The Pastel City v-1

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The Pastel City v-1 Page 6

by M. John Harrison 1971


  'Or any more of this,'said Grif, bleakly.

  They had made camp amid the ruins of a single vast, roofless building of vanished purpose and complicated ground-plan. Although nine tenths of it had sunk long ago beneath the bitter earth, the remains that reared around them rose fifty or sixty feet into the twilight. A feeble wind mumbled in off the Waste and mourned over their indistinct summits. Among the dunes meandered a vile, sour watercourse, choked with stones worn and scoured by Time.

  Two or three fires burned in the lee of a broken load-wall. Grif's men tended them silently. Infected by the bleakness of the Waste, they had picketed the horses close, and the perimeter guards kept well within sight of the main body.

  'There will be no more of anything soon,'said Theomeris Glyn. 'The Moidart, the Afternoon Cultures – both are Time by another name. You are sentimentalists, lacking a proper sense of perspective. When you get to my age -'We will grow bored and boring, and make fools of ourselves with dirty girls in Duirinish. It will be a fine time, that.'

  'You may not make it that far, Birkin Grif,'said the old man darkly.

  Since Cromis'fight in the Metal Salt Marsh, Cellur's mechanical vulture had spent most of its time in the air, wheeling in great slow circles over the waste. It would report nothing it had seen from that vantage. Now it perched just beyond the circle of firelight and said:

  'Post-industrial shock effected by the so-called “Afternoon Cultures” was limited in these latitudes. There is evidence, however, that to the west there exists an entire continent despoiled to the degree of the Great Brown Waste.

  'In a global sense, the old man may be right: we are running out of Time.'

  Its precise reedy voice lent a further chill to the night. In the silence that followed, the wind aged, the dying sun ran down like clockwork in an orrery. Birkin Grif laughed uncomfortably; a few thin echoes, came from his men.

  'Bird, you will end up as rust, with nothing to your credit but unproven hypotheses. If we are at the end of Time, what have you to show for it? Are you, perhaps, jealous that you cannot experience the misery of flesh, which is this: to know intimately the doom you merely parrot, and yet die in hope?'

  The bird waddled forward, firelight spraying off its folded wings.

  'That is not given to me,'it said. 'It will not be given to you, if you fail the real task implicit in this war: fear the geteit chemosit; travel at once to the tower of Cellur, which you will find - '

  Filled with a horrible depression, Cromis dropped the shards of his sword and left the fire. From his saddlebag he took his curious eastern instrument. He bit his lip and wandered past the picket line and the perimeter guards. With death in his head, he sat on a stone. Before him, huge loops of sand-polished girder dipped in and out of the dunes like metal worms. They are frozen, he thought: Caught on a strange journey across an alien planet at the forgotten end of the universe.

  Shivering, he composed this:

  'Rust in our eyes… metallic perspectives trammel us in the rare earth north… we are nothing but eroded men… wind clothing our eyes with white ice… we are the swarfeaters… hardened by our addiction, tasting acids… Little to dream here, our fantasies are iron and icy echoes of bone… rust in our eyes, we who had once soft faces.'

  'Rust in our eyes – ' he began again, preparing to repeat the chant in the Girvanian Mode: but a great shout from the camp drove it out of his skull. He jumped to his feet.

  He saw the metal bird explode into the air, shedding light like a gunpowder rocket, its wings booming. Men were running about the encampment, casting febrile shadows on the ancient walls. He made pitiful grabbing motions at his empty scabbard, hurrying toward the uproar. Over a confusion of voices he heard Grif bellow suddenly:

  'Leave it alone! Oh, you stupid pigs, leave it alone!'

  Obsessed by his fantasies of an alien world, Cromis was for a moment unable to identify the dark, massive shape fidgeting and grunting in the gloom of the dead building. Drawn out of the inhospitable dunes by the warmth or the light and surrounded by men with swords, it seemed to be mesmerised and bemused by the fire – a lean, heavy body slung low between queerly-articulated legs, a twenty foot denizen of his own imagination.

  He was almost disappointed to recognise it as one of the black reptiles of the Waste, huge but harmless, endowed by the folk-lore of Viriconium with the ability to eat metal.

  'Big lizard,'muttered one of Grif's brigands, with sullen awe: 'Big lizard.'

