Did I make an idiot of myself? Chantal will message tomorrow, inevitably.
The message will come from her sofa, where she lies every day thinking about retraining as a masseuse. Chantal was made redundant from her job in marketing a year ago and from a distance, it is clear that she is in a deep depression, which isn’t helped by the fact that her rich parents pay for her to lie still and be sad. She has no motivation to move. But at 1 a.m. Chantal is shining, lit by lamplight and Prosecco. At 1 a.m., Chantal and I are something approaching friends. At 1 p.m., we exchange awkward chat in the preprepared aisle in Waitrose.
‘I’d better head to …’ she will mutter, gesturing vaguely at some bread, or a door, or anywhere.
‘Yeah, I’d better get on, too,’ I’ll concur urgently before ambling back to my sofa.
But meeting somebody is a numbers game, that’s what my mom would say if we still spoke. If it wasn’t impossible for us to speak, after what I did. It’s a numbers game and I’m following that policy. Let the strangers in. Keep them coming.
The nights begin with wine offered politely and with small talk. And then they descend into strangers and a blurry chaos I spend most of the next day clearing up. It’s worth it, though – the mess is comforting. It gives me a purpose.
Again, tonight, my flat is full of unknown or barely known neighbours and the last of my colleagues who are heading home now at 2 a.m., slurring. As they wait for the elevator outside my flat I hear them through the door that’s been left, as ever, temptingly ajar.
‘She’s just a bit … much, you know?’ says Iris, her voice loud because she is drunk on the alcohol that I just gave her, for free, while she hung out in my home. She is talking about me.
Buddy concurs, as the world always has concurred on this. I’m a bit … much. I’m not quite the right amount. Not on target. Not the level of person you would ideally want. If I were a recipe ingredient, you’d tip a portion of me out, or balance me with salt. As I’m a person, I can’t be amended, so I remain a bit … much.
I sit against the wall behind the door listening to the rest of their thirty-second conversation on the topic of me before the elevator announces itself loudly. An hour later, when everybody else leaves, everything is quiet, and I hear a TV being switched off next door and the soft, kind padding of slippers on laminate floor.
I say goodbye to my next-door neighbour, Lexie, in my head. She never turns up at my parties, but I know her name because I have heard her boyfriend say it through the wall. And then I lie down on the sofa, mascara on the cushion from the start of tears that will go on and on and on until the moment that I finally fall asleep.
4
Lexie
December
I’m typing and deleting and at that moment, Harriet starts singing in a children’s TV presenter voice that is too loud, surely, to be normal. Was other people’s noise this irritating when I worked in an office? I’ve always loved sound; the radio on in the background, talking to friends over TV shows. Slowly though, I think, all the rules of me are changing. I throw a cushion at the wall.
I uncurl my legs from the sofa then head for the kitchen because I’ve been thinking about the flapjacks in the cupboard all morning.
I look down at myself, bottom half shrouded in Tom’s pyjamas. My own strain at the waist too much now to be comfortable.
I eat the flapjack. And then I lie back on the sofa and think. Is it right that Harriet can get to me so much? Is it normal? My relationship with my next-door neighbour, to anyone living in a place that isn’t a vast Central London contemporary apartment block with a concierge service that takes delivery of your online orders and helps out the lost Deliveroo driver roaming hundreds of identical corridors with a pad thai, would sound bizarre.
I know more about her existence than I know about most of my friends’. We are closely entwined. She is by far the person I spend most time with. I know about her boozy parties with their Prosecco glugged into friends’ glasses as they try to resist and go home but they can’t – they can’t because they’re having too much fun.
I know about Harriet’s love for karaoke as her friends laugh and groan that they have work tomorrow. But then the intro kicks in and they stay and there is whooping. More friends join them. The joy multiplies. And there is always so much noise.
Now, the piano. I put pillows over both of my ears, but her sounds – always there, competing against our quiet home – are impossible to drown out.
Harriet writes songs for musicals that thousands of people hum on the bus home from the West End. She’s interviewed regularly for industry websites, sounding intimidating-smart. She is successful and rich, I presume, if she lives here. In this building, Tom and I are the exceptions with our normal salaries, and we can only be here because Tom’s parents own our flat and they’ve let us rent it for way below market value.
I realise I’m googling her again. I look at the picture of Harriet on her professional website. She is tall, striking and handsome and she looks powerful. I like her mouth. I envy her smooth, silky blonde hair. At school, she was undoubtedly the popular girl; a person who wouldn’t have sought me out as a friend as I battled my fringe of frizz and Play-Doh thighs.
In her flat, which doubles as a studio, Harriet writes and rewrites lines, her bare foot on the pedal of her piano; painted, unchipped fingernails flicking up and down before she scribbles down what she’s created. Harriet is a creator, she creates, she is creative. Purposeful, she is often so lost in her work that she forgets her plans and is late as she dashes to meet friends for brunch. She picks up flowers at Columbia Road, to sit on top of her piano and make a bright home even more colourful. She knows her own mind and tastes, never decorating her flat with something generic from a chain store, and to men, she is the whole package: smart, buckets brimming full of fun and utterly gorgeous.
