“This is the right distance to like him from,” she agreed.
3
I f Caleb Hadrian Carr, whaler, entrepreneur, importer, salvager, sometime pirate, and, in his retirement, New York State legislator, could see today the town he’d founded and named after himself on the south shore of Long Island back in 1806, he’d spit. He’d spit brimstone, in fact.
Long Island, a long and narrow island east of New York City, has taken as its standard Bishop Reginald Heber’s famous maxim, “Every prospect pleases, and only man is vile.” Once a pleasantly wooded landmass of low hills and white beaches, well-watered by many small streams, populated by industrious Indians and myriad forest creatures, Long Island today is a Daliscape of concrete and ticky-tack, all its watches limp.
Far out the island’s south shore, beyond the blue-collar gaud of Nassau County but not all the way to the trendy glitz of the Hamptons, lies Carrport, an enclave of newish wealth in a setting that looks, as the entranced residents keep pointing out to one another, exactly like an old-fashioned New England whaling village which, of course, except for its not technically being in New England, is exactly what it is.
These current residents of Old Carrport are mostly drop-ins for whom the shingled Cape Cod is a third or fourth or possibly fifth home. They are people who don’t quite qualify for the “old” money fastnesses of the Island’s north shore (“old” money means your great-grandfather was, or became, rich), but who have more self-esteem (and money) than to rub elbows with the sweaty achievers to their east. To sum them up, they would never deign to have anything to do with a person from show business who was not at least a member of Congress.
The residents of Carrport had not always been such. When Caleb Carr built his first house and pier at Carr’s Cove (he’d named that, too), it was mostly as a place to keep his wife and family while at sea, and to sort and store his fish, salvage, and loot when ashore. Other crew members eventually built little homes around the cove for their own families. An enterprising second-generation youngster who suffered from seasickness stayed on land and began the first general store.
By the time Caleb Carr died, in 1856 (his last act was an anti-Abolitionist letter to the New York Times, which ran in the same issue as his obituary), he was rich in honors, rich in family, rich in the esteem of his fellow Americans, and rich. His seven children and four of his grandchildren all had homes in Carrport, and he could look forward from his deathbed to a solid community, ever carrying his name and prestige and philosophy onward into the illimitable reaches of time.
And yet, no. For half a century Carrport dozed, growing slowly, changing not at all, and then . . .
Every generation, New York City produces another wave of nouveaux riches, and every generation a giddy percentage of these head east, out to Long Island, to establish yet another special, trendy, in, latest, au courant, swingin weekend hot spot. Carr’s Cove got its invasion in the twenties, young Wall Streeters with Gatsby self-images and faux flapper wives, who loved the frisson that came from the sight of those ships’ lights offshore; smugglers! The booze the weekenders would drink next Friday was gliding shoreward right now, through the deep ocean black. (In truth, those passing lights were mostly fishermen, homeward bound, and the booze the Carrporters would consume next weekend was being manufactured at that moment in vats in warehouses in the Bronx.)
Whatever is in will be out. The Gatsbys and their flappers are long gone, dustbinned by their children as “square.” The faint air of Carrport raffishness so beloved by the weekenders of yore is now replaced by an air of moneyed fastidiousness. Housing for those in the service trades and some commuters has ringed the original town with a wimple of the standard Long Island sprawl. (All suburbs look like paintings from before the discovery of perspective.) The alleged Fredric Albert Mullins and his neighbor, the dubious Emmaline Anadarko, all of Red Tide Street, lived or had lived out there. But the big old sea-captain houses, shingled, ample, dormered, well-porched, white-trimmed, still ring the cove as they always did, facing out to the unchanging sea, today owned mostly by corporate types and, in a few instances, by corporations themselves.
Today’s recurrent Carrporters are for the most part business lions for whom the beach house is merely an adjunct to the pied-à-terre penthouse in Manhattan. These people actually live in London and Chicago and Sydney and Rio and Gstaad and Cap d’Antibes and Aspen and—Well. Don’t ask them where “home” is. They’ll merely shrug and say, “Sorry, only my accountant knows the answer to that.”
