Fancy him giving up his good position with Doctor Ingram to follow me to the city! I told him he was foolhardy, as Mrs Foley had a keen eye for money, and would likely be moving north or south as soon as the Wellington audience found our fare growing stale.
‘But Lily,’ he cried, ‘I have a good position here, at the Baron’s. I can take you away from all this sordid life. We could get married at once.’
‘Sordid!’ I wouldn’t speak to him for a week. He came to the theatre when his tasks allowed, and enjoyed our entertainments; he clapped and cheered along with the rest. And drank his pint. And hissed the villain. What did he find sordid, I wanted to know, when I finally spoke to him again?
‘It’s not a proper life for a lady,’ he said lamely.
All very well, but he couldn’t have it both ways. The crowd liked me, I could tell. Jack was proud of my singing and my good looks. Rosie Short’s name had been up on the billboards more than once, and I was called on for a song now and then.
‘This is my life,’ I told him. ‘I want to be as famous as Mrs Foley, and one day I will be. I don’t want to settle down, Jack.’
The truth was that Jack was older than me by several years. He was ready for a wife and children and the status that gives a man in society. But my heart, I believe, was still childish. Perhaps the loss of parents and hometown had kept me from developing. Perhaps I needed a family more than a husband. Many sixteen-year-olds were ready for marriage, but I was not. It hurt poor faithful Jack, but I was not ready to break from theatre life, my new family, so soon.
But alas, the dreadful aftermath of the January celebrations shook my resolve.
THE FIRST ABDUCTION SCENE
Enter the blackguard
Now we have come to the villain. Be ready to hiss. It is the latest fashion in melodramas in England to hiss and boo the villain. The louder the better. And it is catching on in New Zealand too. Imagine you are here, in the Royal Victoria Theatre, Willis Street, Wellington. It is about nine p.m. on Tuesday the twenty-third of January, 1855. The theatre is packed with a noisy, revelling crowd, many of them from out of town. This is the end of a two-day holiday, celebrating fifteen years of European settlement in Wellington. The melodrama has finished and also the musical interlude. Stage hands are rolling away the painted backdrop of the fearsome Duke’s castle and sliding into place the sunny picture of thatched cottages and colourful hollyhocks for that hoary old farce, favourite of all and sundry, The Village Lawyer.
Every detail of that night is etched into my memory. Mr Marriott was onstage, warming up the audience with a few bumbling antics; I stood behind the backdrop, buttoning on my smock with one hand and dabbing a little rouge on my pretty cheeks with the other. Mrs Foley had gone back to her boarding house.
Old Mr Franklin played a chord on the piano, and Mr Marriott clapped his hands for attention. ‘Lovely little Miss Rosie will now sing to us that sweet old number “Kate Kearney”, to remind us of all our loved ones back in the Home Country.’
But the crowd was ready for the farce. Someone called for The Village Lawyer and the chant went up. There I was, marooned on stage, scarcely able to hear the opening chords. I swallowed and took a deep breath as Mrs Foley had taught me. In those days I had not the knack of quieting an unruly audience. ‘Stage Presence’, Mrs Foley called it. At this moment a large fellow seated near the back in the five-shilling seats rose.
‘That’s enough o’ that,’ he bellowed. ‘Let’s have silence for little Rosie.’
The man had a strange effect on the audience. Those close to him looked away; those in front turned to see who was shouting, then quickly returned their eyes to the stage. The silence was profound and eerie. I had the feeling that the crowd knew and feared him — or were they in awe? The big fellow was not dressed like a wealthy man: his jacket was rumpled, his collar open. The cap he wore had seen better days. He stood there, dark-haired, burly, belligerent, swinging his body from side to side, fists on hips as if ready to clout anyone within reach.
Still standing, he nodded to the stage. ‘On with it then, Rosie my dear,’ he said with a wink and a grin. ‘They’ll listen to ye now.’
