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Dreamsongs 2-Book Bundle

Page 68

by George R. R. Martin


  Melantha was already running down the corridor, towards the cargo hold where the suits and equipment were stored.

  “When you have changed,” Royd continued, “dump the corpses into the mass conversion unit. You’ll find the appropriate hatch near the driveroom airlock, just to the left of the lock controls. Convert any other loose objects that are not indispensable as well; scientific instruments, books, tapes, tableware—”

  “Knives,” suggested Melantha.

  “By all means.”

  “Is teke still a threat, captain?”

  “Mother is vastly weaker in a gravity field,” Royd said. “She has to fight it. Even boosted by the Nightflyer’s power, she can only move one object at a time, and she has only a fraction of the lifting force she wields under weightless conditions. But the power is still there, remember. Also, it is possible she will find a way to circumvent me and cut out the gravity again. From here I can restore it in an instant, but I don’t want any likely weapons lying around even for that brief period of time.”

  Melantha reached the cargo area. She stripped off her vacuum suit and slipped into another one in record time, wincing at the pain in her shoulder. It was bleeding badly, but she had to ignore it. She gathered up the discarded suit and a double armful of instruments and dumped them into the conversion chamber. Afterwards she turned her attention to the bodies. Dannel was no problem. Lindran crawled down the corridor after her as she pushed him through, and thrashed weakly when it was her own turn, a grim reminder that the Nightflyer’s powers were not all gone. Melantha easily overcame her feeble struggles and forced her through.

  Christopheris’ burned, ruined body writhed in her grasp and snapped its teeth at her, but Melantha had no real trouble with it. While she was cleaning out the lounge, a kitchen knife came spinning at her head. It came slowly, though, and Melantha just batted it aside, then picked it up and added it to the pile for conversion. She was working through the cabins, carrying Agatha Marij-Black’s abandoned drugs and injection gun under her arm, when she heard Royd cry out.

  A moment later a force like a giant invisible hand wrapped itself around her chest and squeezed and pulled her, struggling, to the floor.

  Something was moving across the stars.

  Dimly and far off, d’Branin could see it, though he could not yet make out details. But it was there, that was unmistakable, some vast shape that blocked off a section of the starscape. It was coming at them dead on.

  How he wished he had his team with him now, his computer, his telepath, his experts, his instruments.

  He pressed harder on the thrusters, and rushed to meet his volcryn.

  Pinned to the floor, hurting, Melantha Jhirl risked opening her suit’s comm. She had to talk to Royd. “Are you there?” she asked. “What’s happen … happening?” The pressure was awful, and it was growing steadily worse. She could barely move.

  The answer was pained and slow in coming. “… outwitted … me,” Royd’s voice managed. “… hurts to … talk.”

  “Royd—”

  “… she … teked … the … di​al … up … tw​o …​ gee​s … th​ree … higher​ … ri​ght … on … the … board … all … I … have to … to do … turn it … back … back … let me.”

  Silence. Then, finally, when Melantha was near despair, Royd’s voice again. One word:

  “… can’t …”

  Melantha’s chest felt as if it were supporting ten times her own weight. She could imagine the agony Royd must be in; Royd, for whom even one gravity was painful and dangerous. Even if the dial was an arm’s length away, she knew his feeble musculature would never let him reach it. “Why,” she started. Talking was not as hard for her as it seemed to be for him. “Why would … she turn up the … the gravity … it … weakens her too … yes?”

  “… yes … but … in a … a time … hour … minute … my … my heart … will burst … and … and then … you alone … she … will … kill gravity … kill you.…”

  Painfully Melantha reached out her arm and dragged herself half a length down the corridor. “Royd … hold on … I’m coming.…” She dragged herself forward again. Agatha’s drug kit was still under her arm, impossibly heavy. She eased it down and started to shove it aside. It felt as if it weighed a hundred kilos. She reconsidered. Instead she opened its lid.

  The ampules were all neatly labeled. She glanced over them quickly, searching for adrenaline or synthastim, anything that might give her the strength she needed to reach Royd. She found several stimulants, selected the strongest, and was loading it into the injection gun with awkward, agonized slowness when her eyes chanced on the supply of esperon.