At the moment, six of the big old houses around the cove are owned by corporations rather than persons, and are used—according to those same accountants—for “meetings, seminars, client consultations, and focus groups.” They are also oases of rest and recuperation for the senior executives of those corporations, should one of them find himself forced to be in Boston or New York or DC with a sunny weekend coming up.
One of these latter houses, number Twenty-Seven Vista Drive, is carried on the books of Trans-Global Universal Industries, or TUI as it’s known on the Big Board, or Max Fairbanks, as it’s known in the world of palpable rather than corporate reality. Max Fairbanks, a billionaire media and real-estate baron, owns much of the planet and its produce and people, through various interlocking corporations, but the threads, for those who can follow them—and no one but the previously mentioned accountants can begin to follow them—all lead eventually back to the parent corporation, TUI, which is corporeally incorporated in the person of Max Fairbanks.
Who had been having a bad year. A few business deals had come unstuck, a few politicians in various precincts around the world had come unbought, and a few trends promised by the specialists had not come through at all. Cash flow was brisk, but in the wrong direction. Downsizing had been done when times were good, so now, when there was need to cut the fat, there was no fat left to remove. Max Fairbanks was far from poor—several light-years from poor, in fact—but his financial problems had forced him into an uncomfortable corner and he—or his accountants, those guys again—had at last taken action.
4
“H e’s in Chapter Eleven,” Gus Brock said.
“Is this a person,” Dortmunder asked, “or a book?”
They were on the 7:22 Long Island Railroad commuter train out of Grand Central, running eastward across the suburbs, surrounded by workaholics still focused on their Powerpaks. Gus, a blunt and blocky guy with a blunt and blocky mustache that seemed to drag his face downward as though it were woven of something heavier than hair, said, “It’s a bankruptcy.”
“This guy is bankrupt?” Dortmunder frowned at his coworker’s sagging profile. “This guy is broke, and we’re on our way to rob him? What’s he got left?”
“Zillions,” Gus said. “What falls outta Max Fairbanks’s pockets every day is more’n you and me see in a lifetime.”
“Then how come he’s bankrupt?”
“It’s a special kind of bankrupt they have for people that aren’t supposed to get hurt,” Gus explained. “Like when countries go bankrupt, you don’t see an auctioneer come in and sell off the towns and the rivers and stuff, it just means a court takes over the finances for a while, pays everybody eight cents on the dollar, and then the country can go back to what it was doing before it screwed up. This guy, he’s that kinda rich, it’s the same deal.”
Dortmunder shook his head. All of finance was too much for him. His understanding of economics was, you go out and steal money and use it to buy food. Alternatively, you steal the food. Beyond that, it got too complex. So he said, “Okay, it’s just one of those cute ways rich guys have to steal from everybody without having to pick locks.”
“You got it.”
“But so what?” Dortmunder asked. “If he’s still got everything he had, and he had zillions, what do we care what chapter he’s up to?”
“Because,” Gus said, “this place out in Carrport, it belongs to the corporation, and so the court has jurisdiction over it now, so nobody�
��s supposed to use it.”
Dortmunder nodded. “It’s empty, you mean.”
“Right.”
“Okay. If that’s all.”
“That’s all,” Gus agreed. “Max Fairbanks is in Chapter Eleven, so the house his corporation owns in Carrport is under the control of the bankruptcy court, so nobody’s supposed to go there, so it’s empty.”
“So we go there,” Dortmunder said. “I get it.”
“Piece of cake,” Gus said.
5
“M ax Fairbanks,” Max Fairbanks said, “you’re a bad boy.” The milky blue eyes that gazed softly back at him in the bathroom mirror were understanding, sympathetic, even humorous; they forgave the bad boy.
