Whether anybody had ever managed to do this, one could hardly conjecture with any degree of authority. Old legends are hazy and ambiguous, and in historic times all attempts at crossing forbidden gaps seem complicated by strange and terrible alliances with beings and messengers from outside. There was the immemorial figure of the deputy or messenger of hidden and terrible powers—the “Black Man” of the witch-cult, and the “Nyarlathotep” of the Necronomicon. There was, too, the baffling problem of the lesser messengers or intermediaries—the quasi-animals and queer hybrids which legend depicts as witches’ familiars. As Gilman and Elwood retired, too sleepy to argue further, they heard Joe Mazurewicz reel into the house half drunk, and shuddered at the desperate wildness of his whining prayers.
That night Gilman saw the violet light again. In his dream he had heard a scratching and gnawing in the partitions, and thought that some one fumbled clumsily at the latch. Then he saw the old woman and the small furry thing advancing toward him over the carpeted floor. The beldame’s face was alight with inhuman exultation, and the little yellow-toothed morbidity tittered mockingly as it pointed at the heavily-sleeping form of Elwood on the other couch across the room. A paralysis of fear stifled all attempts to cry out. As once before, the hideous crone seized Gilman by the shoulders, yanking him out of bed and into empty space. Again the infinitude of the shrieking abysses flashed past him, but in another second he thought he was in a dark, muddy, unknown alley of foetid odors with the rotting walls of ancient houses towering up on every hand.
Ahead was the robed black man he had seen in the peaked space in the other dream, while from a lesser distance the old woman was beckoning and grimacing imperiously. Brown Jenkin was rubbing itself with a kind of affectionate playfulness around the ankles of the black man, which the deep mud largely concealed. There was a dark open doorway on the right, to which the black man silently pointed. Into this the grinning crone started, dragging Gilman after her by his pajama sleeves. There were evil-smelling staircases which creaked ominously, and on which the old woman seemed to radiate a faint violet light; and finally a door leading off a landing. The crone fumbled with the latch and pushed the door open, motioning to Gilman to wait, and disappearing inside the black aperture.
The youth’s over-sensitive ears caught a hideous strangled cry, and presently the beldame came out of the room bearing a small, senseless form which she thrust at the dreamer as if ordering him to carry it. The sight of this form, and the expression on its face, broke the spell. Still too dazed to cry out, he plunged recklessly down the noisome staircase and into the mud outside; halting only when seized and choked by the waiting black man. As consciousness departed he heard the faint, shrill tittering of the fanged, rat-like abnormality.
On the morning of the twenty-ninth Gilman awaked into a maelstrom of horror. The instant he opened his eyes he knew something was terribly wrong, for he was back in his old garret room with the slanting wall and ceiling, sprawled on the now unmade bed. His throat was aching inexplicably, and as he struggled to a sitting posture he saw with growing fright that his feet and pajama bottoms were brown with caked mud. For the moment his recollections were hopelessly hazy, but he knew at least that he must have been sleep-walking. Elwood had been lost too deeply in slumber to hear and stop him. On the floor were confused muddy prints, but oddly enough they did not extend all the way to the door. The more Gilman looked at them, the more peculiar they seemed; for in addition to those he could recognize as his there were some smaller, almost round markings—such as the legs of a large chair or a table might make, except that most of them tended to be divided into halves. There were also some curious muddy rat-tracks leading out of a fresh hole and back into it again. Utter bewilderment and the fear of madness racked Gilman as he staggered to the door and saw that there were no muddy prints outside. The more he remembered of his hideous dream the more terrified he felt, and it added to his desperation to hear Joe Mazurewicz chanting mournfully two floors below.
