By Blood We Live

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by John Joseph Adams


  The struggle was literally Hellish: I refer specifically to the Fifth Circle of Dante's Hell, where the Sullen bubble in eternal stasis in the mud beneath the waters of the River Styx. I can only assume that the Styx is warmer than the Atlantic Ocean in mid-April. Water at a temperature of thirty degrees has exactly the same effect on the UnDead as it would on the living, only, of course, more prolonged, since the living wouldn't survive more than a few minutes even were breathing not an issue. Beyond the paralyzing cold, there was the sheer hammering disorientation of ocean water—living water—itself. For long periods I became simply immobilized, my brain shrieking, fighting to make a hand move, a foot thrust against the metal walls that hemmed me in; it was like trying to remain awake in the final extremities of exhaustion. I'd come out of it, twist and thrash and wrench myself to push along a foot or so, then sink back into an inactivity I couldn't break no matter how frantically I tried.

  Those periods got longer, the moments of clumsy, horrified lucidity shorter and shorter. And around me I could feel the walls, the hull, the decking tilting, tilting, as the weight of the water in the bow doubled and quadrupled and quintupled, and I hung there helpless, aware of the sheer, horrifying depth of the ocean below.

  I wonder I didn't go mad. Not with fear that I would die when that final hideous tipping-point was at last reached and the ship began her lightless plunge to the bottom: with the appalling certainty that I would not and could not.

  Ever.

  Whether because the water conducted sound, or for some other cause, as I spastically, intermittently, agonizingly crept and pushed my way toward the stairways and survival, I was completely aware of everything that was passing on the decks above. Even above the cheerful ragtime being pumped out by the ship's band, I could hear with nightmarish clarity every conversation, every footfall, every creak of the tackle as the crew loaded up the lifeboats and lowered them to the surface of the sea far below. The ship's officers kept saying Women and children first and the women and children—brainless cretins!—kept finding reasons to remain on the main vessel where it was warm. A number of men got into those early boats unchallenged, since there were so many women who weren't interested: I learned later one of them was sent off with only twelve people in it. The miserable Mrs. Harper got off accompanied not only by her husband but by her wretched Pekingese.

  But around me the walls changed their angle, with what to me seemed to be fearful speed, until even those first-class idiots on deck (I use the term advisedly) realized there was something greatly wrong. By the time I dragged myself at last, shaking and dripping, up a maintenance ladder onto D Deck, and stumbled toward an unguarded crew ladder to go above, the bow of the ship was underwater and all but four of the boats were gone.

  I won't go into a detailed description of the behavior of the some two thousand men and women in competition for the approximately one hundred and sixty available passes out of the jaws of death. Anyone who has lived for close to two centuries in a major city like London has had ample occasion to view the behavior of mobs, and the passengers of the Titanic actually acquitted themselves fairly mildly, all things considered. Yes, the crew members had to form a cordon around one boat and threaten to shoot any non-lady who tried to board; yes, the men did rush another of the boats (I was too far back in the mob to get on, damn those other selfish bastards to hell).

  Astonishingly, the lights remained on and the band continued to play, giving an eerie disjointedness to the scene but somehow, I think, keeping everyone just on the human side of total panic. God knows what it would have been like in darkness, with no sound but the groaning of the ship's overstrained armature readying itself to snap. I had long since given up any thought of getting my trunk to safety, or of Alexandra Paxton. I learned much later she'd gone straight from shooting me (as she thought) to the Boat Deck, and had gotten off fairly early in the proceedings. She returned to England and lived, I regret to say, happily ever after.

  The bitch.

  For my part, my only thought was getting into a boat and trusting to luck that the rescue ship would arrive while night still lay upon the ocean. The richest people in the world were aboard the Titanic, for God's sake! Other vessels must be racing one another to pick them up.

  Mustn't they?

  In addition to the regular lifeboats the Titanic carried four canvas collapsible boats, and two of these were assembled and put in the lifeboat davits as the last of the wooden boats was lowered away. The other two, lashed uselessly to the top of the officers' quarters, were too tangled up in rope to be dragged to the side, but men swarmed over them, trying to get them into shape to be floated off if and when, God help us all, the ship went under.

  And under she would go. I knew it, could hear with the hyper-acute senses of the UnDead the snapping creak of her skeleton cracking under the weight of water pulling her down, and the whole stern end of her—God knows how many tons!—that was by this time lifted completely clear of the glass-smooth, obsidian ocean. The lights were beginning to glow red as the generators began to fail. As I fought my way through the mob to one of the collapsibles, a dapper little gentleman who'd been helping with the ropes turned to the officer in charge and said, "I'm going aboard." When the officer—who'd been fighting off would-be male boarders for some minutes—opened his mouth to protest, the dapper gentleman said, "I'm Bruce Ismay; President of the White Star Line." He stepped into the boat.

  As it swung clear of the deck I reached the rail: You may be President of the White Star Line but if there's room for you, there's room for me. . .

