by Carl Hiassen
Joe Winder pulled a chair close to the bed and sat down. Pedro Luz smelled like a fifty-five-gallon drum of rubbing alcohol. His luxuriant hair stood in oily black spikes, and his massive neck was covered with angry purple acne, a side effect of the fruit-and-steroid body-building diet.
"You like your job?" Winder asked him.
"What do you mean – at the Kingdom? Sure, I guess." The security man pulled the covers off his legs, so Joe Winder could see the bandages on his ferret-gnawed ankle. "Except for shit like this," said Pedro Luz. "Otherwise, it's an okay job most of the time."
Winder said, "So you really wouldn't want to get fired."
"The hell are you talking about?"
"For lying. I think you're lying."
"What about?"
Joe Winder said, "Don't play dumb with me." As if the guy had a choice. "Tell me why you sent a man to Koocher's lab yesterday. I know you did, because he called me about it."
Pedro Luz got red in the cheeks. The cords in his neck stood out like a rutting bull's. "I already told you," he said. "I don't have no report on that guy."
"He's missing from the park."
"Then I'll do up a report," Pedro Luz said. He breathed deeply, as if trying to calm himself. "Soon as I get outta here, I'll make a report." He took the IV tube out of his mouth. "This stuff's not so bad," he said thoughtfully. "Tastes like sugar syrup." He replaced the tube between his lips and sucked on it loudly.
Joe Winder said, "You're a moron."
"What did you say?"
"Make that a submoron."
Pedro Luz shrugged. "I'd beat the piss out of you, if I didn't feel so bad. They gave me about a million shots." He leered woozily and opened his gown. "See, they broke two needles on my stomach."
Joe Winder couldn't help but admire Pedro Luz's physique. He could see the bright crimson spots where the hypodermics had bent against the muscle.
"Least I won't get the rabies," said Pedro Luz, drawing merrily on the tube. "You oughta take off, before I start feeling better."
Winder stood up and slid the chair back to its corner. "Last chance, Hercules. Tell me why you sent a man to the lab yesterday."
"Or else what?"
"Or we play "This Is Your Life, Pedro Dipshit." I tell Kingsbury's people all about your sterling employment record with the Miami Police Department. I might even give them a copy of the indictment. A spine-chilling saga, Pedro. Not for the meek and mild."
Pedro Luz removed the tube and wiped his lips on the sleeve of his gown. He looked genuinely puzzled. "But they know," he said. "They know all about it."
"And they hired you anyway?"
"Course," said Pedro Luz. "It was Kingsbury himself. He said every man deserves a second chance."
"I admire that philosophy," Joe Winder said, "most of the time."
"Yeah, well, Mr. X took a personal liking to me. That's why I'm not too worried about all your bullshit."
"Yes," said Joe Winder. "I'm beginning to understand."
"Because you couldn't get me fired no matter what," said Pedro Luz. "And you know what else? Don't never call me a moron again, if you know what's good for you."
"I guess I don't," said Joe Winder. "Obviously."
SEVEN
The ticket taker at the Wet Willy attraction was trying to control his temper. Firm, but friendly. That's how you deal with difficult customers; that's what they taught in ticket-taker training.
The young man, who was new to the job, said, "I'm sorry, sir, but you can't cut to the front of the line. These other people have been waiting for a long time."
"These other people," the man said; "tell me, do they own this fucking joint?"
The ticket taker did not recognize Francis X. Kingsbury, who wore thong sandals, baggy pastel swim trunks and no shirt. He also had a stopwatch hanging from a red lanyard around his neck.
"Now, you don't want me to call Security," the ticket taker said.
"Nothing but idiots," Kingsbury muttered, pushing his pallid belly through the turnstile. He shuffled up two flights of stairs to the launching ramp, and dropped to all fours.
The Wet Willy ride was one of the Amazing Kingdom's most popular thrill attractions, and one of the cheapest to operate. A marvel of engineering simplicity, it was nothing but a long translucent latex tube. The inside was painted in outrageous psychedelic hues, and kept slippery with drain water diverted at no cost from nearby drinking fountains. The narrow tube descended from a height of approximately six stories, with riders plunging downhill at an average angle of twenty-seven exhilarating degrees.
