I took my measures thus: Many Jews were present at Waterloo. From among these, all irritated against Napoleon for the expectations he had raised, only to disappoint, by his great assembly of Jews at Paris, I selected eight, whom I knew familiarly as men hardened by military experience against the movements of pity. With these as my beagles, I hunted for some time in your forest before opening my regular campaign; and I am surprised that you did not hear of the death which met the executioner—him I mean who dared to lift his hand against my mother. This man I met by accident in the forest; and I slew him. I talked with the wretch, as a stranger at first, upon the memorable case of the Jewish lady. Had he relented, had he expressed compunction, I might have relented. But far otherwise: the dog, not dreaming to whom he spoke, exulted; he— But why repeat the villain's words? I cut him to pieces. Next I did this: My agents I caused to matriculate separately at the college. They assumed the college dress. And now mark the solution of that mystery which caused such perplexity. Simply as students we all had an unsuspected admission at any house. Just then there was a common practice, as you will remember, among the younger students, of going out a masking—that is, of entering houses in the academic dress, and with the face masked. This practice subsisted even during the most intense alarm from the murderers; for the dress of the students was supposed to bring protection along with it. But, even after suspicion had connected itself with this dress, it was sufficient that I should appear unmasked at the head of the maskers, to insure them a friendly reception. Hence the facility with which death was inflicted, and that unaccountable absence of any motion toward an alarm. I took hold of my victim, and he looked at me with smiling security. Our weapons were hid under our academic robes; and even when we drew them out, and at the moment of applying them to the threat, they still supposed our gestures to be part of the pantomime we were performing. Did I relish this abuse of personal confidence in myself? No—I loathed it, and I grieved for its necessity; but my mother, a phantom not seen with bodily eyes, but ever present to my mind, continually ascended before me; and still I shouted aloud to my astounded victim, 'This comes from the Jewess! Hound of hounds! Do you remember the Jewess whom you dishonored, and the oaths which you broke in order that you might dishonor her, and the righteous law which you violated, and the cry of anguish from her son which you scoffed at?' Who I was, what I avenged, and whom, I made every man aware, and every woman, before I punished them. The details of the cases I need not repeat. One or two I was obliged, at the beginning, to commit to my Jews. The suspicion was thus, from the first, turned aside by the notoriety of my presence elsewhere; but I took care that none suffered who had not either been upon the guilty list of magistrates who condemned the mother, or of those who turned away with mockery from the supplication of the son.
"It pleased God, however, to place a mighty temptation in my path, which might have persuaded me to forego all thoughts of vengeance, to forget my vow, to forget the voices which invoked me from the grave. This was Margaret Liebenheim. Ah! how terrific appeared my duty of bloody retribution, after her angel's face and angel's voice had calmed me. With respect to her grandfather, strange it is to mention, that never did my innocent wife appear so lovely as precisely in the relation of granddaughter. So beautiful was her goodness to the old man, and so divine was the childlike innocence on her part, contrasted with the guilty recollections associated with him—for he was among the guiltiest toward my mother—still I delayed HIS punishment to the last; and, for his child's sake, I would have pardoned him—nay, I had resolved to do so, when a fierce Jew, who had a deep malignity toward this man, swore that he would accomplish HIS vengeance at all events, and perhaps might be obliged to include Margaret in the ruin, unless I adhered to the original scheme. Then I yielded; for circumstances armed this man with momentary power. But the night fixed on was one in which I had reason to know that my wife would be absent; for so I had myself arranged with her, and the unhappy counter-arrangement I do not yet understand. Let me add, that the sole purpose of my clandestine marriage was to sting her grandfather's mind with the belief that HIS family had been dishonored, even as he had dishonored mine. He learned, as I took care that he should, that his granddaughter carried about with her the promises of a mother, and did not know that she had the sanction of a wife. This discovery made him, in one day, become eager for the marriage he had previously opposed; and this discovery also embittered the misery of his death. At that moment I attempted to think only of my mother's wrongs; but, in spite of all I could do, this old man appeared to me in the light of Margaret's grandfather—and, had I been left to myself, he would have been saved. As it was, never was horror equal to mine when I met her flying to his succor. I had relied upon her absence; and the misery of that moment, when her eye fell upon me in the very act of seizing her grandfather, far transcended all else that I have suffered in these terrific scenes. She fainted in my arms, and I and another carried her upstairs and procured water. Meantime her grandfather had been murdered, even while Margaret fainted. I had, however, under the fear of discovery, though never anticipating a reencounter with herself, forestalled the explanation requisite in such a case to make my conduct intelligible. I had told her, under feigned names, the story of my mother and my sisters. She knew their wrongs: she had heard me contend for the right of vengeance. Consequently, in our parting interview, one word only was required to place myself in a new position to her thoughts. I needed only to say I was that son; that unhappy mother, so miserably degraded and outraged, was mine.
