hoping to win a truce when the tribes assert
their ancient right and take what once was theirs.
Already from other lands the legions ebb
and men no longer know the Roman peace.
Alone, I have a harder row to hoe:
I think these natives human, think their code,
though strange to us, and farther from the truth,
only a little so – to be redeemed
if they themselves rise up against the spells
and fears their celibates surround them with.
I find their symbols good, as such, for me,
when I walk in dark places of the heart;
but name them not to be misunderstood.
I know no vices they monopolize,
if we allow the forms by hunger bred,
the sores of old oppression, the deep skill
in all evasive acts, the swaddled minds,
admit our load of guilt – I mourn the trees
more than as symbol – and would make amends
by fraternizing, by small friendly gestures,
hoping by patient words I may convince
my people and this people we are changed
from the raw levies which usurped the land,
if not to kin, to co-inhabitants,
as goat and ox may graze in the same field
and each gain something from proximity;
for we have rights drawn from the soil and sky;
the use, the pace, the patient years of labour,
the rain against the lips, the changing light,
the heavy clay-sucked stride, have altered us;
we would be strangers in the Capitol;
this is our country also, nowhere else;
and we shall not be outcast on the world.
LOUIS MACNEICE
(1907–63)
A Cataract Conceived as the March of Corpses
The river falls and over the walls the coffins of cold funerals
Slide deep and sleep there in the close tomb of the pool,
And yellow waters lave the grave and pebbles pave its mortuary
And the river horses vault and plunge with their assault and battery,
And helter-skelter the coffins come and the drums beat and the waters flow.
And the panther horses lift their hooves and paw and shift and draw the bier,
The corpses blink in the rush of the river, and out of the water their chins they tip
And quaff the gush and lip the draught and crook their heads and crow,
Drowned and drunk with the cataract that carries them and buries them
And silts them over and covers them and lilts and chuckles over their bones;
The organ-tones that the winds raise will never pierce the water ways,
So all they will hear is the fall of hooves and the distant shake of harness,
And the beat of the bells on the horses’ heads and the undertaker’s laughter,
And the murmur that will lose its strength and blur at length to quietness,
And afterwards the minute heard descending, never ending heard,
And then the minute after and the minute after the minute after.
Valediction
Their verdure dare not show … their verdure dare not show …
Cant and randy – the seals’ heads bobbing in the tide-flow
Between the islands, sleek and black and irrelevant
They cannot depose logically what they want:
Died by gunshot under borrowed pennons,
Sniped from the wet gorse and taken by the limp fins
And slung like a dead seal in a boghole, beaten up
By peasants with long lips and the whisky-drinker’s cough.
Park your car in the city of Dublin, see Sackville Street
Without the sandbags in the old photos, meet
The statues of the patriots, history never dies,
At any rate in Ireland, arson and murder are legacies
Like old rings hollow-eyed without their stones
Dumb talismans.
See Belfast, devout and profane and hard,
Built on reclaimed mud, hammers playing in the shipyard,
Time punched with holes like a steel sheet, time
Hardening the faces, veneering with a grey and speckled rime
The faces under the shawls and caps:
This was my mother-city, these my paps.
Country of callous lava cooled to stone,
Of minute sodden haycocks, of ship-sirens’ moan,
Of falling intonations – I would call you to book
I would say to you, Look;
I would say, This is what you have given me
Indifference and sentimentality
A metallic giggle, a fumbling hand,
A heart that leaps to a fife band:
Set these against your water-shafted air
Of amethyst and moonstone, the horses’ feet like bells of hair
Shambling beneath the orange cart, the beer-brown spring
Guzzling between the heather, the green gush of Irish spring.
Cursèd be he that curses his mother. I cannot be
Anyone else than what this land engendered me:
In the back of my mind are snips of white, the sails
Of the Lough’s fishing-boats, the bellropes lash their tails
When I would peal my thoughts, the bells pull free –
Memory in apostasy.
I would tot up my factors
But who can stand in the way of his soul’s steam-tractors?
I can say Ireland is hooey, Ireland is
A gallery of fake tapestries,
But I cannot deny my past to which my self is wed,
The woven figure cannot undo its thread.
On a cardboard lid I saw when I was four
Was the trade-mark of a hound and a round tower,
And that was Irish glamour, and in the cemetery
Sham Celtic crosses claimed our individuality,
And my father talked about the West where years back
He played hurley on the sands with a stick of wrack.