Francis X. Kingsbury was exceptionally proud of the Wet Willy because the whole contraption had been his idea, his concept. The design engineers at the Amazing Kingdom had wanted something to compete with Disney's hugely successful Space Mountain ride. Kingsbury had collected all the press clippings about Space Mountain and used a bright yellow marker to emphasize his contempt for the project, particularly the development cost. "Seventeen million bucks," he had scoffed, "for a frigging roller ride in the dark."
The engineers had earnestly presented several options for the Amazing Kingdom – Jungle Coaster, Moon Coaster, Alpine Death Coaster – but Kingsbury rejected each for the obvious reason that roller-coaster cars and roller-coaster tracks cost money. So did the electricity needed to run them.
"Gravity!" Kingsbury had grumped. "The most underused energy source on the planet."
"So you're suggesting a slide," ventured one of the engineers. "Maybe a water slide."
Kingsbury had shaken his head disdainfully. Slides look cheap, he'd complained, we're not running a goddamn State Fair. A tube would be better, a sleek space-age tube.
"Think condom," he had advised the engineers. "A three-hundred-foot condom."
And so the Wet Willy was erected. Instantly it had become a sensation among tourists at the park, a fact that edified Kingsbury's belief that the illusion of quality is more valuable than quality itself.
Lately, though, ridership figures for the Wet Willy had shown a slight but troubling decline. Francis X. Kingsbury decided to investigate personally, without notifying the engineers, the ticket takers, the Security Department or anyone else at the park. He wanted to test his theory that the ride had become less popular because it had gotten slower. The stopwatch would tell the story.
The way the Wet Willy was designed, a 110-pound teenager would be able to slide headlong from the ramp to the gelatin-filled landing sac in exactly 22.7 seconds. Marketing specialists had calibrated the time down to the decimal point – the ride needed to be long enough to make customers think they were getting their money's worth, yet fast enough to seem dangerous and exciting.
Francis X. Kingsbury weighed considerably more than 110 pounds as he crawled into the slippery chute. Ahead of him, he saw the wrinkled bare soles of a child disappear swiftly into the tube, as if flushed down a rubber commode. Kingsbury pressed the button on the stop-watch, eased to his belly and pushed off. He held his arms at his sides, like an otter going down a river-bank. In this case, an overweight otter in a ridiculous Jack Kemp hairpiece.
Kingsbury grimaced as he swooshed downward, skimming on a thin plane of clammy water. He thought: This is supposed to be fun? The stopwatch felt cold and hard against his breastbone. The bright colors on the walls of the tube did little to lift his spirits; he noticed that some of the reds had faded to pink, and the blues were runny. Not only that, sections of the chute seemed irregular and saggy, as if the latex were giving way.
He took his eyes off the fabric long enough to notice, with alarm, that he was gaining on the youngster who had entered the Wet Willy ahead of him. Being so much heavier, Francis X. Kingsbury was plummeting earth-bound at a much faster speed. Suddenly he was close enough to hear the child laughing, oblivious to the danger – no! Close enough to make out the grinning, bewhiskered visage of Petey Possum waving from the rump of the youngster's swimming trunks.
"Shit," said Kingsbury. Feverishly he tried to brake, dig
ging into the rubber with his toes and fingernails. It was no use: gravity ruled the Wet Willy.
Kingsbury overtook the surprised child and they became one, hurtling down the slick pipe in a clumsy union of tangled torsos.
"Hey!" the kid cried. "You're smushing me!" It was a boy, maybe nine or ten, with bright red hair and freckles all over his neck. Francis X. Kingsbury now steered the kid as if he were a toboggan.
They hit the gelatin sac at full speed and disengaged. The boy came out of the goo bawling, followed by Kingsbury, who was studying the dial of the stopwatch and frowning. He seemed not to notice the solemn group waiting outside the exit: the earnest young ticket taker, plus three uniformed security men. All were breathing heavily, as if they had run the whole way.
The ticket taker pointed at Kingsbury and said, "That's him. Except he wasn't bald before."
The security men, all former crooked cops recruited by Pedro Luz, didn't move. They recognized Mr. X right away.
The ticket taker said, "Get him, why don't you!"
"Yeah," said the red-haired tourist kid. "He hurt me."
"Mildew," said Francis X. Kingsbury, still preoccupied. "Fucking mildew under my fingernails." He looked up and, to no one in particular, said: "Call Maintenance and have them Lysol the Willy, A-S-A-P."
