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Phone Page 33

by Will Self


  safe flat is located, readies the fob to touch against the panel. The

  seeseeteevee camera angled towards the door has been rendered

  inoperable … on a regular basis. Upstairs he gives the five small

  rooms a thorough going-over: a bug could well’ve been installed but

  not removed – it happens, and the last thing the Butcher wants is

  for the sounds or sights of their lovemaking to end up, along with

  all the other secret affairs the Firm clandestinely records, panting

  and groaning in the huge bank of computers beneath VeeBeeArr.

  Pausing in the windowless bathroom, a damp sponge tufted with

  old hairs held before his fastidious face, he thinks of Gawain’s neck.

  When he nuzzles there, bestowing tiny kisses, the Butcher smells

  sweat and shaving foam, mingled with some duff aftershave the

  silly sap imagines to be … manly. Does he still fuck Fiona, much?

  Put it inside dumb little wifey? (Double standards redoubled, eh,

  Butch?) In the early days of their affair the Butcher would torment

  himself – not just with images but entire little playlets. FIONA:

  Gawain, darling, the kids are all tucked up, and I’ve bought some

  rather exciting new nightwear – I’ll be ready in the boudoir in

  five minutes, and you can tear it off with your teeth! Sitting on the

  drum-tight cover of the single bed, the Butcher hears blood beat in

  his ears – beyond this resonates the soundlessness of an inner-city

  Sunday afternoon. Waiting for a lover, an agent, an asset – a

  phone call. They’re all, he thinks, fundamentally the same: situations

  in which you’re compelled to be embodied, to consider the

  world through the media of sweat, hair and keratin, to feel the slack

  strings of your temporarily unused and fleshly … marionette. He

  tries to concentrate on what a psychotherapist, proffering the box

  of tissues, would doubtless call his “emotional reality”: for seven

  years now he and Gawain have been secret lovers … I tell him I love

  him – sometimes I mean it. Other times … (It’s just words, isn’t it,

  Butchie?) I feel jealous – and I know he does. He wants me to shave off

  the beards – says there’s no call for both of us to hide in the hippety-hoppety

  shadows … But then poor old Greeny would be really jealous … He

  suspects, of course (in his purblind, innocent way) the mountainous

  peaks of cock I’ve scaled – the canyons of arse I’ve abseiled down into.

  But were I to make a public avowal – well, it’d be like the Firm: I’d

  only be doing it because the war was over … and the next one’s not yet

  begun … Staring out at the plane streets frothing along John Islip

  Street, the Butcher tries to remain embodied in this questioning

  moment, where the translucent circle spins … buffering – but he

  can’t manage it. Hakuna matata, old man, he mutters, seeing the

  Methodists’ rusting corrugated-iron porch, and the entire pride of

  De’Aths gathered before it on the mossy asphalt. It’d been Maeve’s

  choice – she knew the Minister through her volunteering with the

  Sams. The Butcher hadn’t demurred – what could he have said?

  (Dump the homophobic old cunt in a landfill – it’s no more than

  he deserves.) The Baker came from outside Bath, together with his

  hippy-dippy wife and their four children, who, although their

  tow-heads were reeking of tea tree oil, had still … scratched. Sniffed

  as well – because it’d been January, and the white skies over Hemel

  were raw with rain clouds, while the north wind grazed the skin

  between the Butcher’s viciously sharp collar and his savagely shaved

  chin. He remembers he’d turned to the Candlestick-maker and

  said, perfectly calmly, Where the fuck do you get off showing

  up looking like that … And the Candlestick-maker, grubbing up

  some moss with the fraying toe of his espadrille, had said nothing

  in reply – only given his big brother … a zigzagging stoner’s grin –

  where have they been? As if the funeral weren’t bad enough, the sight

  of his brothers’ faces – uglified and inadequately moisturised versions

  of his own – never ceased to fill the Butcher’s black heart with

  rage … and pain. He remembered then – recalls now – how they’d

  come back together from school on the Greenline bus, and he’d led

  them to the very back, where he and Squilly would entertain them

  by vigorously stimulating each other – the aim being to achieve

  tumescence and climax … in between stops. As the undertaker’s

  assistants hobbled from the corrugated-iron porch, Maeve De’Ath

  had staggered in sentimentality – and might’ve fallen, were it not for

  the supportive son. Through her black leather glove, and his successive

  layers of cashmere, worsted and Egyptian cotton, the Butcher

  felt the impenitent grasp of her stubby fingers – in his darkest

  and most maddeningly addled moments, back in the days before

  Gawain, and before his Ritalin ‘script, it had been those fingers he’d

  hallucinated, poking out from the off-white walls of his aseptic

  dwelling and … trying to drag me back. Two visits per year, he’d

  decided there and then – the others could deal with all the rest.

  Maeve wouldn’t mind – she liked nothing better than to be grouted

  to her grandchildren by copious amounts of snot, whereas her own

  firstborn had remained an enigma to her … she’s never listened to

  me. Maeve De’Ath, a squat pear of a woman who for three nights of

  the week squeezed into the telephone the juice of her compassion.

