by John Norman
The girl in the mirror looked startled, and then pouting, and angry.
"Is it not true?" I challenged her.
"Yes!" she sobbed. "It is true!"
"Are you not rather burdensomely garbed?" I asked.
She drew off the tiny bit of silk. I watched her in the mirror. "You may dance," I told her.
She looked at me, defiantly.
"You want to dance," I told her. "Dance."
I then, in the candlelight, on the rug, before the mirror, silently, to no music but what was in my own heart, danced. I danced my need, my anguish, my frustration, my misery, my loneliness.
"Now," I said, "dance, if you dare, as what you are!"
I then, startled, saw her, myself, in the mirror. "Who are you?" I asked. "Who taught you to move like that? Where did you come from? Can you be truly Doreen? You are not Doreen as I have seen her before. Are you I? Are we the same? Surely that cannot be I! No one showed you such a dance! Has there been such a dance lurking in you all this time? Can we be the same? Surely that cannot be! Surely I must stop! You are the Doreen I must conceal, the Doreen whom I must, whatever be the cost or anguish, never permit to be seen, or even suspected! You are the Doreen I must deny. You are the Doreen I must hide! Yet you are my true self. I know that! It is my true self then that I must deny, and hide!"
I watched her.
"You bitch!" I chided her. "You brazen bitch! You meaningless, brazen little bitch!"
I watched. How shameless, how meaningless, how terrible, how worthless she was, that girl in the mirror, that writhing, astounding, uncontrollably sensuous little bitch!
She continued to dance.
I saw that she was worthless indeed, worth less than the dirt beneath the feet of gods, but that, too, in her way, she possessed incredible riches and power, in her beauty and femaleness, and in her dance. In the sense in which a free person was priceless, she was worthless, but, too, in her way, I could see that she would have value, value as a pair of boots might have value or a dog. She was the sort of person who would have a finite, measurable value. She was the sort of woman on whom a fair price could be put.
I collapsed to the rug, naked. I felt its coarse nap on my thigh and side. I clutched my arms about myself. I drew my legs up. I was terrified. I wept. I could not understand what I had done, and seen. The girl in the mirror was now gone. We were now one. I trembled.
I lay there for better than an hour, I think, in the flickering shadows, naked, on the rug. I listened to the sounds from outside, mostly those of traffic. Eventually the tiny candle burned out.
After a time I rose to my knees. I knelt there on the rug with my head down. It was a submissive posture. I then raised my head, miserably. "My masters," I whispered to the darkness, "I am here! Where are you?"
I then rose to my feet and crept to my bed. I lay there for a time and then, later, fell asleep.
2
The Dictionary
"The book is here," I said, "on the bottom shelf."
"Get it," he said.
Never again, of course, had I dared to don the tiny silken garment. I would have been too terrified to have done so. It brought out things too deep and marvelous, too shameful and terrible, too precious and beautiful in me. But it remained with my things, in the dresser. Nonetheless my life had changed, somehow, in perspective or understanding, if not greatly in overt deed or obvious fact, that night when I had seen myself as I was, or might be, in the mirror, when I had come to incontrovertibly learn my true nature, a nature which must be forever denied, thwarted and frustrated, a nature that had no place in my world.
"Yes?" I had asked, looking up from behind the reference desk. My heart had almost stopped beating. He was large, and supple. His hands and arms, long arms, seemed powerful. He was dressed in a dark business suit, with a tie. There seemed, however, something subtly awry with this vesture. He did not seem at ease somehow in this garment. There seemed something alien about him, something foreign. What startled me most about him at first, I think, was his eyes, and how they looked at me. I was not certain I could fathom such a look, but it had terrified me. It was almost, I had inexplicably felt, as though his eyes could see through my clothing. Perhaps, I thought, such a man has looked on many women, and would have little difficulty in conjecturing the general nature of my most intimate lineaments. In that instant I had felt, in effect, naked before him. And then he had lifted his head and was glancing about the room, as though he might understand my apprehension at being beneath a gaze such as his. "Yes?" I repeated, as pleasantly as I could, catching my breath. He looked back at me, swiftly, fiercely. He was not interested in my pretenses, my games. I quickly lowered my head, unable, somehow, to meet that gaze. It is difficult to explain this, but if you meet such a man, you will know it. Before such a man a female can suddenly feel herself nothing. Then I sensed him turning again to one side. Mercifully I knew he had freed me of his gaze. I lifted my eyes a little, but not so much as to risk, should he turn, encountering his.
