by Paul Auster
Proof has been given at last. Someone, perhaps several someones, has or have locked Mr. Blank in this room and is or are holding him prisoner against his will. At least that is what he concludes from the evidence of the two nails hammered into the window sash, but damning as that evidence might be, there is still the question of the door, and until Mr. Blank determines whether the door is locked from the outside, if indeed it is locked at all, the conclusion he has drawn could well be false. If he were thinking clearly, his next step would be to walk or wheel himself over to the door and investigate the matter at once. But Mr. Blank does not move from his spot by the window, for the simple reason that he is afraid, so afraid of what he might learn from the door that he cannot bring himself to risk a confrontation with the truth. Instead, he sits back down in the chair and decides to break the window. For whether he is locked in or not, he is above all desperate to find out where he is. He thinks about the man in the typescript he has been reading, and then he wonders if he, too, won't eventually be taken outside and shot. Or, even more sinister to his imagination, if he won't be murdered right here in the room, strangled to death by the powerful hands of some thug.
There are no blunt objects in the vicinity. No hammers, for example, no broom handles or shovels, no pickaxes or battering rams, and thus even before he begins, Mr. Blank knows his effort is doomed to defeat. Nevertheless, he gives it a try, for not only is he afraid, he is angry, and in his anger he slips off his right tennis shoe, grips the toe firmly in his right hand, and starts pounding the heel against the glass. A normal window might give way under such an assault, but this is a double-paned thermal window of the strongest quality, and it scarcely trembles as the old man strikes it with his feeble weapon of rubber and canvas. After twenty-one consecutive blows, Mr. Blank gives up and lets the shoe drop to the floor. Now, both angry and frustrated, he pounds his fist against the glass several times, not wanting to let the window have the last word, but flesh and bone are no more effective in cracking the pane than the shoe was. He wonders if smashing his head against the window might not do the trick, but even though his mind is not all it should be, Mr. Blank is still lucid enough to understand the folly of inflicting grave physical harm upon himself in what is no doubt a hopeless cause. With a heavy heart, therefore, he slumps back in the chair and closes his eyes—not only afraid, not only angry, but exhausted as well.
The moment he shuts his eyes, he sees the shadow-beings marching through his head. It is a long, dimly lit procession composed of scores if not hundreds of figures, and among them are included both men and women, both children and old people, and while some are short, others are tall, and while some are round, others are lean, and as Mr. Blank strains to listen in on them, he hears not only the sound of their footsteps but something he would liken to a groan, a barely audible collective groan rising from their midst. Where they are and where they are going he cannot say, but they seem to be tramping through a forgotten pasture somewhere, a no-man's-land of scrawny weeds and barren earth, and because it is so dark, and because each figure is moving forward with his or her head down, Mr. Blank cannot distinguish anyone's face. All he knows is that the mere sight of these figments fills him with dread, and once again he is overwhelmed by an implacable sense of guilt. He speculates that these people are the ones he sent off on various missions over the years, and, as was the case with Anna, perhaps some of them, or many of them, or all of them did not fare so terribly well, even to the point of being subjected to unbearable suffering and/or death.
Mr. Blank can't be sure of anything, but it strikes him as possible that there is a connection between these shadow-beings and the photographs on the desk. What if the pictures represent the same people whose faces he is unable to identify in the scene that is playing itself out in his head? If that is so, then the phantoms he is observing are not figments so much as memories, memories of actual people—for when was the last time anyone took a photograph of a person who did not exist? Mr. Blank knows there is nothing to support his theory, that it is only the wildest of wild conjectures, but there has to be some reason, he tells himself, some cause, some principle to explain what is happening to him, to account for the fact that he is in this room with these photographs and these four piles of manuscripts, and why not investigate a little further to see if there is any truth to this blind stab in the dark?
Forgetting about the two nails hammered into the window, forgetting about the door and whether it is locked from the outside or not, Mr. Blank wheels himself over to the desk, picks up the photographs, and then puts them down directly in front of him. Anna is on top, of course, and he spends a few moments looking at her again, studying her unhappy but beautiful young face, gazing deep into the gaze of her dark, burning eyes. No, he says to himself, we were never married. Her husband was a man named David Zimmer, and now Zimmer is dead.
He puts the photograph of Anna aside and looks at the next one. It is another woman, perhaps in her mid-twenties, with light brown hair and steady, watchful eyes. The bottom half of her body is obscured, since she is standing in the doorway of what looks like a New York apartment with the door only partially open, as if in fact she has just opened it to welcome a visitor, and in spite of the cautious look in her eyes, a small smile is creasing the corners of her mouth. Mr. Blank feels a momentary twinge of recognition, but as he struggles to recall her name, nothing comes to him—not after twenty seconds, not after forty seconds, not after a minute. Given that he found Anna's name so quickly, he assumed he would be able to do it with the others as well. But such, apparently, is not the case.