  This remained the Butcher’s abiding image of his mother: her sitting

  in the dim hall at Colindale Avenue, her face a pale splodge – her

  hand another, which held the receiver clamped against her skull.

  So hard and for so long, that the teenaged Butcher, skulking by,

  entertained the notion that bone and Bakelite had knitted, so creating

  a strange cyborg … half-woman, half-phone, which’d remain

  eternally receptive to the flow of electrical impulses the Samaritans’

  switchboard piped … into our home. And then, when Maeve wasn’t

  sopping up the suicidal thoughts of complete strangers, she’d be off

  on her rounds, from table-top to car boot, picking up a whatsit here

  – letting fall a thingummyjig over there. The balance of china dogs

  and old engraved pub mirrors she’d afflict on her menfolk for a few

  days, before they, too, joined the great lagoon of superannuated

  bric-à-brac, that, as far as the Butcher could see, surrounded Saint

  Albans, as the boundless sea surrounds land on medieval maps …

  here bee junke. This was her constant complaint: I don’t know why you

  have to be so … critical, for any sort of analysis was quite alien to her

  nature, Your mother has a synthetic mode of thought, Kins would say –

  emphasising the syn – she delights in putting things together, whereas

  you’re very much the analytic type … and the Butcher, sitting there

  pulling things apart with his fine mind, was strongly inclined to

  reply: What about your Berko bit-on-the-side, is she a synthesist

  as well? Is that why she delights in your putt
ing your scraggy saggy

  old cock together with her saggy scraggy old cunt? – The Butcher

  had given the euology – if it could be so dignified. He spoke as

  one unaccustomed to do so publicly – asking for his listeners to forgive

  his inarticulacy, while seeking to imply this alone guaranteed

  his … veracity. Kins … had been … a good man … and … a

  good father. A brilliant scholar and … a much loved pedagogue,

  whose dedication to the knotty problems of local government …

  finance had contributed – in ways his eldest son was unable to

  specify – to … public debate. He had been a loving and … attentive

  husband – a gentleman in the true sense, whose piety and

  commitment to pacifism had been strong – (though he never

  actually got off his arse and did anything!). Looking around the

  dank tin shed at the mourners, who, although they sat coldly fused

  to the plywood pews, were mostly on the way out, the Butcher

  had recommitted to the pursuit of a swift and early demise … Then

  fancies fly a-way, I’ll fear not what men say … I’ll la-bour night and

  day … To be a … corpse! What could possibly be worse than being

  sprung from your mortal coil as Kins had: winnowed out by cancer,

  his saggy scraggy old body swollen and yellow from all the bile

  his diseased liver could no longer process – yet still fluting, It’s too

  soon, Johnny, it’s toooo sooon! It’ll never be soon enough for me, the

  Butcher had sworn as he tapped his file cards on the lectern. Never

  soon enough to avoid the inevitable devaluation of my precious …

  assets. And when he’d looked up again, there they’d all been:

  Tehrani taxi drivers, Brazilian petrochemical engineers and Russian

  hydrologists. He could see Lin Gao at the back, sitting beneath an

  old framed sampler Let Me Live in My Father’s House, and be a Friend

  to Man. The Chinese EmmEssEss operative had been nabbed

  in a bizarre little hidey-hole they’d managed to contrive in the

  foundations of the Honkers residency. The Butcher flew in from

  London and, against the odds, succeeded in … turning him. (You

  turn me right round baby, right round …) He was perfectly willing.