Descending to Elwood’s room he roused his still-sleeping host and began telling of how he had found himself, but Elwood could form no idea of what might really have happened. Where Gilman could have been, how he got back to his room without making tracks in the hall, and how the muddy, furniture-like prints came to be mixed with his in the garret chamber, were wholly beyond conjecture. Then there were those dark, livid marks on his throat, as if he had tried to strangle himself. He put his hands up to them, but found that they did not even approximately fit. While they were talking, Desrochers dropped in to say that he had heard a terrific clattering overhead in the dark small hours. No, there had been no one on the stairs after midnight, though just before midnight he had heard faint footfalls in the garret, and cautiously descending steps he did not like. It was, he added, a very bad time of year for Arkham. The young gentleman had better be sure to wear the crucifix Joe Mazurewicz had given him. Even the daytime was not safe, for after dawn there had been strange sounds in the house—especially a thin, childish wail hastily choked off.
Gilman mechanically attended classes that morning, but was wholly unable to fix his mind on his studies. A mood of hideous apprehension and expectancy had seized him, and he seemed to be awaiting the fall of some annihilating blow. At noon he lunched at the University Spa, picking up a paper from the next seat as he waited for dessert. But he never ate that dessert; for an item on the paper’s first page left him limp, wild-eyed, and able only to pay his check and stagger back to Elwood’s room.
There had been a strange kidnapping the night before in Orne’s Gangway, and the two-year-old child of a clod-like laundry worker named Anastasia Wolejko had completely vanished from sight. The mother, it appeared, had feared the event for some time; but the reasons she assigned for her fear was so grotesque that no one took them seriously. She had, she said, seen Brown Jenkin about the place now and then ever since early in March, and knew from its grimaces and titterings that little Ladislas must be marked for sacrifice at the awful Sabbat on Walpurgis Night. She had asked her neighbor Mary Czanek to sleep in the room and try to protect the child, but Mary had not dared. She could not tell the police, for they never believed such things. Children had been taken that way every year ever since she could remember. And her friend Pete Stowacki would not help because he wanted the child out of the way.
But what threw Gilman into a cold perspiration was the report of a pair of revellers who had been walking past the mouth of the gangway just after midnight. They admitted they had been drunk, but both vowed they had seen a crazily dressed trio furtively entering the dark passageway. There had, they said, been a huge robed negro, a little old woman in rags, and a young white man in his night-clothes. The old woman had been dragging the youth, while around the feet of the negro a tame rat was rubbing and weaving in the brown mud.
Gilman sat in a daze all the afternoon, and Elwood—who had meanwhile seen the papers and formed terrible conjectures from them—found him thus when he came home. This time neither could doubt but that something hideously serious was closing in around them. Between the phantasms of nightmare and the realities of the objective world a monstrous and unthinkable relationship was crystallizing, and only stupendous vigilance could avert still more direful developments. Gilman must see a specialist sooner or later, but not just now, when all the papers were full of this kidnapping business.
Just what had really happened was maddeningly obscure, and for a moment both Gilman and Elwood exchanged whispered theories of the wildest kind. Had Gilman unconsciously succeeded better than he knew in his studies of space and its dimensions? Had he actually slipped outside our sphere to points unguessed and unimaginable? Where—if anywhere—had he been on those nights of demoniac alienage? The roaring twilight abysses—the green hillside—the blistering terrace—the pulls from the stars—the ultimate black vortex—the black man—the muddy alley and the stairs—the old witch and the fanged, furry horror—the bubble-congeries and the little polyhedron—the strange sunburn—the wri
st-wound—the unexplained image—the muddy feet—the throat-marks—the tales and fears of the superstitious foreigners—what did all this mean? To what extent could the laws of sanity apply to such a case?
There was no sleep for either of them that night, but next day they both cut classes and drowsed. This was April thirtieth, and with the dusk would come the hellish Sabbat-time which all the foreigners and the superstitious old folk feared. Mazurewicz came home at six o’clock and said people at the mill were whispering that the Walpurgis-revels would be held in the dark ravine beyond Meadow Hill where the old white stone stands in a place queerly devoid of all plant life. Some of them had even told the police and advised them to look there for the missing Wolejko child, but they did not believe anything would be done. Joe insisted that the poor young gentleman wear his nickel-chained crucifix, and Gilman put it on and dropped it inside his shirt to humor the fellow.
