Water Touching Stone is-2

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Water Touching Stone is-2 Page 32

by Eliot Pattison


  "The tent," the voice said, "the tent in which the Great Khan holds court is grand enough to accomodate one thousand princes. Each hall of the tent is supported by columns of spicewood skillfully carved, and the outside is hung with lion skins. Inside the walls are all of ermine and sable…" The words were strange, yet familiar- as though he had heard them before, but in a different language, and in another lifetime.

  What were the stages, he tried to recall, the stages of Bardo, when the spirit drifted until it saw the path to rebirth? Ignorance at first, clinging to the illusion that the body still lived, then realization that death has occurred- the Glimpsing Reality stage, the lamas called it, when uncertainty and hallucinations of the past lives might pull the dead back, delaying the final realization that there was no path possible but rebirth.

  He fell back into the dark, silent hell, then smelled ginger in his hallucination. His father was walking in the shadows ahead of him, excited because they were going to watch the sun rise from an old Taoist temple. They met a kind old Englishman whom his father introduced as a professor of Chinese history, who joined their journey. Later his father stopped and asked if he were tired. He rubbed Shan's cheek with his hand. His hand was wet. It was rough. It smelled foul.

  Shan opened his eyes and cried out. The tongue of a silver camel was licking his face. Then he sat up, awake in his old body, and the animal twisted its head and looked at him with an expression of disbelief. With a gasp of unexpected pleasure, Shan realized that somehow he knew the animal's name: Sophie.

  A figure appeared at the entrance to his chamber, then stopped and ran away, calling out excitedly.

  A moment later Jakli ran in, Lokesh two steps behind her. His old friend knelt and clasped his frail hand over Shan's own, a huge smile on his face. Jakli held a large dipper to Shan's lips and insisted he drink again and again.

  "How?" he asked, and found his throat was rough and gravelly, unprepared for speech.

  Both his friends explained at once, and gradually he understood that it had not been the old ones they had seen but Marco and Deacon, wrapped in heavy felt blankets, tied to Sophie, who lay like an anchor on top of the nearest dune. It was an old trick of the desert clans. The anchor had to stay on top, where the wind hurt the most, because below, out of the strongest wind, was where the sand filled, where everything was buried. Marco and the American had pulled them inside the shelter of their blankets, then followed their ropes to Sophie, where they had waited for three hours, using Sophie as their windbreak, all five rolled in the blankets like a giant cocoon. When the howl of the wind had stopped, they had looked out to find themselves on a flat expanse of sand, the nearest dune a quarter mile away. The truck had vanished.

  "Thank your god," Marco said, "that it was only a little one, just a small storm."

  Jakli poured water on a cloth and wiped Shan's head. "You hit your skull on the truck," she explained. "A concussion, against the bumper."

  "How long?" he asked in confusion.

  She sighed and shook her head. "Almost two days. I'm so sorry," she said with pain in her eyes.

  He wondered about her apology a moment, then realized she meant it was a day too late. He gazed at her dumbly, his mouth open. He would not be going to Nepal and a new life, he would not meet the old professor after all. "And this place?" he finally asked.

  "Sand Mountain. Marco was already here. Osman called him on the radio and said to watch for us because of the storm."

  "The radio?" Shan croaked. His throat still felt parched despite all the water.

  But no one seemed to hear. They were looking up at the entrance to the chamber, where Marco stood with a lean sandy-haired man. Jacob Deacon.

  "Is the great investigator ready to talk?" the Eluosi barked out from thirty feet away.

  "He's too tired," Jakli protested.

  "It's all right," Shan said and extended his hand to Lokesh. But as he started to rise dizziness overwhelmed him, and he dropped to his knees.

  Marco walked to his pallet and stood over him, stroking Sophie's neck.

  "A few more hours' rest," Jakli said. "This afternoon."

  Marco nodded reluctantly. "If Sophie and Jakli say wait, I wait. But a few more hours only." He moved back into the shadows.

  "This afternoon?" Shan asked. "But it is night."

  "This is a cavern," Jakli explained. "A water station. A monastery even, long ago."

  "A water station?"

