The Negress yanked him upright but he eased out of her grip and shot across the aisle and scrambled, giggling wildly, onto the seat beside his love.
"I think he likes me," Julian's mother said, and smiled at the woman. It was the smile she used when she was being particularly gracious to an inferior. Julian saw everything lost. The lesson had rolled off her like rain on a roof.
The woman stood up and yanked the little boy off the seat as if she were snatching him from contagion. Julian could feel the rage in her at having no weapon like his mother's smile. She gave the child a sharp slap across his leg. He howled once and then thrust his head into her stomach and kicked his feet against her shins. "Be-have," she said vehemently.
The bus stopped and the Negro who had been reading the newspaper got off. The woman moved over and set the little boy down with a thump between herself and Julian. She held him firmly by the knee. In a moment he put his hands in front of his face and peeped at Julian's mother through his fingers.
"I see yoooooooo!" she said and put her hand in front of her face and peeped at him.
The woman slapped his hand down. "Quit yo' foolishness," she said, "before I knock the living Jesus out of you!"
Julian was thankful that the next stop was theirs. He reached up and pulled the cord. The woman reached up and pulled it at the same time. Oh my God, he thought. He had the terrible intuition that when they got off the bus together, his mother would open her purse and give the little boy a nickel. The gesture would be as natural to her as breathing. The bus stopped and the woman got up and lunged to the front, dragging the child, who wished to stay on, after her. Julian and his mother got up and followed. As they neared the door, Julian tried to relieve her of her pocketbook.
"No," she murmured, "I want to give the little boy a nickel."
"No!" Julian hissed. "No!"
She smiled down at the child and opened her bag. The bus door opened and the woman picked him up by the arm and descended with him, hanging at her hip. Once in the street she set him down and shook him.
Julian's mother had to close her purse while she got down the bus step but as soon as her feet were on the ground, she opened it again and began to rummage inside. "I can't find but a penny," she whispered, "but it looks like a new one."
"Don't do it!" Julian said fiercely between his teeth. There was a streetlight on the corner and she hurried to get under it so that she could better see into her pocketbook. The woman was heading off rapidly down the street with the child still hanging backward on her hand.
"Oh little boy!" Julian's mother called and took a few quick steps and caught up with them just beyond the lamppost. "Here's a bright new penny for you," and she held out the coin, which shone bronze in the dim light.
The huge woman turned and for a moment stood, her shoulders lifted and her face frozen with frustrated rage, and stared at Julian's mother. Then all at once she seemed to explode like a piece of machinery that had been given one ounce of pressure too much. Julian saw the black fist swing out with the red pocketbook. He shut his eyes and cringed as he heard the woman shout, "He don't take nobody's pennies!" When he opened his eyes, the woman was disappearing down the street with the little boy staring wide-eyed over her shoulder. Julian's mother was sitting on the sidewalk.
"I told you not to do that," Julian said angrily. "I told you not to do that!"
He stood over her for a minute, gritting his teeth. Her legs were stretched out in front of her and her hat was on her lap. He squatted down and looked her in the face. It was totally expressionless. "You got exactly what you deserved," he said. "Now get up."
He picked up her pocketbook and put what had fallen out back in it. He picked the hat up off her lap. The penny caught his eye on the sidewalk and he picked that up and let it drop before her eyes into the purse. Then he stood up and leaned over and held his hands out to pull her up. She remained immobile. He sighed. Rising above them on either side were black apartment buildings, marked with irregular rectangles of light. At the end of the block a man came out of a door and walked off in the opposite direction. "AM right," he said, "suppose somebody happens by and wants to know why you're sitting on the sidewalk?"
She took the hand and, breathing hard, pulled heavily up on it and then stood for a moment, swaying slightly as if the spots of light in the darkness were circling around her. Her eyes, shadowed and confused, finally settled on his face. He did not try to conceal his irritation. "I hope this teaches you a lesson," he said. She leaned forward and her eyes raked his face. She seemed trying to determine his identity. Then, as if she found nothing familiar about him, she started off with a headlong movement in the wrong direction.