Late at night the two youths sat drowsing in their chairs, lulled by the praying of the loom-fixer on the floor below. Gilman listened as he nodded, his preternaturally sharpened hearing seeming to strain for some subtle, dreaded murmur beyond the noises in the ancient house. Unwholesome recollections of things in the Necronomicon and the Black Book welled up, and he found himself swaying to infandous rhythms said to pertain to the blackest ceremonies of the Sabbat and to have an origin outside the time and space we comprehend.
Presently he realized what he was listening for—the hellish chant of the celebrants in the distant black valley. How did he know so much about what they expected? How did he know the time when Nahab and her acolyte were due to bear the brimming bowl which would follow the black cock and the black goat? He saw that Elwood had dropped asleep, and tried to call out and waken him. Something, however, closed his throat. He was not his own master. Had he signed the black man’s book after all?
Then his fevered, abnormal hearing caught the distant, windborne notes. Over miles of hill and field and alley they came, but he recognized them none the less. The fires must be lit, and the dancers must be starting in. How could he keep himself from going? What was it that had enmeshed him? Mathematics—folklore—the house— old Keziah—Brown Jenkin . . . and now he saw that there was a fresh rat-hole in the wall near his couch. Above the distant chanting and the nearer praying of Joe Mazurewicz came another sound—a stealthy, determined scratching in the partitions. He hoped the electric lights would not go out. Then he saw the fanged, bearded little face in the rat-hole—the accursed little face which he at last realized bore such a shocking, mocking resemblance to old Keziah’s—and heard the faint fumbling at the door.
The screaming twilight abysses flashed before him, and he felt himself helpless in the formless grasp of the iridescent bubble-congeries. Ahead raced the small, kaleidoscopic polyhedron and all through the churning void there was a heightening and acceleration of the vague tonal pattern which seemed to foreshadow some unutterable and unendurable climax. He seemed to know what was coming—the monstrous burst of Walpurgis-rhythm in whose cosmic timbre would be concentrated all the primal, ultimate space-time seethings which lie behind the massed spheres of matter and sometimes break forth in measured reverberations that penetrate faintly to every layer of entity and give hideous significance throughout the worlds to certain dreaded periods.
But all this vanished in a second. He was again in the cramped, violet-litten peaked space with the slanting floor, the low case of ancient books, the bench and table, the queer objects, and the triangular gulf at one side. On the table lay a small white figure—an infant boy, unclothed and unconscious—while on the other side stood the monstrous, leering old woman with a gleaming, grotesque-hafted knife in her right hand, and a queerly proportioned pale metal bowl covered with curiously chased designs and having delicate lateral handles in her left. She was intoning some croaking ritual in a language which Gilman could not understand, but which seemed like something guardedly quoted in the Necronomicon.
As the scene grew clearer he saw the ancient crone bend forward and extend the empty bowl across the table—and unable to control his own emotions, he reached far forward and took it in both hands, noticing as he did so its comparative lightness. At the same moment the disgusting form of Brown Jenkin scrambled up over the brink of the triangular black gulf on his left. The crone now motioned him to hold the bowl in a certain position while she raised the huge, grotesque knife above the small white victim as high as her right hand could reach. The fanged, furry thing began tittering a continuation of the unknown ritual, while the witch croaked loathsome responses. Gilman felt a gnawing poignant abhorrence shoot through his mental and emotional paralysis, and the light metal bowl shook in his grasp. A second later the downward motion of the knife broke the spell completely, and he dropped the bowl with a resounding bell-like clangor while his hands darted out frantically to stop the monstrous deed.
In an instant he had edged up the slanting floor around the end of the table and wrenched the knife from the old woman’s claws; sending it clattering over the brink of the narrow triangular gulf. In another instant, however, matters were reversed; for those murderous claws had locked themselves tightly around his own throat, while the wrinkled face was twisted with insane fury. He felt the chain of the cheap crucifix grinding into his neck, and in his peril wondered how the sight of the object itself would affect the evil creature. Her strength was altogether superhuman, but as she continued her choking he reached feebly in his shirt and drew out the metal symbol, snapping the chain and pulling it free.
