It’s like being lost in a heavy fog, Maddie thought sometimes. Only instead of looking for the road, or a house, or the village, or just some landmark like that lightning-struck pine in the Altons’ woodlot, I am looking for the wheel. If I can ever find the wheel, maybe I can tell myself to squat and lean my shoulder to it.
At last she found her wheel; it turned out to be Jack Pace. Women marry their fathers and men their mothers, some say, and while such a broad statement can hardly be true all of the time, it was true in Maddie’s case. Her father had been looked upon by his peers with fear and admiration—“Don’t fool with George Sullivan, chummy,” they’d say. “He’s one hefty son of a bitch and he’d just as soon knock the nose off your face as fart downwind.”
It was true at home, too. He’d been domineering and sometimes physically abusive . . . but he’d also known things to want, and work for, like the Ford pickup, the chain saw, or those two acres that bounded their place on the left. Pop Cook’s land. George Sullivan had been known to refer to Pop Cook (out of his cups as well as in them) as one stinky old bastid, but there was some good hardwood left on those two acres. Pop didn’t know it because he had gone to living on the mainland when his arthritis really got going and crippled him up bad, and George let it be known on the island that what that bastid Pop Cook didn’t know wouldn’t hurt him none, and furthermore, he would kill the man or woman that let light into the darkness of Pop’s ignorance. No one did, and eventually the Sullivans got the land. And the wood, of course. The hardwood was logged off for the two wood stoves that heated the house in three years, but the land would remain. That was what George said and they believed him, believed in him, and they worked, all three of them. He said you got to put your shoulder to this wheel and push the bitch, you got to push ha’ad because she don’t move easy. So that was what they did.
In those days Maddie’s mother had kept a roadside stand, and there were always plenty of tourists who bought the vegetables she grew—the ones George told her to grow, of course, and even though they were never exactly what her mother called “the Gotrocks family,” they made out. Even in years when lobstering was bad, they made out.
Jack Pace could be domineering when Maddie’s indecision finally forced him to be, and she suspected that, loving as he was in their courtship, he might get around to the physical part—the twisted arm when supper was cold, the occasional slap or downright paddling—in time; when the bloom was off the rose, so as to speak. She saw the similarities . . . but she loved him. And needed him.
“I’m not going to be a lobsterman all my life, Maddie,” he told her the week before they married, and she believed him. A year before, when he had asked her out for the first time (she’d had no trouble coping then, either—had said yes almost before all the words could get out of his mouth, and she had blushed to the roots of her hair at the sound of her own naked eagerness), he would have said, “I ain’t going to be a lobsterman all my life.” A small change . . . but all the difference in the world. He had been going to night school three evenings a week, taking the ferry over and back. He would be dog tired after a day of pulling pots, but he’d go just the same, pausing only long enough to shower off the powerful smells of lobster and brine and to gulp two No Doz with hot coffee. After a while, when she saw he really meant to stick to it, Maddie began putting up hot soup for him to drink on the ferry ride over. Otherwise, he would have had no supper at all.
She remembered agonizing over the canned soups in the store—there were so many! Would he want tomato? Some people didn’t like tomato soup. In fact, some people hated tomato soup, even if you made it with milk instead of water. Vegetable soup? Turkey? Cream of chicken? Her helpless eyes roved the shelf display for nearly ten minutes before Charlene Nedeau asked if she could help her with something—only Charlene said it in a sarcastic way, and Maddie guessed she would tell all her friends at high school tomorrow and they would giggle about it—about her—in the Girls’ Room, because Charlene knew what was wrong; the same thing that was always wrong. It was just Maddie Sullivan, unable to make up her mind over so simple a thing as a can of soup. How she had ever been able to decide to accept Jack Pace’s proposal was a wonder and a marvel to all of them . . . but of course they didn’t know how, once you found the wheel, you had to have someone to tell you when to stoop and where exactly to lean against it.
Maddie had left the store with no soup and a throbbing headache.
When she worked up nerve enough to ask Jack what his favorite soup was, he had said: “Chicken noodle. Kind that comes in the can.”