  Cromis found himself fascinated by the flat, squat head with its wicked undershot lower jaw and rudimentary third eye. He could discern none of the spines and baroque crests traditional in illustrations of the beast, simply a rough hide with a matt, non-reflective quality.

  'Pull back,'ordered Grif, quietly.

  The men obeyed, keeping their weapons up. Left to itself, the reptile closed determinedly on the fire: finally, the flames leapt, perfectly reflected, in each of its eyes. There it stood for some minutes, quite still.

  It blinked. Cromis suspected that whatever sluggish metabolic desires the fire had aroused were unfulfilled. Laboriously, it backed away. It shuffled back into the night, moving its head slowly from side to side.

  As his men turned to follow, Grif said sharply, 'I told you no. Just leave it be. It has harmed nothing.'He sat down.

  'We don't belong here any more,'he said.

  'What do you suppose it saw in there?'Cromis asked him.

  Two days out into the barrens. It seemed longer.

  'The landscape is so static,'said Grif, 'that Time is drawn out, and runs at a strange, slow speed.'

  'Scruffy metaphysics. You are simply dying of boredom. I think I am already dead.'Old Theomeris slapped his pony's ruimmp. 'This is my punishment for an indiscreet life. I wish I had enjoyed it more.'

  Since noon that day they had been travelling through a range of low, conical slag hills, compelled by a surface of loose slate to lower their speed to. a walk. The three-hundred-foot heaps of grey stone cast back bell-like echoes from the unsteady hooves of the horses. Landslips were frequent; limited, but unnerving.

  Cromis took no part in the constant amiable bickering: it was as unproductive as the sterile shale. Further, he was concerned by the odd behaviour of the lammergeyer.

  Ten or fifteen minutes before, the bird had ceased flying its customary pattern of wide circles, and now hung in the air some eight hundred feet up, a silver cruciform slipping and banking occasionally to compensate for a thermal current rising from the slag tips. As far as he could tell, it was hovering above a point about a mile ahead of their present position and directly on their route.

  'The bird has seen something,'he said to Grif, when he was sure. 'It is watching something. Call a halt and lend me a sword – no, not that great lump of iron, the horse will collapse beneath it – and I'll go and find out what it is.'

  It was queer, lonely excursion. For half an hour he worked along the precarious spiral paths, accompanied only by echoes. Desolation closed oppressively round him.

  Once, the terrible, bitter silence of the slag hills was broken by a distant rhythmic tapping; a light, quick, mysterious ring of metal on metal: but a brief fall of rock drowned it out. It returned later as he was urging his horse down the last slope of the range, the Great Brown Waste spread once more before him, Cellur's metal vulture hanging like an omen five hundred feet above his head.

  At the bottom of the slope, two horses were tethered.

  A pile of dusty harness lay near them, and a few yards away stood a small red four-wheeled caravan of a type usually only seen south of Viriconium – traditionally used by the tinkers of Mingulay for carrying their large families and meagre equipment. Redolent of the temperate south, it brought to his mind images of affectionate gypsy slatterns and their raucous children. Its big, thick-spoked wheels were picked out in bright yellow; rococo designs in electric blue rioted over its side panels; its curved roof was painted purple. Cromis was unable to locate the source of the tapping sound (w
hich presently stopped), but a thin, blue-grey spire of smoke was rising from behind the caravan.

  He realised that it was impossible to conceal his presence from whoever was camped down there – his horse's nervous, crabbing progress down the decline was dislodging continuous slides of rock which bounded away like live things – so he made no effort, coming down as fast as possible, gripping his borrowed sword tightly.

  On the last five yards of the slope, momentum overcame him: the horse's rear hooves slid from beneath it; it pecked; and he rolled out of the saddle over its shoulder. He landed dazed and awkward in the gritty, sterile sand of the Waste, and dropped his sword. Fine, stinging particles of dust got into his eyes. He stumbled to his feet, eyes blind and streaming, unpleasantly aware of his bad tactical position.

  'Why don't you just stand there quietly,'said a voice he thought he knew, 'and make no attempt to regain that rather clumsy sword? Eb?'And then: 'You caused enough fuss and furore for ten men coming down that hill.'

  Cromis opened his eyes.

