by J. D. Robb
"Seats run between one hundred and two hundred and fifty." The six-foot blonde, who'd identified herself as the theater manager, galloped beside Eve like a Viking warhorse. Outrage and distress had gone to battle in her voice. "Do you have any idea how complicated it's going to be to arrange alternate dates or refunds? We're sold out through the run of the show."
"Look, sister, you'll be holding your run of the show in pieces blown over to Hoboken if you don't let us do our job." She elbowed the woman aside and pulled out her communicator. "Malloy? Status."
"Multiple devices detected. We've located and neutralized two. Scan indicates six more. Teams already deployed. The stage has four elevators, every one of them can go down twenty-seven feet into the basement of this place. We got hot ones in all of them. Working as fast as we can here."
"Work faster," Eve suggested. She jammed the communicator back in her pocket and turned to the woman beside her. "Get out."
"I certainly will not. I'm the manager."
"That doesn't make you captain of this sinking ship." Because the woman outweighed her by a good fifty pounds and looked frazzled enough to put up a good, entertaining fight, Eve was tempted to haul her along personally. It was too bad she couldn't spare the time. Instead, she signaled to a couple of beefy uniforms, indicated the woman with a jerk of her thumb.
"Move this," was all she said and pushed her way through the noisy, complaining crowd of evacuees.
She could see the impressive block-long expanse of stage. A full dozen cops in riot gear were posted on it to keep any ticket holders from scrambling in that direction. The heavy red curtain was raised, the stage lights brilliant. No one, she thought dryly, would mistake the helmeted figures onstage for The Rockettes.
Babies wailed, the elderly griped, and a half dozen schoolgirls clutching their souvenir Rockette dolls wept silently.
The cover story of a water main leak had staved off panic, but it didn't make for cheerful cooperation from the civilians.
The evacuation teams were making progress, but it was no easy task to move several thousand annoyed ticket holders out of a warm theater and into the cold. The main lobby area was jammed shoulder to shoulder.
And there were countless other rooms, lounges, lobbies. Beyond the public areas there were dressing rooms, control centers, offices. Each one had to be searched, emptied, secured.
Add panic to annoyance, Eve mused, and you'd have several hundred casualties before they hit the doors. She slapped on her headset and climbed onto a wide Art Deco table to look down on the grumbling horde being pushed along through the grandiose lobby with its stylized glass and chrome.
She switched on her mike. "This is the NYPSD," she announced over the echoing din. "Your cooperation is appreciated. Please don't block the exits. Continue to move outside." She ignored the shouts and questions thrown at her and repeated her statement twice more.
A woman in her matinee pearls curled a hand around Eve's booted ankle. "I know the mayor. He's going to hear about this."
Eve nodded pleasantly. "Give him my best. Please proceed in an orderly fashion. We apologize for any inconvenience."
The word inconvenience pushed the bitch button. The shouts increased even as uniforms firmly led people through the doors. Eve had just swiveled her mouthpiece aside, pulled out her communicator for another status check when she saw someone come in instead of out.
Her blood went instantly on boil as Roarke slid gracefully through the crowd toward her.
Her teeth were grinding as she stared down at him. "What the hell do you think you're doing?"
"Insuring that my property—and my wife," he added just deliberately enough to make her snarl, "remain in one piece."
He hopped agilely beside her. "May I?" he began and snatched her headset.
"That's police property, ace."
"Which means it's an inferior product, but it should do the job."
Then, looking cool and sleek, he addressed the disorderly crowd. "Ladies and gentlemen, the staff and performers of Radio City apologize for this difficulty. All tickets and transportation costs incurred will be fully refunded. An alternate date will be set for today's matinee at no change to any ticket holders who wish to attend. We appreciate your understanding."
The noise level didn't abate, but the tone of it altered dramatically. Roarke could have told Eve that money, unfailingly, talks.
"Pretty slick, aren't you?" she muttered and swung down behind the table.
"You need them out," he said simply. "What's your status?"
