"Linnl. Isn't that a good name? Can I use it? Can I, please?" Mr. Bittering put his hand to his head. He thought of the silly rocket, himself working alone, himself alone even among his family, so alone.
He heard his wife say, "Why not?" He heard himself say, "Yes, you can use it." "Yaaa!" screamed the boy. "I'm Linnl, Linnl!" Racing down the meadowlands, he danced and shouted. Mr. Bittering looked at his wife. "Why did we do that?" "I don't know," she said. "It just seemed like a good idea." They walked into the hills. They strolled on old mosaic paths, beside still pumping fountains. The paths were covered with a thin film of cool water all summer long. You kept your bare feet cool all the day, splashing as in a creek, wading.
They came to a small deserted Martian villa with a good view of the valley. It was on top of a hill. Blue marble halls, large murals, a swimming pool. It was refreshing in this hot summertime. The Martians hadn't believed in large cities.
"How nice," said Mrs. Bittering, "if we could move up here to this villa for the summer."
"Come on," he said. "We're going back to town. There's work to be done on the rocket."
But as he worked that night, the thought of the cool blue marble villa entered his mind. As the hours passed, the rocket seemed less important.
In the flow of days and weeks, the rocket receded and dwindled. The old fever was gone. It frightened him to think he had let it slip this way. But somehow the heat, the air, the working conditions—
He heard the men murmuring on the porch of his metal shop. "Everyone's going. You heard?" "All going. That's right."
Bittering came out. "Going where?" He saw a couple of trucks, loaded with children and furniture, drive down the dusty street.
"Up to the villas," said the man.
"Yeah, Harry. I'm going. So is Sam. Aren't you, Sam?"
"That's right, Harry. What about you?"
"I've got work to do here."
"Work! You can finish that rocket in the autumn, when it's cooler."
He took a breath. "I got the frame all set up."
"In the autumn is better." Their voices were lazy in the heat.
"Got to work," he said.
"Autumn," they reasoned. And they sounded so sensible, so right.
"Autumn would be best," he thought. "Plenty of time, then."
No! cried part of himself, deep down, put away, locked tight, suffocating. No! No!
"In the autumn," he said.
"Come on, Harry," they all said.
"Yes," he said, feeling his flesh melt in the hot liquid air. "Yes, in the autumn. I'U begin work again then."
"I got a villa near the Tirra Canal," said someone.
"You mean the Roosevelt Canal, don't you?"
"Tirra. The old Martian name."
"But on the map—"
"Forget the map. It's Tirra now. Now I found a place in the Pillan mountains—"
"You mean the Rockefeller range," said Bittering.
"I mean the Pillan mountains," said Sam.
"Yes," said Bittering, buried in the hot, swarming air. "The Pillan mountains."
Everyone worked at loading the truck in the hot, still afternoon of the next day.
Laura, Dan, and David carried packages. Or, as they preferred to be known, Ttil, Linnl, and Werr carried packages.
The furniture was abandoned in the little white cottage.
"It looked just fine in Boston," said the mother. "And here in the cottage. But up at the villa? No. We'll get it when we come back in the autumn."
Bittering himself was quiet.
"I've some ideas on furniture for the villa," he said after a time. "Big, lazy furniture."
"What about your encyclopedia? You're taking it along, surely?"
Mr. Bittering glanced away. "I'll come and get it next week."
They turned to their daughter. "What about your New York dresses?"
The bewildered girl stared. "Why, I don't want them any more."
They shut off the gas, the water, they locked the doors and walked away. Father peered into the truck.
"Gosh, we're not taking much," he said. "Considering all we brought to Mars, this is only a handful!"
He started the truck.
Looking at the small white cottage for a long moment, he was filled with a desire to rush to it, touch it, say good-by to it, for he felt as if he were going away on a long journey, leaving something to which he could never quite return, never understand again.
Just then Sam and his family drove by in another truck.
"Hi, Bittering! Here we go!"