I opened my mouth to sing. No sound emerged, for at that moment I felt a slow rumble growing in the room. Were the patrons angry? The room swayed and oh! I suddenly felt I would faint. Was I ill? Had I stood too long on my injured foot? Then a grinding, roaring hell threw the whole theatre into panicked confusion. I fell to the floor; it heaved up to meet me. One of the gas lamps crashed to the stage; the other swung wildly as if a great wind was rushing through the room. Did I scream? I suppose so. We all screamed, but even that noise was swamped by the roar of — of what? The whole world, it seemed, was groaning, tearing itself apart. Pray you never have to live through such a terrifying experience. No one could stand. Heaps of shouting, fearful bodies writhed on the floor among tumbled chairs and benches. The glass of a window shattered with an explosion like gunfire.
And then it was over. The rumble died away like thunder in a retreating storm. The building rocked gently, occasionally breaking into a trembling, then subsiding again. I dared to open my eyes and found the burly fellow from the audience bending over me. I had no idea who he might be, but any helper in this fearful maelstrom was welcome. None too gently, he hauled me to my feet and dragged me through the back entrance and away down Willis Street towards the sea.
‘We’ll make for the ship!’ he shouted. ‘That’ll be safer.’
‘What is it, what is it?’ I sobbed. My leg hurt; the street was full of running, shouting people; a kicking horse lay on his side, his cart overturned and the goods tumbled everywhere. My rescuer stopped to examine the wreckage, picked up a box in one hand, then dragged me along with the other.
‘An earthquake, that’s what,’ he said. ‘I never felt worse. This damned hell-hole. It’s a death-trap.’
On we ran to the jetty. The planks were twisted this way and that, some of the piles listing drunkenly.
‘Oh God!’ shouted the man in a rage. ‘My boat is high and dry! Would you look at it!’ His little row-boat sat on the mud, where once sea had lapped. But at that moment we saw the strangest thing. Slowly the tide began to run in, not wavelet by wavelet like any normal incoming tide, but in a steady stream, rising as we watched. The boat began to bob and then to rock, straining against its rope.
Captain Hayes, for that was his name, jumped down into the little clinker, handed me and the box aboard, cast off, and began to row before I had time to wonder what was afoot. At first he could make no progress at all against the steady shoreward flow, then all of a sudden the tide reversed and we were heading out into the harbour at a great pace. Captain Hayes muttered and growled, watching over his shoulder as he tried to steer us toward his ship: a two-masted brig, anchored in the bay.
As we approached he bellowed orders. ‘We’re coming in too fast! Throw a rope! For God’s sake you idiots, shake a leg or we’ll be swept over to the other shore!’
A pair of frightened, moonlit faces appeared over the side; then a lantern and a snaking rope. Captain Hayes grabbed at the rope most handily and held on grimly. The fierce tide wanted to take us out, but for what seemed like an hour he held us there against the side of the ship. To make matters worse, a fierce wind blew from the north. At last the flow ebbed and we were able to scramble aboard.
‘Well, now,’ he grinned at me, panting after all his exertions. ‘Let us make our introductions. Captain William Hayes at your service! You’ll have heard of me?’
I had not, but he seemed in high good spirits now, so I thought it best not to disappoint him. Something made me hesitate over my real name. I introduced myself as Miss Rosie and thanked him for the rescue.
‘All in a day’s work for Bully Hayes,’ he shouted. The fellow seemed to have only one style of speech: a full-throated bellow. But his manner, at first, was kind enough. Something about his face reminded me of Papa: the dark eyes, perhaps, and the way they crinkled when he smiled
.
‘Come below and we’ll have a bite and a sup to calm our nerves. There will be more shocks, mark my words. Houses will be tumbling ashore, chimneys crashing. We are safest here awhile.’
Just then the ship shuddered as if she had hit a rock. Captain Hayes jumped to his feet and swore. He had the foulest mouth on him when roused. Out of the cabin he strode, shouting for his men, berating them for being lazy stupid —s. In fact we were not on rocks at all but experiencing another shock, up from the sea-bed and through the timbers of the ship. A strange, unsettling feeling, as we were apparently in several fathoms of clear water. In a few minutes we were aground, the anchor-chain lying loose on a greasy sea-bed, which, said the Captain grimly, had not seen open air since Adam walked the earth. The ship tilted drunkenly, while captain and crew ran uselessly back and forth. Ten minutes more and we were slowly but surely righting as the tide or shock-wave refloated us. I began to doubt we were safer afloat than back on dry land.
