Rassoril, seeing that there was no changing the young prince's mind, then took from her robe a black arrow tipped in silver, fletched with the tail feathers of a falcon. "Then take this," she said. "This leopard is a magic beast, and you will never kill it otherwise. Only silver will pierce its heart. Take the arrow and you may fulfill your oath." So saying, she slipped out of his room.
The next night Zufik again heard the leopard's voice in the garden below, but this time he took also his bow and arrow when he went to meet it. At first he was loath to use it, since it seemed somehow unmanly; but when the beast had again given him injury and he had struck three sword blows in turn without effect, he at last nocked the silver-pointed shaft on his bowstring and, as the beast charged him once more, let fly. The black arrow struck to the leopard's heart; the creature gave a hideous cry and again leaped the fence, this time leaving a trail of its mortal blood behind it.
When morning came Zufik went to the sultan for men, so that they could follow the track of blood to the beast's lair and prove its death. The sultan was displeased when his vizier, the princess's pale cousin, did not answer his summons. As they were all going down into the garden, though, there came a great cry from the sleeping rooms upstairs, a cry like a soul in mortal agony. With fear in their hearts Zufik, the sultan, and all the men rushed upstairs. There they found the missing Sifaz.
The pale man lifted a shaking, red-smeared finger to point at Zufik, as all the company stared in horror. "He has done it—the foreigner!" Sifaz shouted.
In Sifaz's arms lay the body of the Princess Rassoril, a black arrow standing from her breast.
After Fawn finished there was a long silence. The boy, his own courage perhaps stirred by his story, seemed to sit straighter.
"Ah. . ." the vampyr said at last, "love and its prices—that is the message? Or is it perhaps the effect of silver on the supernatural? Fear not, I am bound by no such conventions, and fear neither silver, steel, nor any other metal." The creature made a huffing, scraping sound that might have been a laugh. I marveled anew, even as I felt the skein of my life fraying, that it had so quickly gained such command of our unfamiliar tongue.
"Well. . ." it said slowly. "Sad. But. . . sad enough? Again, that is the important question. Who is your last. . . contestant?"
Now my heart truly went cold within me, and I sat as though I had swallowed a stone. Walid al-Salameh spoke up.
"I am," he said, and took a deep breath. "I am."
The Vizier's Story
This is a true story—or so I was told. It happened in my grandfather's time, and he had it from someone who knew those involved. He told it to me as a cautionary tale.
There once was an old caliph, a man of rare gifts and good fortune. He ruled a small country, but a wealthy one—a country upon which all the gifts of Allah had been showered in grand measure. He had the finest heir a man could have, dutiful and yet courageous, beloved by the people almost as extravagantly as the caliph himself. He had many other fine sons, and two hundred beautiful wives, and an army of fighting men the envy of his neighbors. His treasury was stacked roofbeam-high with gold and gemstones and blocks of fragrant sandalwood, crisscrossed with ivories and bolts of the finest cloth. His palace was built around a spring of fragrant, clear water; and everyone said that they must be the very Waters of Life, so fortunate and well-loved this caliph was. His only sadness was that age had robbed his sight from him, leaving him blind, but hard as this was, it was a small price to pay for Allah's beneficence.
One day the caliph was walking in his garden, smelling the exquisite fragrance of the blossoming orange trees. His son the prince, unaware of his father's presence, was also in the garden, speaking with his mother, the caliph's first and chiefest wife.
"He is terribly old," the wife said. "I cannot stand even to touch him anymore. It is a horror to me."
"You are right, mother," the son replied, as the caliph hid behind the trees and listened, shocked. "I am sickened by watching him sitting all day, drooling into his bowl, or staggering sightless through the palace. But what are we to do?"
"I have thought on it long and hard," the caliph's wife replied. "We owe it to ourselves and those close to us to kill him."
"Kill him?" the son replied. "Well, it is hard for me, but I suppose you are right. I still feel some love for him, though—may we at least do it quickly, so that he shall not feel pain at the end?"
"Very well. But do it soon—tonight, even. If I must feel his foul breath upon me one more night I will die myself."
"Tonight, then," the son agreed, and the two walked away, leaving the blind caliph shaking with rage and terror behind the orange trees. He could not see what sat on the garden path behind them, the object of their discussion: the wife's old lap-dog, a scrofulous creature of extreme age.
Thus the caliph went to his vizier, the only one he was sure he could trust in a world of suddenly traitorous sons and wives, and bade him to have the pair arrested and quickly beheaded. The vizier was shocked, and asked the reason why, but the caliph only said he had unassailable proof that they intended to murder him and take his throne. He bade the vizier go and do the deed.
The vizier did as he was directed, seizing the son and his mother quickly and quietly, then giving them over to the headsman after tormenting them for confessions and the names of confederates, neither of which were forthcoming.
Sadly, the vizier went to the caliph and told him it was done, and the old man was satisfied. But soon, inevitably, word of what had happened spread, and the brothers of the heir began to murmur among themselves about their father's deed. Many thought him mad, since the dead pair's devotion to the caliph was common knowledge.
