“What are you talking about?”
I tried to pull both of them at once, but the ground had gotten soddy from so many protestor boots, and I slipped and fell into the dirt. Sally screamed at me to stop clowning around for once, and then one of the ISO punks stepped on my leg by mistake, then landed on top of me, and the crowd was jostling the punk as well as me, so we couldn’t untangle ourselves. Someone else stepped on my hand.
I rolled away from the punk and sprang upright just as the first gunshot sounded. I couldn’t tell who was firing, or at what, but it sounded nearby. Everyone in the crowd shouted without slogans this time and I went down again with boots in my face. I saw a leg that looked like Sally’s and I tried to grab for her. More shots, and police bullhorns calling for us to surrender. Forget getting out of there, we had to stay down even if they trampled us. I kept seeing Sally’s feet but I couldn’t reach her. Then a silver shoe almost stepped on my face. I stared at the bright laces a second, then grabbed at Raine’s silvery ankle, but he wouldn’t go down because the crowd held him up. I got upright and came face-to-shiny-face with Raine. “Listen to me,” I screamed over another rash of gunfire. “We have to get Sally, and then we have to—”
Raine’s head exploded. Silver turned red, and my mouth was suddenly full of something warm and dark-tasting, and then several people fleeing in opposite directions crashed into me and I swallowed. I swallowed and doubled over as the crowd smashed into me, and I forced myself not to vomit because I needed to be able to breathe. Then the crowd pushed me down again and my last thought before I blacked out was that with this many extras, all we really needed would be a crane and a few dozen skateboards and we could have had a really cool set piece.
© 2014 by Charlie Jane Anders.
Originally published in The End is Nigh,
edited by John Joseph Adams & Hugh Howey.
Reprinted by permission of the author.
Charlie Jane Anders’ story “Six Months Three Days” won a Hugo Award and was shortlisted for the Nebula and Theodore Sturgeon Awards. Her writing has appeared in Mother Jones, Asimov’s Science Fiction, Tor.com, Tin House, ZYZZYVA, The McSweeney’s Joke Book of Book Jokes, and elsewhere. She’s the managing editor of io9.com and runs the long-running Writers With Drinks reading series in San Francisco. More info at charliejane.net.
How to Get Back to the Forest
Sofia Samatar
“You have to puke it up,” said Cee. “You have to get down there and puke it up. I mean down past where you can feel it, you know?”
She gestured earnestly at her chest. She had this old-fashioned cotton nightgown on, lace collar brilliant under the bathroom lights. Above the collar, her skin looked gray. Cee had bones like a bird. She was so beautiful. She was completely beautiful and fucked. I mean everybody at camp was sort of a mess, we were even supposed to be that way, at a difficult stage, but Cee took it to another level. Herding us into the bathroom at night and asking us to puke. “It’s right here,” she said, tapping the nightgown over her hollow chest. “Where you’ve got less nerves in your esophagus. It’s like wired into the side, into the muscle. You have to puke really hard to get it.”
“Did you ever get it out?” asked Max. She was sitting on one of the sinks. She’d believe anything.
Cee nodded, solemn as a counselor. “Two years ago. They caught me and gave me a new one. But it was beautiful while it was gone. I’m telling you it was the best.”
“Like how?” I said.
Cee stretched out her arms. “Like bliss. Like everything. Everything all at once. You’re raw, just a big raw nerve.”
“That doesn’t sound so great,” said Elle.
“I know,” said Cee, not annoyed but really agreeing, turning things around. That was one of her talents.
“It sounds stupid,” she nodded, “but that’s because it’s something we can’t imagine. We don’t have the tools. Our bodies don’t know how to calculate what we’re missing. You can’t know till you get there. And at the same time, it’s where you came from. It’s where you started.”
She raised her toothbrush. “So. Who’s with me?”
• • •
Definitely not me. God, Cee. You were such an idiot.
