“Professional Man” was televised as an episode of the Showtime series Fallen Angels, on October 15, 1995. The script was by Howard A. Rodman, Steven Soderbergh was the director, and it starred Peter Coyote as the Boss and Brendan Fraser as Johnny Lamb. It was first published in the October 1953 issue of Manhunt.
~ * ~
A
t five past five the elevator operated by Freddy Lamb came to a stop on the street floor. Freddy smiled courteously to the departing passengers. As he said good night to the office-weary faces of secretaries and bookkeepers and executives, his voice was soothing and cool-sweet, almost like a caress for the women and a pat on the shoulder for the men. People were very fond of Freddy. He was always so pleasant, so polite and quietly cheerful. Of the five elevator-men in the Chambers Trust Building, Freddy Lamb was the favorite.
His appearance blended with his voice and manner. He was neat and clean and his hair was nicely trimmed. He had light brown hair parted on the side and brushed flat across his head. His eyes were the same color, focused level when he addressed you, but never too intent, never probing. He looked at you as though he liked and trusted you, no matter who you were. When you looked at him you felt mildly stimulated. He seemed much younger than his thirty-three years. There were no lines on his face, no sign of worry or sluggishness or dissipation. The trait that made him an ideal elevator man was the fact that he never asked questions and never talked about himself.
At twenty past five, Freddy got the go-home sign from the starter, changed places with the night man, and walked down the corridor to the locker room. Taking off the uniform and putting on his street clothes, he yawned a few times. And while he was sitting on the bench and tying his shoelaces, he closed his eyes for a long moment, as though trying to catch a quick nap. His fingers fell away from the shoelaces and his shoulders drooped and he was in that position when the starter came in.
“Tired?” the starter asked.
“Just a little.” Freddy looked up.
“Long day,” the starter said. He was always saying that. As though each day was longer than any other.
Freddy finished with the shoelaces. He stood up and said, “You got the dollar-fifty?”
“What dollar-fifty?”
“The loan,” Freddy said. He smiled offhandedly. “From last week. You ran short and needed dinner money. Remember?”
The starters face was blank for a moment. Then he snapped his fingers and nodded emphatically. “You’re absolutely right,” he declared. “I’m glad you reminded me.”
He handed Freddy a dollar bill and two quarters. Freddy thanked him and said good night and walked out. The starter stood there, lighting a cigarette and nodding to himself and thinking, Nice guy, he waited a week before he asked me, and then he asked me so nice, he’s really a nice guy.
~ * ~
At precisely eight-ten, Freddy Lamb climbed out of the bathtub on the third floor of the uptown rooming house in which he lived. In his room, he opened a dresser drawer, took out silk underwear, silk socks, and a silk handkerchief. When he was fully dressed, he wore a pale gray roll-collar shirt that had cost fourteen dollars, a gray silk gabardine suit costing ninety-seven fifty, and dark gray suede shoes that had set him back twenty-three ninety-five. He broke open a fresh pack of cigarettes and slipped them into a wafer-thin sterling silver case, and then he changed wristwatches. The one he had been wearing was of mediocre quality and had a steel case. The one he wore now was fourteen-karat white gold. But both kept perfect time. He was very particular about the watches he bought. He wouldn’t wear a watch that didn’t keep absolutely perfect time.
The white-gold watch showed eight-twenty when Freddy walked out of the rooming house. He walked down Sixteenth to Ontario, then over to Broad and caught a cab. He gave the driver an address downtown. The cab’s headlights merged with the flooded glare of southbound traffic. Freddy leaned back and lit a cigarette.
“Nice weather,” the driver commented.
“Yes, it certainly is,” Freddy said.
“I like it this time of year,” the driver said, “it ain’t too hot and it ain’t too cold. It’s just right.” He glanced at the rearview mirror and saw that his passenger was putting on a pair of dark glasses. He said, “You in show business?”
“No,” Freddy said.
“What’s the glasses for?”
Freddy didn’t say anything.
“What’s the glasses for?” the driver asked.
“The headlights hurt my eyes,” Freddy said. He said it somewhat slowly, his tone indicating that he was rather tired and didn’t feel like talking.
The driver shrugged and remained quiet for the rest of the ride. He brought the cab to a stop at the corner of Eleventh and Locust. The fare was a dollar twenty. Freddy gave him two dollars and told him to keep the change. As the cab drove away, Freddy walked west on Locust to Twelfth, walked south on Twelfth, then turned west again, moving through a narrow alley. There were no lights in the alley except for a rectangle of green neon far down toward the other end. The rectangle was a glowing frame for the neon wording, Billy’s Hut. It was also a beckoning finger for that special type of citizen who was never happy unless he was being ripped off in a clip joint. They’d soon be flocking through the front entrance on Locust Street. But Freddy Lamb, moving toward the back entrance, had it checked in his mind that the place was empty now. The dial of his wristwatch showed eight fifty-seven, and he knew it was too early for customers. He also knew that Billy Donofrio was sound asleep on a sofa in the backroom used as a private office. He knew it because he’d been watching Donofrio for more than two weeks and he was well acquainted with Donofrio’s nightly habits.