He looks at another ten pictures with the same disappointing results. An old man in a wheelchair, as thin and delicate as a sparrow, wearing the dark glasses of the blind. A grinning woman with a drink in one hand and a cigarette in the other, wearing a 1920s flapper dress and a cloche hat. A frighteningly obese man with an immense hairless head and a cigar jutting from his mouth. Another young woman, this one Chinese, dressed in a dancer's leotard. A dark-haired man with a waxed mustache, decked out in tails and a top hat. A young man sleeping on the grass in what looks like a public park. An older man, perhaps in his mid-fifties, lying on a sofa with his legs propped up on a pile of pillows. A bearded, scraggly-looking homeless person sitting on a sidewalk with his arms around a large mutt. A chubby black man in his sixties holding up a Warsaw telephone book from 1937-38. A slender young man sitting at a table with five cards in his hand and a stack of poker chips in front of him.
With each successive failure, Mr. Blank grows that much more discouraged, that much more doubtful about his chances with the next one—until, muttering something under his breath in such a low voice that the tape recorder cannot pick up the words, he abandons the effort and pushes the photographs aside.
He rocks back and forth in the chair for close to a minute, doing what he can to regain his mental equilibrium and put the defeat behind him. Then, without giving the matter another thought, he picks up the typescript and begins reading again:
My name is Sigmund Graf. I was born forty-one years ago in the town of Luz, a textile center in the northwestern part of Faux-Lieu Province, and until my arrest by Colonel De Vega, I worked in the demographics division of the Bureau of Internal Affairs. As a young man I earned a bachelor's degree in classical literature from All Souls University and then served as an army intelligence officer in the Southeast Border Wars, taking part in the battle that led to the unification of the Petit-Lieu and Merveil principalities. I was honorably discharged with the rank of captain and received a distinguished service medal for my work in intercepting and decoding enemy messages. On returning to the capital after my demobilization, I entered the Bureau as a field coordinator and researcher. At the time of my departure for the Alien Territories, I had been a member of the staff for twelve years. My last official title was that of Deputy Assistant Director.
Like every citizen of the Confederation, I have known my share of suffering, have lived through prolonged moments o
f violence and upheaval, and have borne the marks of loss upon my soul. I was not yet fourteen when the riots at the Sanctus Academy in Beauchamp led to the outbreak of the Faux-Lieu Language Wars, and two months after the invasion I saw my mother and younger brother burn to death during the Sacking of Luz. My father and I were among the seven thousand who took part in the exodus to the neighboring province of Neue Welt. The journey covered some six hundred miles and took more than two months to complete, and by the time we reached our destination, our number had been reduced by a third. For the last hundred miles, my father was so weak from illness that I had to carry him on my back, staggering half-blind through the mud and winter rains until we came to the outskirts of Nachtburg. For six months we begged in the streets of that gray city to keep ourselves alive, and when we were finally rescued by a loan from relatives in the north, we were on the point of starvation. Life improved for us after that, but no matter how prosperous my father became in the years that followed, he never fully recovered from those months of hardship. When he died ten summers ago at the age of fifty-six, the toll of his experiences had aged him so much that he looked like a man of seventy.
There have been other pains as well. A year and a half ago, the Bureau sent me on an expedition to the Independent Communities of Tierra Blanca Province. Less than a month after my departure, the cholera epidemic swept through the capital. Many now refer to this plague as the Blight of History, and considering that it struck just as the long and elaborately planned Unification ceremonies were about to begin, one can understand how it could be interpreted as an evil sign, a judgment on the very nature and purpose of the Confederation itself. I am not personally of that opinion, but my own life was nevertheless permanently altered by the epidemic. Cut off from all news of the city, I went about my work for the next four and a half months, traveling back and forth among the remote, mountainous communities to the south, pursuing my investigations into the various religious sects that had taken root in the area. When I returned in August, the crisis was already over— but not before my wife and fifteen-year-old daughter had disappeared. The majority of our neighbors in the Closterham District had either fled the city or succumbed to the illness themselves, but among those who had remained, not a single person could remember having seen them. The house was untouched, and nowhere in it could I find any evidence to suggest that the disease had infiltrated its walls. I made a thorough search of every room, but no secret was unveiled to me as to how or when they might have abandoned the premises. No missing clothes or jewels, no hastily discarded objects lying about the floor. The house was just as I had left it five months earlier, except that my wife and daughter were no longer in it.
I spent several weeks combing the city for clues of their whereabouts, growing increasingly desperate with each failed attempt to uncover information that would put me on their trail. I began by talking to friends and colleagues, and once I had exhausted the circle of familiars (in which I include my wife's female acquaintances, the parents of my daughter's classmates, as well as the shopkeepers and merchants of our district), I started reaching out to strangers. Armed with portraits of my wife and daughter, I questioned countless doctors, nurses, and volunteers who had worked in the makeshift hospitals and schoolrooms where the sick and dying had been cared for, but among all the hundreds of people who looked at those miniatures, not one could recognize the faces I held in my hand. In the end, there was only one conclusion to be drawn. My darlings had been carried off by the scourge. Along with thousands of other victims, they were lying in one of the mass graves on Viaticum Bluff, the burial ground of the anonymous dead.