  And I froze. I could have batted aside any of the officers who tried to prevent me, and the leap would have been nothing. For one moment, just before the men began to lower, less than two feet separated the boat's gunwale from the rail; with a vampire's altered muscle and inhuman strength, I've cleared gaps four and five times that with ease.

  Two feet of space, with running water not all that far below.

  Had I been assured of the return of my immortal soul by so doing, I could not have made that jump.

  And by the time I fought my way to the place where the other serviceable collapsible was being lowered, it was away. A number of passengers jumped at this point, when the boats were close enough to have picked them up. If you walked forward, it wasn't all that far to the surface of the sea. I made my way to the roof of the officers' quarters and joined the struggle to get the remaining two collapsibles unraveled from the snarl of ropes, get their canvas sides put up (the designer of the damned things is another on the long list of persons I hope will rot in hell), and get them to the rails: if one fell upside-down (which it did) it was too heavy and too clumsy to be righted. I could feel the angle of the deck steepening, could tell by the dark water's advance that the ship was being pulled forward and down.

  At 2:15 the bridge went under. A rolling wave of black water swept over the roof of the officers' quarters and floated the right-side-up collapsible free. I scrambled aboard, fighting and clawing the army of other men trying to do the same thing; glancing back I could see the Titanic's stern, swarming with humanity like ants on a floating branch, lift high out of the ocean. It was a fearful sight. Voices were screaming all around me and if I'd ever had a doubt that a vampire could pray, and pray sincerely, it was put to rest in that moment. I shrieked God's name with the best of them as I threw myself into that miserable canvas tub and we oared away, gasping, from the great ship as she snapped in half—dear God, with what a sound!—and her stern crashed back, the wave propelling our boat on its way.

  I saw her lights beneath the water as the bow pulled down, dragging the stern after it. The stern rose straight up for a moment, venting steam at every orifice and wreathed in the despairing wails of those wretches still trapped aboard; pointed briefly like a stumpy accusing finger at the beacon-cold blazons of the icy stars. . .

  . . .then sank.

  With my trunk aboard.

  And no rescue-boat in sight.

  It was twenty mi
nutes after two in the morning. Dawn in the North Atlantic comes, in mid-April, at roughly five a.m.; first light about a half-hour before that.

  Dear God, was all I could think. Dear God.

  The men—mostly crewmen—around me in the boat were praying, but I was at something of a loss for words. What I really wanted was for a light-proof, unsinkable coffin to drop down out of the heavens so I could go on killing people and drinking their blood for another few centuries. Even in my extremity, I didn't think God would answer that one.

  So I waited.

  The collapsible's sides never had been properly put up. We started shipping water almost immediately and barely dared stir at the oars, for fear of altering the boat's precarious balance and sending us all down into those black miles of abyss. This consideration at least kept the men in the boat from rowing back to pick up swimmers, whose voices hung over the water like the humming of insects on a summer night. Some sixteen hundred people went into the sub-freezing water that night—I'm told most of the other boats, even those lightly laden, held off for fear of being swamped. One American woman tried to organize the other ladies in her boat to stage a rescue at this point and was roundly snubbed: so much for the tender-heartedness of the fair sex.

  The cries subsided after twenty minutes or so. The living don't last long, in water that cold.

  Then we could only wait, in fear perhaps more excruciating than we'd left behind us on the Titanic, for the canvas boat to slowly fill with water, and sink away beneath our feet.

  Or in my case, for the earth to turn, and the sun to rise, and my flesh to spontaneously ignite in unquenchable fire.

  It was small consolation to reflect that such an event would briefly keep my fellow passengers warm and, one hoped, would take their minds off their own upcoming immersion.

  Should the boat sink before I burst into flames, I found myself thinking, my best chance would be to guide myself, as best I could, toward the Titanic wreck. The short periods of volition permitted by even a long succession of noons and midnights would never be enough to counteract the movement of the slow, deep-flowing ocean currents. Staying in the wreck itself would be my best and only chance.

  I could hear Simon's voice in my mind, speculating about how divers were already learning to search for ships foundered in shallow waters, for the sunken treasures of the Spanish Main and the ancient Mediterranean. In time I fancy they shall discover even Atlantis, or at the very least whatever galleons went down chock-full of treasure in mid-ocean. You can be sure that whatever science can invent, treasure-hunters will not be long in adapting to their greed.

  The richest men and women in the world had been my fellow passengers. Very few of them stuffed their jewels in their pockets before getting into the lifeboats. Of course the treasure-hunters would come, as soon as science made it possible for them to do so.

  And even as I thought this, I sent up the feeblest of human prayers: Please, God, no. . ..

  As if He'd listen.

  At 3:30, far off to the southeast, a flicker of white light pierced the blackness, followed by a cannon's distant boom.

  A slight breeze had come up, making the ocean choppy and the air yet more bitterly cold. Tiny as a nail-clipping, a new moon hung over the eastern horizon. Men had begun to fall off the collapsible, which was now almost up to its gunwales in seawater that hovered right around the temperature of ice: fall silently, numb, dead within sight of salvation. I could see all around us the ocean filled with the pale-gleaming blobs of what the sailors called "trash" and "growlers," miniature icebergs the size of motorcars or single-story houses, ghostly in the starlight. Among them, or west and south in the clearer water, I could make out the dark shapes of the other lifeboats. Could hear the voices of the passengers in them, tiny occasional drops of sound, like single crickets in the night.