When Freddy was fifteen yards away from Billy’s Hut, he reached into his inner jacket pocket and took out a pair of white cotton gloves. When he was five yards away, he came to a stop and stood motionless, listening. There was the sound of a record player from some upstairs flat on the other side of the alley. From another upstairs flat there was the noise of lesbian voices saying, “You did,” and “I didn’t,” and “You did, you did—”
He listened for other sounds and there were none. He let the tip of his tongue come out just a little to moisten the center of his lower lip. Then he took a few forward steps that brought him to a section of brick wall where the bricks were loose. He counted up from the bottom, the light from the green neon showing him the fourth brick, the fifth, the sixth, and the seventh. The eighth brick was the one he wanted. He got a grip on its edges jutting away from the wall, pulled at it very slowly and carefully. Then he held it in one hand and his other hand reached into the empty space and made contact with the bone handle of a switchblade. It was a six-inch blade and he’d planted it there two nights ago.
He put the brick back in place and walked to the back door of Billy’s Hut. Bending to the side to see through the window, he caught sight of Billy Donofrio on the sofa. Billy was flat on his back, one short leg dangling over the side of the sofa, one arm also dangling, with fat fingers holding the stub of an unlit cigar. Billy was very short and very fat, and in his sleep he breathed as though it were a great effort. Billy was almost completely bald and what hair he had was more white than black. Billy was fifty-three years old and would never get to be fifty-four.
Freddy Lamb used a skeleton key to open the back door. He did it without a sound. And then, without a sound, he moved toward the sofa, his eyes focused on the crease of flesh between Billy’s third chin and Billy’s shirt collar. His arm went up and came down and the blade went into the crease, went in deep to cut the jugular vein, moved left, moved right, to widen the cut so that it was almost from ear to ear. Billy opened his eyes and tried to open his mouth but that was as far as he could take it. He tried to breathe and he couldn’t breathe. He heard the voice of Freddy Lamb saying very softly, almost gently, “Good night, Billy.” Then he heard Freddy’s footsteps moving toward the door, and the door opening, and the footsteps walking out.
Billy d
idn’t hear the door as it closed. By that time he was far away from hearing anything.
~ * ~
On Freddy’s wrist, the hands of the white-gold watch pointed to nine twenty-six. He stood on the sidewalk near the entrance of a nightclub called Yellow Cat. The place was located in a low-rent area of South Philadelphia, and the neighboring structures were mostly tenements and garages and vacant lots heaped with rubbish. The club’s exterior complied with the general trend; it was dingy and there was no paint on the wooden walls. But inside it was a different proposition. It was glittering and lavish, the drinks were expensive, and the floorshow featured a first-rate orchestra and singers and dancers. It also featured a unique type of striptease entertainment, a quintet of young females who took off their clothes while they sat at your table. For a reasonable bonus they’d let you keep the brassiere or garter or whatnot for a souvenir.
The white-gold watch showed nine twenty-eight. Freddy decided to wait another two minutes. His appointment with the owner of Yellow Cat had been arranged for nine-thirty. He knew that Herman Charn was waiting anxiously for his arrival, but his personal theory of punctuality stipulated split-second precision, and since they’d made it for nine-thirty he’d see Herman at nine-thirty, not a moment earlier or later.
A taxi pulled up and a blonde stepped out. She paid the driver and walked toward Freddy and he said, “Hello, Pearl.”
Pearl smiled at him. “Kiss me hello.”
“Not here,” he said.
“Later?”
He nodded. He looked her up and down. She was five-five and weighed 110 and nature had given her a body that caused men’s eyes to bulge. Freddy’s eyes didn’t bulge, although he told himself she was something to see. He always enjoyed looking at her. He wondered if he still enjoyed the nights with her. He’d been sharing the nights with her for the past several months and it had reached the point where he wasn’t seeing any other women and maybe he was missing out on something. For just a moment he gazed past Pearl, telling himself that she needed him more than he needed her, and knowing it wouldn’t be easy to get off the hook.
Well, there wasn’t any hurry. He hadn’t seen anything else around that interested him. But he wished Pearl would let up on the clinging routine. Maybe he’d really go for her if she wasn’t so hungry for him all the time.
Pearl stepped closer to him. The hunger showed in her eyes. She said, “Know what I did today? I took a walk in the park.”
“You did?”
“Yeah,” she said. “I went to Fairmount Park and took a long walk. All by myself.”
“That’s nice,” he said. He wondered what she was getting at.
