Shan sat silently, trying to make sense of Lau's killing, trying to keep at bay the question that lingered constantly at the edge of his consciousness, the question of Gendun and his safety. From the basket he retrieved the paper that had been wrapped around the ball, flattened it, and sketched on its clean back a rough map of Karachuk, to have a context for the location of Lau's killing, to fix the spot when Jakli finally showed it to him. Lau had not died in this room, or in the nearby huts. He remembered Bajys' words. He had gone to the place of sands to find her, to the lhakang there, the sanctuary place, which, Shan knew, must be the quiet place Marco referred to, the place where Lau's body had been found. But he had been too late. He hadn't found her in Karachuk. He had only found pieces of bodies. She had died tied to a statue in the quiet place, Marco had said. Shan sat on the floor by the bar, in the cross-legged lotus style, contemplating his map, then finally rose and moved out the rear corridor.
The passage led down a curving hall to a small plank door that opened to the east, at the back of the makeshift community, onto a sandy swath, across which stood the rock outcropping that defined the eastern boundary of the ancient city. The sun was low in the sky. A cool breeze was blowing. There was no sign of life, except in the corral, where the horses had been joined by half a dozen camels, including one huge silver creature that seemed to study Shan as he moved.
Shan climbed halfway up the rock, stopping when he was just above the domed building. He sat and leaned against the warm rock, drained mentally and physically. Someone had tortured a woman here, a healer and a teacher. She had been killed for a secret, but in order to find her, her killer had penetrated another secret, the secret of Karachuk. Because she had not been just a healer and a teacher. Lau had lived in many worlds, it seemed, just as Shan had traveled through many worlds to arrive here, at this ghost city in the desert where the gentle Lau had met her violent end.
He pulled out the paper he had taken from the dead American and studied the strange combination of letters. FBP the first line said. Could it be a code for numbers, with F meaning six, for the sixth letter of the English alphabet? He quickly calculated that FBP would mean six, two, and sixteen. Meaning what? An address? A phone extension? Or were the letters geographic abbreviations? FBP could mean Frankfurt, Beijing, and Paris, or a thousand similar combinations. He sighed and took comfort from the knowledge that the paper wasn't for him, not part of the mystery he was meant to solve.
His eyes fluttered with drowsiness. For a moment he saw Karachuk the way it had been, smelled the spices brought by the caravans, heard the creaking of well ropes, the laughter of youths dead all these centuries. It was still an oasis after so many years, it still attracted refugees from a harsh world outside. Perhaps the very fact that its current inhabitants were outcasts from politics and technology meant that they were much like the original citizens of the town. A dog barked from somewhere, whether from his dreams of the past or from the present he could not tell. The wind blew a sheet of sand around the shoulders of one of the stone sentinels on the distant wall, making it appear as though it were wearing a cape that flapped in the wind.
A small sad smile rose on Shan's face as he looked out over the ruins and contemplated not the mystery of Lau's death, but the mystery of life. He closed his eyes and let the timelessness of the place seep through him. A fragrance of spice wafted through his imagined caravan city, like the ginger he always smelled in those rare, perfect moments when he was able to conjure up a vision of his father. But when he opened his eyes to a dusk sky streaked with vermillion, the smell was so pungent that he stood to look for its source. It wasn't spice, he realized after a moment, but incense, and he followed the trail of the scent toward the top of the rocks.
The outcropping was wider than he had thought, easily a hundred feet across at the top, and in a shadow near the center he discovered steps that descended into a cleft in the rock. He followed the carved steps, worn smooth and hollow by centuries of use, and as he descended he heard a woman crying.
Chapter Seven
The gap between the rocks quickly closed up to form a passageway- not a cave, but a structure created long ago by building a roof over the cleft and squaring the walls with plaster. The first thirty feet were deep in shadow. Wary of falling into a concealed crevasse, Shan was about to retreat when the passage curved and he saw the small pool of light cast by a flickering oil lamp. The flame illuminated a dim image on the wall, the head of a bull with angry eyes, wearing a necklace of skulls. A Buddhist image, the shape of Yamantaka, king of the dead. Shan followed the path lit by another lamp ten feet away, then another, studying with reverent awe the paintings of wild animals and landscapes that came into view on the walls. After the fourth lamp, past a patch of naked rock where the plaster had crumbled away, the paintings changed. There was a gentle-looking deer, an image that had grown familiar to Shan in his visits to gompas, the symbol of Buddha's home in India, followed by scenes from the life of Buddha.
The winding tunnel opened into a broad chamber, which he realized had been a bowl in the outcropping that was covered by a roof. A dozen lamps set in wall niches illuminated what had once been a magnificent painting on the walls, a long continuous scene of a journey through an ancient land. To his left were sheep under willow trees, which grew along a road that linked the scene together. The road passed through low wooded mountains, and horses appeared, ridden by archers. The painting faded into the shadows at the back of the chamber, then emerged on Shan's right with scenes of camel caravans moving on sand toward snow-capped mountains.