At sight of the device the witch seemed struck with panic, and her grip relaxed long enough to give Gilman a chance to break it entirely. He pulled the steel-like claws from his neck, and would have dragged the beldame over the edge of the gulf had not the claws received a fresh access of strength and closed in again. This time he resolved to reply in kind, and his own hands reached out for the creature’s throat. Before she saw what he was doing he had the chain of the crucifix twisted about her neck, and a moment later he had tightened it enough to cut off her breath. During her last struggle he felt something bite at his ankle, and saw that Brown Jenkin had come to her aid. With one savage kick he sent the morbidity over the edge of the gulf and heard it whimper on some level far below.
Whether he had killed the ancient crone he did not know, but he let her rest on the floor where she had fallen. Then, as he turned away, he saw on the table a sight which nearly snapped the last thread of his reason. Brown Jenkin, tough of sinew and with four tiny hands of demoniac dexterity, had been busy while the witch was throttling him, and his efforts had been in vain. What he had prevented the knife from doing to the victim’s chest, the yellow fangs of the furry blasphemy had done to a wrist—and the bowl so lately on the floor stood full beside the small lifeless body.
In his dream-delirium Gilman heard the hellish alien-rhythmed chant of the Sabbat coming from an infinite distance, and knew the black man must be there. Confused memories mixed themselves with his mathematics, and he believed his subconscious mind held the angles which he needed to guide him back to the normal world alone and unaided for the first time. He felt sure he was in the immemorially sealed loft above his own room, but whether he could ever escape through the slanting floor or the long-stooped egress he doubted greatly. Besides, would not an escape from a dream-loft bring him merely into a dream-house—an abnormal projection of the actual place he sought? He was wholly bewildered as to the relation betwixt dream and reality in all his experiences.
The passage through the vague abysses would be frightful, for the Walpurgis-rhythm would be vibrating, and at last he would have to hear that hitherto-veiled cosmic pulsing which he so mortally dreaded. Even now he could detect a low, monstrous shaking whose tempo he suspected all too well. At Sabbat-time it always mounted and reached through to the worlds to summon the initiate to nameless rites. Half the chants of the Sabbat were patterned on this faintly overheard pulsing which no earthly ear could endure in its unveiled spatial fullness. Gilman w
ondered, too, whether he could trust his instincts to take him back to the right part of space. How could he be sure he would not land on that green-litten hillside of a far planet, on the tessellated terrace above the city of tentacled monsters somewere beyond the galaxy or in the spiral black vortices of that ultimate void of Chaos where reigns the mindless demon-sultan Azathoth?
Just before he made the plunge the violet light went out and left him in utter blackness. The witch—old Keziah—Nahab—that must have meant her death. And mixed with the distant chant of the Sabbat and the whimpers of Brown Jenkin in the gulf below he thought he heard another and wilder whine from unknown depths. Joe Mazurewicz—the prayers against the Crawling Chaos now turning to an inexplicably triumphant shriek—worlds of sardonic actuality impinging on vortices of febrile dream—Iä! Shub-Niggurath! The Goat with a Thousand Young. . . .
They found Gilman on the floor of his queerly-angled old garret room long before dawn, for the terrible cry had brought Desrochers and Choynski and Dombrowski and Mazurewicz at once, and had even wakened the soundly sleeping Elwood in his chair. He was alive, and with open, staring eyes, but seemed largely unconscious. On his throat were the marks of murderous hands, and on his left ankle was a distressing rat-bite. His clothing was badly rumpled, and Joe’s crucifix was missing. Elwood trembled, afraid even to speculate what new form his friend’s sleep-walking had taken. Mazurewicz seemed half dazed because of a “sign” he said he had had in response to his prayers, and he crossed himself frantically when the squealing and whimpering of a rat sounded from beyond the slanting partition.
When the dreamer was settled on his couch on Elwood’s room they sent for Doctor Malkowski—a local practitioner who would repeat no tales where they might prove embarrassing—and he gave Gilman two hypodermic injections which caused him to relax in something like natural drowsiness. During the day the patient regained consciousness at times and whispered his newest dream disjointedly to Elwood. It was a painful process, and at its very start brought out a fresh and disconcerting fact.
The Best of H.P. Lovecraft Page 49