"As to the jailer, he was met by a party of us. Not suspecting that any of us could be connected with the family, he was led to talk of the most hideous details with regard to my poor Berenice. The child had not, as had been insinuated, aided her own degradation, but had nobly sustained the dignity of her sex and her family. Such advantages as the monster pretended to have gained over her—sick, desolate, and latterly delirious—were, by his own confession, not obtained without violence. This was too much. Forty thousand lives, had he possessed them, could not have gratified my thirst for revenge. Yet, had he but showed courage, he should have died the death of a soldier. But the wretch showed cowardice the most abject, and—,but you know his fate.
"Now, then, all is finished, and human nature is avenged. Yet, if you complain of the bloodshed and the terror, think of the wrongs which created my rights; think of the sacrifice by which I gave a tenfold strength to those rights; think of the necessity for a dreadful concussion and shock to society, in order to carry my lesson into the councils of princes.
"This will now have been effected. And ye, victims of dishonor, will be glorified in your deaths; ye will not have suffered in vain, nor died without a monument. Sleep, therefore, sister Berenice—sleep, gentle Mariamne, in peace. And thou, noble mother, let the outrages sown in thy dishonor, rise again and blossom in wide harvests of honor for the women of thy afflicted race. Sleep, daughters of Jerusalem, in the sanctity of your sufferings. And thou, if it be possible, even more beloved daughter of a Christian fold, whose company was too soon denied to him in life, open thy grave to receive HIM, who, in the hour of death, wishes to remember no title which he wore on earth but that of thy chosen and adoring lover,
"MAXIMILIAN."
Melmoth the Wanderer
*
By Charles Robert Maturin (1782-1824)
Introduction to Melmoth the Wanderer
Balzac likens the hero of one of his short stories to "Moliere's Don Juan, Goethe's Faust, Byron's Manfred, Maturin's Melmoth—great allegorical figures drawn by the greatest men of genius in Europe."
"But what is 'Melmoth'? Why is HE classed as 'a great allegorical figure'?" exclaimed many a surprised reader. Few had perused—few know at this day—the terrible story of Melmoth the Wanderer, half man, half devil, who has bartered away his soul for the glory of power and knowledge, and, repenting of his bargain, tries again and again to persuade some desperate human to change places with him— penetrates to the refuge of m
isery, the death chamber, even the madhouse, seeking one in such utter agony as to accept his help, and take his curse—but ever fails.
Why this extraordinary tale, told with wild and compelling sweep, has remained so deep in oblivion, appears immediately on a glance at the original. The author, Charles Robert Maturin, a needy, eccentric Irish clergyman of 1780-1824, could cause intense suspense and horror—could read keenly into human motives—could teach an awful moral lesson in the guise of fascinating fiction, but he could not stick to a long story with simplicity. His dozens of shifting scenes, his fantastic coils of "tales within tales" sadly perplex the reader of "Melmoth" in the first version. It is hoped, however, that the present selection, by its directness and the clearness of the story thread, may please the modern reader better than the involved original, and bring before a wider public some of the most gripping descriptions ever penned in English.
