Pitt was considerably shaken when he heard the news. It was preposterous, almost incredible. He did up his muffler, pulled his hat down over his ears, and strode out into the icy streets. He wanted to walk to give himself time to compose his mind before he got there.
There were two corpses—because the corpse from the church pew was still in the mortuary. Therefore one of them was not Lord Augustus Fitzroy-Hammond. His mind went back over the identification. The man from the cab outside the theatre had been identified only by Alicia. Now that he thought about it, she had been expecting it to be her husband. Pitt himself had as much as told her it was. She had only glanced at him and then looked away. He could hardly blame her for that. Perhaps her eyes had seen only what had been told them, and she had not actually examined him at all?
On the other hand, the second corpse, the one in the church pew, had been seen not only by Alicia but by the old lady, the vicar, and lastly by Dr. McDuff, who one would presume was reasonably used to the sight of death, even if not three weeks old.
He crossed the street, splashed with dung and refuse from a vegetable cart. The child who normally swept the crossing had bronchitis and was presumably holed up somewhere in one of the innumerable warrens behind the facade of shops.
Therefore the most reasonable explanation was that the second corpse was Lord Augustus, and the first was someone else. Since the grave of Mr. William Wilberforce Porteous had also been robbed, presumably it was his corpse they had buried in St. Margaret’s churchyard!
He had better make arrangements for the widow to see it—and properly this time!
It was half-past six and the wind had dropped, leaving the fog to close in on everything, deadening sound, choking the breath with freezing, cloying pervasiveness, when Pitt drove in a hansom cab with a very stout and painfully corseted Mrs. Porteous, flowing with black, toward the morgue where the first corpse was now waiting. They were obliged to travel very slowly because the cabby could not see more than four or five yards in front of him, and that only dimly. Gas lamps appeared like baleful eyes, swimming out of the night, and vanished behind them into the void. They lurched from one to the next, as alone as if it had been an ocean with no other ship upon it.
Pitt tried to think of something to say to the woman beside him, but rack his brains as he might, there seemed nothing at all that was not either trivial or offensive. He ended by hoping his silence was at least sympathetic.
When the cab finally stopped, he got out with inelegant haste and offered her his hand. She weighed heavily upon it, a matter of balance rather than degree of distress.
Inside, they were greeted by the same cheerfully scrubbed young man with his glasses forever sliding down his nose. Several times he opened his mouth to remark on the extraordinariness of the circumstance, never having had the same corpse twice in this manner, then cut himself off halfway, realizing that his professional enthusiasm was in poor taste and might be misunderstood by the widow—or Pitt, for that matter.
He pulled back the sheet and composed his face soberly.
Mrs. Porteous looked straight at the corpse, then her eyebrows rose and she turned to Pitt, her voice level.
“That is not my husband,” she said calmly. “It’s nothing like him. Mr. Porteous had black hair and a beard. This man is nearly bald. I’ve never seen him before in my life!”
5
SINCE THE UNNAMED CORPSE was in the morgue, there was no reason why Augustus should not be reinterred. Of course, it would have been ludicrous to have yet another ceremony, but it was felt indecent not at least to observe the occasion in some manner. It was a show of sympathy for the family, and perhaps of respect not so much for Augustus as for death itself.
Alicia naturally had no choice but to go; the old lady decided first that she was too unwell because of the whole miserable affair, then later that it was her duty to pay a final farewell—and please God it was final! She was attended, as always, by Nisbett, in dourest black.
Alicia was in the morning room waiting for the carriage when Verity came in from the hall. She was pale, and the black hat made her look even younger. There was an innocence about her that had often caused Alicia to wonder what her mother had been like, because Verity possessed a quality that had nothing to do with Augustus, and she was as unlike the old lady as a doe is unlike a weasel. It was an odd thought, but in the darkness of the night Alicia had even talked to the dead woman as if she had been a friend, someone who could understand loneliness, and dreams that were fragile but so very necessary. In Alicia’s mind, that first wife who had died at thirty-four had been very like herself.