The truck swung down the ancient highway out of town. There were sixty others traveling the same direction. The town filled with a silent, heavy dust from their passage. The canal waters lay blue in the sun, and a quiet wind moved in the strange trees.
"Good-by, town!" said Mr. Bittering.
"Good-by, good-by," said the family, waving to it.
They did not look back again.
Summer burned the canals dry. Summer moved like flame upon the meadows. In the empty Earth settlement, the painted houses flaked and peeled. Rubber tires upon which children had swung in back yards hung suspended like stopped clock pendulums in the blazing air.
At the metal shop, the rocket frame began to rust.
In the quiet autumn Mr. Bittering stood, very dark now, very golden-eyed, upon the slope above his villa, looking at the valley.
"It's time to go back," said Cora.
"Yes, but we're not going," he said quietly. "There's nothing there any more."
"Your books," she said. "Your fine clothes.
"Your llles and your fine ior uele rre'' she said.
"The town's empty. No one's going back," he said. "There's no reason to, none at all."
The daughter wove tapestries and the sons played songs on ancient flutes and pipes, their laughter echoing in the marble villa.
Mr. Bittering gazed at the Earth settlement far away in the low valley. "Such odd, such ridiculous houses the Earth people built."
"They didn't know any better," his wife mused. "Such ugly people. I'm glad they've gone."
They both looked at each other, startled by all they had just finished saying. They laughed.
"Where did they go?" he wondered. He glanced at his wife. She was golden and slender as his daughter. She looked at him, and he seemed almost as young as their eldest son.
"I don't know," she said.
"We'll go back to town maybe next year, or the year after, or the year after that," he said, calmly. "Now—I'm warm. How about taking a swim?"
They turned their backs to the valley. Arm in arm they walked silently down a path of clear-running spring water.
Five years later a rocket fell out of the sky. It lay steaming in the valley. Men leaped out of it, shouting.
"We won the war on Earth! We're here to rescue you! Hey!" But the American-built town of cottages, peach trees, and theaters was silent. They found a flimsy rocket frame rusting in an empty shop.
The rocket men searched the hills. The captain established headquarters in an abandoned bar. His lieutenant came back to report.
"The town's empty, but we found native life in the hills, sir. Dark people. Yellow eyes. Martians. Very friendly. We talked a bit, not much. They learn English fast. I'm sure our relations will be most friendly with them, sir."
"Dark, eh?" mused the captain. "How many?"
"Six, eight hundred, I'd say, living in those marble ruins in the hills, sir. Tall, healthy. Beautiful women."
"Did they tell you what became of the men and women who built this Earth-settlement, Lieutenant?"
"They hadn't the foggiest notion of what happened to this town or its people."
"Strange. You think those Martians killed them?"
"They look surprisingly peaceful. Chances are a plague did this town in, sir."
"Perhaps. I suppose this is one of those mysteries we'll never solve. One of those mysteries you read about."
The captain looked at the roo
m, the dusty windows, the blue mountains rising beyond, the canals moving in the light, and he heard the soft wind in the air. He shivered. Then, recovering, he tapped a large fresh map he had thumbtacked to the top of an empty table.
"Lots to be done. Lieutenant." His voice droned on and quietly on as the sun sank behind the blue hills. "New settlements. Mining sites, minerals to be looked for. Bacteriological specimens taken. The work, all the work. And the old records were lost. We'll have a job of remapping to do, renaming the mountains and rivers and such. Calls for a little imagination.
"What do you think of naming those mountains the Lincoln Mountains, this canal the Washington Canal, those hills—we can name those hills for you. Lieutenant. Diplomacy. And you, for a favor, might name a town for me. Polishing the apple. And why not make this the Einsteui Valley, and further over . . . are you listening, Lieutenant?"
The lieutenant snapped his gaze from the blue color and the quiet mist of the hills far beyond the town.
"What? Oh, yes, sir!"
13 THE SMILE
In the town square the queue had formed at five in the morning while cocks were crowing far out in the rimed country and there were no fires. All about, among the ruined buildings, bits of mist had clung at first, but now with the new light of seven o'clock it was beginning to disperse. Down the road, in twos and threes, more people were gathering in for the day of marketing, the day of festival.