Word of this dissension reached the caliph himself, and he began to fear for his life, terrified that his other sons meant to emulate their treasonous brother. He called the vizier to him and demanded the arrest of these sons, and their beheading. The vizier argued in vain, risking his own life, but the caliph would not be swayed; at last the vizier went away, returning a week later a battered, shaken man.
"It is done, O Prince," he said. "All your sons are dead."
The caliph had only a short while in which to feel safe before the extreme wrath of the wives over the slaughter of their children reached his ears. "Destroy them, too!" the blind caliph insisted.
Again the vizier went away, soon to return.
"It is done, O Prince," he reported. "Your wives have been beheaded."
Soon the courtiers were crying murder, and the caliph sent his vizier to see them dealt with as well.
"It is done, O Prince," he assured the caliph. But the ruler now feared the angry townspeople, so he commanded his vizier to take the army and slaughter them. The vizier argued feebly, then went away.
"It is done, O Prince," the caliph was told a month later. But now the caliph realized that with his heirs and wives gone, and the important men of the court dead, it was the soldiers themselves who were a threat to his power. He commanded his vizier to sow lies amongst them, causing them to fall out and slay each other, then locked himself in his room to safely outlast the conflict. After a month and a half the vizier knocked upon his door.
"It is done, O Prince."
For a moment the caliph was satisfied. All his enemies were dead, and he himself was locked in: no one could murder him, or steal his treasure, or usurp his throne. The only person yet alive who even knew where the caliph hid was. . . his vizier.
Blind, he groped about for the key with which he had locked himself in. Better first to remove the risk that someone might trick him into coming out. He pushed the key out beneath the door and told the vizier to throw it away somewhere it might never be found. When the vizier returned he called him close to the locked portal that bounded his small world of darkness and safety.
"Vizier," the caliph said through the keyhole, "I command you to go and kill yourself, for you are the last one living who is a threat to me."
"Kill myself, my prince?
" the vizier asked, dumbfounded. "Kill myself?"
"Correct," the caliph said. "Now go and do it. That is my command."
There was a long silence. At last the vizier said: "Very well." After that there was silence.
For a long time the caliph sat in his blindness and exulted, for everyone he distrusted was gone. His faithful vizier had carried out all his orders, and now had killed himself. . ..
A sudden, horrible thought came to him then: What if the vizier had not done what he had told him to do? What if instead he had made compact with the caliph's enemies, and was only reporting false details when he told of their deaths? How was the caliph to know? He almost swooned with fright and anxiousness at the realization.
At last he worked up the courage to feel his way across the locked room to the door. He put his ear to the keyhole and listened. He heard nothing but silence. He took a breath and then put his mouth to the hole.
"Vizier?" he called in a shaky voice. "Have you done what I commanded? Have you killed yourself?"
"It is done, O Prince," came the reply.
Finishing his story, which was fully as dreadful as it was sad, the under-vizier Walid lowered his head as if ashamed or exhausted. We waited tensely for our guest to speak; at the same time I am sure we all vainly hoped there would be no more speaking, that the creature would simply vanish, like a frightening dream that flees the sun.
"Rather than discuss the merits of your sad tales," the black, tattered shadow said at last—confirming that there would be no waking from this dream—"rather than argue the game with only one set of moves completed, perhaps it is now time for me to speak. The night is still youthful, and my tale is not long, but I wish to give you a fair time to render judgment."
As he spoke the creature's eyes bloomed scarlet like unfolding roses. The mist curled up from the ground beyond the fire-circle, wrapping the vampyr in a cloak of writhing fogs, a rotted black egg in a bag of silken mesh.
". . . May I begin?" it asked. . . but no one could say a word. "Very well. . .."
The Vampyr's Story
The tale I will tell is of a child, a child born of an ancient city on the banks of a river. So long ago this was that not only has the city itself long gone to dust, but the later cities built atop its ruins, tiny towns and great walled fortresses of stone, all these too have gone beneath the mill-wheels of time—rendered, like their predecessor, into the finest of particles to blow in the wind, silting the timeless river's banks.
This child lived in a mud hut thatched with straw, and played with his fellows in the shallows of the sluggish brown river while his mother washed the family's clothes and gossiped with her neighbors.
Even this ancient city was built upon the bones of earlier cities, and it was into the collapsed remnants of one—a great, tumbled mass of shattered sandstone—that the child and his friends sometimes went. And it was to these ruins that the child, when he was a little older. . . almost the age of your young, romantic companion. . . took a pretty, doe-eyed girl.
It was to be his first time beyond the veil—his initiation into the mysteries of women. His heart beat rapidly; the girl walked ahead of him, her slender brown body tiger-striped with light and shade as she walked among the broken pillars. Then she saw something, and screamed. The child came running.
The girl was nearly mad, weeping and pointing. He stopped in amazement, staring at the black, shrivelled thing that lay on the ground—a twisted something that might have been a man once, wizened and black as a piece of leather dropped into the cookfire. Then the thing opened its eyes.
