One day, after many exchanges of glances in which her own always fell sharply—in the midst of a letter—he arose and closed the half-open door. She did not think so much of that, as a rule—it had happened before—but now, to-day, because of a studied glance he had given her, neither tender nor smiling, she felt as though something unusual were about to happen. Her own body was going hot and cold by turns—her neck and hands. She had a fine figure, finer than she realized, with shapely limbs and torso. Her head had some of the sharpness of the old Greek coinage, and her hair was plaited as in ancient cut stone. Cowperwood noted it. He came back and, without taking his seat, bent over her and intimately took her hand.
“Antoinette,” he said, lifting her gently.
She looked up, then arose—for he slowly drew her—breathless, the color gone, much of the capable practicality that was hers completely eliminated. She felt limp, inert. She pulled at her hand faintly, and then, lifting her eyes, was fixed by that hard, insatiable gaze of his. Her head swam—her eyes were filled with a telltale confusion.
“Antoinette!”
“Yes,” she murmured.
“You love me, don’t you?”
She tried to pull herself together, to inject some of her native rigidity of soul into her air—that rigidity which she always imagined would never desert her—but it was gone. There came instead to her a picture of the far Blue Island Avenue neighborhood from which she emanated—its low brown cottages, and then this smart, hard office and this strong man. He came out of such a marvelous world, apparently. A strange foaming seemed to be in her blood. She was deliriously, deliciously numb and happy.
“Antoinette!”
“Oh, I don’t know what I think,” she gasped. “I— Oh yes, I do, I do.”
“I like your name,” he said, simply. “Antoinette.” And then, pulling her to him, he slipped his arm about her waist.
She was frightened, numb, and then suddenly, not so much from shame as shock, tears rushed to her eyes. She turned and put her hand on the desk and hung her head and sobbed.
“Why, Antoinette,” he asked, gently, bending over her, “are you so much unused to the world? I thought you said you loved me. Do you want me to forget all this and go on as before? I can, of course, if you can, you know.”
He knew that she loved him, wanted him.
She heard him plainly enough, shaking.
“Do you?” he said, after a time, giving her moments in which to recover.
“Oh, let me cry!” she recovered herself sufficiently to say, quite wildly. “I don’t know why I’m crying. It’s just because I’m nervous, I suppose. Please don’t mind me now.”
“Antoinette,” he repeated, “look at me! Will you stop?”
“Oh no, not now. My eyes are so bad.”
“Antoinette! Come, look!” He put his hand under her chin. “See, I’m not so terrible.”
“Oh,” she said, when her eyes met his again, “I—” And then she folded her arms against his breast while he petted her hand and held her close.
“I’m not so bad, Antoinette. It’s you as much as it is me. You do love me, then?”
“Yes, yes—oh yes!”
“And you don’t mind?”
“No. It’s all so strange.” Her face was hidden.
“Kiss me, then.”
She put up her lips and slipped her arms about him. He held her close.
He tried teasingly to make her say why she cried, thinking the while of what Aileen or Rita would think if they knew, but she would not at first—admitting later that it was a sense of evil. Curiously she also thought of Aileen, and how, on occasion, she had seen her sweep in and out. Now she was sharing with her (the dashing Mrs. Cowperwood, so vain and superior) the wonder of his affection. Strange as it may seem, she looked on it now as rather an honor. She had risen in her own estimation—her sense of life and power. Now, more than ever before, she knew something of life because she knew something of love and passion. The future seemed tremulous with promise. She went back to her machine after a while, thinking of this. What would it all come to? she wondered, wildly. You could not have told by her eyes that she had been crying. Instead, a rich glow in her brown cheeks heightened her beauty. No disturbing sense of Aileen was involved with all this. Antoinette was of the newer order that was beginning to privately question ethics and morals. She had a right to her life, lead where it would. And to what it would bring her. The feel of Cowperwood’s lips was still fresh on hers. What would the future reveal to her now? What?
Chapter XVII.
An Overture to Conflict
The result of this understanding was not so important to Cowperwood as it was to Antoinette. In a vagrant mood he had unlocked a spirit here which was fiery, passionate, but in his case hopelessly worshipful. However much she might be grieved by him, Antoinette, as he subsequently learned, would never sin against his personal welfare. Yet she was unwittingly the means of first opening the flood-gates of suspicion on Aileen, thereby establishing in the latter’s mind the fact of Cowperwood’s persistent unfaithfulness.
The incidents which led up to this were comparatively trivial—nothing more, indeed, at first than the sight of Miss Nowak and Cowperwood talking intimately in his office one afternoon when the others had gone and the fact that she appeared to be a little bit disturbed by Aileen’s arrival. Later came the discovery—though of this Aileen could not be absolutely sure—of Cowperwood and Antoinette in a closed carriage one stormy November afternoon in State Street when he was supposed to be out of the city. She was coming out of Merrill’s store at the time, and just happened to glance at the passing vehicle, which was running near the curb. Aileen, although uncertain, was greatly shocked. Could it be possible that he had not left town? She journeyed to his office on the pretext of taking old Laughlin’s dog, Jennie, a pretty collar she had found; actually to find if Antoinette were away at the same time. Could it be possible, she kept asking herself, that Cowperwood had become interested in his own stenographer? The fact that the office assumed that he was out of town and that Antoinette was not there gave her pause. Laughlin quite innocently informed her that he thought Miss Nowak had gone to one of the libraries to make up certain reports. It left her in doubt.