The small boy stood immediately behind two men who had been talking loudly in the clear air, and all of the sounds they made seemed twice as loud because of the cold. The small boy stomped his feet and blew on his red, chapped hands, and looked up at the soiled gunny-sack clothing of the men and down the long line of men and women ahead.
"Here, boy, what're you doing out so early?" said the man behind him.
"Got my place in line, I have," said the boy.
"Whyn't you run off, give your place to someone who appreciates?"
"Leave the boy alone," said the man ahead, suddenly turning.
"I was joking." The man behind put his hand on the boy's head. The boy shook it away coldly. "I just thought it strange, a boy out of bed so early."
"This boy's an appreciator of arts, I'll have you know," said the boy's defender, a man named Grigsby. "What's your name, lad?"
"Tom."
"Tom here is going to spit clean and true, right, Tom?"
"I sure am!"
Laughter passed down the line.
A man was selling cracked cups of hot coffee up ahead. Tom looked and saw the little hot fire and the brew bubbling in a rusty pan. It wasn't really coffee. It was made from some berry that grew on the meadowlands beyond town, and it sold a penny a cup to warm their stomachs; but not many were buying, not many had the wealth.
Tom stared ahead to the place where the line ended, beyond a bombed-out stone wall.
"They say she smiles," said the boy.
"Aye, she does," said Grigsby.
"They say she's made of oil and canvas."
"True. And that's what makes me think she's not the original one. The original, now, I've heard, was painted on wood a long time ago."
"They say she's four centuries old."
"Maybe more. No one knows what year this is, to be sure."
"It's 2061!"
"That's what they say, boy, yes. Liars. Could be 3000 or 5000, for all we know. Things were in a fearful mess there for a while. All we got now is bits and pieces."
They shuffled along the cold stones of the street.
"How much longer before we see her?" asked Tom uneasily.
"Just a few more minutes. They got her set up with four brass poles and velvet rope, all fancy, to keep folks back. Now mind, no rocks, Tom; they don't allow rocks thrown at her."
"Yes, sir."
The sun rose higher in the heavens, bringing heat which made the men shed their grimy coats and greasy hats.
"Why're we all here in line?" asked Tom at last. "Why're we all here to spit?"
Grigsby did not glance down at him, but judged the sun. "Well, Tom, there's lots of reasons." He reached absently for a pocket that was long gone, for a cigarette that wasn't there. Tom had seen the gesture a million times. "Tom, it has to do with hate. Hate for everything in the Past. I ask you, Tom, how did we get in such a state, cities all junk, roads like jigsaws from bombs, and half the cornfields glowing with radioactivity at night? Ain't that a lousy stew, I ask you?"
"Yes, sir, I guess so."
"It's this way, Tom. You hate whatever it was that got you all knocked down and ruined. That's human nature. Unthinking, maybe, but human nature anyway."
"There's hardly nobody or nothing we don't hate," said Tom.
"Right! The whole blooming kaboodle of them people in the Past who run the world. So here we are on a Thursday morning with our guts plastered to our spines, cold, live in caves and such, don't smoke, don't drink, don't nothing except have our festivals, Tom, our festivals."
And Tom thought of the festivals in the past few years. The year they tore up all the books in the square and burned them and everyone was drunk and laughing. And the festival of science a month ago when they dragged in the last motorcar and picked lots and each lucky man who won was allowed one smash of a sledge hammer at the car.
"Do I remember that, Tom? Do I remember? Why, I got to smash the front window, the window, you hear? My God, it made a lovely sound! Crash!"
Tom could hear the glass fall in glittering heaps.
"And Bill Henderson, he got to bash the engine. Oh, he did a smart job of it, with great efficiency. Wham!
"But best of all," recalled Grigsby, "there was the time they smashed a factory that was still trying to turn out airplanes.
"Lord, did we feel good blowing it up!" said Grigsby. "And then we found that newspaper plant and the munitions depot and exploded them together. Do you understand, Tom?"