She said, “Let’s do it together sometimes. Let’s go for a walk in the park. It’s something we ain’t never done. All we do is drink and listen to jazz and find all sorts of ways to knock ourselves out.”
He gave her a closer look. This was a former call girl who’d done a stretch for prostitution, a longer stretch for selling cocaine, and had finally decided she’d done enough time and she might as well go legitimate. She’d learned the art of stripping off her clothes before an audience, and now at twenty-six she was earning a hundred-and-a-half a week. It was clean money, as far as the law was concerned, but maybe in her mind it wasn’t clean enough. Maybe she was getting funny ideas, like this walk-in-the-park routine. Maybe she’d soon be thinking in terms of a cottage for two and a little lawn in the front and shopping for a baby carriage.
He wondered what she’d look like, wearing an apron and standing at a sink and washing dishes.
For some reason the thought disturbed him. He couldn’t understand why it should disturb him. He heard her saying, “Can we do it, Freddy? Let’s do it on Sunday. We’ll go to Fairmount Park.”
“We’ll talk about it,” he cut in quickly. He glanced at his wristwatch. “See you after the show.”
He hurried through the club entrance, went past the hatcheck counter, past the tables and across the dance floor and toward a door marked private. There was a button adjoining the door and he pressed the button: one short, two longs, another short, and then there was a buzzing sound. He opened the door and walked into the office. It was a large room and the color motif was yellow and gray. The walls and ceiling were gray and the thick carpet was pale yellow. The furniture was bright yellow. There was a short skinny man standing near the desk and his face was gray. Seated at the desk was a large man whose face was a mixture of yellow and gray.
Freddy closed the door behind him. He walked toward the desk. He nodded to the short, skinny man and then he looked at the large man and said, “Hello, Herman.”
Herman glanced at a clock on the desk. He said, “You’re right on time.”
“He’s always on time,” said the short, skinny man.
Herman looked at Freddy Lamb and said, “You do it?”
Before Freddy could answer, the short, skinny man said, “Sure he did it.”
“Shut up, Ziggy,” Herman said. He had a soft, sort of gooey voice, as though he spoke with a lot of marshmallow in his mouth. He wore a suit of very soft fabric, thin and fleecy, and his thick hands were pressed softly on the desktop. On the little finger of his left hand he wore a large star emerald that radiated a soft green light. Everything about him was soft, except for his eyes. His eyes were iron.
“You do it?” he repeated softly.
Freddy nodded.
“Any trouble?” Herman asked.
“He never has trouble,” Ziggy said.
Herman looked at Ziggy. “I told you to shut up.” Then, very softly, “Come here, Ziggy.”
Ziggy hesitated. He had a ferret face that always looked sort of worried and now it looked very worried.
“Come here,” Herman purred.
Ziggy approached the large man. Ziggy was blinking and swallowing hard. Herman reached out and slowly took hold of Ziggy’s hand. Herman’s thick fingers closed tightly on Ziggy’s bony fingers and gave a yank. Ziggy moaned.
“When I tell you to shut up,” Herman said, “you’ll shut up.” He smiled softly and paternally at Ziggy. “Right?”
“Right,” Ziggy said. Then he moaned again. His fingers were free now and he looked down at them as an animal gazes sadly at its own crushed paws. He said, “They’re all busted.”
“They’re not all busted,” Herman said. “They’re damaged just enough to let you know your place. That’s one thing you must never forget. Every man who works for me has to know his place.” He was still smiling at Ziggy. “Right?”
“Right,” Ziggy moaned.
Then Herman looked at Freddy Lamb and said, “Right?”
Freddy didn’t say anything. He was looking at Ziggy’s fingers. Then his gaze climbed to Ziggy’s face. The lips quivered, as though Ziggy was trying to hold back sobs. Freddy remembered the time when nothing could hurt Ziggy, when Ziggy and he were their own bosses and did their engineering on the waterfront. There were a lot of people on the waterfront who were willing to pay good money to have other people placed on stretchers or in caskets. In those days the rates had been fifteen dollars for a broken jaw, thirty for a fractured pelvis, and a hundred for the complete job. Ziggy handled the blackjack work and the bullet work and Freddy took care of such special functions as switchblade slicing, lye in the eyes, and various powders and pills slipped into a glass of beer or wine or a cup of coffee. There were orders for all sorts of jobs in those days.
Fifteen months ago, he was thinking. And times had sure changed. The independent operator was swallowed up by the big combines. It was especially true in this line of business, which followed the theory that competition, no matter how small, was not good for the overall picture. So the moment had come when he and Ziggy had been approached with an offer, and they knew they had to accept, there wasn’t any choice, if they didn’t accept they’d be erased. They didn’t need to be told about that. They just knew. As much as they hated to do it, they had to do it. The proposition was handed to them on a Wednesday afternoon and
that same night they went to work for Herman Charn.
The Best American Noir of the Century Page 19
