“Do you find them interesting?” he asked, stopping beside her.
“I think they’re wonderful. Those dark-greens, and that pale, fatty white! I can see how beautiful they would be in a Chinese setting. I have always wished we could find a Chinese or Japanese play to produce sometime.”
“Yes, with your black hair those ear-rings would look well,” said Cowperwood.
He had never deigned to comment on a feature of hers before. She turned her dark, brown-black eyes on him—velvety eyes with a kind of black glow in them—and now he noticed how truly fine they were, and how nice were her hands—brown almost as a Malay’s.
He said nothing more; but the next day an unlabeled box was delivered to Stephanie at her home containing a pair of jade ear-rings, a bracelet, and a brooch with Chinese characters intagliated. Stephanie was beside herself with delight. She gathered them up in her hands and kissed them, fastening the ear-rings in her ears and adjusting the bracelet and ring. Despite her experience with her friends and relatives, her stage associates, and her paramours, she was still a little unschooled in the world. Her heart was essentially poetic and innocent. No one had ever given her much of anything—not even her parents. Her allowance thus far in life had been a pitiful six dollars a week outside of her clothing. As she surveyed these pretty things in the privacy of her room she wondered oddly whether Cowperwood was growing to like her. Would such a strong, hard business man be interested in her? She had heard her father say he was becoming very rich. Was she a great actress, as some said she was, and would strong, able types of men like Cowperwood take to her—eventually? She had heard of Rachel, of Nell Gwynne, of the divine Sarah and her loves. She took the precious gifts and locked them in a black-iron box which was sacred to her trinkets and her secrets.
The mere acceptance of these things in silence was sufficient indication to Cowperwood that she was of a friendly turn of mind. He waited patiently until one day a letter came to his office—not his house—addressed, “Frank Algernon Cowperwood, Personal.” It was written in a small, neat, careful hand, almost printed.
I don’t know how to thank you for your wonderful present. I didn’t mean you should give them to me, and I know you sent them. I shall keep them with pleasure and wear them with delight. It was so nice of you to do this.
STEPHANIE PLATOW.
Cowperwood studied the handwriting, the paper, the phraseology. For a girl of only a little over twenty this was wise and reserved and tactful. She might have written to him at his residence. He gave her the benefit of a week’s time, and then found her in his own home one Sunday afternoon. Aileen had gone calling, and Stephanie was pretending to await her return.
“It’s nice to see you there in that window,” he said. “You fit your background perfectly.”
“Do I?” The black-brown eyes burned soulfully. The panneling back of her was of dark oak, burnished by the rays of an afternoon winter sun.
Stephanie Platow had dressed for this opportunity. Her full, rich, short black hair was caught by a childish band of blood-red ribbon, holding it low over her temples and ears. Her lithe body, so harmonious in its graven roundness, was clad in an apple-green bodice, and a black skirt with gussets of red about the hem; her smooth arms, from the elbows down, were bare. On one wrist was the jade bracelet he had given her. Her stockings were apple-green silk, and, despite the chill of the day, her feet were shod in enticingly low slippers with brass buckles.
Cowperwood retired to the hall to hang up his overcoat and came back smiling.
“Isn’t Mrs. Cowperwood about?”
“The butler says she’s out calling, but I thought I’d wait a little while, anyhow. She may come back.”
She turned up a dark, smiling face to him, with languishing, inscrutable eyes, and he recognized the artist at last, full and clear.
“I see you like my bracelet, don’t you?”
“It’s beautiful,” she replied, looking down and surveying it dreamily. “I don’t always wear it. I carry it in my muff. I’ve just put it on for a little while. I carry them all with me always. I love them so. I like to feel them.”
She opened a small chamois bag beside her—lying with her handkerchief and a sketch-book which she always carried—and took out the ear-rings and brooch.