She waited until he stood down with her, then contacted Anne. "We're about fifty percent evacuated. It's moving, but slow. Where are you?"
"About the same. We've got half. Cooled one in the organ console. Working on one in the orchestra pit now. This one's almost a lock, but they're scattered all over hell and back. I've only got so many men."
Out of the corner of her eye, she saw Roarke checking a handheld scanner. It sank sickness into her gut. "Keep me posted. You," she said as she turned to him. "Get out."
"No." He didn't bother to look up but did lay a hand on her shoulder to prevent her from moving in on him. "There's one up on the catwalk. I'll take that one."
"You're taking nothing but a hike, and now."
"Eve, we both know there's no time to argue. If these people have the building under surveillance, they know you've tagged them. They could decide to detonate any time now."
"Which is why all civilians—" She broke off rather than talk to his back. He'd already turned away and was slipping quickly through the oncoming crowd. "Goddamn it, goddamn it, goddamn it." Fighting off panic, she muscled her way through after him.
She caught up just as he was unlocking a side door and managed to push her way in behind him.
It slammed, locked, and they eyed each other narrowly. "I don't need you here," they said together. Roarke very nearly chuckled.
"Never mind. Just don't crowd me." He moved fast up narrow metal steps, moved quickly along twisting corridors.
Eve saved her breath. They were in it now, win or lose.
She could hear the echoes of voices from below, just a hum as the walls were thick. Here the theater was plain and functional, like an actor without costume or makeup.
Roarke took another set of steps, more narrow than the last, and came out on what looked to Eve like the deck of a ship.
It swung out over the plush seats, gave a full view of the stage far below. As heights weren't on her list of favorite things, she turned away and studied the massive and complicated control panels, puzzled over the thick hanging hanks of rope.
"Where…" she began, then lost all power of speech as he stepped through an opening and out into space.
"I won't be long."
"Jesus, Roarke. Jesus!" She scrambled over, saw he was not actually walking on air. But from her perspective, he might as well have been. The platform was no more than two feet wide, a kind of bridge that spanned above the theater, slicing through huge hanging lights, more ropes and pulleys, metal beams.
Even as she stepped onto it after him, her ears began to buzz. She'd have sworn she could feel her brain start to swim in her skull.
"Go back, Eve. Don't be so stubborn."
"Shut up, just shut up. Where is the fucker?"
"Here." For both their sakes, he put her fear of heights out of his mind. And hoped she could do the same. Nimbly, he pivoted, knelt, then leaned over in a way that made Eve's stomach flip in one long, slow rotation. "Under this catwalk."
He ran the scanner as Eve gratefully lowered to her hands and knees. She kept her teeth gritted and told herself to watch him. Don't look down. Don't look down.
Of course, she looked down.
The crowd was thin now, just a few dozen stragglers being hurried along by uniforms. The trio of E and B men in the orchestra pit looked like toys, but she heard their shout of triumph through the ocean roar of blood in her ears.
"They took out another one."
&n
bsp; "Mmm," was Roarke's only comment.
With sweaty fingers, she took out her communicator and answered Anne's beep. "Dallas."
"We've got two more down. Closing in. I'm sending a team to the catwalk and another—"
"I'm on the catwalk. We're working on this one."
"We?"
"Just do the rest." She blinked her vision clear and saw Anne stride out onstage, look up. "We're under control here."
"I hope to Christ you are. Malloy out."
"Are we under control here, Roarke?"
"Hmm. It's a clever little bastard. Your terrorists have deep pockets. I could use Feeney," he said absently, then held out a mini-light. "Hold this."
"Where?"
"Just here." He indicated, then glanced at her, noted she was dead pale and clammy. "On your belly, darling. Breathe slow."
"I know how to breathe." She snapped it out, then bellied down. Her stomach might have been doing a mad jig, but her hand was rock steady.