  Melantha did not know why she hesitated. Esperon was only one of a half-dozen psionic drugs in the kit, none of which could do her any good, but something about seeing it bothered her, reminded her of something she could not quite lay her finger on. She was trying to sort it out when she heard the noise.

  “Royd,” she said, “your mother … could she move … she couldn’t move anything … teke it … in this high a gravity … could she?”

  “Maybe,” he answered, “… if … concentrate … all her … power … hard … maybe possible … why?”

  “Because,” Melantha Jhirl said grimly, “because something … someone … is cycling through the airlock.”

  “It is not truly a ship, not as I thought it would be,” Karoly d’Branin was saying. His suit, Academy-designed, had a built-in encoding device, and he was recording his comments for posterity, strangely secure in the certainty of his impending death. “The scale of it is difficult to imagine, difficult to estimate. Vast, vast. I have nothing but my wrist computer, no instruments, I cannot make accurate measurements, but I would say, oh, a hundred kilometers, perhaps as much as three hundred, across. Not solid mass, of course, not at all. It is delicate, airy, no ship as we know ships, no city either. It is—oh, beautiful—it is crystal and gossamer, alive with its own dim lights, a vast intricate kind of spiderwebby craft—it reminds me a bit of the old starsail ships they used once, in the days before drive, but this great construct, it is not solid, it cannot be driven by light. It is no ship at all, really. It is all open to vacuum, it has no sealed cabins or life-support spheres, none visible to me, unless blocked from my line of sight in some fashion, and no, I cannot believe that, it is too open, too fragile. It moves quite rapidly. I would wish for the instrumentation to measure its speed, but it is enough to be here. I am taking the sled at right angles to it, to get clear of its path, but I cannot say that I will make it. It moves so much faster than we. Not at light speed, no, far below light speed, but still faster than the Nightflyer and its nuclear engines, I would guess … only a guess.

  “The volcryn craft has no visible means of propulsion. In fact, I wonder how—perhaps it is a light-sail, laser-launched millennia ago, now torn and rotted by some unimaginable catastrophe—but no, it is too symmetrical, too beautiful, the webbings, the great shimmering veils near the nexus, the beauty of it.

  “I must describe it, I must be more accurate, I know. It is difficult, I grow too excited. It is large, as I have said, kilometers across. Roughly—let me count—yes, roughly octagonal in shape. The nexus, the center, is a bright area, a small darkness surrounded by a much greater area of light, but only the dark portion seems entirely solid—the lighted areas are translucent, I can see stars through them, though discolored, shifted towards the purple. Veils, I call those the veils. From the nexus and the veils eight long—oh, vastly long—spurs project, not quite spaced evenly, so it is not a true geometric octagon—ah, I see better now, one of the spurs is shifting, oh, very slowly, the veils are rippling—they are mobile, then, those projections, and the webbing runs from one spur to the next, around and around, but there are—patterns, odd patterns, it is not at all the simple webbing of a spider. I cannot quite see order in the patterns, in the traceries of the webs, but I feel sure the order is there, the meaning is waiting to be found.

&nb
sp; “There are lights. Have I mentioned the lights? The lights are brightest around the center nexus, but they are nowhere very bright, a dim violet. Some visible radiation, then, but not much. I would like to take an ultraviolet reading of this craft, but I do not have the instrumentation. The lights move. The veils seem to ripple, and lights run constantly up and down the length of the spurs, at differing rates of speed, and sometimes other lights can be seen transversing the webbing, moving across the patterns. I do not know what the lights are. Some form of communication, perhaps. I cannot tell whether they emanate from inside the craft or outside. I—oh! There was another light just then. Between the spurs, a brief flash, a starburst. It is gone now, already. It was more intense than the others, indigo. I feel so helpless, so ignorant. But they are beautiful, my volcryn.…