Oh, I’ve never met her, of course.
I saw her once getting out of the lift when I had taken the stairs during a low-level fitness drive. I’ve found her mail in our postbox and shoved it into hers, and sometimes, like now, I Google her name. And yet I feel, somehow, like I know her.
From my home-office, aka the sofa next to the wall, I see my next-door neighbour, Harriet’s, existence happening, and it is plump and full and bursting.
Meanwhile, I have been here for three hours now with the start of back pain, flapjack on my chin and only seven sentences of my 2,000-word copywriting project on the page.
I wipe crumbs from my lap. I am no Harriet.
Just getting on the tube, says Tom’s text, later. Curry?
As I reply, I notice the stain on my – his – pyjamas and mean to change, but then I get distracted looking at the Thai menu.
Curry is bad. Curry means my size 12 jeans will dig into my skin. Curry means that we are unlikely to have sex tonight, when we should be doing it any chance we get.
Our impromptu and erotic sofa sex didn’t reap rewards and now almost a month has passed.
My ovulation sticks don’t say we’re in the window yet, but Great Doctor Google, alongside freaking me out about everything I do, have ever done and will ever do in my life, suggested that the more, the better is currently on-trend in medical policy. The idea that there is an ‘on-trend’ in medical policy is a worry if I think about it, so I don’t and instead choose my side dishes. I add duck spring rolls to a list of things I worry are stopping me from getting pregnant. They have many, many companions on that list.
In reality, we have no idea yet why I’m not pregnant. We have no idea why I got pregnant once, miscarried, and why it never happened again. And why, two years later, we are still static, waiting to move on and realising that we were so sure that I would get pregnant again, we never even properly grieved.
With every month that passes, anxiety wraps itself around me more tightly as I convince myself that it’s my fault. Despite trying everything. Despite following Tom, who works away sometimes making TV documentaries, around the country to have sex at
the right time. Despite once buying a sexy nightie from Figleaves lingerie and staying in a Travelodge in Hull for a whole bloody week.
But beating myself up is something that’s been happening more lately, increasing alongside calories and sleeping as I do other things less: see friends, pluck my eyebrows, wear clothing items without an elasticated waistband. Laugh.
Through the wall, to snap me out of my internal chatter, comes Harriet. She slams her piano in frustration and then I hear a phone ring.
‘Yeah?’ she says, brusque, like people who are busy do. I am not even busy in this, the week before Christmas, the busiest week there is.
It must be a delivery driver, because ten seconds later I hear her buzz someone up and answer the door, shrieking about the beauty of the flowers. An early Christmas present? From a boyfriend? A friend? Her mum?
I peel myself away from the wall and nestle into the sofa. I’m home so much now that I work for myself that Harriet constitutes a concerning amount of my human interaction.
I picture her in heels, phone snuggling into her palm, hopping into her taxi, running out to dinner, to lates at a gallery, to taste potent festive cocktails. And I’m reminded of the old me, the me before fertility worries happened and sprawled over my life.
I shuffle to our bedroom in my worn-out slipper boots and rummage around in the wardrobe until I find the box I’m looking for. It is, as they always are, an old shoe box, full of photos that were supposed to be filed away in albums that were never bought and now live sandwiched between thank-you cards and badges from hen dos and birthday invites and leaving cards filled with in-jokes and old ticket stubs.
Somewhere along the line I stopped being this person who inspired people to turn cards around and write up the sides, who brought on exclamation marks and capital letters and leading parentheses.
I picture myself in my old job at a women’s magazine, where I had a reputation for always coming up with the best interview ideas.
‘Lexie will nail it,’ people would say, and I had the confidence to agree. I shared in-jokes, suggested new places for lunch. And then I shrunk. Now, as people sing Christmas songs outside my window and eat their fifth turkey roast of the month, I am alone, again, waiting.
I don’t know how life became this limited little space. I don’t know when I crammed myself into a box that was only just big enough for me, because I used to be a Harriet, too. And I am envious.
5
Harriet
December
I’m halfway to a work Christmas meal – the kind where I preordered my soup, turkey, tiramisu in October – when I realise that I’ve forgotten my phone and have to head back to the flat.
I nearly trip when I get off the bus, swear under my breath.
I’m too clumsy and tall for these heels, and I make a note to switch them for sneakers when I get home, despite the fact that I will never rock a trainer in the breezy way I’ve seen other girls do – in the way Iris does – that bares a chic, non-icy ankle. How are the ankles of all of these people not freezing?
On me, a sneaker–jeans combo will look as though it belongs on an awkward thirteen-year-old on a school trip, not a thirty-something who should have mastered her classic look by now. I look down at myself: far from it.
I swipe my fob against the screen and pull the door to just as someone is getting in the elevator. I curse my timing, because there is an unwritten code in this building that no one shares elevators, when I notice the man who has beaten me to it.
His hair is dark, curly, wildly untamed. He shoves it impatiently out of his eyes with each hand, alternately.
And I breathe like I am due to jump out of a plane in two seconds because an alarm bell has gone off and is drowning out everything else.