"Good, that's good." He stretched out across from her so they were nearly nose to nose and went to work with a delicate tool that glinted silver in the lights. "They want you to snip these wires here. If you do, you'll be blown into several unattractive pieces. They're a front," he went on conversationally while he carefully removed a cover. "A lure. They've made it to appear to be a second-rate boomer when in reality…Ah, there's that little beauty. When in reality, it's top of the line, plaston-driven, with compu-remote trigger."
"That's fascinating." Her breath wanted to come in pants. "Kill the bastard."
"Normally, I admire your kick-in-the-face style, Lieutenant. But try that with this, and the two of us will be making love in heaven tonight."
"Heaven wouldn't have either of us."
He smiled. "Wherever, then. It's this chip I need. Turn the light a bit. Aye, that's the way. I'll need both hands here, Eve, so I'll need one of yours as well."
"For what?"
"To catch this when it pops out. If they're as clever as I think, they'd have used an impact chip. Which means if this little darling falls, hits below, it'll take out a good dozen rows and put a very nasty crater in my floor. Very possibly shaking us off our perch here with the backwash. Ready?"
"Oh sure. Absolutely." She rubbed her sweaty hand on her butt, then held it out. "So you figure we can still have sex, wherever?"
He glanced up long enough to grin at her. "Oh sure. Absolutely." He took her hand, squeezed it once, then lowered it. You're going to need to lean out a bit. Keep your eye on what I'm doing. Watch the chip."
She emptied her mind, shifted so that her head and shoulders were unsupported. She stared at the little black box, the colorful wires, the dull green of the miniboard.
"This one." He touched the point of his tool to a gray chip no bigger than the first knuckle on a baby's pinkie.
"I've got it. Finish the job."
"Don't squeeze it. Be gentle. On three then. One, two." He slid the tip around the edge of the chip, pried it gently. "Three." And it snapped out with a quiet click that sounded like a bomb blast to Eve's ears.
It hit her cupped palm, bounced. She rolled her fingers into a loose fist. "Got it."
"Don't move."
"I'm not going anywhere."
Roarke pushed up to his knees, took out a handkerchief. Taking Eve's hand, he uncurled her fingers and placed the chip in the center of the silk, folded it, folded again. "Not much padding, but better than nothing. He slipped it into his back pocket. "As long as I don't sit on it, we'll be fine."
"Be careful. I like your ass too much to see it blown off. Now, how the hell do we get off of here?"
"We could go back the way we came." But there was a glint in his eye as he stood. "Or we can have some fun with it."
"I don't want any fun."
"I do." He took her hand to help her to her feet, then reached out to grip a rope and pulley. "Do you know what today's matinee was?"
"No."
"A revival of that longtime children's favorite, Peter Pan. Hold tight, darling."
"Don't." But he'd already pulled her close and in automatic defense, her arms locked around him. "I'll kill you for this."
"The pirates look great swinging to stage on these. Inhale," he suggested, then with a laugh swung free.
She felt a rush of wind that took her stomach and flung it behind her. Before her glazed eyes, she watched color and shape fly. The only thing that stopped her from screaming was pride, and even that was nearly used up as they flew over the orchestra pit.
Then the crazy man she was somehow married to closed his mouth silkily over hers. A hot little ball of pure lust burned along with terror, and both managed to jelly her knees so they buckled clumsily when her boots hit the stage.
"You're dead. You're meat."
He kissed her again and chuckled against her mouth. "It was worth it."
"Nice entrance." Feeney, his face rumpled and weary, walked toward them. "Now, if you kids have finished playing, we've got two more of these bastards still armed."
Eve elbowed Roarke aside and managed to stand on her own. "Civilians out?"
"Yeah, we're clear there. If they stick to deadline, we should make it. Cutting it damn close, but—"
He broke off as the rumble sounded below and the stage shook beneath their feet. Above, lights and cables swung wildly.
"Oh hell, oh shit." Eve slapped her communicator into her hand. "Malloy? Anne? Report. Give me a report. Anne? Do you copy?"