Because of her, the ridiculous conversation in the dark, she could almost feel as if Verity were her own daughter, although there was only a handful of years between them.
“Are you sure you wish to come?” she asked now. “No one would misunderstand if you preferred not to.”
Verity shook her head a little. “I’d love not to come, but I can’t leave you to do it alone.”
“Your grandmother is coming,” Alicia replied. “I shan’t be alone.”
Verity gave a dry little smile; it was the first time Alicia had seen it. She had grown up a lot since her father’s death, or perhaps she had only now felt the freedom to show it.
“Then I shall definitely come,” she said. “That is worse than alone.”
At another time Alicia might have made some protest as a matter of form, but today the hypocrisy seemed emptier than ever. It was a time for substance, and form was irrelevant.
“Thank you,” she said simply. “It will be much less unpleasant for me if you are there.”
Verity gave a sudden, flashing smile, almost conspiratorial; then, before Alicia could make an answer, they both heard the old woman’s stick banging in the hall as she came toward them. Nisbett opened the door wide, right back on its hinges, and the old woman stood in the entrance, glaring. She examined both of them closely, every article of their clothing from black hats and veils to black polished boots, then nodded.
“Well, are you coming then?” she demanded. “Or do you mean to stand there all morning like two crows on a fence?”
“We were waiting for you, Grandmama,” Verity replied instantly. “We would not leave you to come alone.”
The old lady snorted. “Huh!” She looked venomously at Alicia. “I thought perhaps you were waiting for that Mr. Corde you are so fond of! Not here this time, I see. Perhaps he is afraid for his skin! After all, you seem to bury husbands more often than most!” She grabbed at Nisbett’s arm and went out, whacking the door lintel with her stick as if it might have moved out of her way were it more aware of its duty.
“It would hardly be appropriate for Mr. Corde to have come.” Alicia could not help defending him, explaining, even though the old lady was out of hearing and Verity had said nothing but lowered her eyes. “It is a very private affair,” she added. “I expect no one but the family, and perhaps a few of those who knew Augustus well.”
“No, of course not,” Verity murmured. “It would be silly to expect him.” Nevertheless there was a ring of disappointment in her voice, and as Alicia followed her outside and into the black-draped carriage, she could not help wondering why Dominic had not at least sent a message. Good taste would keep him from coming himself; that was simple to explain. Since he loved Alicia, it would be a little brazen to turn up yet again to an interment, but it would have been so easy to have sent a small message, just a sympathy.
A coldness jarred through Alicia which had nothing to do with the wind and the drafty carriage. Perhaps she had read too much into his flatteries, the soft looks, the seeking after her company? She would have sworn, a few days ago, that he loved her, and she loved him with all the excitement, the laughter ready to burst open at the silliest things, the sharing of very private thoughts and sudden understandings. But maybe it was only she who felt like that and had put her own joy into his heart quite falsely? After all, he had not actually said as much—she had assum
ed out of delicacy for her position’, first as a married woman, then as a very recent widow. Maybe he had not said so quite simply because it was not true? Many people loved to flirt; it was a kind of game, an exercise of skills, a vanity.
But surely Dominic was not like that? His face swam before her memory, the dark eyes, the fine brows, the curve of his mouth, the quick smile. The tears welled up and slid down her cheeks. At any other time she would have been mortified, but she was sitting in a dark carriage on a wet, bitter day, on the way to bury her husband. No one would remark her weeping, and anyway, under her veil it would take a careful eye even to notice it.
The carriage lurched to a stop, and the footman opened the door, letting in a blast of icy air. The old lady got out first, holding her stick across their legs so they could not precede her. The footman helped Alicia. It was raining even harder, and the water ran round the brim of her hat and fell off the front, blowing into her face.