"Aren't you going on to the Y?" he asked.
"Home," she muttered.
"Well, are we walking?"
For answer she kept going. Julian followed along, his hands behind him. He saw no reason to let the lesson she had had go without backing it up with an explanation of its meaning. She might as well be made to understand what had happened to her. "Don't think that was just an uppity Negro woman," he said. "That was the whole colored race which will no longer take your condescending pennies. That was your black double. She can wear the same hat as you, and to be sure," he added gratuitously (because he thought it was funny), "it looked better on her than it did on you. What, all this means," he said, "is that the old world is gone. The old manners are obsolete and your graciousness is not worth a damn." He thought bitterly of the house that had been lost for him. "You aren't who you think you are," he said.
She continued to plow ahead, paying no attention to him. Her hair had come undone on one side. She dropped her pocketbook and took no notice. He stooped and picked it up and handed it to her but she did not take it.
"You needn't act as if the world had come to an end," he said, "because it hasn't. From now on you've got to live in a new world and face a few realities for a change. Buck up," he said, "it won't kill you."
She was breathing fast.
"Let's wait on the bus," he said.
"Home," she said thickly.
"I hate to see you behave like this," he said. "Just like a child. I should be able to expect more of you." He decided to stop where he was and make her stop and wait for a bus. "I'm not going any farther," he said, stopping. "We're going on the bus."
She continued to go on as if she had not heard him. He took a few steps and caught her arm and stopped her. He looked into her face and caught his breath. He was looking into a face he had never seen before. "Tell Grandpa to come get me," she said.
He stared, stricken.
"Tell Caroline to come get me," she said.
Stunned, he let her go and she lurched forward again, walking as if one leg were shorter than the other. A tide of darkness seemed to be sweeping her from him. "Mother!" he cried. "Darling, sweetheart, wait!" Crumpling, she fell to the pavement. He dashed forward and fell at her side, crying, "Mamma, Mamma!" He turned her over. Her face was fiercely distorted. One eye, large and staring, moved slightly to the left as if it had become unmoored. The other remained fixed on him, raked his face again, found nothing and closed.
"Wait here, wait here!" he cried and jumped up and began to run for help toward a cluster of lights he saw in the distance ahead of him. "Help, help!" he shouted, but his voice was thin, scarcely a thread of sound. The lights drifted farther away the faster he ran and his feet moved numbly as if they carried him nowhere. The tide of darkness seemed to sweep him back to her, postponing from moment to moment his entry into the world of guilt and sorrow.
Greenleaf
Mrs. May's bedroom window was low and faced on the east and the bull, silvered in the moonlight, stood under it, his head raised as if he listened-like some patient god come down to woo her-for a stir inside the room. The window was dark and the sound of her breathing too light to be carried outside. Clouds crossing the moon blackened him and in the dark he began to tear at the hedge. Presently they passed and he appeared again in the same s
pot, chewing steadily, with a hedge-wreath that he had ripped loose for himself caught in the tips of his horns. When the moon drifted into retirement again, there was nothing to mark his place but the sound of steady chewing. Then abruptly a pink glow filled the window. Bars of light slid across him as the Venetian blind was slit. He took a step backward and lowered his head as if to show the wreath across his horns. For almost a minute there was no sound from inside, then as he raised his crowned head again, a woman's voice, guttural as if addressed to a dog, said, "Get away from here, Sir!" and in a second muttered, "Some nigger's scrub bull."
The animal pawed the ground and Mrs. May, standing bent forward behind the blind, closed it quickly lest the light make him charge into the shrubbery. For a second she waited, still bent forward, her nightgown hanging loosely from her narrow shoulders. Green rubber curlers sprouted neatly over her forehead and her face beneath them was smooth as concrete with an egg-white paste that drew the wrinkles out while she slept.
