by Taylor Smith
Moving around the breakfast bar, she paused to pick out a leaf that had fallen from the big ficus tree that anchored one end of the island. Her plants, too, were a contribution from Nora, appearing out of the blue one day when Hannah returned from an overseas security job.
“I was buying new plants for my house and decided you could use some up here,” Nora had said, refusing to take payment for them. “They soften things and help clean the air. You need that, living in this city.”
The care and feeding of the greenery came down to Trevor’s partner, Ruben. At first, he’d just come in to water the plants when Hannah was out of town on a job, but after nursing one too many spindly specimens back to health, only to see it wilt again under Hannah’s negligent ministrations, Ruben had clucked despairingly and taken over the job full-time. Hannah repaid him by babysitting little Mellie from time to time and by taking the guys’ dog along whenever she went running. Chucky—part border collie, part God-knows-what—could never get too much exercise, and Hannah liked the rescue mutt’s goofy, slobbering company.
Spotting Rebecca’s carrying case where she’d left it on her overstuffed sofa, Hannah went to take another look at August Koon’s work. Her condo faced west and the late afternoon sun, filtered through the gauzy sheers over the open patio doors, set the space aglow. Warm as the day had been, nights in L.A. remained cool until late June or early July, when the ocean finally had a chance to warm up. The temperature now was dropping fast. A soft breeze wafted the sheers. The low, steady hum of traffic on Sunset Boulevard was underscored by the distant wail of a police siren.
Setting her glass on the coffee table, she zipped open the leather portfolio and pulled out the painting. She examined it front to back, inside and out. If it weren’t for a wire hanger on the frame and the artist’s signature at the bottom right, there’d be no telling right from left, up from down on this “masterpiece.” The canvas was a thickly painted mass of blues, greens and violets.
Flipping the picture over, Hannah examined the reverse side. Heavy kraft paper was stapled to the wooden frame. She shook her head and went to the kitchen for a sharp knife. No way would she not check under the paper. Lifting out half of the staples, she rolled the paper back, taking care not to crease it. The back of the canvas was grimy, but the paint-splattered pine stretchers and staples holding the canvas in place seemed relatively new. Nothing remotely untoward here.
After stapling the paper back in place, she propped the painting on the sofa. Then, she had another thought. She pulled the portfolio toward her and examined it closely. Rebecca had provided it, so if the case concealed something illegal, then Nora’s friend was implicated. Hard to believe, but who knew? She wouldn’t be the first person driven to crime out of desperation.
The case was padded and reinforced to reduce the risk of crushing. And maybe conceal contraband? Hannah took her Swiss Army knife from her messenger bag and used it to make a small slit in the lining. All she found inside was high-density foam wrapped around sturdy cardboard.
Setting the case aside, she took up her water glass again and settled into her favorite rocker to study the painting. Why would anyone want to own a piece like this? And pay a quarter million dollars for it, plus commission and shipping? It wasn’t so much that it was ugly. Compared to other “high concept” art pieces she’d seen in the past, hideous things that left her head shaking, this one was okay. The longer she looked at it, in fact, the more she found herself picking out images, reading emotions into the dusky, gladelike colors. Maybe that was the idea.
Since this was the first time she’d ever acted as an art courier, Hannah had raised with Rebecca the legal ramifications of importing and exporting paintings.
“It’s not a problem with modern work like this, as long as the paperwork’s in order,” Rebecca had said. “August Koon’s work is hardly a national treasure.”
She’d handed over an envelope. When Hannah had opened it, she’d found the bill of sale and an authentification certificate signed by Koon, as well as an import permit from Mexican Customs and her Los Angeles/Puerto Vallarta return air ticket—AlaskaAir, 10:10 a.m. Tuesday morning, first class as promised. Rebecca said the airline had been given a heads-up that Hannah would be hand-carrying a painting and had affixed an amendment to her file noting that the portfolio was to be safely stowed alongside her in the first-class cabin.
Hannah examined the Mexican import permit that had apparently been arranged by Moises Gladding. It all looked very official. She suspected money may have changed hands under a table somewhere but, although she studied the paperwork closely for irregularities, everything seemed in order. No matter how much she might fret about dealing with Gladding, sometimes a cigar was just a cigar and a courier job was just that. All she had to do was carry the painting to LAX, board the plane, tuck the portfolio into its closet, then sit back with a glass of champagne and enjoy the two-hour flight. She’d be met in Puerto Vallarta, she’d deliver the picture, and then her work would be done. Easy money.
She rewrapped the painting in the soft cloth Rebecca had provided and slipped it back into the leather portfolio. In her bedroom, she propped it behind her bureau, then kicked off her sandals and pulled her T-shirt over her head. She was just heading to the bathroom to turn on the shower when the bleep of her cell phone stopped her in her tracks. It was in her messenger bag in the living room. She ran back into the other room, plucked it up and glanced at the screen. Her stomach did a backflip. The number was familiar enough that she recognized it, but not such a habit that she’d assigned it a permanent place in her phone list. That would be too much like asking for trouble.