It’s not just this man’s hair. It’s his dark eyes, it’s the hunching of his shoulders as he heaves his large rucksack onto his back and puts a takeout food bag on the floor. It’s the sigh he does, so internal for an external noise. It’s his long legs and his straight jeans and it’s his nose, slightly too Roman for most but not for me.
This man and my ex-fiancé, Luke, who used to live here in this flat and get in this elevator with me, do not share a passing resemblance. Instead, they are doubles. Identical. Interchangeable.
For once, I climb the stairs and slam the door of my flat behind me. But like the Thai spices, the man from the elevator has crept in anyway. I know – rationally, I know – that it wasn’t Luke, that it couldn’t be Luke, that my ex-fiancé isn’t here, in London, clutching his takeout in the elevator of my building. That after what happened, his former home is the last place he would ever come. But there is a part of my brain that the message hasn’t reached and that’s the part that is making my heart hammer into my chest, surely audible through the wall to next door, I think, as I realise I am leaning against it. I gasp for air.
After a few seconds I hear Lexie, her tiny voice quiet, gentle, the opposite of my own. A northern lilt, I sometimes think, though English accents are still not my forte.
‘Tom?’ she asks, raising her voice to carry into the kitchen. ‘Can you bring me a …’
But the end of the sentence falls away. As ever, there’s just enough wall between us to mask life’s detail.
But Tom. Not Luke, Tom. Tom from next door. I must remember that, when my heart starts racing, when my mind starts racing and at 4 a.m. Especially at 4 a.m. I pour a glass of wine, down it and – forgetting to switch my shoes – kick the generic flowers that were delivered from a generic former colleague to say a generic thank you out of the way and head out with my phone, trying to fight a feeling that Lexie from next door has stolen my Luke. That Lexie from next door has stolen my fucking life.
6
Lexie
December
‘I miss Islington,’ sighs Anais as I flick the kettle on and she yanks off a tan Chelsea boot in the hall behind me. ‘Bloody Clapton.’
I’ve known she was coming round for a week now – she had a Christmas lunch around the corner – but still I had run around flustered for five minutes before she arrived. Endeavouring to put on eyeliner, remember how real people (I haven’t really considered myself to be one of those since I started working from home) dress and shove piles of post into drawers. Tom’s been away for a week now. I am flailing.
‘Remember why you live in Clapton, though,’ I say, brandishing a mint tea box and something ridiculously expensive from Planet Organic at her, and she nods to the latter, of course, because we are middle-class Londoners. ‘You own your place. No chucking your money away on rent.’ I sigh. ‘We’ll be here forever, because Tom’s dad will never put up the rent and we’ll never get anything better so we’ll never have the motivation to get a mortgage.’
It’s not just Anais; I say this to everyone, all the time. It’s my only response to my self-consciousness over how lucky we are to have moved this year into a Central London flat that has its very own swimming pool in the basement.
It’s still such a surprise to me, too; my own parents have barely lent me twenty pounds in my life – they’re of the ‘learn the value of money’ school of parenting. I’ve been encouraged to be utterly independent. Which makes this whole scenario pretty ironic.
Now, for less rent than my friends pay in Zone Six hellholes, I live somewhere where there is no paint chipped in the communal areas but walls that are freshly covered in high-end magnolia once a year. Where cleaners spirit away dead flies or discarded ticket stubs with the speed of a five-star hotel and then fling the windows open so that the feeling is hospital sterility. Where every type of night and day life we could need is in walking distance.
Right now, Islington’s anonymity soothes me. I walk out of my flat with nowhere marked out as my final destination and I wander up the high street past hipster thirty-somethings with children dressed in fifty-pound jumpers on scooters. At weekends, I clamber onto the bookshop on the barge on the canal, picking out piles of worn, second-hand classics. I smell the bru
nch that’s being eaten in seven-degree cold on the pavement like we are in Madrid in July and I know that that wouldn’t happen anywhere else in this country, but does here, because we are in a bubble. Nothing is real. Nothing gets inside.
Round here, CEOs play tennis at Highbury Fields with their friends like they are fifteen. In summer, I watch thirty-somethings charging around a rounders circle with friends. At the pub, there will be no locals but there will always be someone who is twenty-two and excited, who has just discovered that they can get drunk on a Monday and eat an assortment of crisps for dinner without anyone telling them otherwise.
On sunny evenings, we drink gin and tonics in overpopulated beer gardens that spill onto pavements. For Christmas, I have bought everything I need within the radius of a ten-minute walk from my flat. We are spoilt children and I adore it. It’s not a feeling I’ve ever known before.
But by repeating my mortgage conversation on loop, it’s become true to me. I’ve started to care about ownership and getting my hands on an enormous loan that will never be paid off. Whatever I had, it turns out, I would look over my shoulder to see what someone else had and want it, too. This is me. Perhaps it is everyone.
And there are downsides to life in this part of London.
We’re transient because we know this isn’t where we will settle.
It does happen: I look up at the family houses that surround Highbury Fields and like everyone, I wonder who could possibly have that life, that real life, living here beyond their thirties and becoming a family here, becoming old. But there are bins outside, spilling out with pizza boxes and wine bottles and toilet roll holders and nappies. It’s real.
Through the Wall Page 2