  "The aqueducts under the sand. The karez- they brought water from the mountains when there were still huge ice fields. The textbooks from Beijing say that engineers from Nanjing and Sian built them but the old stories and the walls say otherwise. Men from Persia came to build them during your Tang dynasty, in exchange for the precious stones and fruit from our land. The walls have paintings of them."

  A thick, worn book lay beside his pallet. "Someone was reading to me," he said. He picked it up. The Travels of Marco Polo, in English.

  "I was," Deacon said. "Warp's idea, she says it helps bring an injured brain back."

  "Warp?"

  Jakli put a finger to his lips. "There will be time later for explanations." She handed him the ladle again.

  Shan drank. His thirst seemed unslakable. "The water still flows from the mountains?"

  "A trickle, enough to keep Sand Mountain alive."

  "But it must have been a thousand years."

  Jakli nodded and pushed him gently back down on his pallet. "Now sleep again. We will be near."

  But when he awoke the chamber was empty. Carefully, wary of summoning the pain that came with sudden movement, he picked up the clay lamp by his pallet and began to explore.

  The chamber was roughly forty feet on each side. Two of the walls had been plastered and held life-sized paintings of stern men with blue eyes and long reddish hair and beards that were squared at the bottom. Their faces somehow reminded him of the woman in the poster, Niya. They were offering gifts to other figures who stood in front of horses, scores of tiny horses painted out of scale. Down the tunnel that led out of the room he saw half a dozen meditation cells. He looked in one and stepped back quickly. Two figures lay asleep under blankets of rough sacking.

  The tunnel parted. To the right he saw lights and heard several voices. He stepped to the left and soon emerged into another large chamber. Sophie stood there with two other camels. On the sand floor beyond was a bright patch, reflected from a passage at the end of the chamber. Sophie greeted him with a soft wickering sound, and he rubbed her neck a moment, then followed the curving passage for twenty feet and emerged into brilliant sunlight.

  Shielding his eyes, he stepped into the desert. The sky was a brilliant cobalt, devoid of clouds. He quickly discovered that the Sand Mountain was a long outcropping of sandstone, much bigger than the one that held the temple at Karachuk, perhaps two hundred feet high and over half a mile long. There was a ruin near the top, an old sentinel tower of cut stone. He walked halfway up the path that led to the tower and sat on a rock, then stretched and filled his lungs. The air was pure and clear, with no scent of the death it had carried two days earlier. In the far south a long line of white hovered on the horizon. Not a cloud, he knew, but the high Kunlun, where Gendun sat inside the mountain, waiting.

  Two days, he thought. In two days the killer could have found another boy.

  When he went back inside, through the small fissure hidden in shadow, Jakli was sitting at the entrance, bent over a wooden bowl, rubbing something with a brush of brass wire. She did not notice him until he knelt beside her.

  "I'm sorry," she said, lowering the brush. "I should have taken you back to Senge Drak. You had a new life to go to. It is my fault."

  "I think in that storm," Shan said after a moment, looking out the opening toward the desert, "in those moments when the blackness overtook us, I think I gave up that life."

  She looked up and nodded solemnly, as if she perfectly understood, as if it had been the bargain Shan had made with the deities of the dese
rt, the price he had paid to keep them all alive.

  He gestured toward the bowl and she gave a sigh of exasperation, then rubbed the object in her hand with an oily cloth and held it up for Shan's inspection. "Virtue medallions," she said. "Deacon uncovered them by one of the altars."

  Shan saw that there were perhaps a dozen pieces in the bowl, some caked with dirt, others already cleaned and shining brightly in the light. Jakli held the one she was working on in her open palm. It was a two-inch trapezoid made of bronze, slightly curved at the ends, which were punctured with small holes and inscribed with intricate ideograms.

  "For the warrior monks," she explained. "We found references in some of the old books. Today, soldiers receive awards for valor. But valor was taken for granted in the old armies, in the monk ranks. It was virtue that was sought. Maybe a soldier made an act of sacrifice for his parents. Maybe he dedicated his life to the perfection of his archery. Maybe he spent all his off-duty hours writing the nine million names of Buddha, or performed great feats for the cause of truth. He would be rewarded with a medallion from his general."