  Standing before him, a power-axe held in his knotty, scarred hands, was a thin figure no more than four feet high, with long white hair and amused, pale grey eyes. His face was massively ugly – it had an unformed look, a childlike, disproportionate caste to its planes – and the teeth revealed by his horrible grin were brown and broken. He was dressed in the heavy leather leggings and jerkin of a metal-prospector, and standing on end the haft of his axe would have topped him by a foot.

  'You,'said Cromis, 'could have done no better. You are as insubordinate as ever. You are a pirate. Put up that axe, or my familiar spirit – 'Here, he pointed to the vulture spiralling above them '- will probably tear the eyes from your unfortunate face. I have a great deal of trouble in restraining it from such acts.'

  'You will, however, concede that I've captured you? I'll chop the bloody bird up for dogsmeat if you don't – '

  And with that, Tomb the dwarf, as nasty a midget as ever hacked the hands off a priest, did a little complicated shuffle of triumph round his victim, cackling and sniggering like a parrot.

  'If I had known it was you,'said Cromis, 'I'd have brought an army of occupation, to keep you quiet. '

  Night.

  A pall, a shroud, of darkness lay over the slag heaps, to cover decently their naked attitudes of geographical death. Out on the Waste, the harsh white glare of Tomb's portable furnace dominated the orange flickering of a circlet of cooking fires.

  Underlit by a savage glow like a dawn in hell, the little Rivermouth man's unbelievable face became demoniac, bloodcurdling. His hammer fell in measured, deadly strokes on to the soft, hot steel, and, as he worked, he droned and hummed a variant of that queer Dead Freight dirge:

  Burn them up and drive them deep;

  Oh, drive them down!

  It was Cromis'nameless sword, now whole, that flared in the furnace and sparked on the anvil, and drew closer to its gloomy destiny with every accentuated syllable of the chant.

  After the meeting by the caravan, Cromis had called down the vulture and sent it to fetch Grif from his position in the hills. On his arrival, he had bellowed like an ox: it was a wild reunion between him and the dwarf, the one bellowing with laughter and the other capering and crowing. Now Grif was eating raw meat and shouting at his brigands, while Tomb and Cromis worked the forge.

  'You interrupted me,'shouted the dwarf over the roar and wail of the bellows. 'I was repairing that. '

  And he jerked his thumb at a tangle of curved, connected silver-steel rods – resembling nothing so much as the skeleton of some dead metal giant – which lay by the furnace. Small versions of the motors that powered the airboats were situated at the joints of its limbs, and a curious arrangement of flexible metal straps and stirrups was attached half way down each of its thighbones and upper arms. It looked like the ugly, purposeful work of long-dead men, an inert but dangerous colossus.

  'What is it?'asked Cromis.

  'You'll see when we get a fight. I dug it up about a month ago. They had some beautiful ideas, those old scientists.'The light of Tomb's sole enthusiasm – or was it simply splashback from the furnace? – burned in his eyes, and Cromis had to be content with that.

  Later, the four Methven sat round a fire with a jug of distilled wine. The reforged sword was cooling, the furnace powered-down, the brigands noisily asleep or dozing in their smelly blankets.

  'No,'said Tomb, 'we aren't too far behind them.'He displayed his repugnant teeth. 'I'd have been up with Water-beck and his well-disciplined babes by now, but I wanted to get that power-armour in good order.'

  'It won't be the same as the old days,'complained old Glyn. He bad passed rapidly into the sodden, querulous phase of drunkenness. 'Now there was a time.'

  Tomb chuckled. 'Why did I saddle myself this way? A greybeard with a bad memory, a braggart, and a poet who can't even look after his own sword. I think I might join the other side.'He leered down at his hands. 'Time I killed somebody, really. I feel like killing something.'

  'You're a nasty little beast, aren't you?'said Birkin Grif. 'Have some more wine.'

  Cromis, content to have found Tomb if not Norvin Trinor, smiled and said nothing. More roads than this lead to Ruined Glenluce, he thought.

  But in the end they had no need to go as far as Glenluce, and Tomb's prediction proved true: two days later, they came upon Lord Waterbeck's expeditionary force, camped several miles south-east of that unfortunate city, in a spot where the Waste had heaved itself into a series of low ridges and dead valleys filled with the phantoms of the Departed Cultures.