Beyond a heavy table near the center of the room were several crude benches and sitting cushions arranged on an old carpet. Jakli sat on one of the cushions, staring at a lamp in her hands. She did not seem to notice as he stepped to the table. On it lay six long rectangular sandalwood boxes, plainly but expertly crafted with delicately fitted joints. Pechas, they were called, the Tibetan books that consisted of unbound pages of silk or parchment stacked inside a wooden case. One was open, and several of its pages were arranged in front of it as if it were being read. Behind the books was a bronze statue of Buddha, a foot high, and beside the large figure were several smaller figures of Buddha in gold, none more than three inches high. Below the table was a wooden box covered with dust-caked cloth. Shan pulled up a corner of the cloth. Inside was a jumble of spindles and cylinders, pieces of the prayer wheels used by Tibetan Buddhists.
He sat beside Jakli. "This was the place, wasn't it?"
She was weeping. No longer with the wracking sobs he had heard outside, not even with great emotion, but as she gazed silently into the lamp, he saw two tears roll down her cheeks. She looked up without embarrassment and nodded toward a pallet near the wall, in the darkest shadows of the chamber. He lifted a lamp and stepped toward the pallet. It was drawn up against a large object, covered with a cloth. He pulled on a corner of the cloth and it slowly slid away, revealing a three-foot-high Buddha carved of stone. The plaster just above the Buddha's left shoulder showed fracture lines extending from a single small hole. Down the left side of the statue a rust-colored stain ran to the floor.
"She started bringing me here years ago, whenever we happened to be at Karachuk together."
"She read the Buddhist books with you?"
"Sometimes. But mostly we sat and talked. It was just a quiet place." She looked about the room with a fond but melancholy expression. "For some people, once they knew about this place, this is where they would always go." Shan understood. He felt the reverence of the chamber. It was a place where he would go. Jakli looked back at the flame. "Sometimes she taught me things about healing. Sometimes, after she had gone to her council meetings, she told me about the silly things people do in towns. Ever since she learned my mother was Tibetan, she helped me keep her memory alive."
"Did you want to become a Buddhist?"
Jakli's eyes had drifted back to the stain on the statue. "Lau would never put a name on it. It was so I could worship my inner god,
is what she would say." She held the lamp up, as though to better see Shan's eyes. "It is not a bad thing, to be a Buddhist."
"No, it is not," Shan said with a sad smile and followed her eyes toward his hand. It was wrapped around the gau that hung from his neck.
"Are you one, then?" she asked in a puzzled tone.
Shan thought a moment. "When I was young my father took me to the old Taoist temples. Then they were destroyed. When I was older," he said with a sigh, remembering the secret altars made of sticks in his prison barracks, the rosaries of seeds and fingernails and the prayer wheels made of tin cans, "I was taught by Buddhist lamas. But I keep the Taoist verses alive inside me, for their wisdom, and for my father." He looked at the mural on the wall. And I keep the Buddhist verses in my heart, he almost said, because they brought me back to life after I had died. "I guess I am like you," he said. "A little bit of a lot of things." He looked at the small Buddha. Once, in a prison barracks, he had seen an altar consisting only of a series of curved lines scratched on the wall, representing the outline of a seated Buddha.
"I was never sure. I worried about betraying one of them, my mother or my father," Jakli said in a distant voice. "But coming here- it was Marco who showed me Karachuk, when Nikki and I were children. We would sit on the rock and watch for ghosts. We weren't scared. For centuries Karachuk was inhabited only by ghosts. In the old Karachuk it was different. Look-" She rose and carried her lamp to the fresco on the far side of the table, near the desert caravan scene. It showed a domed building that appeared to be a mosque, with men in the red robes of Buddhist clergy standing in front of it, apparently conversing with mullahs. "Here, the Buddhists and the Muslims learned to live together, to share their wisdom."
He turned back to Jakli and saw her staring at the pallet where Lau had died. "I told her so many things," Jakli said, another tear escaping down her cheek. "What if Lau died because of my secrets?"
"Are your secrets so dangerous?" Shan asked in surprise.
"Maybe."
Shan remembered Marco's words at the bar. They've proven that Jakli's not innocent, three times over.
"Because of the things you went to rice camp for?" he asked quietly, looking at the fractured plaster above the statue. There had been no exit wound from the bullet that killed Lau. Her killer had fired another bullet over her head, into the plaster. To secure her, perhaps to make her sit still while he tied her to the Buddha.
Jakli shrugged. "You know how it is. Chinese pest control. All it takes is a few strong words to be sent behind the lao jiao wire."
"Three times," he said. Three bowls, he thought, remembering Wangtu's words.
"First time, I told a Chinese teacher that she was wrong to say Kazakhs and Uighurs were descended from Chinese. She took me to the headmaster. He hit me with a bamboo stick and I apologized. But when I left, there was a rally outside by the Muslim students. The headmaster said it was my fault, that I had organized a political protest. Eleven months in Glory Camp, memorizing the Chairman's verses. They never let me back into school after that."
"But that was only the first."
Jakli's eyes settled on the oil flame again. "At a collective meeting the Chinese birth inspectors announced a new campaign of enforcement. I stood up and asked them what right they had. We produce plenty of food to feed our families. There's plenty of land. I said they limit the number of babies and keep all the good doctors for the Han. Many more of our children die. It's just slow genocide, I said."