"Have you Harper's Dictionary of Classical Literature and Antiquities?" he asked.
"Of course," I said, in relief. Suddenly our relationship became explicable, and modular. "Its number is in the card catalog," I said.
I sensed him looking at me.
"You can find the number for it in the card catalog," I told him.
He did not move toward the card catalog.
"Can you recognize it?" I asked.
He was silent. I sensed he might be becoming angry. Did he think I was going to wait on him?
"If you can recognize it," I said, "I can tell you where it is. It is down that aisle, and on the left, toward the end, on the bottom shelf."
"Show me," he said.
"I'm busy," I said.
"No, you are not," he said. To be sure, he was right. I was not really busy. Perhaps he had determined that before he had come to the desk. I had a distinct, uneasy sense, then, that he might be remembering, and keeping an account in some way, of my petty delays.
I rose from behind the desk. He stood back. I would precede him. That was appropriate, of course, as it was I who knew where the book was. To be sure, it made me uneasy to walk before him. No one, or hardly anyone, as far as I knew, incidentally, ever used that book or showed any interest in it. We learn of it, of course, in library science. It is a standard reference work in its area. I knew where it was, from shelf reading. Too, of course, I knew the general range of numbers within which it fell. Indeed, I had had to memorize such things for examinations. I preceded the fellow to the aisle, and down it. It seemed, somehow, now, that the shelves were close on both sides. The space between them seemed somehow narrower, and more wall-like, than usual. The library is well lit. I was very conscious of him behind me. I did not think he was a classics scholar. "Perhaps you want to look up something for a crossword puzzle," I said, lightly. Then I was afraid, again, doubtless foolishly, that he might be keeping an account of such things as my remark. Perhaps it had not pleased him. But what did it matter whether he was pleased or not?
"You are wearing a skirt," he said.
I stopped, frightened. I turned and looked at him, briefly. He was a quite large man anyway, but here, in this enclosed space, the shelves on each side, he seemed gigantic. I felt tiny before him. His bulk, somehow seemingly ungainly in that suit and tie, seemed to fill the space between the shelves. "Is the book here?" he asked. "No," I said. But I felt suddenly, and the thought frightened me, that he knew where the book was, that he knew very well where the book was. I then turned and continued down the aisle. In a moment I had reached its vicinity. I could see it there now, on the bottom shelf.
"It's there," I said, "on the bottom shelf, that large book. You can see the title."
"Are you a female intellectual?" he asked.
"No," I said, hastily.
"But you are a librarian," he said.
"I am only a simple librarian," I said.
"You have probably read a great deal," he said.
>
"I have read a little," I said, uncertainly, uneasily.
"Perhaps you are the sort of woman who has read more than she has lived," he said.
"The book is on the bottom shelf," I said.
"But soon perhaps," he said, "books will be behind you."
"It is down there," I said, "on the shelf, on the bottom."
"Are you a modern woman?" he asked.
"Of course," I said. I did not know what else to say. In one sense, of course, I supposed this was terribly false.
"Yes," he said, "I can see that it is true. You are tight, and prissy."
I made as though to leave, but his eyes held me where I was, immobile. It was almost as though I was held in place, standing there, before him, by a fixed collar, mounted on a horizontal rod, extending from a wall.
"Are you one of the modern women who are intent upon destroying men?" he asked.
I regarded him, startled.
"Are you guilty of such crimes?" he asked.
"I do not know what you are talking about," I said, frightened.
He smiled. "Are you familiar with the book on the bottom shelf?" he asked.
"Not really," I said. It was a standard reference source, but in a limited area. I had never used it.
"There are several such books," he said, "but it is surely one of the finest."
"I am sure it is a valuable, excellent reference work," I said.
"It tells of a world very different from that in which you live," he said, "a world very much simpler, and more basic, a world more fundamental, and less hypocritical, and far fresher and cleaner, in its way, and more alive and wild than yours."
"Than mine?" I said. His voice, now that he spoke at length, seemed to have some trace of an accent. But I could not begin to place it.