Max Fairbanks had been in the business of forgiving Max Fairbanks, forgiving his indiscretions, his peccadilloes, his little foibles, for a long long time. He was in his midsixties now, having been born somewhere and sometime—somewhere east of the Rhine, probably, and sometime in the middle of the nineteen thirties, most likely; not a good combination—and somewhere and sometime in his early years he’d learned that a gentle word not only turneth away wrath, it can also turneth away the opponent’s head just long enough to crush it with a brick. Smiles and brutality in a judicious mix; Max had perfected the recipe early, when the stakes were at their highest, and had seen no reason for adjustment in the many successful years since.
As with so many self-made men, Max had begun by marrying money. He wasn’t Max Fairbanks yet, not back then, the century in its fifties and he in his twenties, but he’d long since stopped being his original self. Had there ever been loving parents who had given this child a name, their own plus another, no one by the 1950s knew anything about them, including Max, who, having found himself in London, called himself Basil Rupert, and soon made himself indispensable to a brewer’s daughter named Elsie Brenstid. Brenstid père, named Clement for some reason, had found young Basil Rupert far more resistable than his daughter had, until Basil demonstrated just how the Big B Brewery’s company-owned pubs could be made to produce considerably more income with just the right applications of cajolery and terror.
The marriage lasted three years, producing twin girls and an extremely satisfactory divorce settlement for Basil, Elsie being by then ready to pay anything to get away from her husband. Basil took this grubstake off to Australia, and by the time the ship landed he had somehow become a native Englishman called Edward Wizmick, from Devon.
Success stories are boring. On that basis, Max Fairbanks was today the most boring of men, having piled success upon success over a span of four decades covering five continents. The occasional setback—no, not even that; deceleration was the word—such as the current Chapter Eleven nonsense in the United States hardly counted at all, was barely a blip on the screen.
And it was certainly not going to keep Max from enjoying himself. In his long-ago childhood, he had come too close to being snuffed out too many times, in too many squalid alleys or half-frozen marshes, to want to deny himself any pleasure that this life-after-(near)death might offer.
For instance. One minor irritation within the minor irritation of the Chapter Eleven was that Max was not supposed to avail himself of the beach house in Carrport. The cleaning staff could still come in once a week to maintain the place, but other than that it was supposed to be shut off and sealed until the Chapter Eleven arrangement had been satisfactorily concluded. But in that case, what about Miss September?
Ah, Miss September; Tracy Kimberly to all who love her. The minute Max saw her pubic hair in Playboy he knew he had to have her for his own, temporarily. The problem, of course, was Mrs. Fairbanks, the fair Lutetia, Max’s fourth and final wife, the one he would grow old with (slowly), the one who had several hundreds of millions of dollars in Max’s assets in her own name, for reasons the accountants understood. Lutetia could be counted on to act with discretion so long as Max acted with discretion, which meant there were only certain specific venues in which he could hope to run his fingers through that soft and silky hair, one of them not being the apartment in Manhattan. But Tracy Kimberly, in avid pursuit of a career as an entertainment journalist, lived in Manhattan, and it would be even less discreet for Max to travel great distances with her; for instance, in airplanes.
Hence, the Carrport house, in the bathroom of which, in postcoital warmth, Max Fairbanks yet again forgave himself all; the adultery, the breaking of the Chapter Eleven pact, everything. (Had a judge not refused him access to his own beach house, Max might very well have taken the pneumatic Tracy and her feathery hair to a nice West Fifty-ninth Street hotel, in a suite overlooking Central Park, with room service to provide the champagne. But when one was supposed to have been dead and discarded and forgotten by the age of ten, when one had been intended by fate to be a brief flicker, no more than another minor piece of roadside litter on the highway of history, then there was no greater pleasure in this afterlife than doing what you’ve been told specifically not to do. What were they gonna do? Kill him?)
Because of the legal situation, and also because it was more sentimental, Max and Tracy were getting by with minimal illumination this evening. “I wanna learn Braille,” he had said, in his colloquial and unaccented English, as he’d first leaned over her in the living room downstairs. Later, upstairs, the hall light that automatically switched itself on every evening as a deterrent to burglars had been their only source of light, and it had been enough. And now, ready to leave the bathroom, he first switched off its glittery lights before opening the door and reentering the smooth dimness of the master bedroom, where Tracy lay like an éclair atop the black silk sheet. “Mmm,” he murmured.