She opened the phone. “Hi, there.”
“Hey, stranger.” John Russo’s voice reminded her of bittersweet chocolate—deep, dark, rich but never cloying. It was like everything else about him, a balance of weirdly Zen calm and edgy tension that made him intriguing, unpredictable and just a little bit scary. He was unremarkable in appearance, not overly large or menacing, but the bad guys he encountered in his line of work would underestimate him at their peril. Russo was one of the best homicide detectives in the city. It would be easy enough, she imagined, for a suspect to be lulled by his easygoing demeanor, only to be stung by that laser intelligence and pit bull tenacity.
Hannah counted herself among the good guys, but Russo kept her feeling a little off balance, too. She wasn’t sure what she was going to do about that. The two of them had been tap-dancing around each other for a couple of months now. If the irregular hours they both kept made it tough for them to find time to see one another, Russo had made it clear he wasn’t about to let a few scheduling problems get in his way. The guy was determined, she’d give him that. And a damn good kisser, Hannah had discovered. Her stomach cart-wheeled as she recalled their one and only real date. It was about ten days ago, dinner followed by a walk on the beach. Yes, a cliché right out of the classifieds, maybe, but it had worked. Unfortunately, it had come to a breathless but abrupt end when he’d been called out to a murder scene in West Hollywood. He wasn’t supposed to be on call that night, but as luck would have it, a gang war had erupted in Compton and all of Russo’s colleagues had been out picking up the pieces of carnage there when the dead sheet call came in.
“You’re a tough lady to get hold of,” Russo said now.
“I wouldn’t want to seem easy.” Hannah winced. Damn, was she flirting? She hated flirting. “Anyway, I called your office. You have a new partner.”
“Yeah, she’s a newbie. She’ll be riding with me for the next couple of months. I’m her T.O.” Her training officer. “Name’s Lindsay. She just transferred in from the Twin Towers.”
The Los Angeles Sheriff’s Department, in addition to policing vast swaths of Southern California, also ran the detention facilities that housed men and women arrested anywhere in the county. It was impossible to climb through LASD ranks without sooner or later doing a stint as a corrections officer in one of the jails. Hannah herself had worked
in the Twin Towers correctional unit for a year after graduating from police academy, and she’d hated every minute of it. The relationship between jailed and jailer was made up of equal parts suspicion, contempt and gamesmanship, bored inmates having little else to occupy them besides looking for ways to end-run the guards. The day her transfer to a patrol beat had come through, Hannah had danced a jig right there in the control tower.
“I’ll bet she’s glad to be out of there. I assume she’s been on the street already?” Hannah asked. You didn’t make detective in the Sheriff’s Department until you’d put in your time on patrol.
“Yeah, she worked the Valley and Compton. She only just told me you’d called. When exactly was that?”
“Thursday or Friday, I think.” Actually, Hannah knew precisely when she’d called, but there was no mileage in looking too eager. “She said you were out of town.”
“Yeah, I had to go up to San Francisco. I got back on Friday, but I didn’t get your message until a few minutes ago. The kid’s in big trouble.” Russo sounded annoyed. That was gratifying. “She misses another message like that and she’ll be back on a beat before she knows it.”
“Don’t be too hard on her. She doesn’t know me from Adam. Probably thought I was one of your groupies.”
Russo made a dismissive noise, but cops did tend to attract a fan base. It wasn’t just the man-in-uniform phenomenon. Plainclothes detectives held just as much fascination for civilians. It was the illusion of invincibility, maybe, that knight-in-shining-armor thing. As a former cop herself, Hannah knew the badge was no guarantee of valor or integrity, much less infallibility. Russo had certainly suffered his own share of personal and professional problems, but he seemed to deserve his rep for decency.
“Believe me, Lindsay knows now she’d better tell me right away if you call,” he growled. “When I didn’t hear back from you, I was beginning to think you were avoiding me. I was thinking about taking up stalking. Anyway, why did you call the desk instead of my cell?”
Hannah hesitated. Why indeed? Because she’d been hoping to get a recording and put the ball back in his court? Because the thought of seeming desperate, or of putting herself out there and getting hurt again was scarier than anything she could imagine? She’d walked into booby-trapped buildings with less trepidation than she felt at the idea of letting this guy get close. She’d been on her own nearly five years now. There’d been a couple of so-called relationships in that time, but she’d had no problem keeping them compartmentalized, tucked away in a little offside place that came nowhere near threatening her peace of mind. But when John Russo had walked into her life, she’d realized fast that she was in big trouble.
“How come I didn’t call your cell?” she repeated. “I don’t know. Because the office number was the one I called, I guess. How are you doing?”
“Okay. Working too much, as usual. You know that murder I caught in WeHo the night you and I went to the beach?”
“I remember.” Boy, did she. Hannah’s face went warm, thinking about them necking on the beach like a couple of teenagers. “The paper said you arrested some movie writer. The guy who did that NASCAR picture—what was it called?”
“Speed Demons.”
“That’s right. He crashed a race car while he was researching that, I read.”