Were there any others he specially liked?
The answer was no, just chicken noodle—the kind that came in the can. That was all the soup Jack Pace needed in his life, and all the answer (on that one particular subject, at least) that Maddie needed in hers. Light of step and cheerful of heart, Maddie climbed the warped wooden steps of the store the next day and bought the four cans of chicken noodle soup that were on the shelf. When she asked Bob Nedeau if he had any more, he said he had a whole damn case of the stuff out back.
She bought the entire case and left him so flabbergasted that he actually carried the carton out to the truck for her and forgot all about asking why she had wanted all that chicken soup—a lapse for which his wife Margaret and his daughter Charlene took him sharply to task that evening.
“You just better believe it,” Jack had said that time not long before the wedding—she never forgot. “More than a lobsterman. My dad says I’m full of shit. He says if it was good enough for his old man, and his old man’s old man, and all the way back to the friggin’ Garden of Eden to hear him tell it, if it was good enough for all of them, it ought to be good enough for me. But it ain’t—isn’t, I mean—and I’m going to do better.” His eye fell on her, and it was a loving eye, but it was a stern eye, too. “More than a lobsterman is what I mean to be, and more than a lobsterman’s wife is what I intend for you to be. You’re going to have a house on the mainland.”
“Yes, Jack.”
“And I’m not going to have any friggin’ Chevrolet.” He took a deep breath: “I’m going to have an Oldsmobile.” He looked at her, as if daring her to refute him. She did no such thing, of course; she said yes, Jack, for the third or fourth time that evening. She had said it to him thousands of times over the year they had spent courting, and she confidently expected to say it millions of times before death ended their marriage by taking one of them—or, hopefully, both of them together.
“More than a friggin’ lobsterman, no matter what my old man says, I’m going to do it, and do you know who’s going to help me?”
“Yes,” Maddie had said. “Me.”
“You,” he responded with a grin, sweeping her into his arms, “are damned tooting.”
So they were wed.
Jack knew what he wanted, and he would tell her how to help him get it and that was just the way she wanted things to be.
Then Jack died.
Then, not more than four months after, while she was still wearing weeds, dead folks started to come out of their graves and walk around. If you got too close, they bit you and you died for a little while and then you got up and started walking around, too.
Then, Russia and America came very, very close to blowing the whole world to smithereens, both of them accusing the other of causing the phenomenon of the walking dead. “How close?” Maddie heard one news correspondent from CNN ask about a month after dead people started to get up and walk around, first in Florida, then in Murmansk, then in Leningrad and Minsk, then in Elmira, Illinois; Rio de Janeiro; Biterad, Germany; New Delhi, India; and a small Australian hamlet on the edge of the outback.
(This hamlet went by the colorful name of Wet Noggin, and before the news got out of there, most of Wet Noggin’s populace consisted of shambling dead folks and starving dogs. Maddie had watched most of these developments on the Pulsifers’ TV. Jack had hated their satellite dish—maybe because they could not yet afford one themselves—bu
t now, with Jack dead, none of that mattered.)
In answer to his own rhetorical question about how close the two countries had come to blowing the earth to smithereens, the commentator had said, “We’ll never know, but that may be just as well. My guess is within a hair’s breadth.”
Then, at the last possible second, a British astronomer had discovered the satellite—the apparently living satellite—which became known as Star Wormwood.
Not one of ours, not one of theirs. Someone else’s. Someone or something from the great big darkness Out There.
Well, they had swapped one nightmare for another, Maddie supposed, because then—the last then before the TV (even all the channels the Pulsifers’ satellite dish could pull in) stopped showing anything but snow—the walking dead folks stopped only biting people if they came too close.
The dead folks started trying to get close.
The dead folks, it seemed, had discovered they liked what they were biting.
Before all the weird things started happening, Maddie discovered she was what her mother had always called “preg,” a curt word that was like the sound you made when you had a throatful of snot and had to rasp some of it up (or at least that was how Maddie had always thought it sounded). She and Jack had moved to Genneseault Island, a nearby island simply called Jenny Island by those who lived there.