• • •
Apparently, a girl named Puss had told her about the bug. And Cee, being Cee, was totally open to learning new things from a person who called herself Puss. Puss had puked out her own bug and was living on the streets. I guess she’d run away from camp, I don’t really know. She was six feet tall, Cee said, with long red hair. The hair was dyed, which was weird, because if you’re living on the streets, do you care about stuff like that? This kind of thing can keep me awake at night. I lie in bed, or rather I sit in the living room because Pete hates me tossing and turning, and I leave the room dark and open all the curtains, and I watch the lights of the city and think about this girl Puss getting red hair dye at the grocery store and doing her hair in the bathroom at the train station. Did she put newspapers down? And what if somebody came in and saw her?
Anyway, eventually Cee met Puss in the park, and Puss was clearly down-and-out and a hooker, but she looked cool and friendly, and Cee sat down beside her on the swings.
• • •
“You have to puke it up.”
• • •
We’d only been at camp for about six weeks. It seemed like a long time, long enough to know everybody. Everything felt stretched out at camp, the days and the nights, and yet in the end it was over so fast, as soon as you could blink. Camp was on its own calendar—a special time of life. That was Jodi’s phrase. She was our favorite counselor. She was greasy and enthusiastic, with a skinny little ponytail, only a year or two older than the seniors. Camp is so special! The thing with Jodi was, she believed every word she said. It made it really hard to make fun of her. That night, the night in the bathroom, she was asleep down the hall underneath her Mother Figure, which was a little stuffed dog with Florida on its chest.
• • •
“Come on!” said Cee. And she stuck her toothbrush down her throat, just like that. I think Max screamed. Cee didn’t start puking right away. She had to give herself a few really good shoves with that toothbrush, while people said “Oh my God” and backed away and clutched one another and stared. Somebody said “Are you nuts?” Somebody else said something else, I might have said something, I don’t know, everything was so white and bright in that moment, mirrors and fluorescent lights and Cee in that goddamn Victorian nightgown jabbing away with her toothbrush and sort of gagging. Every time I looked up I could see all of us in the mirror. And then it came. A splatter of puke all over the sink. Cee leaned over and braced herself. Blam. Elle said, “Oh my God, that is disgusting.” Cee gasped. She was just getting started.
• • •
Elle was next. All of a sudden she spun around with her hands over her mouth and let go in the sink right next to Cee. Splat. I started laughing, but I already felt sort of dizzy and sick myself, and also scared, because I didn’t want to throw up. Cee looked up from her own sink and nodded at Elle, encouraging her. She looked completely bizarre, her wide cheekbones, her big crown of natural hair, sort of a retro supermodel with a glistening mouth, her eyes full of excitement. I think she even said “Good job, Elle!”
Then she went to it with the toothbrush again. “We have to stop her!” said Katie, taking charge. “Max, go get Jodi!” But Max didn’t make it. She jumped down from the third sink, but when she got halfway to the door she turned around and ran back to the sink and puked. Meanwhile Katie was dragging Cee away from the sink and trying to get the toothbrush, but also not wanting to touch it, and she kept going “Ew ew ew” and “Help me, you guys,” and it was all so hilarious I sank down on the floor, absolutely crying with laughter. Five or six other girls, too. We just sort of looked at each other and screamed. It was mayhem. Katie dragged Cee into one of the stalls, I don’t know why. Then Katie started groaning and let go of Cee and staggered into
the stall beside her, and sploosh, there she went.
• • •
Bugs.
It’s such a camp rumor. Camp is full of stories like that. People say the ice cream makes you sterile, the bathrooms are full of hidden cameras, there’s fanged, flesh-eating kids in the lake, if you break into the office you can call your parents. Lots of kids break into the office. It’s the most common camp offense. I never tried it, because I’m not stupid—of course you can’t call your parents. How would you even get their number? And bugs—the idea of a bug planted under your skin, to track you or feed you drugs—that’s another dumb story.
Except it’s not, because I saw one.
The smell in the bathroom was terrible now—an animal smell, hot; it thrashed around and it had fur.