The vicar spoke to the old lady, then held out his hand to Alicia. He was never a cheerful man, but he looked unusually wretched today. Far inside herself she half smiled, but it would not reach her lips. She could hardly blame the man, even though she did not like him. After all, it was an occasion for which he probably had no precedent, and he was at a loss to know what to say. He had stock phrases of piety for all the foreseeable events—baptisms, deaths, marriages, even scandals—but who could expect to bury the same man three times in as many weeks?
She could have laughed, albeit a little hysterically, but she saw in the distance the slim, elegant figure of a man, and for a moment her heart lurched. Dominic? Then she realized it was not; the shoulders were squarer, leaner, and there was something different about the way he stood. It was Somerset Carlisle.
He turned as she picked her way through the puddles on the path and offered her his arm.
“Good morning, Lady Fitzroy-Hammond,” he said gently. “I’m so sorry this should be necessary. Let us hope they get it over with as quickly as possible. Perhaps the rain will cut the vicar’s desire to expound.” He smiled very slightly. “He’s going to be as wet as a fish if he stands out here for long!”
It was a pleasing thought; to remain here by the grave while the vicar droned on imperviously would be the final wretchedness. The old woman looked like a sodden black bird, feathers ruffled, her whole stance bristling with anger. Verity stood with her head down and her eyes lowered so no one could read her face; whether it was out of grief for her father or because in mind she was not attending at all, Alicia could only guess, but she imagined the latter.
Lady Cumming-Gould, of all people, had also elected to attend. Her dignity was as superb as always. Indeed, but for her deep lavender mourning, she might have been at a garden party, rather than standing by a yawning grave in a winter churchyard in the rain.
Major Rodney was there, shifting unhappily from foot to foot, blowing water off his moustache, obviously acutely embarrassed by the whole business. Only knowledge of duty could have brought him. He kept darting furious glances at his sisters, who had presumably nagged him into coming. They huddled together, round-eyed, like little animals woken from hibernation and longing to return home.
The only other person was Virgil Smith, enormous in a heavy coat and bareheaded. She could not help noticing how thick his hair was and how it had been cut level at the bottom of his ears. Really, someone should find him a decent barber!
The vicar began to speak, then became increasingly unhappy with what he was saying, stopped, and began again quite differently. There was no other sound but the rain, swirling in blusters, and the far rattle of branches in the wind. No one else spoke.
Finally he became desperate and finished at a positive shout: “—commit the body of our brother—Augustus Albert William Fitzroy-Hammond—to the ground”—he took a deep breath, and his voice rose to a shriek—“until he come forth at the resurrection of the just, when the earth yields up her dead. And may the Lord have mercy on his soul!”
“Amen!” came the response with infinite relief.
They all turned and made with indecent haste for the shelter of the lychgate.
When they were crammed together underneath it, the old lady suddenly made a startling announcement. “There will be a funeral breakfast for anyone who cares to come.” She issued it rather as a challenge, a defiance to them to dare not to.
There was a moment’s silence, then a murmur of thanks. Hastily they stepped out into the rain again and splashed through the water now running down the paths and climbed into their respective carriages, sitting wrapped in wet clothes, trouser legs and skirt hems sodden, while the horses clopped back through the Park. On any other occasion they would have trotted, but it would be unthinkable for one to hurry leaving a funeral.
Back at home again, Alicia found the servants prepared to receive, although she had given no such instructions. Once, in the hall, she caught Nisbett’s eye and saw in it a gleam of satisfaction. It explained a great deal. One day she would deal with Nisbett; that was a promise.
In the meantime she must force herself to behave as was expected of her. The old lady might have invited them, but she was the hostess because this had been Augustus’s house, so now it was hers. She welcomed them in and thanked them for coming, ordered the footmen to bank up the fires and dry out as much clothing as possible, and then led the way into the dining room where the cook had prepared an array of suitable dishes. It was hardly the day for cold food, even as rich as game pies and salmon, but at least someone had thought to provide hot, mulled wine. She doubted it was the old lady; probably Milne, the butler. She must remember to thank him.