  "They must be centuries old," Shan said in an awed tone.

  "From the Tibetan garrisons that were here. Eleven, maybe twelve centuries ago."

  "They belong in a museum."

  The words brought a strangely emotional reaction. Jakli clenched her hand around the medallion. "Not with the communists," she said in a fierce tone, then calmed. "Virtue shouldn't be locked in museum."

  "No," Shan said, not certain what he meant. He knelt and reached into the bowl, picking up two of the restored medallions. Half of those in the bowl, all the clean ones, were tied in pairs with waxed string. Each pair matched. In his hand was a pair of two rectangles, inscribed with lotus flowers running across their faces. There was a round set, with an eagle's face, and another pair with a running horse.

  "Auntie Lau," Jakli said. "She once told me that such treasures belong to no one, that they are entrusted from time to time to an honored few, then passed on like a force of nature."

  Shan remembered that Lokesh had used similar words, about virtue. "But where do such things go?" he asked, reaching into his pocket to touch the medallion there, realizing now that Lau had possessed one of the ancient tokens. He began to pull it out, to show Jakli.

  "The people of the desert are the ones to decide how to share the secrets of the desert," a woman's voice said at the edge of the shadows, speaking in English.

  Shan dropped Lau's medallion back into his pocket and pulled out his hand.

  "Warp!" Jakli exclaimed as a woman with long black hair tied in a single braid at the back emerged into the light. She wore heavy black-framed spectacles and was older than Jakli, and shorter, so small-boned that she seemed lost in the oversized green smock she wore. It was the kind of smock doctors wore, or laboratory workers.

  "And the dead will walk again," the woman said, with a narrow smile toward Shan. She extended her hand as Shan rose. "We were very worried about you," she said, now speaking in fluent Mandarin. "Abigail Deacon."

  "Professor of Cultural Anthropology," he said in English. Her grip was firm, and as she squeezed his hand the woman stared intensely at him. Her skin was olive-colored, and her eyes, though brilliant blue, had an almond shape, the hint of an Asian heritage.

  "Shan Tao Yun," the American woman shot back. "Formerly of the Chinese government."

  Shan nodded slowly, with a quick glance at Jakli. "Good," he said. "There is no time for anything but the truth."

  "Is he always so serious?" Abigail Deacon asked Jakli with raised eyebrows.

  Jakli smiled at Shan, who stood uncomfortably between the two women. "Sophie licks his face," Jakli offered in reply.

  The American nodded thoughtfully, as though acknowledging the point, then wiped her spectacles on her smock and studied Shan carefully. "Jakli said you lost a chance at a new life, by coming to warn us."

  Shan shrugged. "All I know for sure is, I gave up a hard week's ride in the back of a truck."

  The American woman smiled. "The least we can do is invite you to dinner," she said, then turned and stepped back into the shadows.

  "In his hut at Karachuk," Shan recalled after a moment. "Deacon was studying old cloth. Is that what his wife is doing here?" He didn't ask Jakli the rest of the question. What had Deacon been doing with a human leg?

  Jakli nodded as she scrubbed another medallion. "Abigail is an expert. She sees things in cloth no one else can see."

  "Why here? Why so much secrecy?"

  "Here is where the cloth is. In the desert. In the ruins. It doesn't travel easily. So it's better to study it here."

  "But there are museums of antiquities. In Lhasa. In Urumqi."

  "What she does is special," Jakli said enigmatically.

  "You mean political," Shan said in puzzlement. The Americans clearly were in China without permission. Surely they hadn't put themselves at risk of capture by a man like Bao over pieces of cloth.

  Jakli kept cleaning a medallion without reply.

  "What could be political about cloth?" he pressed.

  Jakli frowned without looking up.

  "I was sent on a path leading from the murders. The only way I can get to the end of it is by understanding everything I encounter on the way."

