Essays from the Nick of Time
Page 10
A resuscitated orthodoxy, so pervasive as to be nearly invisible, rules the land. Like any religion worth its salt, it shapes our world in its image, demonizing if necessary, absorbing when possible. Thus has the great sovereign territory of what Nabokov called “unreal estate,” the continent of invisible possessions from time to talent to contentment, been either infantilized, rendered unclean, or translated into the grammar of dollars and cents. Thus has the great wilderness of the inner life been compressed into a median strip by the demands of the “real world,” which of course is anything but. Thus have we succeeded in transforming even ourselves into bipedal products, paying richly for seminars that teach us how to market the self so it may be sold to the highest bidder. Or perhaps “down the river” is the phrase.
Ah, but here’s the rub: idleness is not just a psychological necessity, requisite to the construction of a complete human being; it constitutes as well a kind of political space, a space as necessary to the workings of an actual democracy as, say, a free press. How does it do this? By allowing us time to figure out who we are, and what we believe; by allowing us time to consider what is unjust, and what we might do about it. By giving the inner life (in whose precincts we are most ourselves) its due. Which is precisely what makes idleness dangerous. All manner of things can grow out of that fallow soil. Not for nothing did our mothers grow suspicious when we had “too much time on our hands.” They knew we might be up to something. And not for nothing did we whisper to each other, when we were up to something, “Quick, look busy.”
Mother knew instinctively what the keepers of the castles have always known: that trouble—the kind that might threaten the symmetry of a well-ordered garden—needs time to take root. Take away the time, therefore, and you choke off the problem before it begins. Obedience reigns, the plow stays in the furrow; things proceed as they must. Which raises an uncomfortable question: Could the Church of Work—which today has Americans aspiring to sleep deprivation the way they once aspired to a personal knowledge of God—be, at base, an antidemocratic force? Well, yes. James Russell Lowell, that nineteenth-century workhorse, summed it all up quite neatly: “There is no better ballast for keeping the mind steady on its keel, and saving it from all risk of crankiness, than business.”
Quite so. The mind, however, particularly the mind of a citizen in a democratic society, is not a boat. Ballast is not what it needs, and steadiness, alas, can be a synonym for stupidity, as our current administration has so amply demonstrated. No, what the democratic mind requires, above all, is time; time to consider its options. Time to develop the democratic virtues of independence, orneriness, objectivity, and fairness. Time, perhaps (to sail along with Lowell’s leaky metaphor for a moment), to ponder the course our unelected captains have so generously set for us, and to consider mutiny when the iceberg looms.
Which is precisely why we need to be kept busy. If we have no time to think, to mull, if we have no time to piece together the sudden associations and unexpected, midshower insights that are the stuff of independent opinion, then we are less citizens than cursors, easily manipulated, vulnerable to the currents of power.
But I have to be careful here. Having worked all of my adult life, I recognize that work of one sort or another is as essential to survival as protein, and that much of it, in today’s highly bureaucratized, economically diversified societies, will of necessity be neither pleasant nor challenging nor particularly meaningful. I have compassion for those making the most of their commute and their cubicle; I just wish they could be a little less cheerful about it. In short, this isn’t about us so much as it is about the zeitgeist we live and labor in, which, like a cuckoo taking over a thrush’s nest, has systematically shoved all the other eggs of our life, one by one, onto the pavement. It’s about illuminating the losses.
We’re enthralled. I want to disenchant us a bit, draw a mustache on the boss.
Infinite Bustle
I’m a student of the narrowing margins. And their victim, to some extent, though my capacity for sloth, my belief in it, may yet save me. Like some stubborn heretic in fifth-century Rome, still offering gifts to the spirit of the fields even as the priests sniff about the tempa for sin, I daily sacrifice my bit of time. The pagan gods may yet return. Constantine and Theodosius may die. But the prospects are bad.