She had had one of her agonizing interior debates when she had missed her time of the month twice, and after four sleepless nights she had made a decision . . . and an appointment with Dr. McElwain on the mainland. Looking back, she was glad. If she had waited to see if she was going to miss a third period, Jack would not even have had one month of joy . . . and she would have missed the concerns and little kindnesses he had showered upon her.
Looking back—now that she was coping—her indecision seemed ludicrous, but her deeper heart knew that going to have the test had taken tremendous courage. She had wanted to be sick in the mornings so she could be surer; she had longed for nausea. She made the appointment when Jack was out dragging pots, and she went while he was out, but there was no such thing as sneaking over to the mainland on the ferry. Too many people saw you. Someone would mention casually to Jack that he or she had seen his wife on The Gull t’other day, and then Jack would want to know who and why and where, and if she’d made a mistake, Jack would look at her like she was a goose.
But it had been true, she was with child (and never mind that word that sounded like someone with a bad cold trying to rake snot off the sides of his throat), and Jack Pace had had exactly twenty-seven days of joy and looking forward before a bad swell had caught him and knocked him over the side of My Lady-Love, the lobster boat he had inherited from his Uncle Mike. Jack could swim, and he had popped to the surface like a cork, Dave Eamons had told her miserably, but just as he did, another heavy swell came, slewing the boat directly into Jack, and although Dave would say no more, Maddie had been born and brought up an island girl, and she knew: could, in fact, hear the hollow thud as the boat with its treacherous name smashed her husband’s head, leaving blood and hair and bone and brain for the next swell to wash away from the boat’s worn side.
Dressed in a heavy hooded parka and down-filled pants and boots, Jack Pace had sunk like a stone. They had buried an empty casket in the little cemetery at the north end of Jenny Island, and the Reverend Peebles (on Jenny you had your choice when it came to religion: you could be a Methodist, or if that didn’t suit you, you could be a Methodist) had presided over this empty coffin, as he had so many others, and at the age of twenty-two Maddie had found herself a widow with an almost half-cooked bun in her oven and no one to tell her where the wheel was, let alone when to put her shoulder to it.
She thought she would go back to Deer Isle, back to her mother, to wait for her time, but she knew her mother was as lost—maybe even more lost—than she was herself, and held off.
“Maddie,” Jack told her again and again, “the only thing you can ever decide on is not to decide.”
Nor was her mother any better. They talked on the phone and Maddie waited and hoped for her mother to tell her to come home, but Mrs. Sullivan could tell no one over the age of ten anything. “Maybe you ought to come on back over here,” she had said once in a tentative way, and Maddie couldn’t tell if that meant please come home or please don’t take me up on an offer which was really just made for form’s sake, and she spent sleepless nights trying to decide and succeeding in doing only that thing of which Jack had accused her: deciding not to decide.
Then the weirdness started, and that was a mercy, because there was only the one small graveyard on Jenny (and so many of the graves filled with those empty coffins—a thing which had once seemed pitiful to her now seemed another blessing, a grace) and there were two on Deer Isle, bigger ones, and it seemed so much safer to stay on Jenny and wait.
She would wait and see if the world lived or died.
If it lived, she would wait for the baby.
That seemed like enough.
And now she was, after a life of passive obedience and vague resolves that passed like dreams an hour or two after getting out of bed, finally coping. She knew that part of this was nothing more than the effect of being slammed with one massive shock after another, beginning with the death of her husband and ending with one of the last broadcasts the Pulsifers’ TV had picked up—a horrified young boy who had been pressed into service as an INS reporter, saying that it seemed certain that the president of the United States, the first lady, the secretary of state, the honorable senator from Oregon (which honorable senator the gibbering boy reporter didn’t say), and the emir of Kuwait had been eaten alive in the White House ballroom by zombies.