“Yeah, what a bozo. You’ve heard of method acting? Looks like this guy invented method writing. He nearly bought it when he flamed out that car. Told me he wanted to get a sense of what a race driver feels when he’s going around a curve at a hundred and twenty miles an hour. Another time, apparently, he climbed Mount McKinley to learn about life and death at high altitudes and nearly got his guide killed.”
Hannah rolled her eyes. “Not a rocket scientist, it would seem.”
“No kidding. So, this time he’s writing a murder mystery about working girls, and the next thing you know, there’s one dead hooker in his bed and another one running screaming down La Cienega Boulevard wearing nothing but rope burns.”
“Yikes.”
“He’d gagged and hogtied both girls—ankles and wrists linked to nooses around their necks. Left them that way while he went to the liquor store, if you can believe it. First girl passes out, strangles herself. Second girl manages to get free just as she hears the writer’s car pull up. She slips out the front door as he’s coming in the back. When he realizes there’s a dead girl in his bed and the other one’s gotten away, he hightails it out of town. We finally tracked him down to an old girlfriend’s place in the Bay Area.”
“So that’s what sent you up there.”
“Yeah. San Francisco PD picked him up for us. I flew back with him last night and he was arraigned this afternoon. I was hoping the bastard would be remanded over until the trial, but he made bail.”
“Well, way to go. Guess his next script will be Jailbird City.”
“What are you up to?”
“Getting ready to head out on a job.”
“Again? A real job this time?”
“What do you mean, real? I work.”
“Yeah, sorry. I know that. I meant a permanent job, I guess. With regular hours.”
“Like yours, you mean?”
“Point taken.” He sighed. “We’re a pair, aren’t we?”
A pair? If only. In the three months since they’d met, they’d had exactly two lunches, several dinner dates that ended up canceled either because Hannah got last-minute calls for jobs she couldn’t afford to turn down or he had to work overtime. At this rate, Hannah thought, she’d be on Social Security before they ever got to second base. And by then Russo, a decade older than she was, would be dead or too pathetic to do her frustrated libido much good.
On the other hand, he was still calling. Points to him for persistence.
“I was hoping we could go for dinner or catch a movie or something one night this week,” Russo said. “How’s your schedule looking.”
“I’m going to be out of town for a couple of days.”
“Oh, well…I just thought—”
“But you know what? We should celebrate you closing this crazy writer case.” God forbid he should think she was making excuses.
“Yeah?”
“For sure. I’m flying out tomorrow but I’ll be back the day after.”
“What’s the job?”
Hannah told him about Nora’s old college roommate and Moises Gladding’s sudden desire to own a painting by August Koon.
“Moises Gladding? I’ve heard of him, I think. Didn’t he get called up on some terrorism beef?”
Hannah nodded. She’d done her research since talking to Rebecca at Nora’s Sunday dinner. “He testified before Congress last year about arms sales to Al Qaeda, but he was on the side of the angels on that one, it seems. He’s not always, mind you.”
“You’re sure it’s a painting you’re taking down there?”
“Yeah, I’ve examined it thoroughly, believe me. I don’t even know why I’m doing it, except it’s good money and a quick turnaround. Safeguarding a few square feet of canvas beats dodging insurgents in Iraq. Can I call you when I get back into town?”
“Absolutely. But call me on this number, okay? It’s my cell. You need to write it down?”
Hannah smiled. “No, it’ll be in my phone now. I’ll store it and use it, I promise.”
“I’m holding you to it.”
Hannah allowed herself a pleasant mental picture. John Russo could hold her anytime he wanted.
Six
After a shower, Hannah ran her fingers through her dark curls, leaving them to air dry, then pulled on the Garfield flannel pajamas Gabe had given her for Christmas. It was early yet, not quite seven o’clock, but it was always nice to nest the night before a job. After rummaging through her kitchen, however, she realized that she might have to change back into street clothes. Either that or change her name to Mother Hubbard, her cupboards were that bare. She had meant to go grocery shopping after picking up the painting but then postponed
the trip, not willing to leave the Koon in her car while she ducked into Whole Foods. With a guilty sigh, she pulled a box out of the cupboard and put a pot of water on the stove to boil. Processed mac and cheese. Pathetic. Why did she even have this stuff in the house? Easy. Because Gabe liked it and his stepmother, to her credit, refused to buy it.
When he was little, Hannah had conscientiously made his mac and cheese from scratch. Then, one day when he was around four, he’d come home from a playdate singing ecstatic praises for the orange noodles he’d had at his friend’s house. On their next trip to the grocery store, he’d spotted the Kraft Dinner box on a shelf and nearly had a meltdown when Hannah resisted buying it. It was about the time his father had left to move in with his latest squeeze, soon to be the second Mrs. Calvin Nicks, and Hannah hadn’t had the heart or strength to battle their little boy over a stupid box of noodles. That had been the end of butter roux and hand-shredded cheese, however. Now, although Gabe took infrequent meals at her house, she still found herself buying the boxed quick dinner because he inevitably asked for it.