In Riverside Park in New York City, where I walk these days, the legions of “weekend nannies” are growing, setting up a play date for a ten-year-old requires a feat of near-Olympic coordination, and the few, vestigial, late-afternoon parents one sees, dragging their wailing progeny by the hand or frantically kicking a soccer ball in the fading light, have a gleam in their eyes I find frightening. No outstretched legs crossed at the ankles, no arms draped over the back of the bench. No lovers. No behatted old men, arguing. Between the slide and the sandbox, a very fit young man in his early thirties is talking on his cell phone while a two-year-old with a trail of snot running from his nose tugs on the seam of his corduroy pants. “There’s no way I can pick it up. Because we’re still at the park. Because we just got here, that’s why.”
It’s been one hundred and forty years since Thoreau, who itched a full century before everyone else began to scratch, complained that the world was increasingly just “a place of business. What an infinite bustle!” he groused. “I am awakened almost every night by the panting of the locomotive. It interrupts my dreams. There is no Sabbath. It would be glorious to see mankind at leisure for once. It is nothing but work, work, work.” Little did he know. Today the roads of commerce, paved and smoothed, reach into every nook and cranny of the republic; there is no place apart, no place where we would be shut of the drone of that damnable traffic. Today we, quite literally, live to work. And it hardly matters what kind of work we do; the process justifies the ends. Indeed, at times it seems there is hardly an occupation, however useless or humiliating or downright despicable, that cannot at least in part be redeemed by our obsessive dedication to it: “Yes, Ted sold shoulder-held Stingers to folks with no surname, but he worked so hard!”
Not long ago, at the kind of dinner party I rarely attend, I made the mistake of admitting that I not only liked to sleep but liked to get at least eight hours a night whenever possible, and that nine would be better still. The reaction—a complex Pinot Noir of nervous laughter displaced by expressions of disbelief and condescension—suggested that my transgression had been, on some level, a political one. I was reminded of the time I’d confessed to Roger Angell that I did not much care for baseball.
My comment was immediately rebutted by testimonials to sleeplessness: two of the nine guests confessed to being insomniacs; a member of the Academy of Arts and Letters claimed indignantly that she couldn’t remember when she had ever gotten eight hours of sleep; two other guests declared themselves grateful for five or six. It mattered little that I’d arranged my life differently, and accepted the sacrifices that arrangement entailed. Eight hours! There was something willful about it. Arrogant, even. Suitably chastened, I held my tongue, and escaped alone to tell Thee.
Increasingly, it seems to me, our world is dividing into two kinds of things: those that aid work, or at least represent a path to it, and those that don’t. Things in the first category are good and noble; things in the second aren’t. Thus, for example, education is good (as long as we don’t have to listen to any of that “end in itself” nonsense) because it will presumably lead to work. Thus playing the piano or swimming the 100-yard backstroke are good things for a fifteen-year-old to do not because they might give her some pleasure but because rumor has it that Yale is interested in students who can play Chopin or swim quickly on their backs (and a degree from Yale, as any fool knows, can be readily converted to work).
Point the beam anywhere, and there’s the God of Work, busily trampling out the vintage. Blizzards are bemoaned because they keep us from getting to work. Hobbies are seen as either ridiculous or self-indulgent because they interfere with work. Longer school days are all the rage
(even as our children grow demonstrably stupider), not because they make educational or psychological or any other kind of sense but because keeping kids in school longer makes it easier for us to work. Meanwhile, the time grows short, the margin narrows; the white spaces on our calendars have been inked in for months. We’re angry about this, upset about that, but who has the time to do anything anymore? There are those reports to report on, memos to remember, e-mails to deflect or delete. They bury us like snow.
The alarm rings and we’re off, running so hard that by the time we stop we’re too tired to do much of anything except nod in front of the TV, which, like virtually all the other voices in our culture, endorses our exhaustion, fetishizes and romanticizes it, and, by daily adding its little trowelful of lies and omissions, helps cement the conviction that not only is this how our three score and ten must be spent but that the transaction is both noble and necessary.
Ka-Chink!