Park your car in Killarney, buy a souvenir
Of green marble or black bog-oak, run up to Clare,
Climb the cliff in the postcard, visit Galway city,
Romanticize on our Spanish blood, leave ten per cent of pity
Under your plate for the emigrant,
Take credit for our sanctity, our heroism and our sterile want
Columba Kevin and briny Brandan the accepted names,
Wolfe Tone and Grattan and Michael Collins the accepted names,
Admire the suavity with which the architect
Is rebuilding the burnt mansion, recollect
The palmy days of the Horse Show, swank your fill,
But take the Holyhead boat before you pay the bill;
Before you face the consequence
Of inbred soul and climatic maleficence
And pay for the trick beauty of a prism
In drug-dull fatalism.
I will exorcize my blood
And not to have my baby-clothes my shroud
I will acquire an attitude not yours
And become as one of your holiday visitors,
And however often I may come
Farewell, my country, and in perpetuum;
Whatever desire I catch when your wind scours my face
I will take home and put in a glass case
And merely look on
At each new fantasy of badge and gun.
Frost will not touch the hedge of fuchsias,
The land will remain as it was,
But no abiding content can grow out of these minds
Fuddled with blood, always caught by blinds;
The eels go up the Shannon over the great dam;
You cannot change a response by giving it a new name.
Fountain of green and blue curling in the wind
/> I must go east and stay, not looking behind,
Not knowing on which day the mist is blanket-thick
Nor when sun quilts the valley and quick
Winging shadows of white clouds pass
Over the long hills like a fiddle’s phrase.
If I were a dog of sunlight I would bound
From Phoenix Park to Achill Sound,
Picking up the scent of a hundred fugitives
That have broken the mesh of ordinary lives,
But being ordinary too I must in course discuss
What we mean to Ireland or Ireland to us;
I have to observe milestone and curio
The beaten buried gold of an old king’s bravado,
Falsetto antiquities, I have to gesture,
Take part in, or renounce, each imposture;
Therefore I resign, good-bye the chequered and the quiet hills
The gaudily-striped Atlantic, the linen-mills
That swallow the shawled file, the black moor where half
A turf-stack stands like a ruined cenotaph;
Good-bye your hens running in and out of the white house
Your absent-minded goats along the road, your black cows
Your greyhounds and your hunters beautifully bred
Your drums and your dolled-up Virgins and your ignorant dead.
from Autumn Journal
IX
Now we are back to normal, now the mind is
Back to the even tenor of the usual day
Skidding no longer across the uneasy camber
Of the nightmare way.
We are safe though others have crashed the railings
Over the river ravine; their wheel-tracks carve the bank
But after the event all we can do is argue
And count the widening ripples where they sank.
October comes with rain whipping around the ankles
In waves of white at night
And filling the raw clay trenches (the parks of London
Are a nasty sight).
In a week I return to work, lecturing, coaching,
As impresario of the Ancient Greeks
Who wore the chiton and lived on fish and olives
And talked philosophy or smut in cliques;
Who believed in youth and did not gloze the unpleasant
Consequences of age;
What is life, one said, or what is pleasant
Once you have turned the page
Of love? The days grow worse, the dice are loaded
Against the living man who pays in tears for breath;
Never to be born was the best, call no man happy
This side death.
Conscious – long before Engels – of necessity
And therein free
They plotted out their life with truism and humour
Between the jealous heaven and the callous sea.
And Pindar sang the garland of wild olive
And Alcibiades lived from hand to mouth
Double-crossing Athens, Persia, Sparta,
And many died in the city of plague, and many of drouth
In Sicilian quarries, and many by the spear and arrow
And many more who told their lies too late
Caught in the eternal factions and reactions
Of the city-state.
And free speech shivered on the pikes of Macedonia
And later on the swords of Rome
And Athens became a mere university city
And the goddess born of the foam
Became the kept hetaera, heroine of Menander,
And the philosopher narrowed his focus, confined
His efforts to putting his own soul in order
And keeping a quiet mind.
And for a thousand years they went on talking,
Making such apt remarks,
A race no longer of heroes but of professors
And crooked business men and secretaries and clerks;
Who turned out dapper little elegiac verses
On the ironies of fate, the transience of all
Affections, carefully shunning an over-statement
But working the dying fall.