I knew I was going to be sick. I crawled to the closest place—the stall where Cee knelt—and grabbed hold of the toilet seat. Cee moved aside for me. Would you believe she was still hanging onto her toothbrush? I think we both threw up a couple of times. Then she made this awful sound, beyond anything, her whole body taut and straining, and something flew into the toilet with a splash.
I looked at her and there was blood all over her chin. I said, “Jesus, Cee.” I thought she was dying. She sat there coughing and shaking, her eyes full of tears and triumph. She was on top of the world. “Look!” she breathed. And I looked, and there in the bowl, half-hidden by puke and blood, lay an object made of metal.
It actually looked like a bug. Sharp blood-smeared legs.
“Shit!” I said. I flushed the toilet.
“Now you,” said Cee, wiping her mouth on the back of her wrist.
“I can’t.”
“Tisha. Come on.”
Cee, I couldn’t, I really couldn’t. I could be sick—in fact I felt sicker than ever—but I couldn’t do it that hard. I remember the look in your eyes; you were so disappointed. You leaned and spat some blood into the toilet.
I whispered: “Don’t tell anyone. Not even the other girls.”
“Why not? We should all—”
“No. Just trust me.”
I was already scared, so scared. I couldn’t bear the idea of camp without you.
• • •
We barely slept that night. We had to take showers and clean the bathroom. Max cried the whole time, but for at least part of the night, I was laughing. Me and Katie flinging disinfectant powder everywhere. Katie was cool, always in sweatpants, didn’t give a shit about anything.
“You know your friend is a headcase, right?” she said.
It was the first time anybody’d called Cee my friend. We got out the mop and lathered up the floor. Everyone slipped and swore at us, coming out of the showers. Cee went skidding by in a towel. “Whee!” she shrieked.
• • •
You cannot feel your bug. I’ve pressed so hard on my chest. I know.
“I could feel it,” said Cee. “After they put it back in.” It wasn’t exactly a physical thing. She couldn’t trace the shape of the bug inside her, but she could feel it working.
“Bug juice,” she said, making a sour face. She could feel bug juice seeping into her body. Every time she was going to be angry or afraid, there’d be this warmth in her chest, a feeling of calm spreading deep inside.
“I only noticed it after I’d had the bug out for a couple of weeks.”
“How did your parents know you needed a new one?”
“I didn’t need one.”
“How did they know it was gone?”
“Well, I kind of had this fit. I got mad at them and started throwing food.”
We were sitting on my bed, under my Mother Figure, a lamp with a blue shade. The blue light brought out the stains on Cee’s Victorian nightgown. We were both painting our toenails Cherry Pink, balancing the polish on my Life Skills textbook, taking turns with the brush.
“You should do it,” Cee said. “I feel better. I’m so much better.”
I thought how in a minute we’d have to study for our Life Skills quiz. I didn’t think there was bug juice in my body. I couldn’t feel anything.
“I’m so much better,” Cee said again. Her hand was shaking.
• • •
Oh, Cee.
• • •
The weird thing is, I started writing this after Max came to visit me, and I thought I was going to write about Max. But then I started writing in your book. Why? This book you left me, your Mother Figure. You practically threw it at me: “Take it!” It was the worst thing you could do, to take somebody else’s Parent Figure, especially the mom. Or maybe it was only us girls who cared so much about the moms. Maybe for the boys it was the dads. But anyway, taking one was the worst; you could basically expect the other kids to kill you. A kid got put in the hospital that way at a different camp—the one on the east side—but we all knew about it at our camp. They strung him up with electric wires. Whenever we told the story we ended by saying what we would have done to that kid, and it was always much worse.
But you threw this book at me, Cee, and what could I do? Jodi and Duncan were trying to grab your arms, and the ambulance was waiting for you downstairs. I caught the book clumsily, crumpling it. I looked at it later, and it was about half full of your writing. I think they’re poems.
dank smells underground want to get back
no pill for it
i need you
I don’t know, are they poems? If they are, I don’t think they’re very good. A nap could be a door an abandoned car. Does that even mean anything? Eat my teeth. I know them all by heart.