Time may be money (though I’ve always resisted that loathsome platitude, the alchemy by which the very gold of our lives is transformed into the base lead of commerce), but one thing seems certain: money eats time. Forget the visions of sanctioned leisure: the view from the deck in St. Moritz, the wafer-thin TV. Consider the price.
Sometimes money costs too much. And at the beginning of the millennium, in this country, the cost of money is well on the way to bankrupting us. We’re impoverishing ourselves, our families, our communities—and yet we can’t stop ourselves. Worse, we don’t want to.
Seen from the right vantage point, there’s something wonderfully animistic about it. The god must be fed; he’s hungry for our hours, craves our days and years. And we oblige. Every morning (unlike the good citizens of Tenochtitlán, who at least had the good sense to sacrifice others on the slab) we rush up the steps of the ziggurat to lay ourselves down. It’s not a pretty sight.
Then again, we’ve been well trained. And the training never stops. In a recent ad in the New York Times Magazine, paid for by an outfit named Wealth and Tax Advisory Services, Inc., an attractive young woman in a dark business suit is shown working at her desk. (She may be at home, though these days the distinction is moot.) On the desk is a cup, a cell phone, and an adding machine. Above her right shoulder, just over the blurred sofa and the blurred landscape on the wall, are the words “Successful entrepreneurs work continuously.” The text below explains: “The challenge to building wealth is that your finances grow in complexity as your time demands increase.”
The ad is worth disarticulating, it seems to me, if only because some version of it is beamed into our cerebral cortex a thousand times a day. What’s interesting about it is not only what it says but what it so blithely assumes. What it says, crudely enough, is that in order to be successful, we must not only work but work continuously; what it assumes is that time is inversely proportional to wealth: our time demands will increase the harder we work and the more successful we become. It’s an organic thing; a law, almost. Fish gotta swim and birds gotta fly, you gotta work like a dog till you die.
Am I suggesting then that Wealth and Tax Advisory Services, Inc., spend $60,000 for a full-page ad in the New York Times Magazine to show us a young woman at her desk writing poetry? Or playing with her kids? Or sharing a glass of wine with a friend, attractively thumbing her nose at the acquisition of wealth? No. For one thing, the folks at Wealth and Tax etc. are simply doing what’s in their best interest. For another, it would hardly matter if they did show the woman writing poetry, or laughing with her children, because these things, by virtue of their placement in the ad, would immediately take on the color of their host; they would simply be the rewards of working almost continuously.
What I am suggesting is that just as the marketplace has co-opted rebellion by subordinating politics to fashion, by making anger chic, so it has quietly underwritten the idea of leisure, in part by separating it from idleness. Open almost any magazine in America today and there they are: the ubiquitous tanned-and-toned twenty-somethings driving the $70,000 fruits of their labor; the moneyed-looking men and women in their healthy sixties (to give the young something to aspire to) tossing Frisbees to Irish setters or tying on flies in midstream or watching sunsets from their Adirondack chairs.
Leisure is permissible, we understand, because it costs money; idleness is not, because it doesn’t. Leisure is focused; whatever thinking it requires is absorbed by a certain task: sinking that putt, making that cast, watching that flat-screen TV. Idleness is unconstrained, anarchic. Leisure—particularly if it involves some kind of high-priced technology—is as American as a Fourth of July barbecue. Idleness, on the other hand, has a bad attitude. It doesn’t shave; it’s not a member of the team; it doesn’t play well with others. It thinks too much, as my high school coach used to say. So it has to be ostracized.2
With idleness safely on the reservation, the notion that leisure is necessarily a function of money is free to grow into a truism. “Money isn’t the goal. Your goals, that’s the goal,” reads a recent ad for Citibank. At first glance, there’s something appealingly subversive about it. Apply a little skepticism, though, and the implicit message floats to the surface: And how else are you going to reach those goals than by investing wisely with us? Which suggests that, um, money is the goal, after all.
