by Mark Twain
Figuratively speaking, Mrs. Eddy is already as tall as the Eiffel tower. She is adding surprisingly to her stature every day. It is quite within the probabilities that a century hence she will be the most imposing figure that has cast its shadow across the globe since the inauguration of our era. I grant that after saying these strong things, it is necessary that I offer some details calculated to satisfactorily demonstrate the proportions which I have claimed for her. I will do that presently; but before exhibiting the matured sequoia gigantea, I believe it will be best to exhibit the sprout from which it sprang. It may save the reader from making miscalculations. The person who imagines that a Big Tree sprout is bigger than other kinds of sprouts is quite mistaken. It is the ordinary thing; it makes no show, it compels no notice, it hasn't a detectible quality in it that entitles it to attention, or suggests the future giant its sap is suckling. That is the kind of sprout Mrs. Eddy was.
From her childhood days up to where she was running a half-century a close race and gaining on it, she was most humanly commonplace.
She is the witness I am drawing this from. She has revealed it in her autobiography not intentionally, of course—I am not claiming that. An autobiography is the most treacherous thing there is. It lets out every secret its author is trying to keep; it lets the truth shine unobstructed through every harmless little deception he tries to play; it pitilessly exposes him as a tin hero worshipping himself as Big Metal every time he tries to do the modest-unconsciousness act before the reader. This is not guessing; I am speaking from autobiographical personal experience; I was never able to refrain from mentioning, with a studied casualness that could deceive none but the most incautious reader, that an ancestor of mine was sent ambassador to Spain by Charles I., nor that in a remote branch of my family there exists a claimant to an earldom, nor that an uncle of mine used to own a dog that was descended from the dog that was in the Ark; and at the same time I was never able to persuade myself to call a gibbet by its right name when accounting for other ancestors of mine, but always spoke of it as the "platform"—puerilely intimating that they were out lecturing when it happened.
It is Mrs. Eddy over again. As regards her minor half, she is as commonplace as the rest of us. Vain of trivial things all the first half of her life, and still vain of them at seventy and recording them with naive satisfaction—even rescuing some early rhymes of hers of the sort that we all scribble in the innocent days of our youth—rescuing them and printing them without pity or apology, just as the weakest and commonest of us do in our gray age. More—she still frankly admires them; and in her introduction of them profanely confers upon them the holy name of "poetry." Sample:
"And laud the land whose talents rock
The cradle of her power,
And wreaths are twined round Plymouth Rock
From erudition's bower."
"Minerva's silver sandals still
Are loosed and not effete."
You note it is not a shade above the thing which all human beings churn out in their youth.
You would not think that in a little wee primer—for that is what the Autobiography is—a person with a tumultuous career of seventy years behind her could find room for two or three pages of padding of this kind, but such is the case. She evidently puts narrative together with difficulty and is not at home in it, and is glad to have something ready-made to fill in with. Another sample:
"Here fame-honored Hickory rears his bold form,
And bears a brave breast to the lightning and storm,
While Palm, Bay, and Laurel in classical glee,
Chase Tulip, Magnolia, and fragrant Fringe-tree."
Vivid? You can fairly see those trees galloping around. That she could still treasure up, and print, and manifestly admire those Poems, indicates that the most daring and masculine and masterful woman that has appeared in the earth in centuries has the same soft, girly-girly places in her that the rest of us have.
When it comes to selecting her ancestors she is still human, natural, vain, commonplace—as commonplace as I am myself when I am sorting ancestors for my autobiography. She combs out some creditable Scots, and labels them and sets them aside for use, not overlooking the one to whom Sir William Wallace gave "a heavy sword encased in a brass scabbard," and naively explaining which Sir William Wallace it was, lest we get the wrong one by the hassock; this is the one "from whose patriotism and bravery comes that heart-stirring air, 'Scots wha hae wi' Wallace bled.'" Hannah More was related to her ancestors. She explains who Hannah More was.
Whenever a person informs us who Sir William Wallace was, or who wrote "Hamlet," or where the Declaration of Independence was fought, it fills us with a suspicion wellnigh amounting to conviction, that that person would not suspect us of being so empty of knowledge if he wasn't suffering from the same "claim" himself. Then we turn to page 20 of the Autobiography and happen upon this passage, and that hasty suspicion stands rebuked:
"I gained book-knowledge with far less labor than is usually requisite. At ten years of age I was as familiar with Lindley Murray's Grammar as with the Westminster Catechism; and the latter I had to repeat every Sunday. My favorite studies were Natural Philosophy, Logic, and Moral Science. From my brother Albert I received lessons in the ancient tongues, Hebrew, Greek, and Latin."
You catch your breath in astonishment, and feel again and still again the pang of that rebuke. But then your eye falls upon the next sentence but one, and the pain passes away and you set up the suspicion again with evil satisfaction:
"After my discovery of Christian Science, most of the knowledge I had gleaned from school-books vanished like a dream."