Ashore we could see two big fires: houses burning, by the look, and people running on the sand. My heart beat to think of Jack. He was bound to be searching for me, if he wasn’t trapped himself somewhere among the rubble. But it seemed churlish to suggest to my rescuer that we return after all his efforts on that fearsome night.
‘By Jesus,’ swore Captain Hayes, his eye to his spy-glass, ‘the houses along Lambton Quay are two feet in water!’ He turned to me grinning. ‘You’ll not forget this night!’
I believe he was enjoying the disaster.
Then for perhaps an hour the strange rise and fall of the water calmed, and the Captain took me below to finish our interrupted supper.
He toasted me with his mug of liquor and spoke soft as a dove for a change. ‘Well, my sweetheart, I have seen you at the theatre four times now, and every night more beautiful, with a voice to put angels in the shade.’ My fingers were grasped in his hot hand and kissed one by one. ‘’Tis an honour to rescue such an entertainer. Think,’ he said, wagging his big head and grinning, ‘what a loss to mankind should you have been killed in that disaster.’
But the shock was beginning to tell on my reserves and all his flattery was lost on me. I could scarcely hold my eyes open. I began to shake. The Captain stroked and gentled me with kind words. He laid me on a bunk and brought me a tot of foul and fiery liquid: rum, he said. But I would take no more than a sip, which was just as well, as I would shortly be in need of a clear head.
I fell into a deep sleep of exhaustion, an hour or five, I know not. I woke with the Captain’s hands fumbling at my clothes and a great stink of liquor fuming from his panting mouth. Roughly I pushed him away, but he came back at me with renewed vigour.
‘Captain!’ I cried. ‘What are you thinking? Are you drunk?’ I landed a stinging slap on the side of his face.
He reared back then, surprised, but grinning in a very unpleasant manner. ‘Miss Rosie,’ he said, ‘you are a lady of the theatre, which I understand to mean — shall we say — a lack of scruples when it comes to certain matters? I am a sea captain and a trader. The same applies. Surely we can come to an arrangement suitable to both?’
I was outraged to think he might view me thus. Or view my new profession thus. Mrs Foley would have put him right on that matter. She was forever warning the younger ladies in the cast to beware the attentions of the rougher element among our audiences. He listened to my protestations, head on one side, smiling as if I were some child to be humoured. I was a child! And told him so. Thus not one to be treated in this coarse manner.
‘Well then,’ he sighed, ‘it seems as if I am at fault.’ He bowed to me. ‘My apologies. I had not taken you for a lady. Go back to sleep and we will see in the morning what is about on shore.’
He left me then, but I dared not fall asleep. He seemed kind, even charming, but could I trust one who changed from hot to cool so quickly? I began to realise how foolish I had been to come aboard with him. I resolved to keep watch, while feigning sleep on my stuffy little bunk in the dark.
Towards morning there came the thump of a rowboat on the side of the ship. It was my good fortune that it had come abreast immediately opposite my bunk. A voice hailed the Captain. I could hear the shouted exchange clearly.
‘I am taking a boatload of homeless folk to temporary quarters on HMS Pandora,’ shouted a voice from the craft alongside. ‘Commander Drury has offered help. Will you do the same? There’s a hundred or more terrified souls waiting on the beach.’
‘My apologies, but we cannot help,’ replied the Captain. ‘I am casting off directly for the Pacific Islands. At any rate we are a trading ship and have space only for my crew.’
Casting off directly! Was I to be abducted? In a trice I was out of the bunk and up the companionway to the deck. Fortunate for me that I had spent hours with Mr Rossiter at Foley’s Circus. I was over the side, scrambling hand over hand down the mooring rope and into the surprised arms of the fellow who held it.
‘Cast off, cast off!’ I shouted.
The man did so, more out of surprise than good management, and set to his oars.