The Church of Work
There’s something un-American about singing the virtues of idleness. It is a form of blasphemy, a secular sin. More precisely, it is a kind of latter-day antinomianism, as much a threat to the orthodoxy of our day as Anne Hutchinson’s desire 350 years ago to circumvent the Puritan ministers and dial God direct. Hutchinson, we recall, got into trouble because she accused the Puritan elders of backsliding from the rigors of their theology and giving in to a Covenant of Works, whereby the individual could earn his all-expenses-paid trip to the pearly gates through the labor of his hands rather than solely through the grace of God. Think of it as a kind of frequent-flier plan for the soul.
The analogy to today is instructive. Like the New England clergy, the Religion of Business—literalized, painfully, in books like Jesus, CEO—holds a monopoly on interpretation; it sets the terms, dictates value.3 Although today’s version of the Covenant of Works has substituted a host of secular pleasures for the idea of heaven, it too seeks to corner the market on what we most desire, to suggest that the work of our hands will save us. And we believe. We believe across all the boundaries of class and race and ethnicity that normally divide us; we believe in numbers that dwarf those of the more conventionally faithful. We repeat the daily catechism, we sing in the choir. And we tithe, and keep on tithing, until we are spent.
It is this willingness to hand over our lives that fascinates and appalls me. There’s such a lovely perversity to it; it’s so wonderfully counterintuitive, so very Christian: You must empty your pockets, turn them inside out, and spill out your wife and your son, the pets you hardly knew, and the days you simply missed altogether watching the sunlight fade on the bricks across the way. You must hand over the rainy afternoons, the light on the grass, the moments of play and of simply being. You must give it up, all of it, and by your example teach your children to do the same, and then—because even this is not enough—you must train yourself to believe that this outsourcing of your life is both natural and good. But even so, your soul will not be saved.
The young, for a time, know better. They balk at the harness. They do not go easy. For a time they are able to see the utter sadness of subordinating all that matters to all that doesn’t. Eventually, of course, sitting in their cubicle lined with New Yorker cartoons, selling whatever it is they’ve been asked to sell, most come to see the advantage of enthusiasm. They join the choir and are duly forgiven for their illusions. It’s a rite of passage we are all familiar with. The generations before us clear the path; Augustine stands to the left, Freud to the right. We are born into death, and die into life, they murmur; civilization will have its discontents. The sign in front of the Church of Our Lady of Perpetual Wo
rk confirms it. And we believe.
All of which leaves only the task of explaining away those few miscreants who out of some inner weakness or perversity either refuse to convert or who go along and then, in their thirty-sixth year in the choir, say, abruptly abandon the faith. Those in the first category are relatively easy to contend with; they are simply losers. Those in the second are a bit more difficult; their apostasy requires something more… dramatic. They are considered mad.
In one of my favorite anecdotes from American literary history (which my children know by heart, and which in turn bodes poorly for their futures as captains of industry), the writer Sherwood Anderson found himself, at the age of thirty-six, the chief owner and general manager of a paint factory in Elyria, Ohio. Having made something of a reputation for himself as a copywriter in a Chicago advertising agency, he’d moved up a rung. He was on his way, as they say, a businessman in the making, perhaps even a tycoon in embryo. There was only one problem: he couldn’t seem to shake the notion that the work he was doing (writing circulars extolling the virtues of his line of paints) was patently absurd, undignified; that it amounted to a kind of prison sentence. Lacking the rationalizing gene, incapable of numbing himself sufficiently to make the days and the years pass without pain, he suffered and flailed. Eventually he snapped.
It was a scene he would revisit time and again in his memoirs and fiction. On November 27, 1912, in the middle of dictating a letter to his secretary (“The goods about which you have inquired are the best of their kind made in the…”), he simply stopped. According to the story, the two supposedly stared at each other for a long time, after which Anderson said, “I have been wading in a long river and my feet are wet,” and walked out. Outside the building he turned east toward Cleveland and kept going. Four days later he was recognized and taken to a hospital suffering from exhaustion.