"It was a world in which men and women stood closer to the fires of life," he said. "It was a world of tides and gods, of spears and Caesars, of games, and wreaths of laurel, of the clash, detectable for miles, of phalanxes, of the marchings of legions, in measured stride, of the long roads and the fortified camps, of the coming and going of the oared ships, of the pourings of offerings, wine and salt, and oil, into the sea."
I said nothing.
"And in such a world women such as you were bought and sold as slaves," he said.
"That world is gone," I said.
"There is another, not unlike it, which exists," he said.
"That is absurd," I said.
"I have seen it," he said.
"The book is here," I said, "on the bottom shelf." I was trembling. I was terribly frightened.
"Get it," he said.
I lowered myself to my knees. I drew out the book. I looked up at him. I was on my knees before him.
"Open it," he said.
I did so. Within it was a sheet of folded paper.
I opened the sheet of folded paper. On it was writing.
"Read it," he said.
"'I am a slave,'" I read. Then I looked up. He had left. I leaned over, on my knees, bending far over, clutching the paper. I was giddy and faint. Then I looked up once more after him. The aisle was empty. I wondered if he would come back for me. Then I felt suddenly frightened, and ill, and hurried to the ladies' room.
3
The Library
I put the bells about my ankle.
It was dark now in the library, and it was past ten thirty. We had closed more than an hour ago.
The incident in the reference section, that in connection with Harper's Dictionary of Classical Literature and Antiquities, that in which I had been so frightened, had occurred more than three months ago. In that incident it seemed that I had found myself at the feet of a man. To be sure, it was merely that I was kneeling to draw forth a book. I was a librarian. I was only being helpful, surely. Too, it had seemed that I had, before him, aloud, confessed that I was a slave. But that was an absurd interpretation, surely, of what had occurred. I was only reading the paper I had found in the book. That was all. I had taken the paper home. The next day, after a troubled, restless night, and after hours of anxiety, misery and hesitation, I had suddenly, feverishly, burned it. Thus I had hoped to put it from me, but I knew the thing had happened, that the words had been said, and had had their meaning, that which they had had at the time, and not necessarily that which I might now fervently desire to ascribe to them, and to such a man. That the paper might be burned could not undo what was now transcribed in the reality of the world. The incident, as you might well imagine, had much disturbed me. For days it dominated my consciousness, obsessing me. Then, later, mercifully, when I gradually began to understand how foolish my fears were, I was able to return my attention to the important routines of my life, my duties in the library, my reading, my shopping, and so on. Once in a while, of course, the terrors and alarms of that incident, suddenly, unexpectedly, would rise up, flooding back upon me, but, on the whole, I had, it seemed, forgotten about it. I rationally dismissed it, which was the healthy thing to do. The whole thing had been silly. Sometimes I wondered if it had even happened. I would recall sometimes the eyes of the man. The thing that had perhaps most impressed me about him, aside from his size, his seeming vigor and formidableness, was his eyes. They had not seemed like the eyes of the men I knew. In them there had seemed an incredible intelligence, a savagery, an uncompromising ferocity. In those eyes, in that fierce gaze, I had been unable to detect reservations, inhibitions, hesitancies or guilt. He seemed to be the sort of man, and the only one of this sort I had ever met, who would do much what he pleased, and take what he wanted. He seemed to carry with him the right of power and lions. I had no doubt that he was totally my superior. There had been, however, I think, one explicit consequence, or residue, of that incident. I think it served, somehow, in some way, to trigger a resolve on my part to do something which for me, if not for other women, required great courage. It brought me to my lessons. For months before, I had toyed with the idea, or the fancy, or fantasy, the idea first having emerged after I had seen myself in the mirror on that incredible night in my room, of taking lessons in dance. I had almost died on the phone, making inquiries about these things, and more than once, suddenly blushing crimson, or, from the feel of it, I suppose so, had hung up the phone without identifying myself. I was not interested, of course, in such forms of dance as ballet or tap. I was interested in a form of dancing which was more basic, more fundamental, more female. The form of dance I was interested in, of course, and this doubtless accounted for my timidity, my hesitation and fear, was ethnic dance, or, if you prefer, to speak perhaps more straightforwardly, "belly dancing." Happily it was always women who answered the phone. I do not think I could