The tourist kid raised the pitch of his whining so that it was impossible to ignore. "That's the man who tried to smush me. On my bottom!"
"Give the little turd a free pass to the Will Bill Hiccup," said Francis X. Kingsbury. "And him," pointing at the ticket taker, "throw his ass, I mean it, off the property."
The boy with the Petey Possum swimsuit ran off, sniffling melodramatically. As the security men surrounded the ticket taker, Kingsbury said, "What, like it takes three of you monkeys?"
The men hesitated. All were reluctant to speak.
"You," Kingsbury said, nodding at the smallest of the guards. "Go back up and slide this goddamn tube. Yeah, you heard me. See if you can beat twenty-seven-point-two."
The security man nodded doubtfully. "All right, sir."
"Yeah, and my hair," said Kingsbury, "it's up there somewhere. Grab it on the way down."
Bud Schwartz paused at the door and looked back. "It don't seem right," he said. "Maybe just the VCR."
"Forget it." Danny Pogue was rocking on his crutches down by the elevator. "Where we gonna hide anything? Come on, Bud, let's just go."
The elevator came and Danny Pogue clumped in.
With one crutch he held the elevator door and waited for his partner. Bud Schwartz was trying to tear himself away from Molly McNamara's fancy condo. "Look at all this shit we're leaving behind," he said longingly. "We could probably get five hundred easy for the Dolbys."
Danny Pogue leaned out of the elevator. "And how the fuck we supposed to carry 'em? Me with these toothpicks and you with one good arm. Would you get your ass moving, please, before the bitch comes back?"
As they rode to the first floor, Danny Pogue said, "Besides, we got no car."
Bud Schwartz grunted sourly, wondering what became of the blue pickup. "I feel like she owes us."
"She does owe us. She owes us nine grand, to be exact. But we agreed it wasn't worth waiting, right?"
"I mean, owes us for this." Bud Schwartz brandished a gauze-wrapped hand. "Shooting us, for no good reason."
"She's a nut case. She don't need a reason." They got off the elevator and for once Danny Pogue led the way, swinging on his crutches.
They could see the gatehouse at the main entrance, on the other side of the condominium complex. Rather than follow the sidewalks, they decided to shorten the trip by cutting across the grounds, which were sparsely landscaped and dimly lit. In the still of the evening, the high-rise community of Eagle Ridge was at rest, except for a noisy bridge tournament being held in the rec room. On the screened porches of ground-floor apartments, couples could be seen watering their plants or feeding their cats.
As the two outsiders made their way across the darkened, shuffle-board courts, Danny Pogue's left crutch gave out and he went down with a cry.
"Goddamn," he said, splayed on the concrete. "Look here, somebody left a puck on the court."
Bud Schwartz said, "It's not a puck. Pucks are for hockey."
Danny Pogue held the plastic disk like a Danish. "Then what do you call it?"
"I don't know what you call it," said Bud Schwartz, "but people are staring, so why don't you get up before some fucking Good Samaritan calls 911."
"I ought to sue the assholes for leaving this damn thing lying around."
"Good idea, Danny. We'll go see a lawyer first thing in the morning. We'll sue the bastards for a jillion trillion dollars. Then we'll retire down to Club Med." With great effort, Bud Schwartz helped Danny Pogue off the cement and steadied him on the crutches.
"So who's watching us?"
"There." Bud Schwartz raised his eyes toward a third-floor balcony, where three women stood and peered, arms on their hips, like cranky old cormorants drying their wings.
"Hey!" Danny Pogue yelled. "Get a life!"
The women retreated into the apartment, and Danny Pogue laughed. Bud Schwartz didn't think it was all that funny; he'd been in a rotten frame of mind ever since Molly McNamara had shot him in the hand.
As they approached the gatehouse, Danny Pogue said, "So where's the taxi?"
"First things first," said Bud Schwartz. Then, in a whisper: "Remember what we talked about. The girl's name is Annie. Annie Lefkowitz."
He had met her that afternoon by the swimming pool and gotten nowhere – but that's who they were visiting, if anybody asked. No way would they mention Molly McNamara; never heard of her.
A rent-a-cop came out of the gatehouse and nodded neutrally at the two men. He was a young muscular black with a freshly pressed uniform and shiny shoes. Over his left breast pocket was a patch that said, in navy-blue stitching: "Eagle Ridge Security." Danny Pogue and Bud Schwartz were surprised to see what appeared to be a real Smith&Wesson on his hip.