She had been conscious in her sleep of a steady rhythmic chewing as if something were eating one wall of the house. She had been aware that whatever it was had been eating as long as she had had the place and had eaten everything from the beginning of her fence line up to the house and now was eating the house and calmly with the same steady rhythm would continue through the house, eating her and the boys, and then on, eating everything but the Greenleafs, on and on, eating everything until nothing was left but the Greenleafs on a little island all their own in the middle of what had been her place. When the munching reached her elbow, she jumped up and found herself, fully awake, standing in the middle of her room. She identified the sound at once: a cow was tearing at the shrubbery under her window. Mr. Greenleaf had left the lane gate open and she didn't doubt that the entire herd was on her lawn. She turned on the dim pink table lamp and then went to the window and slit the blind. The bull, gaunt and long-legged, was standing about four feet from her, chewing calmly like an uncouth country suitor.
For fifteen years, she thought as she squinted at him fiercely, she had been having shiftless people's hogs root up her oats, their mules wallow on her lawn, their scrub bulls breed her cows. If this one was not put up now, he would be over the fence, ruining her herd before morning-and Mr. Greenleaf was soundly sleeping a half mile down the road in the tenant house. There was no way to get him unless she dressed and got in her car and rode down there and woke him up. He would come but his expression, his whole figure, his every pause, would say: "Hit looks to me like one or both of them boys would not make their maw ride out in the middle of the night this away. If hit was my boys, they would have got that bull up theirself."
The bull lowered his head and shook it and the wreath slipped down to the base of his horns where it looked like a menacing prickly crown. She had closed the blind then; in a few seconds she heard him move off heavily.
Mr. Greenleaf would say, "If hit was my boys they would never have allowed their maw to go after hired help in the middle of the night. They would have did it theirself."
Weighing it, she decided not to bother Mr. Greenleaf. She returned to bed thinking that if the Greenleaf boys had risen in the world it was because she had given their father employment when no one else would have him. She had had Mr. Greenleaf fifteen years but no one else would have had him five minutes. Just the way he approached an object was enough to tell anybody with eyes what kind of a worker he was. He walked with a high-shouldered creep and he never appeared to come directly forward. He walked on the perimeter of some invisible circle and if you wanted to look him in the face, you had to move and get in front of him. She had not fired him because she had always doubted she could do better. He was too shiftless to go out and look for another job; he didn't have the initiative to steal, and after she had told him three or four times to do a thing, he did it; but he never told her about a sick cow until it was too late to call the veterinarian and if her barn had caught on fire, he would have called his wife to see the flames before he began to put them out. And of the wife, she didn't even like to think. Beside the wife, Mr. Greenleaf was an aristocrat.
"If it had been my boys," he would have said, "they would have cut off their right arm before they would have allowed their maw to "
"If your boys had any pride, Mr. Greenleaf," she would like to say to him some day, "there are many things that they would not allow their mother to do."
The next morning as soon as Mr. Greenleaf came to the back door, she told him there was a stray bull on the place and that she wanted him penned up at once.
"Done already been here three days," he said, addressing his right foot which he held forward, turned slightly as if he were trying to look at the sole. He was standing at the bottom of the three back steps while she leaned out the kitchen door, a small woman with pale near-sighted eyes and grey hair that rose on top like the crest of some disturbed bird.
"Three days!" she said in the restrained screech that had become habitual with her.
Mr. Greenleaf, looking into the distance over the near pasture, removed a package of cigarettes from his shirt pocket and let one fall into his hand. He put the package back and stood for a while looking at the cigarette. "I put him in the bull pen but he torn out of there," he said presently. "I didn't see him none after that." He bent over the cigarette and lit it and then turned his head briefly in her direction. The upper part of his face sloped gradually into the lower which was long and narrow, shaped like a rough chalice. He had deep-set fox-colored eyes shadowed under a grey felt hat that he wore slanted forward following the line of his nose. His build was insignificant.
"Mr. Greenleaf," she said, "get that bull up this morning before you do anything else. You know he'll ruin the breeding schedule. Get him up and keep him up and the next time there's a stray bull on this place, tell me at once. Do you understand?"