What was Aileen to think? Her moods and aspirations were linked so closely with the love and success of Cowperwood that she could not, in spite of herself, but take fire at the least thought of losing him. He himself wondered sometimes, as he threaded the mesh-like paths of sex, what she would do once she discovered his variant conduct. Indeed, there had been little occasional squabbles, not sharp, but suggestive, when he was trifling about with Mrs. Kittridge, Mrs. Ledwell, and others. There were, as may be imagined, from time to time absences, brief and unimportant, which he explained easily, passional indifferences which were not explained so easily, and the like; but since his affections were not really involved in any of those instances, he had managed to smooth the matter over quite nicely.
“Why do you say that?” he would demand, when she suggested, apropos of a trip or a day when she had not been with him, that there might have been another. “You know there hasn’t. If I am going in for that sort of thing you’ll learn it fast enough. Even if I did, it wouldn’t mean that I was unfaithful to you spiritually.”
“Oh, wouldn’t it?” exclaimed Aileen, resentfully, and with some disturbance of spirit. “Well, you can keep your spiritual faithfulness. I’m not going to be content with any sweet thoughts.”
Cowperwood laughed even as she laughed, for he knew she was right and he felt sorry for her. At the same time her biting humor pleased him. He knew that she did not really suspect him of actual infidelity; he was obviously so fond of her. But she also knew that he was innately attractive to women, and that there were enough of the philandering type to want to lead him astray and make her life a burden. Also that he might prove a very willing victim.
Sex desire and its fruition being such an integral factor in the marriage and every o
ther sex relation, the average woman is prone to study the periodic manifestations that go with it quite as one dependent on the weather—a sailor, or example—might study the barometer. In this Aileen was no exception. She was so beautiful herself, and had been so much to Cowperwood physically, that she had followed the corresponding evidences of feeling in him with the utmost interest, accepting the recurring ebullitions of his physical emotions as an evidence of her own enduring charm. As time went on, however—and that was long before Mrs. Sohlberg or any one else had appeared—the original flare of passion had undergone a form of subsidence, though not noticeable enough to be disturbing. Aileen thought and thought, but she did not investigate. Indeed, because of the precariousness of her own situation as a social failure she was afraid to do so.
With the arrival of Mrs. Sohlberg and then of Antoinette Nowak as factors in the potpourri, the situation became more difficult. Humanly fond of Aileen as Cowperwood was, and because of his lapses and her affection, desirous of being kind, yet for the time being he was alienated almost completely from her. He grew remote according as his clandestine affairs were drifting or blazing, without, however, losing his firm grip on his financial affairs, and Aileen noticed it. It worried her. She was so vain that she could scarcely believe that Cowperwood could long be indifferent, and for a while her sentimental interest in Sohlberg’s future and unhappiness of soul beclouded her judgment; but she finally began to feel the drift of affairs. The pathos of all this is that it so quickly descends into the realm of the unsatisfactory, the banal, the pseudo intimate. Aileen noticed it at once. She tried protestations. “You don’t kiss me the way you did once,” and then a little later, “You haven’t noticed me hardly for four whole days. What’s the matter?”
“Oh, I don’t know,” replied Cowperwood, easily; “I guess I want you as much as ever. I don’t see that I am any different.” He took her in his arms and petted and caressed her; but Aileen was suspicious, nervous.
The psychology of the human animal, when confronted by these tangles, these ripping tides of the heart, has little to do with so-called reason or logic. It is amazing how in the face of passion and the affections and the changing face of life all plans and theories by which we guide ourselves fall to the ground. Here was Aileen talking bravely at the time she invaded Mrs. Lillian Cowperwood’s domain of the necessity of “her Frank” finding a woman suitable to his needs, tastes, abilities, but now that the possibility of another woman equally or possibly better suited to him was looming in the offing—although she had no idea who it might be—she could not reason in the same way. Her ox, God wot, was the one that was being gored. What if he should find some one whom he could want more than he did her? Dear heaven, how terrible that would be! What would she do? she asked herself, thoughtfully. She lapsed into the blues one afternoon—almost cried—she could scarcely say why. Another time she thought of all the terrible things she would do, how difficult she would make it for any other woman who invaded her preserves. However, she was not sure. Would she declare war if she discovered another? She knew she would eventually; and yet she knew, too, that if she did, and Cowperwood were set in his passion, thoroughly alienated, it would do no good. It would be terrible, but what could she do to win him back? That was the issue. Once warned, however, by her suspicious questioning, Cowperwood was more mechanically attentive than ever. He did his best to conceal his altered mood—his enthusiasms for Mrs. Sohlberg, his interest in Antoinette Nowak—and this helped somewhat.