"You said that?" Shan asked in disbelief. "Genocide?"
"That was twelve more months, at a camp in the desert. Everything was full of sand there. It was the truth, what I said."
"I know," Shan said somberly. "But I never heard anyone say it in public."
"Then there was a campaign against smugglers. A tent at our clan's camp was found with boxes of Western medicines and portable tape players. You know, with the little headphones. They had no evidence, didn't know whose tent it was. I told them it was my tent."
"But you weren't smuggling."
"No. But the tent was my uncle's, and the goods were from Nikki. I couldn't let either of them get arrested. My uncle, he has to watch over the clan. And Nikki, they would be tough on him. He would be like a caged tiger if they put him behind wire. For me, all they could charge was concealing evidence. So I got ten more months in reeducation."
"But after three terms, it's hard labor," Shan said soberly. "The gulag." He remembered Akzu's warning when she had first appeared at the trailhead. It's too dangerous for you, he had said to his niece.
Jakli nodded slowly and pushed back a loose strand of hair. "But that won't happen now. Nikki will protect me."
"Nikki. He is Marco's son."
Jakli nodded again and turned her face to Shan's, suddenly smiling through her damp eyes. The strand of hair fell back, and she curled it around her finger with the shy expression of a young girl. "We're going to be married- at the nadam, the horse festival."
Shan looked away self-consciously. He did not know what to say. Marriage, and all it implied, was so distant to him it seemed like some vague concept he had read about in an old book. He looked back silently for a long moment. "But he is away."
"On the other side of the border. One last trip."
Shan nodded. The son of Marco the smuggler was a smuggler himself. "And Lau knew about your marriage."
Jakli nodded, still fingering her hair. "She was filled with joy when I told her. Nikki was always one of her favorites," she added, and her eyes drifted back to the flame.
Jakli was going to marry a young Eluosi, the tiger for whom she had gone to jail. He studied her. The longer she sat looking at the flame, the more frightened she appeared to be.
Shan looked about the chamber again. Lau had been there alone in the flickering light when Nikki had found her body. "Who was here that night, at Karachuk?" he asked, staring at the stained Buddha. He walked slowly along the wall, feeling one moment warmed by the simple beauty of the ancient painting, the next chilled by the thought of the violent death Lau had met there. She moved from one person she trusted to another, Wangtu had said, as though from one oasis to another.
Jakli sighed. "Marco was here, Nikki, and Osman. Others, drinking at the inn. When we took her body to the cave we asked all the obvious questions. For hours we talked about it. No strangers were here. No one even saw a strange horse or camel. A vehicle would have been heard. Osman said it was the ghosts. Everyone laughed, but he wasn't joking."
"A horse could have come," Shan suggested. "It could have been left on the far side of the wall and not have been noticed. Or the killer could have left the horse on the far side of the rock, and climbed over without going inside the old city."
She nodded slowly. "Lau came on her horse. You heard Marco. Her horse was all lathered, she had been riding hard across the desert."
"Because she was rushing to see someone?" He stopped by the table and looked into the box of religious artifacts again. Something glinted in the light. He reached down the side of the box and pulled out a long cylindrical object, capped by a needle. A disposable syringe.
"No one," Jakli said in a faint voice. She was looking at him with a stark, frightened expression. She had seen the syringe. "No one knew she was here."
"The killer knew." Lau was running from someone, Shan thought. And came to Karachuk for sanctuary. He looked back at the statue. In the dim light it looked like the Buddha had been shot and had bled its heart onto the floor.
He stared at the syringe in his hands, then abruptly let go of it, as if it could strike him of its own will. It dropped into the shadows and he stood staring at his empty hand. He paced around the chamber, studying the old painting again, somehow sensing something of Lau. An old monk had told him that sometimes when people died in great pain little pieces of their soul broke away and wandered aimlessly about. "Do you know now why she wrote that letter to the prosecutor?" he asked.
"She didn't mean it," Jakli said.
All traces of the sun were gone as Shan stepped out of the cave, but the sky was brilliant with trembling stars and a rising two-thirds moon. A chill wind blew, the kind some monks called a soul-minding wind from the way it made the spirit wary and instantly alert. From across the desert came the howl of a night animal and, much closer, the chirp of a cricket.
He found his former perch overlooking Karachuk and turned up his collar against the cold. There was no activity, no sign of life, except a few glimmers through the thin cloth that hung in half a dozen windows. His fingers absently ran through the white sand by his leg. He longed to return to the dreamlike state he had felt when he first sat on the rocks, but the vision of Lau dying in the Buddha's arms had burned too deeply. His fingers made random shapes in the cool moonlit sand. Then he stopped, wiped the sand smooth, and made a two-part ideogram. The top was a small cross mark whose ends swept into right-facing curves, with a long tail to the left. It symbolized a high barren plateau and implied emptiness. The bottom half had two Y-shaped figures standing on a curved line, showing two humans standing back to back on a mound. The ideogram meant openness and was the sign his father always used for Chapter Eleven of the Tao te Ching. Using what is not, it was called:
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