by Oscar Wilde
‘He stood there in the raiment of a king, and the gates of the jewelled shrine flew open, and from the crystal of the many-rayed monstrance shone a marvellous and mystical light.’
in a king’s raiment, and the Glory of God filled the place, and the saints in their carven niches seemed to move. In the fair raiment of a king he stood before them, and the organ pealed out its music, and the trumpeters blew upon their trumpets, and the singing boys sang.
And the people fell upon their knees in awe, and the nobles sheathed their swords and did homage, and the Bishop’s face grew pale, and his hands trembled. ‘A greater than I hath crowned thee,’ he cried, and he knelt before him.
And the young King came down from the high altar, and passed home through the midst of the people. But no man dared look upon his face, for it was like the face of an angel.
THE SELFISH GIANT
Introduction
I have a great affection for The Selfish Giant. Scenes of Oscar reading it to his sons Cyril and Vyvyan served as a kind of running thread through the narrative frame of the film Wilde, in which I had the impossible pleasure and imponderable honour of playing Oscar.
As with Wilde’s stories The Happy Prince and The Young King, we can discern a religious element in the conclusion to The Selfish Giant; in this case we are treated to the specific revelation that the sobbing boy the giant had handed up into the tree is in fact the Christ Child. Wilde’s famous lines from The Ballad of Reading Gaol—‘each man kills the thing he loves’—are recalled when the child says of his scars, his stigmata, ‘Nay…but these are the wounds of Love.’
Wilde’s obsessions often shuttled between suffering and joy, pain and pleasure, love and death, each seeming to be necessary for the other. In his letter to Lord Alfred Douglas, De Profundis, written in prison, he lays out a theory of suffering and a theory of Christ the Artist both of which repay careful reading, but it is in this sweet and lovely story that those ideas come together most naturally and easily.
Wilde himself could be thought of as a Selfish Giant, of course. He was a very large man in frame—well over six foot in height and surprisingly broad and strong for one whose reputation was that of a velvet-clad dandy whose greatest professed ambition was to be able to live up to his collection of blue and white china. He was a giant in intellect and a giant of his age in talent, fame and brilliance. Did he guiltily feel that his ‘garden’ was barren, that his neglect of his wife and children was not unlike that of the giant in his story? A religious person might note Wilde’s own deathbed conversion to Roman Catholicism and draw strong parallels between this story and Wilde’s life. Happily the story is strong enough to stand without any such knowledge or belief, but there it is for you to consider just the same.
THE SELFISH GIANT
EVERY AFTERNOON, as they were coming from school, the children used to go and play in the Giant’s garden.
It was a large lovely garden, with soft green grass. Here and there over the grass stood beautiful flowers like stars, and there were twelve peach-trees that in the spring-time broke out into delicate blossoms of pink and pearl, and in the autumn bore rich fruit. The birds sat on the trees and sang so sweetly that the children used to stop their games in order to listen to them. ‘How happy we are here!’ they cried to each other.
One day the Giant came back. He had been to visit his friend the Cornish ogre, and had stayed with him for seven years. After the seven years were over he had said all that he had to say, for his conversation was limited, and he determined to return to his own castle. When he arrived he saw the children playing in the garden.
‘What are you doing here?’ he cried in a very gruff voice, and the children ran away.
‘It was a large lovely garden, with soft green grass. Here and there over the grass stood beautiful flowers like stars, and there were twelve peach-trees that in the spring-time broke out into delicate blossoms of pink and pearl, and in the autumn bore rich fruit.’
‘My own garden is my own garden,’ said the Giant; ‘any one can understand that, and I will allow nobody to play in it but myself.’ So he built a high wall all round it, and put up a notice-board.
TRESPASSERS
WILL BE
PROSECUTED
He was a very selfish Giant.
The poor children had now nowhere to play. They tried to play on the road, but the road was very dusty and full of hard stones, and they did not like it. They used to wander round the high wall when their lessons were over, and talk about the beautiful garden inside. ‘How happy we were there,’ they said to each other.
Then the Spring came, and all over the country there were little blossoms and little birds. Only in the garden of the Selfish Giant it was still winter. The birds did not care to sing in it as there were no children, and the trees forgot to blossom. Once a beautiful flower put its head out from the grass, but when it saw the notice-board it was so sorry for the children that it slipped back into the ground again, and went off to sleep. The only people who were pleased were the Snow and the Frost. ‘Spring has forgotten this garden,’ they cried, ‘so we will live here all the year round.’ The Snow covered up the grass with her great white cloak, and the Frost painted all the trees silver. Then they invited the North Wind to stay with them, and he came. He was wrapped in furs, and he roared all day about the garden, and blew the chimney-pots down. ‘This is a delightful spot,’ he said, ‘we must ask the Hail on a visit.’ So the Hail came. Every day for three hours he rattled on the roof of the castle till he broke most of the slates, and then he ran round and round the garden as fast as he could go. He was dressed in grey, and his breath was like ice.
‘I cannot understand why the Spring is so late in coming,’ said the Selfish Giant, as he sat at the window and looked out at his cold white garden; ‘I hope there will be a change in the weather.’