To my surprise, Captain Hayes was more amused than en raged. Peering down over the side, he let out a great guffaw. ‘Oh-ho, an acrobat as well as an actress! Well, Miss Rosie, we will no doubt meet again. I will never be thwarted, as many will tell you. Our paths will cross, be sure of that. Grow up quickly, my dear! Au revoir!’
Over the next five years, as I travelled the length and breadth of New Zealand with Mrs Foley, learning my craft, performing in every manner of theatre and room, I would remember Captain Hayes’s promise that we would meet again. His face, his bold manner, his strange hypnotic charm all dogged me. I both feared and hoped to see him. I think now that the emotional experience of that dreadful earthquake somehow also heightened my memory of the Captain. How else can I explain my later behaviour?
[Archivist’s Note: At my publisher’s request I here insert a chapter from the second journal, written by Samuel Lacey. It concerns his father, Jack Lacey’s, memories of the same earthquake. There may be some discrepancies between the two accounts, granted. But memory is a selective faculty, as any archivist or historian knows only too well. My publisher, naturally cautious, fears that Lily Alouette’s account is fanciful. There is no record, she points out, that Bully Hayes was in Wellington at the time. True. But there is no historical detail to prove that he was not. The earthquake occurred at a time when we have very few records of that infamous pirate’s movements. Furthermore, I must point out that Lily’s mention of HMS Pandora and Commander Drury is verifiable. How would she know this detail if she had not been on the harbour that night? E. de M.]
FROM THE JOURNAL OF SAMUEL LACEY
Recollections of Jack Lacey (2)
A shocking night!
Jack whistles one of Lily’s songs as he curries the flank of the big bay gelding belonging to one of the hotel guests. His hands take the rhythm of the chorus; the horse twitches his ears and blows softly.
‘So, my beauty,’ he says, ‘you like her song too, eh? You should hear it from her lips. All the town is singing Miss Rosie’s ditties.’
Jack is proud of Lily’s singing, the way she can draw the audience in and bring tears to the eyes of the most hardened journeyman. Everyone is homesick for the ‘green and gentle land’ of England — or Ireland, or Scotland. While the gentlemen actors sing comic songs in funny accents, ‘Miss Rosie’ always sings sweet, sad numbers that quieten the rowdy audience as they dream of families back home, of paved streets and green fields, of laden apple trees and country lanes. Miss Rosie sings them back to those memories.
But the plays are another matter. Jack combs more firmly, tightens his grip on the bay’s mane, thinking about the plays: the melodramas and particularly the bawdy farces. He nearly walked out of the theatre to see his sweetheart play a fallen woman, pregnant to a bullying landlord. And playing the part so realistically that he could believe it was all true. Then later in the same evening, there she was on stage
in the farce, acting the part of a stupid, rude serving girl, lacking any manners or decorum. All the men around him — the audiences were mostly men — laughed and jeered to see her. Jack hated her appearance — dirty smock, hair scruffy, face smudged — and the way she played up to them, thrusting a finger in her ear and wagging her head as if she had lost her senses.
‘But Jack,’ she had laughed later, as he walked her back to her boarding house, ‘that is just a good performance. If you hated seeing me like that, then I am doing well, don’t you see? I have fooled you into thinking that silly wench is me!’
Jack doesn’t see it like that. He wants to take her away from theatres and performances in front of drunken, rough audiences. He wants her to sing in parlours — his own parlour — for well-bred friends and neighbours, not for money. He wants her to marry him.
They get on well enough. They laugh together on Jack’s days off; explore the little town. Why won’t she accept his proposal? I’ll try again today, he thinks. She will see how the Baron trusts me; see how my prospects are improving.
Later that day, Jack and Lily, both mounted on Domino, progress along the waterfront past the fine new Custom House, towards the Watering Place. Though it is Monday, no one is at work. The Provincial Secretary has decreed two days of festivities to celebrate fifteen years of European settlement. Out on the harbour a flotilla of sailing boats tries to race in the windless air. Children shout and whoop while a sweating Wesleyan superintendent tries to organise them into sack races, egg-and-spoon races and hunt-the-thimble on the beach by their chapel. Family groups head around the shore towards Oriental Bay, Mother carrying the picnic basket, Father the rug and bottled ale, children running alongside.
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