  (He was scared shitless.) After I pulled out – I got him out. (And

  where is he now, the poor fucker – doing the dishes in a Little

  Chef outside fucking Wincanton! No, Butch! This mealy-mouthed

  self-exculpation is beneath you.) At the council crematorium, while

  the other mourners huddled together in a cloud of breathy commiseration,

  he stood apart, his hand thrust deep in his pocket … I am

  the lineman for the County. He held his mobile phone so tightly –

  he wanted to stop all the clocks … send the signal from mast to

  computerised exchange – and from there to the ring of satellites,

  ever circling the earth, and the three hundred caesium clocks which

  precisely calibrate all the events (Dear boy) that have ever taken

  place, or ever will do … world without end. Back at the bungalow

  on the outskirts of Hemel, the evidence of his parents’ pathetic

  diminuendo had been a mute cacophony: the mourners sipped

  tea from dirty cups – the frayed curtains swayed in the mouldy

  draughts, the bric-à-brac faded to … tat. Unable to take it any

  more, the Butcher had stepped out into the garden, where he’d half

  expected to see his father – naked, skipping between the raspberry

  canes, crying out to the starlings, It’s too soon! It’s too soon! Which

  was ridiculous, since he’d been present when Kins was shut up in

  his own closet of seasoned oak, with brass-effect handles and casket

  ornamentation – present also, only minutes before, when the poor

  old fucker’d been committed to … the flames of his own obsessions,

  since the crematorium was indeed a recipient of local government

  funding. Sitting on the wonky tree swing, the Candlestick-maker

  had bodged up for the Baker’s children, the Butcher looked up to

  the sky, where a charter flight en route from Luton to Larnaca was

  indeed … moaning overhead. Although the message it scrawled on

  cold heavens wasn’t HE is DEAD, but, far more disturbingly, HE

  YET LIVES! Yes, still lives – still lives in the faces of the tourists the

  Butcher passed by on his walk from Leicester Square – and will still

  be living tomorrow morning, in the self-satisfied countenance of

  some dumb Humphrey or other, when he wends the deceptive bend

  to the Cabinet Office, to progress a batch of Florida warrants. The

  Firm’s rules, as ever, play to the Butcher’s advantage: warned never

  to acknowledge their colleagues in public, its employees are intimate

  behind closed doors, always seductively whispering each other’s

  given names. It was the Butcher’s pleasure to blank fellow officers in

  the streets, then duck into Chariots Roman Spa and wank a perfect

  stranger. If a line were to be drawn from the Hoist – an essandemm

  club underneath the railway viaduct – to the Royal Vauxhall

  Tavern, and from there to VeeBeeArr, the shape described would be

  highly congruent with the Butcher’s own isosceles nose – and, after

  fifteen years cruising the inland waterways, he could sniff out

  trouble anywhere on this island of the odd. (You’re over-egging it,

  Butch – truth to tell, you’ve scarcely strayed these past seven years.)

  The Butcher gets out a pack of Marlboro and lights one with his

  Dupont. Sucking the smoke down deeply, he contemplates his …

  nicotinous patch: in his time he’s witnessed a precipitate decline in

  tradecraft amongst spooks and fags alike – the spies are no longer

  on the lookout for the opposition’s leg-men, while the gays have

  abandoned their own secure comms: their hankies, earrings and

  cryptographic bunches of keys. Nowadays, they’ll stand about in

  the bus station, trilling at the top of their voices about their formerly

  covert liaisons. But not the Butcher – the Butcher isn’t pleased

  by these public avowals at all, au contraire, he’s shocked to his core.

  What place is there in this bravely Blairing new world for a snobbish,

  repressed homosexual spy with a taste in fine wines and

  silks? The Butcher has done his time on the drugs-and-thugs

  desk – profitably so, since he ran across a gang of Turkish-Cypriots

  out of Clapton who’d the brass neck to try transhipping a metric

  tonne of heroin via … South-bloody-Mimms. It’d mostly been the

  EnnDeeEyeYou’s show – the cream of the copper crop, although

  that’s another thing that’s changed: the best and brightest were

  plodding away from the force – just as spooks were wafting away

  from the secret world. There’s always been some toing and froing

  between the Firm and its customers – EyeBees who’ve risen so far

  but can go no further, might slide sideways into the EffSeeOh or

  the Cabinet Office. Now this trickle of valetudinarians is becoming

  a flood. So long as Dick remained Chief the Butcher would be

  secure … I am the leg-man for the cunty, but now the jockeying

  to succeed him has begun in earnest the Butcher feels it – feels a

 
; new perturbation in the electro-magnetic waves that pulse through

  his up-ended shoebox of a house on Lambeth High Street. The

  buzz is intermittent: five minutes on, five minutes off, twenty-four

  hours a day. To begin with he’d feared he’d go insane – waking time

  after time from troubled naps, in which the scrambled letters from

  old disposable code books, four groups of four, again annagain,

  descended, row upon row, down the back-lit, orange screens of his

  eyelids. Waking to this: the scrambled letters from old disposable

  code books, descending, row upon row, down the black slats of

  the Venetian blinds he’d had put up in the bedroom, the study, the

  kitchen – everywhere, in point of fact. The floors are black rubber

  blocks – the walls off-white silk paint. The furniture is minimal

  and fabricated from metal and leather. To say the Butcher’s abode is

  minimalist would be a gross exaggeration: it’s nothingist, voidist –

  vacuumist, even, since he cleans the place fanatically, wiping,

  dusting and sucking up every last particle of dust that dares to be

  motile. He does all the cleaning himself – not for security reasons

  but because … I enjoy it. And enjoys especially those deep, deep

  cleans – the ones where – once he’s finished with the steam-cleaner –

  he takes an old toothbrush to the grout between the bathroom

  tiles. Finishing up, crouching in the exact centre of the main

  room at three in the morning, naked save for rubber gloves and

  earthed by the rubber floor, he feels it more strongly than ever …

  the buzz. Feels it, and sees its graphical expression in the waveform

  shadows the Venetian blinds throw across the off-white

  walls. The buzz was all around him – and jangled right through his

  Ritalin-soused metabolism. The buzz was in his cigarette smoke

  and his puckered-up ball-sack – the hot juice dripped in fizzing

  globs from the plugs and light fitments. The buzz held and released

  him, held him and released him again annagain – a steady series

  of electro-mechanical pulses travelling through flesh and bone,

  through metal and leather, carrying with them all the multitudinous

  bites and blips of the digital realm. And sitting on the tartan

  bedspread in the safe flat, the Butcher still feels the buzz, agitating

 

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