But the Spring never came, nor the Summer. The Autumn gave golden fruit to every garden, but to the Giant’s garden she gave none. ‘He is too selfish,’ she said. So it was always Winter there, and the North Wind, and the Hail, and the Frost, and the Snow danced about through the trees.
One morning the Giant was lying awake in bed when he heard some lovely music. It sounded so sweet to his ears that he thought it must be the King’s musicians passing by. It was really only a little linnet singing outside his window, but it was so long since he had heard a bird sing in his garden that it seemed to him to be the most beautiful music in the world. Then the Hail stopped dancing over his head, and the North Wind ceased roaring, and a delicious perfume came to him through the open casement. ‘I believe the Spring has come at last,’ said the Giant; and he jumped out of bed and looked out.
What did he see?
He saw a most wonderful sight. Through a little hole in the wall the children had crept in, and they were sitting in the branches of the trees. In every tree that he could see there was a little child. And the trees were so glad to have the children back again that they had covered themselves with blossoms, and were waving their arms gently above the children’s heads. The birds were flying about and twittering with delight, and the flowers were looking up through the green grass and laughing. It was a lovely scene, only in one corner it was still winter. It was the farthest corner of the garden, and in it was standing a little boy. He was so small that he could not reach up to the branches of the tree, and he was wandering all round it, crying bitterly. The poor tree was still quite covered with frost and snow, and the North Wind was blowing and roaring above it. ‘Climb up! little boy,’ said the Tree, and it bent its branches down as low as it could; but the boy was too tiny.
And the Giant’s heart melted as he looked out. ‘How selfish I have been!’ he said; ‘now I know why the Spring would not come here. I will put that poor little boy on the top of the tree, and then I will knock down the wall, and my garden shall be the children’s playground for ever and ever.’ He was really very sorry for what he had done.
So he crept downstairs and opened
the front door quite softly, and went out into the garden. But when the children saw him they were so frightened that they all ran away, and the garden became winter again. Only the little boy did not run, for his eyes were so full of tears that he did not see the Giant coming. And the Giant stole up behind him and took him gently in his hand, and put him up into the tree. And the tree broke at once into blossom, and the birds came and sang on it, and the little boy stretched out his two arms and flung them round the Giant’s neck, and kissed him. And the other children, when they saw that the Giant was not wicked any longer, came running back, and with them came the Spring. ‘It is your garden now, little children,’ said the Giant, and he took a great axe and knocked down the wall. And when the people were going to market at twelve o’clock they found the Giant playing with the children in the most beautiful garden they had ever seen.
All day long they played, and in the evening they came to the Giant to bid him good-bye.
‘But where is your little companion?’ he said: ‘the boy I put into the tree.’ The Giant loved him the best because he had kissed him.
‘We don’t know,’ answered the children; ‘he has gone away.’
‘You must tell him to be sure and come here tomorrow,’ said the Giant. But the children said that they did not know where he lived, and had never seen him before; and the Giant felt very sad.
Every afternoon, when school was over, the children came and played with the Giant. But the little boy whom the Giant loved was never seen again. The Giant was very kind to all the children, yet he longed for his first little friend, and often spoke of him. ‘How I would like to see him!’ he used to say.
Years went over, and the Giant grew very old and feeble. He could not play about any more, so he sat in a huge armchair, and watched the children at their games, and admired his garden. ‘I have many beautiful flowers,’ he said; ‘but the children are the most beautiful flowers of all.’
One winter morning he looked out of his window as he was dressing. He did not hate the Winter now, for he knew that it was merely the Spring asleep, and that the flowers were resting.
Suddenly he rubbed his eyes in wonder, and looked and looked. It certainly was a marvellous sight. In the farthest corner of the garden was a tree quite covered with lovely white blossoms. Its branches were all golden, and silver fruit hung down from them, and underneath it stood the little boy he had loved.
Downstairs ran the Giant in great joy, and out into the garden. He hastened across the grass, and came near to the child. And when he came quite close his face grew red with anger, and he said, ‘Who hath dared to wound thee?’ For on the palms of the child’s hands were the prints of two nails, and the prints of two nails were on the little feet.
‘Who hath dared to wound thee?’ cried the Giant; ‘tell me, that I may take my big sword and slay him.’
‘Nay!’ answered the child; ‘but these are the wounds of Love.’
‘Who art thou?’ said the Giant, and a strange awe fell on him, and he knelt before the little child.
And the child smiled on the Giant, and said to him, ‘You let me play once in your garden, today you shall come with me to my garden, which is Paradise.’
And when the children ran in that afternoon, they found the Giant lying dead under the tree, all covered with white blossoms.
THE REMARKABLE ROCKET
Introduction
The Remarkable Rocket is written in the comic style Wilde made famous: it is a story crammed with satirical observations, paradoxes, epigrams and—if you’ll forgive the pun—squibs.