"Where you want him put at?" Mr. Greenleaf asked.
"I don't care where you put him," she said. "You are supposed to have some sense. Put him where he can't get out. Whose bull is he?"
For a moment Mr. Greenleaf seemed to hesitate between silence and speech. He studied the air to the left of him. "He must be somebody's bull," he said after a while.
"Yes, he must!" she said and shut the door with a precise little slam.
She went into the dining room where the two boys were eating breakfast and sat down on the edge of her chair at the head of the table. She never ate breakfast but she sat with them to see that they had what they wanted. "Honestly!" she said, and began to tell about the bull, aping Mr. Greenleaf saying, "It must be somebody's bull."
Wesley continued to read the newspaper folded beside his plate but Scofield interrupted his eating from time to time to look at her and laugh. The two boys never had the same reaction to anything. They were as different, she said, as night and day. The only thing they did have in common was that neither of them cared what happened on the place. Scofield was a business type and Wesley was an intellectual.
Wesley, the younger child, had had rheumatic fever when he was seven and Mrs. May thought that this was what had caused him to be an intellectual. Scofield, who had never had a day's sickness in his life, was an insurance salesman. She would not have minded his selling insurance if he had sold a nicer kind but he sold the kind that only Negroes buy. He was what Negroes call a "policy man." He said there was more money in nigger-insurance than any other kind, and before company, he was very loud about it. He would shout, "Mamma don't like to hear me say it but I'm the best nigger-insurance salesman in this county!"
Scofield was thirty-six and he had a broad pleasant smiling face but he was not married. "Yes," Mrs. May would say, "and if you sold decent insurance, some nice girl would be willing to marry you. What nice girl wants to marry a nigger-insurance man? You'll wake up some day and it'll be too late."
And at this Scofield would yodel and say, "Why Mamma, I'm not going to many until you're dead and gone and then I'm going to marry me some nice fat farm girl that can tak
e over this place!" And once he had added, "-some nice lady like Mrs. Greenleaf." When he had said this, Mrs. May had risen from her chair, her back stiff as a rake handle, and had gone to her room. There she had sat down on the edge of her bed for some time with her small face drawn. Finally she had whispered, "I work and slave, I struggle and sweat to keep this place for them and soon as I'm dead, they'll marry trash and bring it in here and ruin everything. They'll marry trash and ruin everything I've done," and she had made up her mind at that moment to change her will. The next day she had gone to her lawyer and had had the property entailed so that if they married, they could not leave it to their wives.
The idea that one of them might marry a woman even remotely like Mrs. Greenleaf was enough to make her ill She had put up with Mr. Greenleaf for fifteen years, but the only way she had endured his wife had been by keeping entirely out of her sight. Mrs. Greenleaf was large and loose. The yard around her house looked like a dump and her five girls were always filthy; even the youngest one dipped snuff. Instead of making a garden or washing their clothes, her preoccupation was what she called "prayer healing."
Every day she cut all the morbid stories out of the newspaper-the accounts of women who had been raped and criminals who had escaped and children who had been burned and of train wrecks and plane crashes and the divorces of movie stars. She took these to the woods and dug a hole and buried them and then she fell on the ground over them and mumbled and groaned for an hour or so, moving her huge arms back and forth under her and out again and finally just lying down flat and, Mrs. May suspected, going to sleep in the dirt.
She had not found out about this until the Greenleafs had been with her a few months. One morning she had been out to inspect a field that she had wanted planted in rye but that had come up in clover because Mr. Greenleaf had used the wrong seeds in the grain drill. She was returning through a wooded path that separated two pastures, muttering to herself and hitting the ground methodically with a long stick she carried in case she saw a snake. "Mr. Greenleaf," she was saying in a low voice, "I cannot afford to pay for your mistakes. I am a poor woman and this place is all I have. I have two boys to educate. I cannot "
Everything That Rises Must Converge Page 5