  “The myths, they—this is really not much like the legends, not truly. The size, the lights. The volcryn have often been linked to lights, but those reports were so vague, they might have meant anything, described anything from a laser propulsion system to simple exterior lighting. I could not know it meant this. Ah, what mystery! The ship is still too far away to see the finer detail. It is so large, I do not think we shall get clear of it. It seems to have turned toward us, I think, yet I may be mistaken, it is only an impression. My instruments, if I only had my instruments. Perhaps the darker area in the center is a craft, a life capsule. The volcryn must be inside it. I wish my team were with me, and Thale, poor Thale. He was a class one, we might have made contact, might have communicated with them. The things we would learn! The things they have seen! To think how old this craft is, how ancient the race, how long they have been outbound … it fills me with awe. Communication would be such a gift, such an impossible gift, but they are so alien.”

  “D’Branin,” Agatha Marij-Black said in a low, urgent voice. “Can’t you feel?”

  Karoly d’Branin looked at her as if seeing her for the first time. “Can you feel them? You are a three, can you sense them now, strongly?”

  “Long ago,” the psipsych said, “long ago.”

  “Can you project? Talk to them, Agatha. Where are they? In the center area? The dark?”

  “Yes,” she replied, and she laughed. Her laugh was shrill and hysterical, and d’Branin had to recall that she was a very sick woman. “Yes, in the center, d’Branin, that’s where the pulses come from. Only you’re wrong about them. It’s not a them at all, your legends are all lies, lies, I wouldn’t be surprised if we were the first ever to see your volcryn, to come this close. The others, those aliens of yours, they merely felt, deep and distantly, sensed a bit of the nature of the volcryn in their dreams and visions, and fashioned the rest to suit themselves. Ships, and wars, and a race of eternal travelers, it is all—all—”

  “Yes. What do you mean, Agatha, my friend? You do not make sense. I do not understand.”

  “No,” Marij-Black said, “you do not, do you?” Her voice was suddenly gentle. “You cannot feel it, as I can. So clear now. This must be how a one feels, all the time. A one full of esperon.”

  “What do you feel? What?”

  “It’s not a them, Karoly. It’s an it. Alive, Karoly, and quite mindless, I assure you.”

  “Mindless?” d’Branin said. “No, you must be wrong, you are not reading correctly. I will accept that it is a single creature if you say so, a single great marvelous star-traveler, but how can it be mindless? You sensed it, its mind, its telepathic emanations. You and the whole of the Crey sensitives and all the others. Perhaps its thoughts are too alien for you to read.”

  “Perhaps. But what I do read is not so terribly alien at all. Only animal. Its thoughts are slow and dark and strange, hardly thoughts at all, faint. Stirrings cold and distant. The brain must be huge all right, I grant you that, but it can’t be devoted to conscious thought.”

  “What do you mean?”

  “The propulsion system, d’Branin. Don’t you feel? The pulses? They are threatening to rip off the top of my skull. Can’t you guess what is driving your damned volcryn across the galaxy? And why they avoid gravity wells? Can’t you guess how it is moving?”

  “No,” d’Branin said, but even as he denied it a dawn of comprehension broke across his face, and he looked away from his companion, back at the swelling immensity of the volcryn, its lights moving, its veils a-ripple as it came on and on, across light years, light centuries, across eons.

  When he looked back at her, he mouthed only a single word: “Teke,” he said.

  She nodded.

  Melantha Jhirl struggled to lift the injection gun and press it against an artery. It gave a single loud hiss, and the drug flooded her system. She lay back and gathered her strength and tried to think. Esperon, esperon, why was that important? It had killed Lasamer, made him a victim of his own latent abilities, multiplied his power and his vulnerability. Psi. It all came back to psi.

  The inner door of the airlock opened. The headless corpse came through.

  It moved with jerks, unnatural shufflings, never lifting its legs from the floor. It sagged as it moved, half-crushed by the weight upon it. Each shuffle was crude and sudden; some grim force was literally yanking one leg forward, then the next. It moved in slow motion, arms stiff by its sides.

  But it moved.

  Melantha summoned her own reserves and began to squirm away from it, never taking her eyes off its advance.

  Her thoughts went round and round, searching for the piece out of place, the solution to the chess problem, finding nothing.