I picked up this book when Max left. I wrote: “You have to puke it up.” All of a sudden I was writing about you. Surprising myself. I just kept going. Remembering camp, the weird sort of humid excitement there, the cafeteria louder than the sea. The shops—remember the shops? Lulu’s was the best. We’d save up our allowance to go there. Down in the basement you could get used stuff for cheap. You got your leather jacket there. I got these red shoes with flowers on the toes. I loved those shoes so much! I wonder where they went? I wore them to every mixer, I was wearing them when I met Pete, probably with my white dress—another Lulu’s purchase I don’t have now.
It was summer, and the mixer had an island theme. The counselors had constructed this sort of deck overlooking the lake. God, they were so proud of it. They gave us green drinks with little umbrellas in them and played lazy, sighing music, and everyone danced, and Pete saw a shooting star, and we were holding hands, and you were gone forever and I forgot you.
• • •
I forgot you. Forgetting isn’t so wrong. It’s a Life Skill.
• • •
I don’t remember what my parents looked like. A Parent Figure cannot be a photograph. It has to be a more neutral object. It’s supposed to stand in for someone, but not too much. When we got to camp we were all supposed to bring our Parent Figures to dinner the first night. Everyone squeezed in at the cafeteria tables, trying to find space beside their dinner trays for their Figures, those calendars and catcher’s mitts and scarves. I felt so stupid because my Mother Figure was a lamp and there was no place to plug it in. My Father Figure is a plaque that says Always be yourself.
Jodi came by, as the counselors were all going around “meeting the Parents,” and she said, “Wow, Tisha, that’s a good one.”
• • •
I don’t even know if I picked it out.
• • •
“We want you to have a fabulous time at camp!” Jodi cried. She was standing at the front with the other counselors: Paige and Veronica and Duncan—who we’d later call “Hunky Duncan”—and Eric and Carla and the others.
Of course they’d chosen Jodi to speak. Jodi was so perky.
She told us that we were beginning a special relationship with our Parent Figures. It was very important not to fixate. We shouldn’t fixate on the Parent Figures, and we definitely shouldn’t fixate on the counselors.
My stupid lamp. It was so fuckin
g blue. Why would you bring something blue? “The most important people in your life are the other campers!” Jodi burbled. “These are the people you’ll know for the rest of your life! Now, I want you to turn to the person next to you and say, Hi, Neighbor!”
• • •
Hi, Neighbor! And later, in the forest, Cee sang to the sky: Fuck you, Neighbor!
• • •
Camp was special. We were told that it was special. At camp you connected with people and with nature. There was no personal tech. That freaked a lot of people out at first. We were told that later we’d all be able to get online again, but we’d be adults, and our relationships would be in place, and we would have learned our Life Skills, and we’d be ready. But now was special: Now was the time of friends and of the earth.
Cee raised her hand: “What about earthquakes?”
“What?” said Veronica, who taught The Natural World. Veronica was from an older group of counselors; she had gray hair and leathery skin from taking kids on nature hikes and she was always stretching to show that you could be flexible when you were old.
“What about earthquakes?” Cee asked. “What about fires? Those are natural. What about hurricanes?”
Veronica smiled at us with her awesome white teeth, because you could have awesome white teeth when you were old, it was all a matter of taking care of yourself with the right Life Skills.
“What an interesting question, Celia!”
We were told that all of our questions were interesting. There’s no such thing as a stupid question! The important thing was always to participate. We were told to participate in classes and hikes and shopping sprees and mixers. In History we learned that there used to be prejudice, but now there wasn’t: It didn’t matter where you came from or who you loved, just join in! That’s why even the queer girls had to go to the mixers; you could take your girlfriend, but you had to go. Katie used to go in a tie and Elle would wear flowers. They rolled their eyes but they went anyway and danced and it was fun. Camp was so fun.
Cee raised her hand: “Why is it a compliment to tell somebody it doesn’t matter who they are?”
Lightspeed Issue 46 Page 3