Hubris, pomposity, vanity, the glamour and egotism of youth, I suppose these could be said to be the subject and the targets of the satire, but it is all worn very lightly. Oscar’s unhappy trial, imprisonment and exile might lead some to think that he was a remarkable rocket himself—that meteoric rise, the brilliant shower of wit and then the shocking explosion and calamitous fall to the muddy ground. At the height of his fame and fortune Wilde knew all too well how much people would like to see him fail. He knew all too well how shallow and facile they believed him to be. He probably agreed that at times his life was shallow and facile. When writers write moral tales they write them chiefly to instruct not others but themselves, just as we are nearly always talking to ourselves when we give sage advice to our friends. I therefore like to think of Oscar as being both the subject and the object of this story.
Fortunately, Wilde’s sad, painful and lonely death was followed, as decade followed decade, by an increase in his reputation. The height he has reached since his death is greater and the trail in the sky clearer than ever they were in his short and blighted lifetime.
THE REMARKABLE ROCKET
THE KING’S SON was going to be married, so there were general rejoicings. He had waited a whole year for his bride, and at last she had arrived. She was a Russian Princess, and had driven all the way from Finland in a sledge drawn by six reindeer. The sledge was shaped like a great golden swan, and between the swan’s wings lay the little Princess herself. Her long ermine-cloak reached right down to her feet, on her head was a tiny cap of silver tissue, and she was as pale as the Snow Palace in which she had always lived. So pale was she that as she drove through the streets all the people wondered. ‘She is like a white rose!’ they cried, and they threw down flowers on her from the balconies.
At the gate of the Castle the Prince was waiting to receive her. He had dreamy violet eyes, and his hair was like fine gold. When he saw her he sank upon one knee, and kissed her hand.
‘Your picture was beautiful,’ he murmured, ‘but you are more beautiful than your picture’; and the little Princess blushed.
‘She was like a white rose before,’ said a young Page to his neighbour, ‘but she is like a red rose now’; and the whole Court was delighted.
For the next three days everybody went about saying, ‘White rose, Red rose, Red rose, White rose’; and the King gave orders that the Page’s salary was to be doubled. As he received no salary at all this was not of much use to him, but it was considered a great honour, and was duly published in the Court Gazette.
When the three days were over the marriage was celebrated. It was a magnificent ceremony, and the bride and bridegroom walked hand in hand under a canopy of purple velvet embroidered with little pearls. Then there was a State Banquet, which lasted for five hours. The Prince and Princess sat at the top of the Great Hall and drank out of a cup of clear crystal. Only true lovers could drink out of this cup, for if false lips touched it, it grew grey and dull and cloudy.
‘It’s quite clear that they love each other,’ said the little Page, ‘as clear as crystal!’ and the King doubled his salary a second time. ‘What an honour!’ cried all the courtiers.
After the banquet there was to be a Ball. The bride and bridegroom were to dance the Rose-dance together, and the King had promised to play the flute. He played very badly, but no one had ever dared to tell him so, because he was the King. Indeed, he knew only two airs, and was never quite certain which one he was playing; but it made no matter, for, whatever he did, everybody cried out, ‘Charming! charming!’
The last item on the programme was a grand display of fireworks, to be let off exactly at midnight. The little Princess had never seen a firework in her life, so the King had given orders that the Royal Pyrotechnist should be in attendance on the day of her marriage.
‘What are fireworks like?’ she had asked the Prince, one morning, as she was walking on the terrace.
‘They are like the Aurora Borealis,’ said the King, who always answered questions that were addressed to other people, ‘only much more natural. I prefer them to stars myself, as you always know when they are going to appear, and they are as delightful as my own flute-playing. You must certainly see them.’
So at the end of the King’s garden a great stand had been set up, and as soon as the Royal Pyrotechnist had put everything in its proper place, the fireworks began to talk to each other.
‘The
world is certainly very beautiful,’ cried a little Squib. ‘Just look at those yellow tulips. Why! if they were real crackers they could not be lovelier. I am very glad I have travelled. Travel improves the mind wonderfully, and does away with all one’s prejudices.’
‘The King’s garden is not the world, you foolish squib,’ said a big Roman Candle; ‘the world is an enormous place, and it would take you three days to see it thoroughly.’
‘Any place you love is the world to you,’ exclaimed a pensive Catherine Wheel, who had been attached to an old deal box in early life, and prided herself on her broken heart; ‘but love is not fashionable any more, the poets have killed it. They wrote so much about it that nobody believed them, and I am not surprised. True love suffers, and is silent. I remember myself once—but it is no matter now. Romance is a thing of the past.’
‘Nonsense!’ said the Roman Candle, ‘Romance never dies. It is like the moon, and lives for ever. The bride and bridegroom, for instance, love each other very dearly. I heard all about them this morning from a brown-paper cartridge, who happened to be staying in the same drawer as myself, and knew the latest Court news.’
‘The King’s garden is not the world, you foolish squib,’ said a big Roman Candle; ‘the world is an enormous place, and it would take you three days to see it thoroughly.’
But the Catherine Wheel shook her head. ‘Romance is dead, Romance is dead, Romance is dead,’ she murmured. She was one of those people who think that, if you say the same thing over and over a great many times, it becomes true in the end.