The rent-a-cop said: "Looks like you guys had a rough night."
"Barbecue blew up," said Bud Schwartz. "Ribs all over the place."
Danny Pogue extended his wounded foot, as if offering it for examination. "Burns is all," he said. "We'll be okay."
The rent-a-cop didn't seem in a hurry to move out of the way. He asked for their names, and Bud Schwartz made up a couple of beauts. Ron Smith and Dick Jones.
"Where are you staying?" the rent-a-cop said. "Which building?"
"With Amy Leibowitz," answered Danny Pogue.
"Lefkowitz," said Bud Schwartz, grinding his molars. "Annie Lefkowitz. Building K."
"Which unit?" asked the rent-a-cop.
"We're visiting from up North," said Bud Schwartz. "We're not related or anything. She's just a friend, if you know what I mean."
"But which unit?"
Bud Schwartz made a sheepish face. "You know, I don't even remember. But her last name's Lefkowitz, you can look it up."
The rent-a-cop said: "There are four different Lefkowitzes that live here. Hold tight, I'll be right back."
The guard went back inside, and Danny Pogue leaned closer to his partner. The gatehouse cast just enough light to reveal a change in Bud Schwartz's expression.
"So help me God," said Danny Pogue, "if you leave me here, I'll go to the cops."
"What're you talking about?"
"You're gonna run, goddamn you."
"No, I'm not," said Bud Schwartz, although that was precisely what he was considering. He had spotted the yellow taxi, parked near a mailbox across the street.
"Don't even think about it," said Danny Pogue. "You're still on probation."
"And you're on parole," Bud Schwartz snapped. Then he thought: Hell, what are we worried about? We're not even arrested. And this jerk-off's not even a real cop. This guy, he can't stop us from leaving," said Bud Schwartz. "He can stop us from trying to get in, but he can't stop us from getting out."
&nbs
p; Danny Pogue thought about this. "You're right," he said. "Why don't we just take off?"
"Taking off is not how I'd describe it, considering the shape we're in. Limping off is more like it."
"I wonder if that gun's loaded," said Danny Pogue. "Or if he's allowed to use it."
Bud Schwartz told him not to worry, they could still talk their way out of it. When the rent-a-cop came out of the gatehouse, he held a clipboard in one hand and a big ugly Maglite in the other.
"Miss Lefkowitz says she's had no visitors."
Bud Schwartz looked stunned. "Annie? Are you sure you got the right one?" He stuck with it, digging them in even deeper. "She's probably just pissed off 'cause we're leaving, that's all. Got a good taste and doesn't want to let go."
The rent-a-cop pointed the white beam of the Maglite at Bud Schwartz's face and said, "Why don't you fuckheads come with me."
Danny Pogue retreated a couple of steps. "We didn't do nothin" wrong."
"You lied," said the rent-a-cop. "That's wrong."
Half-blind from the flashlight, Bud Schwartz shielded his eyes and said, "Look, I can explain about Annie." He was ummming and awwwwing, trying to come up with something, when he heard a shuffling noise off to his left. The rent-a-cop aimed the flashlight toward Danny Pogue, but Danny Pogue was gone.
Bud Schwartz said, "I'm not believing this."
The rent-a-cop seemed mildly annoyed. They could hear the frantic thwuck-thwuck of the crutches, heading down the unlit road.
"Bastard," said Bud Schwartz. He felt sharp fingers – impressively strong – seize the loose span of flesh where his neck met his shoulder.
"Before I go get the gimper," said the rent-a-cop, pinching harder, "how about you telling me some portion of the truth."
"Really I can't," said Bud Schwartz. "I'd like to, but it's just not possible."
Then the Maglite came down against the top of his forehead, and the shutters of his brain slammed all at once, leaving the interior of his skull very cool, black, empty.
Joe Winder parked at the end of the gravel road and changed out of his work clothes. The necktie was the first thing to come off. He put on a pair of cutoffs, slipped into some toeless sneakers, slathered on some Cutter's and grabbed his spinning rod out of the car. He found the path through the mangroves – his path, to the water's edge. He came here almost every day after work, depending on how badly the wind was blowing. Sometimes he fished, sometimes he sat and watched.