  It wanted but an hour till first light. I think I would have wept, had it been possible for vampires to shed tears.

  The sky was staining gray when one of the lifeboats was sighted, slowly inching toward us. How far we'd drifted I don't know; I'd sunk into a lethargy of horror, watching the slow growing of the light. It might have been the effect of the water in the boat, which was up to our knees by this time; there were only a dozen men left, and a woman from third class. I could barely move my head to follow the lifeboat's agonizingly lentitudinous approach.

  Everything seemed to have slowed to the gluey pace of a helpless dream. It was as if time itself were slowly jelling to immobility with the cold. Far across the water—perhaps a mile or two, in the midst of the floating ice—loomed the dark bulk of a small freighter. All around it the lifeboats were creeping inward, some from miles away, like nearly frozen insects painfully dragging themselves toward the jam-pot that is the Heaven of their tiny lives.

  And I could see that, even if the lifeboat reached us—and each second it seemed that we'd go down under their very noses—there was no way under God's pitiless sky that it would reach the freighter before full light.

  Don't make me do this, God. Don't make me. . .

  Like the laughter of God, light flushed up into the gray sky, turning all the icebergs to silver, the water to sapphire of incredible hardness and depth. At the same time my frozen flesh was suffused with unbearable heat, my skin itching, writhing. . . my flesh readying to burst into flame.

  Hiding in a boiler on the wreck, curled in some corner of the grand staircase or the Palm Court Lounge, I would have only to wait for the treasure-hunters to come.

  The cold and darkness would only seem eternal.

  Would hope in those circumstances be more cruel than the comfort of despair?

  I closed my eyes, tipped myself backward over the side.

  I was about to find out.

  Hit

  by Bruce McAllister

  Bruce McAllister is the author of the novels Dream Baby and Humanity Prime and more than fifty short stories. His short work has been collected in The Girl Who Loved Animals and Other Stories, and has appeared in numerous anthologies, including the prestigious Best American Short Stories series. His stories have also been nominated for both the Hugo and Nebula awards. He's currently working on two "quiet fantasy" novels, both of which incorporate vampire elements.

  McAllister says that he suspects vampire stories are Christianity flipped to its dark alter-self. "In communion we do drink blood, and we're promised immortality, so in one sense vampirism is communion and immortality but without God's grace," he said. "So that plays a role in the attraction, as does the neo-Romantic gothic feel of it."

  This story, which first appeared in the online magazine Aeon, is inspired by classic and contemporary hard-boiled fiction. But while the characters of Dashiell Hammett and Robert Parker may have found themselves in similar situations, none of them ever had a client or a mark quite like this. . .

  I'm given the assignment by an angel—I mean that, an angel—one wearing a high-end Armani suit with an Ermenegildo Zegna tie. A loud red one. Why red? To project confidence? Hell, I don't know. I'm having lunch at Parlami's, a mediocre bistro on Melrose where I met my first ex, when in he walks with what looks like a musical instrument case—French horn or tiny tuba, I'm thinking—and sits down. We do the usual disbelief dialogue from the movies: He announces he's an angel. I say, "You're kidding." He says, "No. Really." I ask for proof. He says, "Look at my eyes," and I do. His pupils are missing. "So?" I say. "That's easy with contacts." So he makes the butter melt on the plate just by looking at it, and I say, "Any demon could do that." He says, "Sure, but let's cut the bullshit, Anthony. God's got something He wants you to do, and if you'll take the job, He'll forgive everything." I shrug and tell him, "Okay, okay. I believe. Now what?" Everyone wants to be forgiven, and it's already sounding like any other contract.

  He reaches for the case, opens it right there (no one's watching—not even the two undercover narcs—the angel makes sure of that) and hands it to me. It's got a brand-new crossbow in it. Then he tells me what I need to do to b
e forgiven.

  "God wants you to kill the oldest vampire."

  "Why?" I ask and can see him fight to keep those pupilless eyes from rolling. Even angels feel boredom, contempt, things like that, I'm thinking, and that makes it all that more convincing.

  "Because He can't do it."

  "And why is that?" I'm getting braver. Maybe they do need me. I'm good—one of the three best repairmen west of Vegas, just like my sainted dad was—and maybe guys who say yes to things like this aren't all that common.

  "Because the fellow—the oldest bloodsucker—is the son of. . .well, you know. . ."

  "No, I don't."

  "Does 'The Prince of Lies' ring a bell?"

  "Oh." I'm quiet for a second. Then I get it. It's like the mob and the police back in my uncle's day in Jersey. You don't take out the don because then maybe they take out your chief.

  I ask him if this is the reasoning.

  The contempt drops a notch, but holds. "No, but close enough."

  "And where do I do it?"

 

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