In Volume IV of these stories comes a tale, "Melmoth Reconciled," which Balzac himself wrote, while under the spell of Maturin's "great allegorical figure." Here the unhappy being succeeds in his purpose. The story takes place in mocking, careless Paris, "that branch establishment of hell"; a cashier, on the eve of embezzlement and detection, cynically accedes to Melmoth's terms, and accepts his help—with what unlooked-for results, the reader may see.
Melmoth the Wanderer
John Melmoth, student at Trinity College, Dublin, having journeyed to County Wicklow for attendance at the deathbed of his miserly uncle, finds the old man, even in his last moments, tortured by avarice, and by suspicion of all around him. He whispers to John:
"I want a glass of wine, it would keep me alive for some hours, but there is not one I can trust to get it for me,—they'd steal a bottle, and ruin me." John was greatly shocked. "Sir, for God's sake, let ME get a glass of wine for you." "Do you know where?" said the old man, with an expression in his face John could not understand. "No, Sir; you know I have been rather a stranger here, Sir." "Take this key," said old Melmoth, after a violent spasm; "take this key, there is wine in that closet,—Madeira. I always told them there was nothing there, but they did not believe me, or I should not have been robbed as I have been. At one time I said it was whisky, and then I fared worse than ever, for they drank twice as much of it."
John took the key from his uncle's hand; the dying man pressed it as he did so, and John, interpreting this as a mark of kindness, returned the pressure. He was undeceived by the whisper that followed,—"John, my lad, don't drink any of that wine while you are there." "Good God!" said John, indignantly throwing the key on the bed; then, recollecting that the miserable being before him was no object of resentment, he gave the promise required, and entered the closet, which no foot but that of old Melmoth had entered for nearly sixty years. He had some difficulty in finding out the wine, and indeed stayed long enough to justify his uncle's suspicions,—but his mind was agitated, and his hand unsteady. He could not but remark his uncle's extraordinary look, that had the ghastliness of fear superadded to that of death, as he gave him permission to enter his closet. He could not but see the looks of horror which the women exchanged as he approached it. And, finally, when he was in it, his memory was malicious enough to suggest some faint traces of a story, too horrible for imagination, connected with it. He remembered in one moment most distinctly, that no one but his uncle had ever been known to enter it for many years.
Before he quitted it, he held up the dim light, and looked around him with a mixture of terror and curiosity. There was a great deal of decayed and useless lumber, such as might be supposed to be heaped up to rot in a miser's closet; but John's eyes were in a moment, and as if by magic, riveted on a portrait that hung on the wall, and appeared, even to his untaught eye, far superior to the tribe of family pictures that are left to molder on the walls of a family mansion. It represented a man of middle age. There was nothing remarkable in the costume, or in the countenance, but THE EYES, John felt, were such as one feels they wish they had never seen, and feels they can never forget. Had he been acquainted with the poetry of Southey, he might have often exclaimed in his after- life,
"Only the eyes had life, They gleamed with demon light."—THALABA.
From an impulse equally resistless and painful, he approached the portrait, held the candle toward it, and could distinguish the words on the border of the painting,—Jno. Melmoth, anno 1646. John was neither timid by nature, nor nervous by constitution, nor superstitious from habit, yet he continued to gaze in stupid horror on this singular picture, till, aroused by his uncle's cough, he hurried into his room. The old man swallowed the wine. He appeared a little revived; it was long since he had tasted such a cordial,—his heart appeared to expand to a momentary confidence. "John, what did you see in that room?" "Nothing, Sir." "That's a lie; everyone wants to cheat or to rob me." "Sir, I don't want to do either." "Well, what did you see that you—you took notice of?" "Only a picture, Sir." "A picture, Sir!—the original is still alive." John, though under the impression of his recent feelings, could not but look incredulous. "John," whispered his uncle;— "John, they say I am dying of this and that; and one says it is for want of nourishment, and one says it is for want of medicine,—but, John," and his face looked hideously ghastly, "I am dying of a fright. That man," and he extended his meager arm toward the closet, as if he was pointing to a living being; "that man, I have good reason to know, is alive still." "How is that possible, Sir?" said John involuntarily, "the date on the picture is 1646." "You have seen it,—you have noticed it," said his uncle. "Well,"—he rocked and nodded on his bolster for a moment, then, grasping John's hand with an unutterable look, he exclaimed, "You will see him again, he is alive." Then, sinking back on his bolster, he fell into a kind of sleep or stupor, his eyes still open, and fixed on John.