The Glory that was Greece: put it in a syllabus, grade it
Page by page
To train the mind or even to point a moral
For the present age:
Models of logic and lucidity, dignity, sanity,
The golden mean between opposing ills
Though there were exceptions of course but only exceptions –
The bloody Bacchanals on the Thracian hills.
So the humanist in his room with Jacobean panels
Chewing his pipe and looking on a lazy quad
Chops the Ancient World to turn a sermon
To the greater glory of God.
But I can do nothing so useful or so simple;
These dead are dead
And when I should remember the paragons of Hellas
I think instead
Of the crooks, the adventurers, the opportunists,
The careless athletes and the fancy boys,
The hair-splitters, the pedants, the hard-boiled sceptics
And the Agora and the noise
Of the demagogues and the quacks; and the women pouring
Libations over graves
And the trimmers at Delphi and the dummies at Sparta and lastly
I think of the slaves.
And how one can imagine oneself among them
I do not know;
It was all so unimaginably different
And all so long ago.
Autobiography
In my childhood trees were green
And there was plenty to be seen.
Come back early or never come.
My father made the walls resound,
He wore his collar the wrong way round.
Come back early or never come.
My mother wore a yellow dress;
Gently, gently, gentleness.
Come back early or never come.
When I was five the black dreams came;
Nothing after was quite the same.
Come back early or never come.
The dark was talking to the dead;
The lamp was dark beside my bed.
Come back early or never come.
When I woke they did not care;
Nobody, nobody was there.
Come back early or never come.
When my silent terror cried,
Nobody, nobody replied.
Come back early or never come.
I got up; the chilly sun
Saw me walk away alone.
Come back early or never come.
Neutrality
The neutral island facing the Atlantic,
The neutral island in the heart of man,
Are bitterly soft reminders of the beginnings
That ended before the end began.
Look into your heart, you will find a County Sligo,
A Knocknarea with for navel a cairn of stones,
You will find the shadow and sheen of a moleskin mountain
And a litter of chronicles and bones.
Look into your heart, you will find fermenting rivers,
Intricacies of gloom and glint,
You will find such ducats of dream and great doubloons of ceremony
As nobody today would mint.
But then look eastward from your heart, there bulks
A continent, close, dark, as archetypal sin,
While to the west off your own shores the mackerel
Are fat – on the flesh of your kin.
Soap Suds
This brand of soap has the same smell as once in the big
House he visited when he was eight: the walls of the bathroom open
To reveal a lawn where a great yellow ball rolls back through a hoop
To rest at the head of a mallet held in the hands of a child.
And these were the joys of that house: a tower with a telescope;
Two great faded globes, one of the earth, one of the stars;
A stuffed black dog in the hall; a walled garden with bees;
A rabbit warren; a rockery; a vine under glass; the sea.
To which he has now returned. The day of course is fine
And a grown-up voice cries Play! The mallet slowly swings,
Then crack, a great gong booms from the dog-dark hall and the ball
Skims forward through the hoop and then through the next and then
Through hoops where no hoops were and each dissolves in turn
And the grass has grown head-high and an angry voice cries Play!
But the ball is lost and the mallet slipped long since from the hands
Under the running tap that are not the hands of a child.
The Taxis
In the first taxi he was alone tra-la,
No extras on the clock. He tipped ninepence
But the cabby, while he thanked him, looked askance
As though to suggest someone had bummed a ride.
In the second taxi he was alone tra-la
But the clock showed sixpence extra; he tipped according
And the cabby from out his muffler said: ‘Make sure
You have left nothing behind tra-la between you.’
In the third taxi he was alone tra-la
But the tip-up seats were down and there was an extra
Charge of one-and-sixpence and an odd
Scent that reminded him of a trip to Cannes.
As for the fourth taxi, he was alone
Tra-la when he hailed it but the cabby looked
Through him and said: ‘I can’t tra-la well take
So many people, not to speak of the dog.’
Charon
The conductor’s hands were black with money:
Hold on to your ticket, he said, the inspector’s
Mind is black with suspicion, and hold on to
That dissolving map. We moved through London,
We could see the pigeons through the glass but failed
To hear their rumours of wars, we could see
The lost dog barking but never knew
That his bark was as shrill as a cock crowing,
We just jogged on, at each request
Stop there was a crowd of aggressively vacant
Faces, we just jogged on, eternity
Gave itself airs in revolving lights
And then we came to the Thames and all
The bridges were down, the further shore
Was lost in fog, so we asked the conductor
The Penguin Book of Irish Poetry Page 58