Cowperwood glowed with a strange feeling of approval and enthusiasm at this manifestation of real interest. He liked jade himself very much, but more than that the feeling that prompted this expression in another. Roughly speaking, it might have been said of him that youth and hope in women—particularly youth when combined with beauty and ambition in a girl—touched him. He responded keenly to her impulse to do or be something in this world, whatever it might be, and he looked on the smart, egoistic vanity of so many with a kindly, tolerant, almost parental eye. Poor little organisms growing on the tree of life—they would burn out and fade soon enough. He did not know the ballad of the roses of yesteryear, but if he had it would have appealed to him. He did not care to rifle them, willy-nilly; but should their temperaments or tastes incline them in his direction, they would not suffer vastly in their lives because of him. The fact was, the man was essentially generous where women were concerned.
“How nice of you!” he commented, smiling. “I like that.” And then, seeing a note-book and pencil beside her, he asked, “What are you doing?”
“Just sketching.”
“Let me see?”
“It’s nothing much,” she replied, deprecatingly. “I don’t draw very well.”
“Gifted girl!” he replied, picking it up. “Paints, draws, carves on wood, plays, sings, acts.”
“All rather badly,” she sighed, turning her head languidly and looking away. In her sketch-book she had put all of her best drawings; there were sketches of nude women, dancers, torsos, bits of running figures, sad, heavy, sensuous heads and necks of sleeping girls, chins up, eyelids down, studies of her brothers and sister, and of her father and mother.
“Delightful!” exclaimed Cowperwood, keenly alive to a new treasure. Good heavens, where had been his eyes all this while? Here was a jewel lying at his doorstep—innocent, untarnished—a real jewel. These drawings suggested a fire of perception, smoldering and somber, which thrilled him.
“These are beautiful to me, Stephanie,” he said, simply, a strange, uncertain feeling of real affection creeping over him. The man’s greatest love was for art. It was hypnotic to him. “Did you ever study art?” he asked.
“No.”
“And you never studied acting?”
“No.”
She shook her head in a slow, sad, enticing way. The black hair concealing her ears moved him strangely.
“I know the art of your stage work is real, and you have a natural art which I just seem to see. What has been the matter with me, anyhow?”
“Oh no,” she sighed. “It seems to me that I merely play at everything. I could cry sometimes when I think how I go on.”
“At twenty?”
“That is old enough,” she smiled, archly.
“Stephanie,” he asked, cautiously, “how old are you, exactly?”
“I will be twenty-one in April,” she answered.
“Have your parents been very strict with you?”
She shook her head dreamily. “No; what makes you ask? They haven’t paid very much attention to me. They’ve always liked Lucille and Gilbert and Ormond best.” Her voice had a plaintive, neglected ring. It was the voice she used in her best scenes on the stage.
“Don’t they realize that you are very talented?”
“I think perhaps my mother feels that I may have some ability. My father doesn’t, I’m sure. Why?”
She lifted those languorous, plaintive eyes.
“Why, Stephanie, if you want to know, I think you’re wonderful. I thought so the other night when you were looking at those jades. It all came over me. You are an artist, truly, and I have been so busy I have scarcely seen it. Tell me one thing.”
“Yes.”
She drew in a soft breath, filling her chest and expanding her bosom, while she looked at him from under her black hair. Her hands were crossed idly in her lap. Then she looked demurely down.
“Look, Stephanie! Look up! I want to ask you something. You have known something of me for over a year. Do you like me?”
“I think you’re very wonderful,” she murmured.
“Is that all?”
“Isn’t that much?” she smiled, shooting a dull, black-opal look in his direction.
“You wore my bracelet to-day. Were you very glad to get it?”
“Oh yes,” she sighed, with aspirated breath, pretending a kind of suffocation.
“How beautiful you really are!” he said, rising and looking down at her.
She shook her head.
“No.”
“Yes!”
“No.”
“Come, Stephanie! Stand by me and look at me. You are so tall and slender and graceful. You are like something out of Asia.”
She sighed, turning in a sinuous way, as he slipped his arm her. “I don’t think we should, should we?” she asked, naively, after a moment, pulling away from him.
“Stephanie!”
“I think I’d better go, now, please.”
Chapter XXVI.