have dared to speak to a man of this sort of thing. Like most modern women I was concerned to conceal my sexual needs. To reveal them would have been just too excruciatingly embarrassing. What woman would dare to reveal to a man that she wants to move, would dare to move, before those of his sex in so beautiful and exciting a manner, in a way which proves that she is vital, and alive, and female, that she is astonishingly beautiful and unutterably desirable, in a way that will drive them mad with the wanting of her, in a way that shows them that she, too, has powerful sexual needs, and in her dance, as she presents and displays herself, striving to please them, that she wants them satisfied? Surely no virtuous woman. Surely only a despicable, sensuous slut, the helpless prisoner of her undignified and unworthy passions. In the end I called up the first woman, again, on whom I had, some days ago, hung up. "Have you done belly dancing before?" she asked. "Not really," I said. "You are a beginner?" she asked. "Yes," I said. I had not really thought much about it before, but it seemed there must then be various levels of this form of dance. I found that intriguing. "I understand it is good exercise," I said. "Yes," she said. "New classes begin Monday, in the afternoon and evening. Are you interested?" "Yes," I said. I had said, "Yes." That affirmation, I think, did me a great deal of good. I had publicly admitted my interest in this sort of thing. Somehow that made things
seem much simpler, much easier. If I had lost status in this admission, it had now been lost, and it was now no longer to be worried about. But the woman did not seem surprised, or offended or scandalized. "What is your name?" she asked. I gave her my name. I was committed. I had taken these lessons now for almost three months, and in more than one course of instruction. I kept my new form of exercise, or my new hobby, if you like, secret from those at the library, and those I knew. It would not do at all for them to know that I was studying ethnic dance. Let them think of me merely as Doreen, their co-worker or friend, the quiet reference librarian. It was not necessary for them to know that sometimes, when we utilized costumes, other than our leotards and scarves, that that quiet Doreen, barefoot, in anklets and bracelets, with whirling necklaces, with her midriff bared, sometimes with her thighs stripped, swirled in fringed halter and shimmering skirt, with tantalizing veils, to barbaric music. I think I was the best in my classes. My teacher, she also with whom I had spoken on the phone, proved to be an incredibly lovely woman. She seemed incredibly pleased with my progress. Often she would give me extra instruction. I was her star pupil. Often, too, she would call to my attention offers or engagements, at parties and clubs, and such. It was natural that she would be contacted with regard to such matters. I always refused to go, of course. "But you would be beautiful, and marvelous," she would encourage me. "No," I would laugh. "No! No! I would be terrible!" One or another of the other girls, then, would be contacted, and they would go. Several, I thought, were wonderful. Women are so beautiful, thusly. Never would I, however, have had the courage to dance publicly. Too, suppose someone had seen me, like that. To be sure my dance, whatever might have been its motivations, conscious or subconscious, did have various lovely accompanying effects. I found myself slimmer and trimmer than before, and more vital than before. Too, I think the dance served some purpose within me, though I am not sure what it was. Perhaps it helped me get more in touch with my womanhood. To be sure, sometimes it made me sad, as if in some way it seemed incomplete, as though it were only part of a whole, a lovely part of a whole that was not fully available to me. "It would help, of course," my teacher said to me, "if you would perform. It is meant to be seen. You do not know what it is truly like until you have performed." "I would be afraid to perform," I said. "Why?" she asked. I put down my head, not wanting to speak. "Because there are men there?" she asked. I looked up. "Yes," I said. "Do you think these dances are for women?" she asked. I did not respond. "They are made to be seen by men," she said. "That is their purpose." "Please," I protested. "And there would not be one man there, one real man," she said, "who, seeing you half naked in your jewelry and veils, would not want to put a chain on you, and own you." I looked at her, startled. "I see that such thoughts are not new to you," she smiled. "I thought not." How could she have known that I had had such thoughts? Could it be that she, too, had them, as she was a woman? I will recount one further anecdote from my lessons. It occurred yesterday evening. We were in class. We were dancing, twenty of us, in leotards, and shawls or scarves, to the music on the tape recorder. Then suddenly she said to us, scornfully, "What is wrong? You are dancing tonight like free women. You must improve that. You must dance like slaves."