Conversation was stilted; no one knew what to say. All the sympathies had already been expressed; to say they were sorry yet again would be so jarring as to be offensive. Major Rodney made some mumbled remark about the weather, but since it was midwinter, it was hardly a subject for surprise. He began on some reminiscences about how many men had frozen to death on the heights Sevastopol, then trailed off into clearing his throat as everybody looked at him.
Miss Priscilla Rodney commented on the excellence of the chutney that was served with one of the pies but blushed when Verity thanked her, because they both knew that Priscilla made infinitely better herself. It was not the cook’s strength; she was far more skilled with soups and sauces. She always put too much pepper in pickles, and they bit like a cornered rat.
Lady Cumming-Gould seemed satisfied merely to observe. It was Virgil Smith who rescued them with the only viable conversation. He was staring at a portrait of Alicia over the fireplace, a large, rather formal study set against a brown background which did not flatter her. It was one of a long succession of family portraits going back over two hundred years. The old lady’s hung in the hallway, looking very young, like a memory from a history book, in an empire dress from the days just after Napoleon’s fall.
“I surely like that picture, ma’am,” he said, staring up at it. “It’s a good likeness, but I guess it don’t flatter you with that color behind it. I sort of see you inside, with all green and the like behind you, trees and grass, and maybe flowers.”
“You cannot expect Alicia to trail out to some countryside to sit for a portrait!” the old lady snapped. “You may spend your days in the wilderness where you come from, Mr. Smith, but we do not do so here!”
“I didn’t exactly have the wilderness in mind, ma’am.” He smiled at her, completely ignoring her tone. “I was thinking more of a garden, an English country garden, with willow trees with all of those long, lacy leaves blowing in the wind.”
“You cannot paint something blowing!” she said tartly.
“I reckon a real good artist could.” He was not to be cowed. “Or he could paint it so as you could feel as though it was.”
“Have you ever tried to paint?” She glared at him. It would have been more effective had she not been forced to stare upwards, but she was nearly a foot shorter than he, and even her voluminous bulk could not make up
for the difference.
“No, ma’am.” He shook his head. “Do you paint, yourself?”
“Of course!” Her eyebrows shot up. “All ladies of good breeding paint.”
A sudden thought flashed into his face. “Did you paint that picture, ma’am?”
She froze to glacial rigidity. “Certainly not! We do not paint commercially, Mr. Smith!” She invested the idea with the same disgust she might have had he suggested she took in laundry.
“All the same, you know”—Somerset Carlisle eyed the picture critically—“I think Virgil is right. It would have been a great deal better against green. That brown is quite muddy and deadens the complexion. All the tones are spoiled.”
The old lady looked from him to Alicia, then back at the picture. Her opinion of Alicia’s complexion was plain.
“No doubt he did the best he could!” she snapped.
Miss Mary Ann joined in the conversation, her voice lifting helpfully.
“Why don’t you have it done again, my dear? I am sure in the summer it would be quite delightful to sit in the garden and have one’s portrait painted. You could ask Mr. Jones; I am told he is quite excellent.”
“He is expensive,” the old lady said witheringly. “That is not the same thing. Anyway, if we get any more pictures done, it ought to be of Verity.” She turned to look at Verity. “You probably are as good-looking now as you will ever be. Some women improve a little as they get older, but most don’t!” She flashed a glance back at Alicia, then away again. “We’ll see this man Jones—what is his name?”
“Godolphin Jones,” Miss Mary Ann offered.
“Ridiculous!” the old lady muttered. “Godolphin! Whatever was his father thinking of? But I am not paying an exorbitant price, I warn you.”
“You don’t need to pay at all,” Alicia finally responded. “I shall pay for it, if Verity would like a portrait. And if she would prefer someone other than Godolphin Jones, then we will get someone else.”
Anne Perry - [Thomas Pitt 04] Page 9