Love and War
It was during the earlier phases of his connection with Chicago street-railways that Cowperwood, ardently interesting himself in Stephanie Platow, developed as serious a sex affair as any that had yet held him. At once, after a few secret interviews with her, he adopted his favorite ruse in such matters and established bachelor quarters in the down-town section as a convenient meeting-ground. Several conversations with Stephanie were not quite as illuminating as they might have been, for, wonderful as she was—a kind of artistic godsend in this dull Western atmosphere—she was also enigmatic and elusive, very. He learned speedily, in talking with her on several days when they met for lunch, of her dramatic ambitions, and of the seeming spiritual and artistic support she required from some one who would have faith in her and inspire her by his or her confidence. He learned all about the Garrick Players, her home intimacies and friends, the growing quarrels in the dramatic organization. He asked her, as they sat in a favorite and inconspicuous resort of his finding, during one of those moments when blood and not intellect was ruling between them, whether she had ever—
“Once,” she naively admitted.
It was a great shock to Cowperwood. He had fancied her refreshingly innocent. But she explained it was all so accidental, so unintentional on her part, very. She described it all so gravely, soulfully, pathetically, with such a brooding, contemplative backward searching of the mind, that he was astonished and in a way touched. What a pity! It was Gardner Knowles who had done this, she admitted. But he was not very much to blame, either. It just happened. She had tried to protest, but— Wasn’t she angry? Yes, but then she was sorry to do anything to hurt Gardner Knowles. He was such a charming boy, and he had such a lovely mother and sister, and the like.
Cowperwood was astonished. He had reached that point in life where the absence of primal innocence in a woman was not very significant; but in Stephanie, seeing that she was so utterly charming, it was almost too bad. He thought what fools the Platows must be to tolerate this art atmosphere for Stephanie without keeping a sharp watch over it. Nevertheless, he was inclined to believe from observation thus far that Stephanie might be hard to watch. She was ingrainedly irresponsible, apparently—so artistically nebulous, so non-self-protective. To go on and be friends with this scamp! And yet she protested that never after that had there been the least thing between them. Cowperwood could scarcely believe it. She must be lying, and yet he liked her so. The very romantic, inconsequential way in which she narrated all this staggered, amused, and even fascinated him.
“But, Stephanie,” he argued, curiously, “there must been some aftermath to all this. What happened? What did you do?”
“Nothing.” She shook her head.
He had to smile.
“But oh, don’t let’s talk about it!” she pleaded. “I don’t want to. It hurts me. There was nothing more.”
She sighed, and Cowperwood meditated. The evil was now done, and the best that he could do, if he cared for her at all—and he did—was to overlook it. He surveyed her oddly, wonderingly. What a charming soul she was, anyhow! How naive—how brooding! She had art—lots of it. Did he want to give her up?
As he might have known, it was dangerous to trifle with a type of this kind, particularly once awakened to the significance of promiscuity, and unless mastered by some absorbing passion. Stephanie had had too much flattery and affection heaped upon her in the past two years to be easily absorbed. Nevertheless, for the time being, anyhow, she was fascinated by the significance of Cowperwood. It was wonderful to have so fine, so powerful a man care for her. She conceived of him as a very great artist in his realm rather than as a business man, and he grasped this fact after a very little while and appreciated it. To his delight, she was even more beautiful physically than he had anticipated—a smoldering, passionate girl who met him with a fire which, though somber, quite rivaled his own. She was different, too, in her languorous acceptance of all that he bestowed from any one he had ever known. She was as tactful as Rita Sohlberg—more so—but so preternaturally silent at times.
“Stephanie,” he would exclaim, “do talk. What are you thinking of? You dream like an African native.”
She merely sat and smiled in a dark way or sketched or modeled him. She was constantly penciling something, until moved by the fever of her blood, when she would sit and look at him or brood silently, eyes down. Then, when he would reach for her with seeking hands, she would sigh, “Oh yes, oh yes!”
Those were delightful days with Stephanie.
In the matter of young MacDonald’s request for fifty thousand dollars in securities, as well as the attitude of the other editors—Hyssop, Braxton, Ricketts, and so on—who had proved subtly critical, Cowperwood conferred with Addison and McKenty.
“A likely lad, that,” commented McKenty, succintly, when he heard it. “He’ll do better than his father in one way, anyhow. He’ll probably make more money.”
McKenty had seen old General MacDonald just once in his life, and liked him.
“I should like to know what the General would think of that if he knew,” commented Addison, who admired the old editor greatly. “I’m afraid he wouldn’t sleep very well.”