But finally there was a detectable change. Aileen noticed it first after they had been back from Europe nearly a year. At this time she was still interested in Sohlberg, but in a harmlessly flirtatious way. She thought he might be interesting physically, but would he be as delightful as Cowperwood? Never! When she felt that Cowperwood himself might be changing she pulled herself up at once, and when Antoinette appeared—the carriage incident—Sohlberg lost his, at best, unstable charm. She began to meditate on what a terrible thing it would be to lose Cowperwood, seeing that she had failed to establish herself socially. Perhaps that had something to do with his defection. No doubt it had. Yet she could not believe, after all his protestations of affection in Philadelphia, after all her devotion to him in those dark days of his degradation and punishment, that he would really turn on her. No, he might stray momentarily, but if she protested enough, made a scene, perhaps, he would not feel so free to injure her—he would remember and be loving and devoted again. After seeing him, or imagining she had seen him, in the carriage, she thought at first that she would question him, but later decided that she would wait and watch more closely. Perhaps he was beginning to run around with other women. There was safety in numbers—that she knew. Her heart, her pride, was hurt, but not broken.
Chapter XVIII.
The Clash
The peculiar personality of Rita Sohlberg was such that by her very action she ordinarily allayed suspicion, or rather distracted it. Although a novice, she had a strange ease, courage, or balance of soul which kept her whole and self-possessed under the most trying of circumstances. She might have been overtaken in the most compromising of positions, but her manner would always have indicated ease, a sense of innocence, nothing unusual, for she had no sense of moral degradation in this matter—no troublesome emotion as to what was to flow from a relationship of this kind, no worry as to her own soul, sin, social opinion, or the like. She was really interested in art and life—a pagan, in fact. Some people are thus hardily equipped. It is the most notable attribute of the hardier type of personalities—not necessarily the most brilliant or successful. You might have said that her soul was naively unconscious of the agony of others in loss. She would have taken any loss to herself with an amazing equableness—some qualms, of course, but not many—because her vanity and sense of charm would have made her look forward to something better or as good.
She had called on Aileen quite regularly in the past, with or without Harold, and had frequently driven with the Cowperwoods or joined them at the theater or elsewhere. She had decided, after becoming intimate with Cowperwood, to study art again, which was a charming blind, for it called for attendance at afternoon or evening classes which she frequently skipped. Besides, since Harold had more money he was becoming gayer, more reckless and enthusiastic over women, and Cowperwood deliberately advised her to encourage him in some liaison which, in case exposure should subsequently come to them, would effectually tie his hands.
“Let him get in some affair,” Cowperwood told Rita. “We’ll put detectives on his trail and get evidence. He won’t have a word to say.”
“We don’t really need to do that,” she protested sweetly, naively. “He’s been in enough scrapes as it is. He’s given me some of the letters—” (she pronounced it “lettahs”)—“written him.”
“But we’ll need actual witnesses if we ever need anything at all. Just tell me when he’s in love again, and I’ll do the rest.”
“You know I think,” she drawled, amusingly, “that he is now. I saw him on the street the other day with one of his students—rather a pretty girl, too.”
Cowperwood was pleased. Under the circumstances he would almost have been willing—not quite—for Aileen to succumb to Sohlberg in order to entrap her and make his situation secure. Yet he really did not wish it in the last analysis—would have been grieved temporarily if she had deserted him. However, in the case of Sohlberg, detectives were employed, the new affair with the flighty pupil was unearthed and sworn to by witnesses, and this, combined with the “lettahs” held by Rita, constituted ample material wherewith to “hush up” the musician if ever he became unduly obstreperous. So Cowperwood and Rita’s state was quite comfortable.
But Aileen, meditating over Antoinette Nowak, was beside herself with curiosity, doubt, worry. She did not want to injure Cowperwood in any way after his bitter Philadelphia experience, and yet when she thought of his deserting her in this way she fell into a great rage. Her vanity, as much as her love, was hurt. Wh
at could she do to justify or set at rest her suspicions? Watch him personally? She was too dignified and vain to lurk about street-corners or offices or hotels. Never! Start a quarrel without additional evidence—that would be silly. He was too shrewd to give her further evidence once she spoke. He would merely deny it. She brooded irritably, recalling after a time, and with an aching heart, that her father had put detectives on her track once ten years before, and had actually discovered her relations with Cowperwood and their rendezvous. Bitter as that memory was—torturing—yet now the same means seemed not too abhorrent to employ under the circumstances. No harm had come to Cowperwood in the former instance, she reasoned to herself—no especial harm—from that discovery (this was not true), and none would come to him now. (This also was not true.) But one must forgive a fiery, passionate soul, wounded to the quick, some errors of judgment. Her thought was that she would first be sure just what it was her beloved was doing, and then decide what course to take. But she knew that she was treading on dangerous ground, and mentally she recoiled from the consequences which might follow. He might leave her if she fought him too bitterly. He might treat her as he had treated his first wife, Lillian.
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