  She cast a peevish frown his way, then covered the bowl with an old towel and stood with the bowl balanced against her hip. She led him down the tunnel, past the corridor to the room where he had slept. They pushed aside a heavy felt blanket that had been hung in the corridor, then a second, lighter cloth that was tacky to the touch, as though designed to catch dust and flying insects. They entered a well-lit room that seemed half laboratory and half library. Eight tables, made of planks on trestles, were arranged in two rows. One, against the wall, had a series of smaller trestles and planks that had been stacked to form shelves for dozens of books. Two tables held binocular microscopes, like the one Jacob Deacon had used at Karachuk, with a sophisticated camera beside one. Scattered about were large clear plastic envelopes holding bits of cloth. A balding man, with several days' growth of whiskers, was bent over one of the microscopes, manipulating a piece of cloth with two metallic probes. Abigail Deacon sat at a computer console surrounded by pieces of cloth in long transparent envelopes. Incandescent bulbs hung from wires strung across the ceiling. Shan followed the wires to a bank of batteries, larger but otherwise identical to the solar power system he had seen at Karachuk.

  The older man's head jerked up. He muttered a syllable of alarm and Abigail Deacon turned. Her frown was not one of anger, only irritation at being interrupted. She turned for a moment to make several strokes on her keyboard, then removed the computer disc and inserted it into a plastic case. Shan counted a dozen similar cases on the table, all with discs inside. She spoke to the older man in the Turkic tongue, then turned to Shan.

  "My husband said you would have questions. Lots of questions," the American woman sighed. She rubbed her eyes a moment, then motioned to a large thermos, from which she poured tea into three mugs, setting two on the table by the second microscope. "Sorry," she said. "Chairs are in short supply. We don't bring many nonessential goods this far. Take mine," she said with a gesture toward the stool at the computer console.

  Shan shook his head. "You speak both Mandarin and the tongue of the clans," he observed, question in his tone.

  The American woman nodded. "My grandmother was a Kazakh. Married an American archaeologist when he was here exploring the Silk Road early in the last century. Kept the languages alive in our family."

  Shan's eyes fixed on the nearest envelope of fabric, a strip of vivid and jagged red, yellow, brown, and blue lines, like lightning bolts. It was frayed at the edges and had several small holes, but the colors were vibrant and the cloth looked strong. "You find cloth, Mrs. Deacon," he said uncertainly. "You make records about types of cloth."

  "Warp," the woman said. She smiled when she saw Shan's confusion. "My husband is Deacon. I'm not Mr
s. Deacon. Or Dr. Deacon. And not Abigail. Just Warp, like on a loom. Nickname from college." She made an up-and-down, swimming sort of motion with her hand, and Shan understood it to mean the motion of thread being woven through a loom.

  "Warp," Shan said slowly, and the American smiled.

  "Before we began paying attention to the Taklamakan," the American began, "there was only one place on the planet that gave us worthwhile samples of ancient textiles: Egypt. Always a problem for archaeologists, because it means a huge gap in understanding ancient cultures. Textiles played such an important role in life. Always a major industry. Typically textile production consumed more labor in ancient society than production of food, and always it reflected religion and culture. In Egypt we can use textiles to place a person's social status, his job, sometimes even his or her personal hygiene."

  "But in Egypt," Shan said, "the fabric must be two, three thousand years old." He looked back at the sample. "This looks much more recent." As his gaze drifted across the laboratory, it paused on the top shelf of books. One end had been cleared away to make room for half a dozen cricket cages. He recognized them- Deacon's treasured cages from Karachuk. On another shelf were stacks of the wedge-shaped wooden tablets.

  "We date with radiocarbon, using wooden artifacts found with the samples. Hairpins, utensils. Wooden jewelry. Wooden letters, sometimes," she said, nodding toward the stacked tablets. The American woman pointed toward the textile sample in the envelope by Shan. "That's about a thousand to twelve hundred."

  "Sung dynasty," Shan said, wonder in his voice.

  The American shook her head. "One thousand B.C. Your Shang dynasty."

  Shan looked up in disbelief.

  "The sands. The dryness. Exactly like in Egypt," she explained. She pushed another piece of fabric toward Shan, showing him its subtle design of sheep in several colors. The border of a robe, she explained.

  "But this should be celebrated," Shan said. "I've never heard-" He broke off in confusion at the sad glance exchanged between Jakli and the American.

 

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