I do not mention these things in order to put myself in a sympathetic light. No one has to feel sorry for me, and no one has to make excuses for the errors I committed in the aftermath of these events. I am a man, not an angel, and if the grief that overtook me occasionally blurred my vision and led to certain lapses of conduct, that in no way should cast doubt on the truth of my story. Before anyone tries to discredit me by pointing to those stains on my record, I come forward of my own free will and openly pronounce my guilt to the world. These are treacherous times, and I know how easily perceptions can be twisted by a single word spoken into the wrong ear. Impugn a man's character, and everything that man does is made to seem underhanded, suspect, fraught with double motives. In my own case, the flaws in question stemmed from pain, not malice; confusion, not cunning. I lost my way, and for several months I sought comfort in the obliterating powers of alcohol. Most nights I drank alone, sitting in the darkness of my empty house, but some nights were worse than others.
Whenever I encountered one of those bad turns, my thoughts would begin to sabotage me, and before long I would be choking on my own breath. My head would fill with images of my wife and daughter, and again and again I would see their mud-splattered bodies being lowered into the ground, again and again I would see their naked limbs entwined among the limbs of other corpses in the hole, and suddenly the darkness of the house would become too much to bear. I would venture out into public places, hoping to break the spell of those images in the noise and tumult of crowds. I frequented taverns and alehouses, and it was in one of those establishments that I did the most damage to myself and my reputation. The incident occurred on a Friday night in November when a man named Giles McNaughton picked a quarrel with me in the Auberge des Vents. McNaughton claimed that I attacked him first, but eleven witnesses testified otherwise in court, and I was acquitted of all charges. It was no more than a small victory, however, for the fact remained that I had broken the man's arm and shattered his nose, and I never would have responded with such vehemence if I hadn't been going to hell by way of drink. The jury found me innocent, judging that I had acted in legitimate self-defense, but that did not remove the stigma of the trial itself—nor the scandal that broke out when it was discovered that a ranking member of the Bureau of Internal Affairs had been engaged in a bloody barroom brawl. Within hours of the verdict, rumors began circulating that officials from the Bureau had bribed certain members of the jury to vote in my favor. I have no knowledge of any corrupt dealings on my behalf, but I would tend to dismiss those accusations as mere gossip. What I do know for certain is that I had never seen McNaughton before that night. He, on the other hand, knew enough about me to address me by name, and when he approached my table and began to talk about my wife, suggesting that he was privy to information that would help solve the mystery of her disappearance, I told him to go away. The man was after money, and one look at his mottled, unhealthy face convinced me that he was a fraud, an opportunist who had got wind of my tragedy and meant to turn a profit from it. McNaughton apparently didn't like being dismissed in such a perfunctory manner. Instead of excusing himself, he sat down in the chair next to mine and angrily grabbed hold of my vest. Then, pulling me forward until our faces were almost touching, he leaned into me and said, What's the matter, citizen? Are you afraid of the truth? His eyes were full of rage and contempt, and because we were so close to each other, those eyes were the only objects in my field of vision. I could feel the hostility flowing through his body, and an instant later I felt it pass directly into mine. That was when I went after him. Yes, he had touched me first, but the moment I started to fight back, I wanted to hurt him, to hurt him as badly as I could.
That was my crime. Take it for what it was, but don't let it interfere with the reading of this report. Trouble comes to all men, and each man makes his peace with the world in his own way. If the force I used against McNaughton that night was unwarranted, the greater wrong was the pleasure I took in using that force. I do not pardon my actions, but considering my state of mind during that period, it is remarkable that the incident in the Auberge des Vents was the only one in which I did harm to another person. All the other harm was inflicted upon myself, and until I learned to curb my desire for drink (which was in fact a desire for death), I ran the risk of utter annihilation. In the course of time, I managed to take hold of myself again, but I co
nfess that I am no longer the man I used to be. If I have gone on living, it is largely because my work at the Bureau has given me a reason to live. Such is the irony of my predicament. I am accused of being an enemy of the Confederation, and yet for the past nineteen years there has been no servant more loyal to the Confederation than myself. My record shows that, and I am proud to have lived in an age that allowed me to participate in such a vast human endeavor. My work in the field has taught me to love the truth above all else, and therefore I have cleared the air pertaining to my sins and transgressions, but that does not mean I can accept guilt for a crime I did not commit. I believe in what the Confederation stands for, and I have passionately defended it with my words, my deeds, and my blood. If the Confederation has turned against me, it can only mean that the Confederation has turned against itself. I cannot hope for life anymore, but if these pages should fall into the hands of someone with sufficient strength of heart to read them in the spirit with which they were written, then perhaps my murder will not have been an entirely useless act.