  The corpse was moving faster than she was. Clearly, visibly, it was gaining.

  Melantha tried to stand. She got to her knees with a grunt, her heart pounding. Then one knee. She tried to force herself up, to lift the impossible burden on her shoulders as if she were lifting weights. She was strong, she told herself. She was the improved model.

  But when she put all her weight on one leg, her muscles would not hold her. She collapsed, awkwardly, and when she smashed against the floor it was as if she had fallen from a building. She heard a sharp snap, and a stab of agony flashed up her arm, her good arm, the arm she had tried to use to break her fall. The pain in her shoulder was terrible and intense. She blinked back tears and choked on her own scream.

  The corpse was halfway up the corridor. It must be walking on two broken legs, she realized. It didn’t care. A force greater than tendons and bone and muscle was holding it up.

  “Melantha … heard you … are … you … Melantha?”

  “Quiet,” she snarled at Royd. She had no breath to waste on talk.

  Now she used all the disciplines she had ever learned, willed away the pain. She kicked feebly, her boots scraping for purchase, and she pulled herself forward with her unbroken arm, ignoring the fire in her shoulder.

  The corpse came on and on.

  She dragged herself across the threshold of the lounge, worming her way under the crashed sled, hoping it would delay the cadaver. The thing that had been Thale Lasamer was a meter behind her.

  In the darkness, in the lounge, where it had all begun, Melantha Jhirl ran out of strength.

  Her body shuddered and she collapsed on the damp carpet, and she knew that she could go no farther.

  On the far side of the door, the corpse stood stiffly. The sled began to shake. Then, with the scrape of metal against metal, it slid backward, moving in tiny sudden increments, jerking itself free and out of the way.

  Psi. Melantha wanted to curse it, and cry. Vainly she wished for a psi power of her own, a weapon to blast apart the teke-driven corpse that stalked her. She was improved, she thought despairingly, but not improved enough. Her parents had given her all the genetic gifts they could arrange, but psi was beyond them. The genes were astronomically rare, recessive, and—

  —and suddenly it came to her.

  “Royd,” she said, putting all of her remaining will into her words. She was weeping, wet, frightened. “The dial … teke it. Royd, teke it!”

  His reply was faint, tr
oubled. “… can’t … I don’t … Mother … only … her … not me … no … Mother …”

  “Not Mother,” she said, desperate. “You always … say … Mother. I forgot … forgot. Not your mother … listen … you’re a clone … same genes … you have it too … power.”

  “Don’t,” he said. “Never … must be … sex-linked.”

  “No! It isn’t. I know … Promethean, Royd … don’t tell a Promethean … about genes … turn it!”

  The sled jumped a third of a meter, and listed to the side. A path was clear.

  The corpse came forward.

  “… trying,” Royd said. “Nothing … I can’t!”

  “She cured you,” Melantha said bitterly. “Better than … she … was cured … prenatal … but it’s only … suppressed … you can!”

  “I … don’t … know … how.”

  The corpse stood above her. Stopped. Its pale-fleshed hands trembled, spasmed, jerked upward. Long painted fingernails. Made claws. Began to rise.

  Melantha swore. “Royd!”

  “… sorry …”

  She wept and shook and made a futile fist.

  And all at once the gravity was gone. Far, far away, she heard Royd cry out and then fall silent.

  “The flashes come more frequently now,” Karoly d’Branin dictated, “or perhaps it is simply that I am closer, that I can see them better. Bursts of indigo and deep violet, short and fast-fading. Between the webbing. A field, I think. The flashes are particles of hydrogen, the thin ethereal stuff of the reaches between the stars. They touch the field, between the webbing, the spurs, and shortly flare into the range of visible light. Matter to energy, yes, that is what I guess. My volcryn feeds.

  “It fills half the universe, comes on and on. We shall not escape it, oh, so sad. Agatha is gone, silent, blood on her faceplate. I can almost see the dark area, almost, almost. I have a strange vision, in the center is a face, small, ratlike, without mouth or nose or eyes, yet still a face somehow, and it stares at me. The veils move so sensuously. The webbing looms around us.

 

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