Tracy moved, smiling, her teeth agleam in the gloaming. “Hi,” she breathed, and moved again.
Max put one knee on the bed—silk is surprisingly cold, and not as romantic as many would like to think—and leaned forward, smiling at the charming brooch of Tracy’s navel. Then he stopped. His head lifted. He listened.
“Honey, I—”
“Ssshh.”
She blinked. She whispered, “What is it?”
“A sound.”
The éclair became a snowbank: “A wife?”
“A burglar, I think,” Max whispered, and reached for the bedside drawer where he kept the gun.
6
T here are many ways to bypass or otherwise defeat a burglar alarm. On the walk through town from the railroad station in the evening dark, Dortmunder and Gus discussed the possibilities, learning they had different favorite methods, depending on the manufacturer of the alarm. “I’ll let you handle it,” Dortmunder finally agreed. “My fingers slip sometimes.”
“Mine don’t,” Gus said.
The house was as Gus had described it; large and rich and dark, except for that usual upstairs hall light people leave on to tell burglars there’s nobody home. Gus looked at the front door and then went around to consider a couple of windows, and then went back to the front door and on into the house, pausing only briefly to give the alarm a little attention on the way by.
Inside, the place had the anonymous good looks of any corporate milieu; a lot of beige, a lot of good but uninteresting furniture, nothing quirky or individual. Nobody had actually lived in this house for many years, and it looked it.
But that was okay; Dortmunder and Gus didn’t plan to move in either. And corporate types do tend to throw the money around when they’re spending company cash on their own perks, so there should be more than one item of interest in this place.
Beginning with the large dining room, an imposing space with a table that could seat sixteen, four pairs of French doors leading out to the wraparound porch and the view of Carr’s Cove, and a long heavy mahogany sideboard containing a whole lot of first-rate silver. “Nice,” Gus said, lifting a cake server. A winter scene with horse and sleigh was engraved on its wide flat blade.
Dortmunder looked into the drawer Gus had opened, and yes, indeed, that was all silver in there. Not silverplate; silver. Antiq
ue, probably. “I’ll get some pillowcases,” he said, and while Gus explored the sideboard further, Dortmunder went back to the front hall, found the broad staircase, and was halfway up the stairs when the lights came on.
A whole lot of lights. Dortmunder stopped. He looked up, and at the head of the stairs was a bulky older man in a white terry-cloth robe. The telephone in the man’s left hand didn’t bother Dortmunder nearly as much as the gun in his right.
“Um,” Dortmunder said, as he tried to think of an explanation for his presence on this staircase at this moment that didn’t involve him having broken, or intending to break, any laws. Hmmmm.
“Freeze,” the man said.
Freeze. Why does everybody say freeze anymore? Whatever happened to “hands up”? With “hands up,” you had a simple particular movement you could perform that would demonstrate to one and all that you weren’t making any trouble, you were going along with the armed person, no problem. What are you supposed to do with “freeze”? Teeter on one foot? Maintain a stupid expression on your face? “Freeze” is for television actors; in real life, it’s demeaning to all concerned.
Dortmunder ignored it. The gun was taking most of his attention, while the telephone the man was dialing one-handed took the rest. (Except for his faint awareness of a soft and sibilant swooshing sound from the dining room, as a French door was gently opened, and as gently closed. Gus Brock, bless his heart, was outta here.) So, rather than freeze, Dortmunder put a hand on the banister, rested his weight there in gloomy patience, and tried to think.
Well. When the going gets hopeless, the hopeless keep going. “Mister,” Dortmunder said, knowing this was a waste of breath, “I’m prepared to just go home, you know? Forget the whole thing. Nothing’s hurt, nothing’s taken.”
“If you move,” the man said, as he lifted the phone to his ear, “I will shoot you in the kneecap and you will walk with a limp for the rest of your life. I am a very good shot.”
What's the Worst That Could Happen? Page 2