The house was now perfectly silent, and John had time and space for reflection. More thoughts came crowding on him than he wished to welcome, but they would not be repulsed. He thought of his uncle's habits and character, turned the matter over and over again in his mind, and he said to himself, "The last man on earth to be superstitious. He never thought of anything but the price of stocks, and the rate of exchange, and my college expenses, that hung heavier at his heart than all; and such a man to die of a fright,—a ridiculous fright, that a man living 150 years ago is alive still, and yet—he is dying." John paused, for facts will confute the most stubborn logician. "With all his hardness of mind, and of heart, he is dying of a fright. I heard it in the kitchen, I have heard it from himself,—he could not be deceived. If I had ever heard he was nervous, or fanciful, or superstitious, but a character so contrary to all these impressions;—a man that, as poor Butler says, in his 'Remains of the Antiquarian,' would have 'sold Christ over again for the numerical piece of silver which Judas got for him,'—such a man to die of fear! Yet he IS dying," said John, glancing his fearful eye on the contracted nostril, the glazed eye, the drooping jaw, the whole horrible apparatus of the facies Hippocraticae displayed, and soon to cease its display.
Old Melmoth at this moment seemed to be in a deep stupor; his eyes lost that little expression they had before, and his hands, that had convulsively been catching at the blankets, let go their short and quivering grasp, and lay extended on the bed like the claws of some bird that had died of hunger,—so meager, so yellow, so spread. John, unaccustomed to the sight of death, believed this to be only a sign that he was going to sleep; and, urged by an impulse for which he did not attempt to account to himself, caught up the miserable light, and once more ventured into the forbidden room,— the BLUE CHAMBER of the dwelling. The motion roused the dying man;—he sat bolt upright in his bed. This John could not see, for he was now in the closet; but he heard the groan, or rather the choked and gurgling rattle of the throat, that announces the horrible conflict between muscular and mental convulsion. He started, turned away; but, as he turned away, he thought he saw the eyes of the portrait, on which his own was fixed, MOVE, and hurried back to his uncle's bedside.
&nb
sp; Old Melmoth died in the course of that night, and died as he had lived, in a kind of avaricious delirium. John could not have imagined a scene so horrible as his last hours presented. He cursed and blasphemed about three halfpence, missing, as he said, some weeks before, in an account of change with his groom, about hay to a starved horse that he kept. Then he grasped John's hand, and asked him to give him the sacrament. "If I send to the clergyman, he will charge me something for it, which I cannot pay,— I cannot. They say I am rich,—look at this blanket;—but I would not mind that, if I could save my soul." And, raving, he added, "Indeed, Doctor, I am a very poor man. I never troubled a clergyman before, and all I want is, that you will grant me two trifling requests, very little matters in your way,—save my soul, and (whispering) make interest to get me a parish coffin,—I have not enough left to bury me. I always told everyone I was poor, but the more I told them so, the less they believed me."
John, greatly shocked, retired from the bedside, and sat down in a distant corner of the room. The women were again in the room, which was very dark. Melmoth was silent from exhaustion, and there was a deathlike pause for some time. At this moment John saw the door open, and a figure appear at it, who looked round the room, and then quietly and deliberately retired, but not before John had discovered in his face the living original of the portrait. His first impulse was to utter an exclamation of terror, but his breath felt stopped. He was then rising to pursue the figure, but a moment's reflection checked him. What could be more absurd, than to be alarmed or amazed at a resemblance between a living man and the portrait of a dead one! The likeness was doubtless strong enough to strike him even in that darkened room, but it was doubtless only a likeness; and though it might be imposing enough to terrify an old man of gloomy and retired habits, and with a broken constitution, John resolved it should not produce the same effect on him.
Classic English Mystery and Detective Stories Page 18