That disappearance accounts for much in her miscellaneous writings. As I was saying, she handles her "ancestral shadows," as she calls them, just as I do mine. It is remarkable. When she runs across "a relative of my Grandfather Baker, General Henry Knox, of Revolutionary fame," she sets him down; when she finds another good one, "the late Sir John Macneill, in the line of my Grandfather Baker's family," she sets him down, and remembers that he "was prominent in British politics, and at one time held the position of ambassador to Persia"; when she discovers that her grandparents "were likewise connected with Captain John Lovewell, whose gallant leadership and death in the Indian troubles of 1722-25 caused that prolonged contest to be known historically as Lovewell's War," she sets the Captain down; when it turns out that a cousin of her grandmother "was John Macneill, the New Hampshire general, who fought at Lundy's Lane and won distinction in 1814 at the battle of Chippewa," she catalogues the General. (And tells where Chippewa was.) And then she skips all her platform people; never mentions one of them. It shows that she is just as human as any of us.
Yet, after all, there is something very touching in her pride in these worthy small-fry, and something large and fine in her modesty in not caring to remember that their kinship to her can confer no distinction upon her, whereas her mere mention of their names has conferred upon them a faceless earthly immortality.
CHAPTER II
When she wrote this little biography her great life-work had already been achieved, she was become renowned; to multitudes of reverent disciples she was a sacred personage, a familiar of God, and His inspired channel of communication with the human race. Also, to them these following things were facts, and not doubted:
She had written a Bible in middle age, and had published it; she had recast it, enlarged it, and published it again; she had not stopped there, but had enlarged it further, polished its phrasing, improved its form, and published it yet again. It was at last become a compact, grammatical, dignified, and workman-like body of literature. This was good training, persistent training; and in all arts it is training that brings the art to perfection. We are now confronted with one of the most teasing and baffling riddles of Mrs. Eddy's history—a riddle which may be formulated thus:
How is it that a primitive literary gun which began as a hundred-yard flint-lock smooth-bore muzzle-loader, and in the course of f
orty years has acquired one notable improvement after another—percussion cap; fixed cartridge; rifled barrel; efficiency at half a mile how is it that such a gun, sufficiently good on an elephant hunt (Christian Science) from the beginning, and growing better and better all the time during forty years, has always collapsed back to its original flint-lock estate the moment the huntress trained it on any other creature than an elephant?
Something more than a generation ago Mrs. Eddy went out with her flint-lock on the rabbit range; and this was a part of the result:
"After his decease, and a severe casualty deemed fatal by skilful physicians, we discovered that the Principle of all healing and the law that governs it is God, a divine Principle, and a spiritual not material law, and regained health."—Preface to Science and Health, first revision, 1883.
N.B. Not from the book itself; from the Preface.
You will notice the awkwardness of that English. If you should carry that paragraph up to the Supreme Court of the United States in order to find out for good and all whether the fatal casualty happened to the dead man—as the paragraph almost asserts—or to some person or persons not even hinted at in the paragraph, the Supreme Court would be obliged to say that the evidence established nothing with certainty except that there had been a casualty—victim not known.
The context thinks it explains who the victim was, but it does nothing of the kind. It furnishes some guessing-material of a sort which enables you to infer that it was "we" that suffered the mentioned injury, but if you should carry the language to a court you would not be able to prove that it necessarily meant that. "We" are Mrs. Eddy; a funny little affectation. She replaced it later with the more dignified third person.
The quoted paragraph is from Mrs. Eddy's preface to the first revision of Science and Health (1883). Sixty-four pages further along—in the body of the book (the elephant-range), she went out with that same flint-lock and got this following result. Its English is very nearly as straight and clean and competent as is the English of the latest revision of Science and Health after the gun has been improved from smooth-bore musket up to globe-sighted, long distance rifle:
"Man controlled by his Maker has no physical suffering. His body is harmonious, his days are multiplying instead of diminishing, he is journeying towards Life instead of death, and bringing out the new man and crucifying the old affections, cutting them off in every material direction until he learns the utter supremacy of Spirit and yields obedience thereto."
In the latest revision of Science and Health (1902), the perfected gun furnishes the following. The English is clean, compact, dignified, almost perfect. But it is observable that it is not prominently better than it is in the above paragraph, which was a product of the primitive flint-lock:
"How unreasonable is the belief that we are wearing out life and hastening to death, and at the same time we are communing with immortality? If the departed are in rapport with mortality, or matter, they are not spiritual, but must still be mortal, sinful, suffering, and dying. Then wherefore look to them—even were communication possible—for proofs of immortality and accept them as oracles?" —Edition of 1902, page 78.
With the above paragraphs compare these that follow. It is Mrs. Eddy writing—after a good long twenty years of pen-practice. Compare also with the alleged Poems already quoted. The prominent characteristic of the Poems is affectation, artificiality; their makeup is a complacent and pretentious outpour of false figures and fine writing, in the sophomoric style. The same qualities and the same style will be found, unchanged, unbettered, in these following paragraphs—after a lapse of more than fifty years, and after—as aforesaid—long literary training. The italics are mine:
1. "What plague spot or bacilli were [sic] gnawing [sic] at the heart of this metropolis... and bringing it [the heart] on bended knee? Why, it was an institute that had entered its vitals—that, among other things, taught games," et cetera.—C.S. Journal, p. 670, article entitled "A Narrative—by Mary Baker G. Eddy."