“There is just one thing,” observed Cowperwood, thoughtfully. “This young man will certainly come into control of the Inquirer sometime. He looks to me like some one who would not readily forget an injury.” He smiled sardonically. So did McKenty and Addison.
“Be that as it may,” suggested the latter, “he isn’t editor yet.” McKenty, who never revealed his true views to any one but Cowperwood, waited until he had the latter alone to observe:
What can they do? Your request is a reasonable one. Why shouldn’t the city give you the tunnel? It’s no good to anyone as it is. And the loop is no more than the other roads have now. I’m thinking it’s the Chicago City Railway and that silk-stocking crowd on State Street or that gas crowd that’s talking against you. I’ve heard them before. Give them what they want, and it’s a fine moral cause. Give it to anyone else, and there’s something wrong with it. It’s little attention I pay to them. We have the council, let it pass the ordinances. It can’t be proved that they don’t do it willingly. The mayor is a sensible man. He’ll sign them. Let young MacDonald talk if he wants to. If he says too much you can talk to his father. As for Hyssop, he’s an old grandmother anyhow. I’ve never known him to be for a public improvement yet that was really good for Chicago unless Schryhart or Merrill or Arneel or someone else of that crowd wanted it. I know them of old. My advice is to go ahead and never mind them. To hell with them! Things will be sweet enough, once you are as powerful as they are. They’ll get nothing in the future without payin
g for it. It’s little enough they’ve ever done to further anything that I wanted.
Cowperwood, however, remained cool and thoughtful. Should he pay young MacDonald? he asked himself. Addison knew of no influence that he could bring to bear. Finally, after much thought, he decided to proceed as he had planned. Consequently, the reporters around the City Hall and the council-chamber, who were in touch with Alderman Thomas Dowling, McKenty’s leader on the floor of council, and those who called occasionally—quite regularly, in fact—at the offices of the North Chicago Street Railway Company, Cowperwood’s comfortable new offices in the North Side, were now given to understand that two ordinances—one granting the free use of the La Salle Street tunnel for an unlimited period (practically a gift of it), and another granting a right of way in La Salle, Munroe, Dearborn, and Randolph streets for the proposed loop—would be introduced in council very shortly. Cowperwood granted a very flowery interview, in which he explained quite enthusiastically all that the North Chicago company was doing and proposed to do, and made clear what a splendid development it would assure to the North Side and to the business center.
At once Schryhart, Merrill, and some individuals connected with the Chicago West Division Company, began to complain in the newspaper offices and at the clubs to Ricketts, Braxton, young MacDonald, and the other editors. Envy of the pyrotechnic progress of the man was as much a factor in this as anything else. It did not make the slightest difference, as Cowperwood had sarcastically pointed out, that every other corporation of any significance in Chicago had asked and received without money and without price. Somehow his career in connection with Chicago gas, his venturesome, if unsuccessful effort to enter Chicago society, his self-acknowledged Philadelphia record, rendered the sensitive cohorts of the ultra-conservative exceedingly fearful. In Schryhart’s Chronicle appeared a news column which was headed, “Plain Grab of City Tunnel Proposed.” It was a very truculent statement, and irritated Cowperwood greatly. The Press (Mr. Haguenin’s paper), on the other hand, was most cordial to the idea of the loop, while appearing to be a little uncertain as to whether the tunnel should be granted without compensation or not. Editor Hyssop felt called upon to insist that something more than merely nominal compensation should be made for the tunnel, and that “riders” should be inserted in the loop ordinance making it incumbent upon the North Chicago company to keep those thoroughfares in full repair and well lighted. The Inquirer, under Mr. MacDonald, junior, and Mr. Du Bois, was in rumbling opposition. No free tunnels, it cried; no free ordinances for privileges in the down-town heart. It had nothing to say about Cowperwood personally. The Globe, Mr. Braxton’s paper, was certain that no free rights to the tunnel should be given, and that a much better route for the loop could be found—one larger and more serviceable to the public, one that might be made to include State Street or Wabash Avenue, or both, where Mr. Merrill’s store was located. So it went, and one could see quite clearly to what extent the interests of the public figured in the majority of these particular viewpoints.
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