“I want to repeat,” the young reporter said, the fire-spots of his acne standing out on his forehead and chin like stigmata. His mouth and cheeks had begun to twitch; the microphone in his hand shook spastically. “I want to repeat that a bunch of dead people have just lunched up on the president and his wife and a whole lot of other political hotshots who were at the White House to eat poached salmon and cherries jubilee. Go, Yale! Boola-boola! Boolafuckin-boola!” And then the young reporter with the fiery pimples had lost control of his face entirely, and he was screaming, only his screams were disguised as laughter, and he went on yelling Go, Yale! Boola-boola while Maddie and the Pulsifers sat in dismayed silence until the young man was suddenly swallowed by an ad for Boxcar Willy records, which were not available in any store, you could only get them if you dialed the 800 number on your screen, operators were standing by. One of little Cheyne Pulsifer’s crayons was on the end table beside the place where Maddie was sitting, and she took down the number before Mr. Pulsifer got up and turned off the TV without a single word.
Maddie told them good night and thanked them for sharing their TV and their Jiffy Pop.
“Are you sure you’re all right, Maddie dear?” Candi Pulsifer asked her for the fifth time that night, and Maddie said she was fine for the fifth time that night (and she was, she was coping for the first time in her life, and that really was fine, just as fine as paint), and Candi told her again that she could have that upstairs room that used to be Brian’s anytime she wanted, and Maddie had declined her with the most graceful thanks she could find, and was at last allowed to escape. She had walked the windy half mile back to her own house and was in her own kitchen before she realized that she still had the scrap of paper on which she had jotted the 800 number in one hand. She dialed it, and there was nothing. No recorded voice telling her all circuits were currently busy or that number was out of service; no wailing siren sound that indicated a line interruption (had Jack told her that was what that sound meant? she tried to remember and couldn’t, and really, it didn’t matter a bit, did it?), no clicks and boops, no static. Just smooth silence.
That was when Maddie knew—knew for sure.
She hung up the telephone slowly and thoughtfully.
The end of the world had come. It was no longer in doubt. When you co
uld no longer call the 800 number and order the Boxcar Willy records that were not available in any store, when there were for the first time in her living memory no Operators Standing By, the end of the world was a foregone conclusion.
She felt her rounding stomach as she stood there by the phone on the wall in the kitchen and said it out loud for the first time, unaware that she had spoken: “It will have to be a home delivery. But that’s all right, as long as you remember, Maddie. There isn’t any other way, not now. It will have to be a home delivery.”
She waited for fear and none came.
“I can cope with this just fine,” she said, and this time she heard herself and was comforted by the sureness of her own words.
A baby.
When the baby came, the end of the world would itself end.
“Eden,” she said, and smiled. Her smile was sweet, the smile of a madonna. It didn’t matter how many rotting dead people (maybe Boxcar Willy among them) were shambling around on the face of the world.
She would have a baby, she would have a home delivery, and the possibility of Eden would remain.
The first news had come out of a small Florida town on the Tamiami Trail. The name of this town was not as colorful as Wet Noggin, but it was still pretty good: Thumper. Thumper, Florida. It was reported in one of those lurid tabloids that fill the racks by the checkout aisles in supermarkets and discount drugstores. DEAD COME TO LIFE IN SMALL FLORIDA TOWN! the headline of Inside View read. And the subhead: Horror Movie Comes to Life! The subhead referred to a movie called Night of the Living Dead, which Maddie had never seen. It also mentioned another movie she had never seen. The title of this piece of cinema was Macumba Love. The article was accompanied by three photos. One was a still from Night of the Living Dead, showing what appeared to be a bunch of escapees from a lunatic asylum standing outside an isolated farmhouse at night. One was a still from Macumba Love, showing a woman with a great lot of blond hair and a small bit of bikini-top holding in breasts the size of prize-winning gourds. The woman was holding up her hands and screaming at what appeared to be a black man in a mask. The third purported to be a picture taken in Thumper, Florida. It was a blurred, grainy shot of a human whose sex was impossible to define. It was walking up the middle of a business street in a small town. The figure was described as being “wrapped in the cerements of the grave,” but it could have been someone in a dirty sheet.
Vampires, Zombies, Werewolves and Ghosts Page 24
