He knew he would have to carry around with him the knowledge that Foster and Stark hunted victims because of the red connection, Foster thinking her father had killed those four girls. Kirsty McAndrew, Hannah Healey, Ashleigh Fleming and finally a student named Beth Owen who had been on her way to a party in a new red dress: all died because of that. He would be haunted by the irony that they killed Kirsty just because she wore red shoes and had no idea that she had had a tattoo done by Stark’s boss. What he couldn’t be sure of was how much of that would be put right by the fact that Atto had finally been charged with Christine Cormack’s murder. It was a selfish little victory, a sticking plaster on a torn conscience, and he struggled to take any pleasure in it.
Barbara was talking to him, though, and that was something he could be satisfied with. It was a talking of sorts, a start of something rather than an end. She still couldn’t make up her mind whether to blame him for Chloe being at risk or thank him for saving her life. He’d have settled for either as an alternative to distance and silence. She was his own lost girl. The others were finally going home to their parents, and maybe she would too.
And then there was Tony. Tony and his deal with the Devil. Even the suggestion of it had been enough to turn Danny’s stomach. A means to an end that was against everything he’d tried to do for forty years. Atto would give up the sites of nine graves, starting with Melanie and Louise. The drip of information would be spaced out in order that the finds got maximum and prolonged television exposure. And so, of course, would Atto.
In return, Tony wouldn’t tell the world that Atto was not and never had been Red Silk. He was to be allowed to continue in his twisted charade, luxuriating in a renewed status as multiple killer with a social conscience, the peace of mind of others within his gift.
Atto revelled in it every bit as much as it sickened Danny to watch him do so. He tried to call Tony every day from prison, anxious to discuss the latest developments and share his memories of the locations that appeared on television.
Sometimes Tony would take the call and sometimes he wouldn’t. According to prison staff, this would alternately enrage Atto or amuse him as he declared that Tony couldn’t handle having him burrow into his mind.
However, Atto was wrong.
No matter how much he had tried to get inside Tony’s head, he had failed to learn enough about him.
It wasn’t until the police had confirmed that the two shallow graves in England did indeed contain the remains of Louise and Melanie that Tony shared the truth of his plan with Danny. He would play along, he’d let Atto talk and boast. He would indulge the killer’s vile need to share. Then, as soon as the last of those lost girls was returned to her parents, he would contact every news station, every newspaper and every website in the country and tell them that Atto was a liar.
Atto had entered into the agreement blindly, bound by the need to trust Tony to maintain the façade he had carefully cultivated for so long. Ultimately, he would be undone by his own arrogance. He wasn’t the Devil: the Devil was in the detail of Winter’s deal.
Atto would surely rage and he would threaten all manner of revenge that he couldn’t deliver. He would sulk and lie but he couldn’t prove he was something he wasn’t. The certainty of death and the tax on Danny’s conscience could be reduced by one.
The real killer of the three girls from Klass would never be known only if everyone stopped looking for him. Brenda MacFarlane, Isobel Jardine and Mary Gillespie didn’t deserve that, and Danny would keep looking, even if no one else did.
He surveyed the girls among the late-night, early-morning revellers in the lashing rain outside Central Station, thinking them a world away from the young women in the summer heat of Klass, yet knowing they were exactly the same.
Danny knew he couldn’t save them all, but that didn’t mean he couldn’t try. He stretched a restraining arm in front of two tall mid-twenties wide boys whose eyes were looking west but seeing east as they were about to get into the front taxi. Instead, he beckoned forward a teary-looking teenage girl from further down the queue whose tottering heels were barely holding her up. ‘In you go, hen. Make sure she gets in her front door, Sammy? Good man.’
There, he’d saved one.
Acknowledgements
I owe a vote of thanks to everyone at Simon & Schuster, in particular my editor Maxine Hitchcock for her unstinting support and enthusiasm but also to Emma Lowth, Florence Partridge and a host of others.
To my agent Mark “Stan” Stanton” I offer my apologies that this book is not named Necropolis and also my gratitude for his grey-bearded wisdom.
While much of this story comes simply from the dark recesses of my own imagination, I needed the technical know-how of reality to stitch those thoughts together. To that end, I am grateful to the following.
To Professor Jim Fraser, director of the Centre for Forensic Science at the University of Strathclyde for helping me out of the DNA hole that I’d dug for myself. To retired Detective Inspector Bryan McLaughlin, former head of Criminal Intelligence at Strathclyde Police, for his invaluable knowledge of 1972 policing methods.
To David Hamilton of the Scottish Government for his insight into the formation of the new Police Service of Scotland. To staff at the Scottish Prison Service for their help in the creation of the entirely fictional Blackridge Prison.
And finally, to my stunt-double and fellow crime writer Michael J. Malone for the story of the boy that saved the starfish.
To the ghosts who inspired this book, I wish them peace.
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Witness the Dead Page 41