Tom puzzled over it. "I guess."
It was high noon. Now the odors of the ruined city stank on the hot air and things crawled among the tumbled buildings.
"Won't it ever come back, mister?"
"What, civilization? Nobody wants it. Not me!"
"I could stand a bit of it," said the man behind another man. "There were a few spots of beauty in it."
"Don't worry your heads," shouted Grigsby. "There's no room for that, either."
"Ah," said the man behind the man. "Someone'll come along someday with imagination and patch it up. Mark my words. Someone with a heart."
"No," said Grigsby.
"I say yes. Someone with a soul for pretty things. Might give us back a kind of limited sort of civilization, the kind we could live in in peace."
"First thing you know there's war!"
"But maybe next time it'd be different."
At last they stood in the main square. A man on horseback was riding from the distance into the town. He had a piece of paper in his hand. In the center of the square was the roped-off area. Tom, Grigsby, and the others were collecting their spittle and moving forward—moving forward prepared and ready, eyes wide. Tom felt his heart beating very strongly and excitedly, and the earth was hot under his bare feet.
"Here we go, Tom, let fly!"
Four policemen stood at the comers of the roped area, four men with bits of yellow twine on their wrists to show their authority over other men. They were there to prevent rocks being hurled.
"This way," said Grigsby at the last moment, "everyone feels he's had his chance at her, you see, Tom? Go on, now!"
Tom Stood before the painting and looked at it for a long time.
"Tom, spit!"
His mouth was dry.
"Get on, Tom! Move!"
"But," said Tom, slowly, "she's beautiful!"
"Here, I'll spit for you!" Grigsby spat and the missile flew in the sunlight. The woman in the portrait smiled serenely, secretly, at Tom, and he looked back at her, his heart beating, a kind of music in his ears.
"She's beautiful," he said.
<
br /> "Now get on, before the police—"
"Attention!"
The line fell silent. One moment they were berating Tom for not moving forward, now they were turning to the man on horseback.
"What do they call it, sir?" asked Tom, quietly.
"The picture? Mona Lisa, Tom, I think. Yes, the Mona Lisa"
"I have an announcement," said the man on horseback. "The authorities have decreed that as of high noon today the portrait in the square is to be given over into the hands of the populace there, so they may participate in the destruction of—"
Tom hadn't even time to scream before the crowd bore him, shouting and pummeling about, stampeding toward the portrait. There was a sharp ripping sound. The police ran to escape. The crowd was in full cry, their hands hke so many hungry birds pecking away at the portrait. Tom felt himself thrust almost through the broken thing. Reaching out in blind imitation of the others, he snatched a scrap of oily canvas, yanked, felt the canvas give, then fell, was kicked, sent rolling to the outer rim of the mob. Bloody, his clothing torn, he watched old women chew pieces of canvas, men break the frame, kick the ragged cloth, and rip it into confetti.
Only Tom stood apart, silent in the moving square. He looked down at his hand. It clutched the piece of canvas close to his chest, hidden.
"Hey there, Tom!" cried Grigsby.
Without a word, sobbing, Tom ran. He ran out and down the bomb-pitted road, into a field, across a shallow stream, not looking back, his hand clenched tightly, tucked under his coat.
At sunset he reached the small village and passed on through. By nine o'clock he came to the ruined farm dwelling. Around back, in the half silo, in the part that still remained upright, tented over, he heard the sounds of sleeping, the family—his mother, father, and brother. He slipped quickly, silently, through the small door and lay down, panting.
"Tom?" called his mother in the dark.
"Yes."
"Where've you been?" snapped his father, "I'll beat you in the morning."
Someone kicked him. His brother, who had been left behind to work their little patch of ground.
"Go to sleep," cried his mother, faintly.
Another kick.
Tom lay getting his breath. All was quiet. His hand was pushed to his chest, tight, tight. He lay for half an hour this way, eyes closed.
Bradbury, Ray - SSC 07 Page 30