2. "Parks sprang up [sic]... electric-cars run [sic] merrily through several streets, concrete sidewalks and macadamized roads dotted [sic] the place," et cetera.—Ibid.
3. "Shorn [sic] of its suburbs it had indeed little left to admire, save to [sic] such as fancy a skeleton above ground breathing [sic] slowly through a barren [sic] breast."—Ibid.
This is not English—I mean, grown-up English. But it is fifteen-year-old English, and has not grown a month since the same mind produced the Poems. The standard of the Poems and of the plague-spot-and-bacilli effort is exactly the same. It is most strange that the same intellect that worded the simple and self-contained and clean-cut paragraph beginning with "How unreasonable is the belief," should in the very same lustrum discharge upon the world such a verbal chaos as the utterance concerning that plague-spot or bacilli which were gnawing at the insides of the metropolis and bringing its heart on bended knee, thus exposing to the eye the rest of the skeleton breathing slowly through a barren breast.
The immense contrast between the legitimate English of Science and Health and the bastard English of Mrs. Eddy's miscellaneous work, and between the maturity of the one diction and the juvenility of the other, suggests—compels—the question, Are there two guns? It would seem so. Is there a poor, foolish, old, scattering flint-lock for rabbit, and a long-range, centre-driving, up-to-date Mauser-magazine for elephant? It looks like it. For it is observable that in Science and Health (the elephant-ground) the practice was good at the start and has remained so, and that the practice in the miscellaneous, outside, small-game field was very bad at the start and was never less bad at any later time.
I wish to say that of Mrs. Eddy I am not requiring perfect English, but only good English. No one can write perfect English and keep it up through a stretch of ten chapters. It has never been done. It was approached in the "well of English undefiled"; it has been approached in Mrs. Eddy's Annex to that Book; it has been approached in several English grammars; I have even approached it myself; but none of us has made port.
Now, the English of Science and Health is good. In passages to be found in Mrs. Eddy's Autobiography (on pages 53, 57, 101, and 113), and on page 6 of her squalid preface to Science and Health, first revision, she seems to me to claim the whole and sole authorship of the book. That she wrote the Autobiography, and that preface, and the Poems, and the Plague-spot-Bacilli, we are not permitted to doubt. Indeed, we know she wrote them. But the very certainty that she wrote these things compels a doubt that she wrote Science and Health. She is guilty of little awkwardnesses of expression in the Autobiography which a practiced pen would hardly allow to go uncorrected in even a hasty private letter, and could not dream of passing by uncorrected in passages intended for print. But she passes them placidly by; as placidly as if she did not suspect that they were offenses against third-class English. I think that that placidity was born of that very unawareness, so to speak. I will cite a few instances from the Autobiography. The italics are mine:
"I remember reading in my childhood certain manuscripts containing Scriptural Sonnets, besides other verses and enigmas," etc. Page 7.
[On page 27.] "Many pale cripples went into the Church leaning on crutches who came out carrying them on their shoulders."
It is awkward, because at the first glance it seems to say that the cripples went in leaning on crutches which went out carrying the cripples on their shoulders. It would have cost her no trouble to put her "who" after her "cripples." I blame her a little; I think her proof-reader should have been shot. We may let her capital C pass, but it is another awkwardness, for she is talking about a building, not about a religious society.
"Marriage and Parentage" [Chapter-heading. Page 30]. You imagine that she is going to begin a talk about her marriage and finish with some account of her father and mother. And so you will be deceived. "Marriage" was right, but "Parentage" was not the best word for the rest of the record. It refers to the birth of her own child. After a certain period of time "my babe
was born." Marriage and Motherhood—Marriage and Maternity—Marriage and Product—Marriage and Dividend—either of these would have fitted the facts and made the matter clear.
"Without my knowledge he was appointed a guardian." Page 32.
She is speaking of her child. She means that a guardian for her child was appointed, but that isn't what she says.
"If spiritual conclusions are separated from their premises, the nexus is lost, and the argument with its rightful conclusions, becomes correspondingly obscure." Page 34.
We shall never know why she put the word "correspondingly" in there. Any fine, large word would have answered just as well: psychosuperintangibly—electroincandescently—oligarcheologically— sanchrosynchro-stereoptically—any of these would have answered, any of these would have filled the void.
"His spiritual noumenon and phenomenon silenced portraiture." Page 34.
Yet she says she forgot everything she knew, when she discovered Christian Science. I realize that noumenon is a daisy; and I will not deny that I shall use it whenever I am in a company which I think I can embarrass with it; but, at the same time, I think it is out of place among friends in an autobiography. There, I think a person ought not to have anything up his sleeve. It undermines confidence. But my dissatisfaction with the quoted passage is not on account of noumenon; it is on account of the misuse of the word "silenced." You cannot silence portraiture with a noumenon; if portraiture should make a noise, a way could be found to silence it, but even then it could not be done with a noumenon. Not even with a brick, some authorities think.
