the parlour, death in the bedroom, death in the cloister, death before the high altar, death in the open fields. It seemed the Judgment of God that a thousand souls had died in the village of Knorwood—I was sobbing, begging to be released—it seemed the very end of Creation itself.
And at last night came down over the dead village and he was alive still, stumbling up the slopes, through the forest, towards that rounded tower where the Lord stood with his hand on the stone frame of the broken window waiting for him to come.
"Don't go!" I begged him. I ran alongside him crying, but he didn't hear. Try as I might, I could not affect these things.
The Lord stood over him smiling almost sadly as he watched him fall, watched the chest heave with its last breaths. Finally the lips moved, calling out for salvation when it was damnation the Lord offered, when it was damnation that the Lord would give.
"Yes, damned then, but living, breathing!" the young man cried, rising in a last spasmodic movement. And the Lord, who had remained still until that instant, bent to drink.
The kiss again, the lethal kiss, the blood drawn out of the dying body, and then the Lord lifting the heavy head of the young man to take the blood back again from the body of the Lord himself.
I was screaming again, Do not, do not drink. He turned and looked at me. His face was now so perfectly the visage of death that I couldn't believe there was animation left in him, yet he asked: What would you do? Would you go back to Knorwood, would you open those doors o
ne after another, would you ring the bell in the empty church, and if you did would the dead rise?
He didn't wait for my answer. And I had none now to give. He had turned again to the Lord who waited for him, locked his innocent mouth to that vein that pulsed with every semblance of life beneath the Lord's cold and translucent flesh. And the blood jetted into the young body, vanquishing in one great burst the fever and the sickness that had wracked it, driving it out with the mortal life.
He stood now in the hall of the Lord alone. Immortality was his and the blood thirst he would need to sustain it, and that thirst I could feel with my whole soul. He stared at the broken walls around him, at the fire licking the blackened stones of the giant fireplace, at the night sky over the broken roof, throwing out its endless net of stars.
And each and every thing was transfigured in his vision, and in my vision—the vision he gave now to me—to the exquisite essence of itself. A wordless and eternal voice spoke from the starry veil of heaven, it sang in the wind that rushed through the broken timbers; it sighed in the flames that ate the sooted stones of the hearth.
By Blood We Live Page 5