The answering buzz had her gripping Feeney's shoulder, then there was a crackle. "Malloy here. We had it contained. No injuries, no casualties. The timer went and we had to contain and detonate. Repeat, no injuries. But this understage area is one holy mess."
"Okay. All right." Eve rubbed a hand over her face. "Status?"
"We got them all, Dallas. This building's clean."
"Report to the conference room at Central when you're secured here. Good work." She broke transmission, spared Roarke a quick glance. "You're with me, pal." She offered Feeney a brief nod before striding off. "We'll need all security data on this building, a complete list of personnel—techs, performers, maintenance, managerial. Everyone."
"I ordered that for you when I learned the target. It should be waiting for you at Central."
"Fine. Then you can go back to buying the planet and stay out of my hair. Give me the chip."
He lifted a brow. "What chip?"
"Don't be cute. Let me have the impact chip or whatever it's called."
"Oh, that chip." With the appearance of cooperation, he took out his handkerchief, unfolded it. And revealed nothing. "I seem to have lost it somewhere."
"Like hell. Give me the goddamn chip. Roarke. It's evidence."
Smiling blandly, he shook the handkerchief, shrugged.
She moved in until her toes bumped his. "Give me the damn thing, Roarke." She hissed it out. "Before I order you strip-searched."
"You can't do that without a warrant. Unless, of course, you'd like to do it yourself, in which case I'd be more than delighted to waive a few of my civil rights."
"This is an official investigation."
"It was my property, twice. My woman, twice." His eyes had gone very cool. "You know where to find me if you need me, Lieutenant."
She grabbed his arm. "If 'my woman' is your new way of saying 'my wife,' I don't like it any better."
"I didn't think you would." He gave her a friendly kiss on the brow. "See you at home."
She didn't bother to snarl. Instead, she contacted Peabody to let the rest of the team know they were heading in.
• • •
Clarissa raced into the workroom where Zeke was quietly fashioning the grooves for the tongue-and-groove joints on his cabinet. He glanced up in surprise, noted that her eyes were huge, her face flushed.
"Did you hear?" she demanded. "Someone tried to set off a bomb in Radio City."
"In the theater?" His brow furrowed as he set down his tools. "Why?"
"I don't know. Money or something, I suppose." She brushed a hand over her hair. "Oh, you're not using the entertainment center. I thought you would have heard. They aren't giving out any real details, just that the building's been secured and there's no danger."
She fluttered her hands as if she didn't know what to do with them now. "I didn't mean to interrupt your work."
"It's all right. That's such a beautiful old place. Why would anyone want to destroy it?"
"People are so cruel." She ran a fingertip along one of the smoothly sanded boards he had stacked on a worktable. "Sometimes there's no reason for it at all. It just is. I used to go to the Christmas show there every year. My parents would take me." She smiled a little. "Good memories. I suppose that's why I got so upset when I heard the news. Well, I should let you get back to work."
"I was about to take a break." She was lonely—and more. He was sure of it. Out of politeness, he avoided looking beyond, scanning her aura. He could see enough in her face. She'd used enhancers carefully, but the faint bruise on her cheek showed, as did the results of weeping.
He opened his lunch sack, took out his bottle of juice. "Would you like a drink?"
"No. Yes. Yes, I suppose I would. You don't have to bring your lunch Zeke. The AutoChef is fully stocked."
"I'm sort of used to my own." Because he sensed she needed it, he smiled. "Got any glasses?"
"Oh, of course." She walked to a doorway, disappeared through it.
He tried not to pay close attention. Really, he did. But it was such a pleasure to watch her move. All that nervous energy just under the seamless grace. She was so tiny, so beautiful.
So sad.
Everything inside him wanted to comfort her.
She came back with two tall, clear glasses, then set them down so she could study his work. "You've already done so much. I've never seen the stages of something being built by hand, but I thought it would take much more time."
"It's just a matter of sticking with it."
"You love what you do." She looked back at him, her eyes just a little too bright, her smile just a little too wide. "It shows. I fell in love with your work the first time I saw it. With the heart of it."