The girl ran, choking—but he did not, seeing that the black thing could not move. The twitching of its mouth seemed that of someone trying to speak; he thought he heard a faint voice asking for help, begging for him to do something. He leaned down to the near-silent hiss, and the thing squirmed and bit him, fastening its sharp teeth like barbed fishhooks in the muscle of his leg. The man-child screamed, helpless, and felt his blood running out into the horrible sucking mouth of the thing. Fetid saliva crept into the wounds and coursed hotly through his body, even as he struggled against his writhing attacker. The poison climbed through him, and it seemed he could feel his own heart flutter and die within his chest, delicate and hopeless as a broken bird. With final, desperate strength the child pulled free. The black thing, mouth gaping, curled on itself and shuddered, like a beetle on a hot stone. A moment later it had crumbled into ashes and oily flakes.
But it had caught me long enough to destroy me—for of course I was that child—to force its foul fluids into me, leeching my humanity and replacing it with the hideous, unwanted wine of immortality. My child's heart became an icy fist.
Thus was I made what I am, at the hands of a dying vampyr—which had been a creature like I am now. Worn down at last by the passing of millennia, it had chosen a host to receive its hideous malady, then died—as I shall do someday, no doubt, in the grip of some terrible, blind, insect-like urge. . . but not soon. Not today.
So that child, which had been in all ways like other children—loved by its family, loving in turn noise and games and sweetmeats—became a dark thing sickened by the burning light of the sun.
Driven into the damp shadows beneath stones and the dusty gloom of abandoned places, then driven out again beneath the moon by an unshakeable, irresistable hunger, I fed first on my family—my uncomprehending mother wept to see her child returned, standing by her moonlit pallet—then on the others of my city. Not last, or least painful of my feedings was on the dark-haired girl who had run when I stayed behind. I slashed other throats, too, and lapped up warm, sea-salty blood while the trapped child inside me cried without a sound. It was as though I stood behind a screen, unable to leave or interfere as terrible crimes were committed before me. . ..
And thus the years have passed: sand grains, deposited along the riverbank, uncountable in their succession. Every one has contained a seeming infinitude of killings, each one terrible despite their numbing similarity. Only the blood of mankind will properly feed me, and a hundred generations have known terror of me.
Strong as I am, virtually immortal, unkillable as far as I know or can tell—blades pass through me like smoke; fire, water, poison, none affect me—still the light of the sun causes a pain to me so excruciating that you with only mortal lives, whose pain at least eventually ends in death, cannot possibly comprehend it. Thus, kingdoms of men have risen and fallen to ashes since I last saw daylight. Think only on that for a moment, if you seek sad stories! I must be in darkness when the sun rises, so as I range in search of prey my accommodations are shared with toads and slugs, bats, and blindworms.
People can be nothing to me anymore but food. I know of none other like myself, save the dying creature who spawned me. The smell of my own corruption is in my nostrils always.
So there is all of my tale. I cannot die until my time is come, and who can know when that is? Until then I will be alone, alone as no mere man can ever be, alone with my wretchedness and evil and self-disgust until the world collapses and is born anew. . ..
The vampyr rose now, towering up like a black sail billowing in the wind, spreading its vast arms or wings on either side, as if to sweep us before it. "How do your stories compare to this?" it cried; the harshness of its speech seemed somehow muted, even as it grew louder and louder. "Whose is the saddest story, then?" There was pain in that hideous voice that tore at even my fast-pounding heart. "Whose is saddest? Tell me! It is time to judge. . ."
And in that moment, of all the moments when lying could save my life. . . I could not lie. I turned my face away from the quivering black shadow, that thing of rags and red eyes. None of the others around the campfire spoke—even Abdallah the clerk only sat hugging his knees, teeth chattering, eyes bulging with fear.
". . .I thought so," the thing said at last. "I thought so." Night wind tossed the treelimbs above our heads, and it seemed as though beyond them stood only ultimate darkness—no sky, no stars, nothing but unendin
g emptiness.
"Very well," the vampyr said at last. "Your silence speaks all. I have won." There was not the slightest note of triumph in its voice. "Give me my prize, and then I may let the rest of you flee my mountains." The dark shape withdrew a little way.
We all of us turned to look at one another, and it was just as well that the night veiled our faces. I started to speak, but Ibn Fahad interrupted me, his voice a tortured rasp.
"Let there be no talk of volunteering. We will draw lots; that is the only way." Quickly he cut a thin branch into five pieces, one of them shorter than the rest, and cupped them in a closed hand.
"Pick," he said. "I will keep the last."
As a part of me wondered what madness it was that had left us wagering on story-telling and drawing lots for our lives, we each took a length from Ibn Fahad's fist. I kept my hand closed while the others selected, not wanting to hurry Allah toward his revelation of my fate. When all had selected we extended our hands and opened them, palms up.
By Blood We Live Page 12