  Time is erosion: an icy wind blew constant abrasive streams of dust over the bare rock of the ridge: it had been blowing for a thousand years.

  His black cloak flapping about him, tegeus-Cromis gazed down on the ancient valley; at his side, Grif stamped his feet and blew into his cupped hands. Beneath them spread the tents and bothies of Waterbeck's army – multicoloured, embroidered with sigils and armorial bearings, but hardly gay. Canvas whipped and cracked, the wind moaned in the guylines, and armour clattered as the message runners hurried to and fro between piles of gear that lay in apparent confusion around the encampment.

  The tents radiated as a series of spokes – each one representing a division of foot or horse – from a central pavilion surrounded by a complex of ancillary bothies: Lord Water-beck's command centre. There, canvas was replaced by oiled scarlet silk, shot through with threads of gold wire.

  'He has a fine sense of his own importance,'said Grif scathingly. 'We had better go down and upset it.'

  'You are too harsh. Don't prejudge him.'Cromis felt no enthusiasm for the task ahead. He fingered the hilt of the reforged sword and tried to shrug off his reluctance. 'Tell Tomb to settle your men well apart from the main body, while we do what we can.'

  They rode down one of the wide avenues between the tents, Grif resplendent on his yellow-caparisoned mare, Cromis crow-black in the cod, old wind. They drew a few stares from unoccupied footsoldiers, but, in general, interest was reserved for Grif's smugglers, who were setting up camp around Tomb's gaudy caravan. It was an unconscious parody of Waterbeck's deployment, with the wagon replacing his showy pavilion. They looked like a travelling road-show.

  Cromis caught threads and tail-ends of conversation as he rode:

  'The Moidart… '

  'and you can't trust a rumour.'

  'Twenty thousand northmen… ''…the Moidart… '

  '… and bloody airboats. Bloody scores of them!'

  'What can you do about it?'

  ;… glad to get it over and done.'

  '… the Moidart.'

  At barely thirty years of age, Lord Waterbeck of Faldich had imposing grey hair – cut short and smoothed impeccably back from his forehead – and an urbane manner. His features were bland and boneless, his skin unwrinkled but of a curiously dry, aged texture. He wore a neat, tight jacket of tasteful brown cord, quite unadorned, as were his well-shaped, unobtrusively-manicured hands. Cromi
s imagined that it would be difficult for him to offend any of his peers, and that it was precisely this inability that had earned him his present position.

  When they entered the pavilion (it was less opulent than its outer appearance suggested, and draughty) he was sitting behind a small, cluttered camp table, adding his signature to a sheet of white vellum covered with careful grey script. He raised his head, nodded brusquely, and gave his attention to his work again.

  'There is an official recruitment booth just along the way,'he said, his voice crisp and pleasant. 'But never mind, now you're here. I'll call an orderly and have him deal with you here.'

  He looked up and smiled very briefly.

  'From your appearance, I'd say you've come some distance to serve. Encouraging to see newcomers, although there won't be many more. Well done, men. '

  Birkin Grif stepped forward, simultaneously puzzled and antagonistic. 'This is Lord tegeus-Cromis of Viriconium,'he said, 'a knight of the Order of Methven. We are here on the Queen's business. It is imperative that -'Just one moment, please. '

  Waterbeck consulted a small ledger, nodded to himself. He folded his dispatch and began to address it.

  'Perhaps Lord Cromis would prefer to speak for himself, eh?'

  He offered them his brief little smile.

  'You understand that I have many things to occupy my time. Battle will be joined within a week, and fifteen thousand men out there rely on me. If you could -'

  He made an apologetic gesture.

  'I have been advised of no airboat landings recently. If you could give me the meat of your message now, perhaps we could discuss an answer later?'

  'I am not a courier, Lord Waterbeck,'said Cromis. 'My purposes are military, and may be embarrassing to us both.'

  'I see. I've never run into you in the city, my lord. Our haunts must be different. Each man to his own, hm?'

  He stood up and extended his right hand across the table, palm up.

  'You will have some identification provided by Her Majesty, I take it?'

  'I began my journey with such proofs,'said Cromis, aware of how foolish he must sound. The man was giving him no help at all. 'But due to a failure of my own, they were lost. However, the Queen will vouch for me. I suggest you dispatch anairboattothe-'

 

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