“That, added to the boy on the scooter she ran over while she was driving under the influence. There are a lot of mothers in here, Dr. Scarpetta. Grandmothers, too. Even a few great-grandmothers. Most of these inmates have children. They don’t tolerate anyone who harms a child,” she goes on in a slow, quiet voice that is as hard as metal. “I got wind of a plot, and for Kathleen’s own protection I transferred her to Bravo Pod, where she’ll remain until I feel it’s safe to move her.”
“I’m curious about what’s been in the news, exactly.” I try to draw out details of what I suspect is a complete fabrication. “I don’t think I’ve heard this same news. I don’t recall hearing Kathleen’s name mentioned in connection with the Massachusetts cases.”
“Apparently one of the inmates, or maybe it was one of the guards, someone here caught something on TV about Kathleen’s past,” Tara says evasively. “About her being a sex offender, and it spread like wildfire. It’s not a popular thing to be at the GPFW. Harming a child isn’t forgiven.”
“And you saw whatever this was on the news as well?”
“I didn’t.” She watches me as if trying to figure out something. “I’m just wondering if there’s another reason,” I add.
“You think there might be.” It’s not a question the way she says it.
“I was contacted about this visit two weeks ago, or, more accurately, Leonard Brazzo was,” I remind her. “Which was around the time Kathleen was moved to protective custody and lost e-mail access. What this suggests to me is the rumor started spreading like wildfire about the same time I was asked to meet with her. Would that be correct?”
She holds my gaze, her face inscrutable.
“I’m just wondering if there really was anything in the news.” I go ahead and say it.
3
The slayings began in northeastern Massachusetts about eight months ago, the first victim a star college football player whose mutilated nude body was found floating in Boston Harbor near the Coast Guard Station.
Three months later a young boy was killed in his own backyard in Salem, assumed to be the victim of a black-magic ritual that involved hammering nails into his head. Next an MIT graduate student was stabbed to death with an injection knife in a Cambridge park, and finally Jack Fielding was shot with his own gun. We were supposed to believe that Jack killed the others and himself, when in fact his own biological daughter is to blame, and perhaps she would have gotten away with it had she not failed in her attempt on me.
“There’s been a lot about Dawn Kincaid in the media,” I continue making my point to Tara Grimm. “But I haven’t heard anything about Kathleen or her past. For that matter, what happened to Jack as a boy hasn’t been in the news. Not that I’m aware of.”
“We can’t always stop outside influences,” Tara says cryptically. “Family members are in and out. Lawyers are. Sometimes powerful people with motives that aren’t always obvious, and they get something started, place someone in harm’s way, and next thing that person loses what few privileges she had or loses a lot more than that. I can’t tell you how many times these liberal crusader types decide to set things right and all they do is cause a lot of harm and put a lot of people at risk, and maybe you should ask yourself what business it is of someone from New York City to come down here and meddle in things.”
I get up from a prison-built chair that is as hard and rigid as the warden who ordered it made, and through open blinds I see women in gray prison uniforms working in flower beds and trimming grass borders along sidewalks and fences and walking greyhounds. The sky has gotten volatile and is the color of lead, and I ask the warden who from New York City? Who is she talking about?
“Jaime Berger. I believe the two of you are friends.” She steps out from behind her desk.
It’s a name I haven’t heard in months, and the reminder is painful and awkward.
“She’s got an investigation going on, and I don’t know the ins and outs of it, and shouldn’t,” she says, about the well-known head of the Sex Crimes Unit for the Manhattan District Attorney’s Office. “She has big plans and is insistent that nothing is leaked to the media or to anyone. So I didn’t feel comfortable mentioning anything about it to your lawyer. But it did occur to me you might have found out anyway that Jaime Berger has an interest in the GPFW.”
“I know nothing about an investigation and have no idea.” I’m careful not to let what I’m feeling register on my face.
“You seem to be telling me the truth,” she says, with a glimmer of defiance and resentment in her eyes. “It seems what I’ve just said is new information to you, and that’s a good thing. I don’t appreciate people telling me one reason for something when they really have another. I wouldn’t want to think your coming here to visit Kathleen Lawler is a ruse to cover up your involvement with another individual I’m responsible for at the GPFW. That you’re really here to help Jaime Berger’s cause.”
“I’m not part of whatever she’s doing.”
“You might be and not know it.”
“I can’t imagine how my coming to visit Kathleen Lawler would have anything to do with something Jaime is involved in.”
“I’m sure you’re aware that Lola Daggette is one of ours,” Tara says, and it’s a strange way to phrase it, as if the GPFW’s most notorious inmate is an acquisition like a rescued race dog or a rodeo rider or a special plant cultivated in the nursery down the road.
“Dr. Clarence Jordan and his family, January sixth, 2002, here in Savannah,” she continues. “A home invasion in the middle of the night, only robbery wasn’t the motive. Apparently killing for the sake of killing was. Hacked and stabbed them to death while they were in bed, except for the little girl, one of the twins. She was chased down the stairs and got as far as the front door.”
I remember hearing Savannah medical examiner Dr. Colin Dengate present the case at the National Association of Medical Examiners’s annual meeting in Los Angeles some years ago. There was a lot of speculation about what really happened inside the victims’ mansion and how access was gained, and I seem to recall the killer made a sandwich, drank beer, and used a bathroom and didn’t flush the toilet. It was my impression at the time that the crime scene raised more questions than it answered and the evidence seemed to argue with itself.
“Lola Daggette was caught washing her bloody clothing and then made up one lie after another about it,” Tara says. “A drug addict who had problems with anger and a long history of abuse and run-ins with the law.”
“I believe there’s a theory that more than one person could have been involved,” I reply.
“The theory around here is justice was served, and this fall Lola should get to explain herself to God.”
“DNA, or maybe it was fingerprints, was never identified,” I begin to remember the details. “Opening up the possibility of more than one assailant.”
“That was her defense, the only remotely plausible story her lawyers could come up with that might explain how the victims’ blood could be all over her clothes if she wasn’t involved. So they manufactured an imaginary accomplice to give Lola someone to blame.” Tara Grimm walks me out into the hall. “I wouldn’t like to think of Lola being free in society, and it’s a possibility she could have that opportunity even though her appeals are used up. Apparently new forensic tests of the original evidence were ordered, something about the DNA.”
“If that’s true, then law enforcement, the courts, must have a substantive reason.” I look down the hallway to the checkpoint, where guards are talking to each other. “I can’t imagine the Georgia Bureau of Investigation, the police, the prosecution, or the court would allow evidence to be retested unless there were legitimate grounds for it.”
“I suppose it’s within the realm of possibility that her conviction could be overturned. Could be others getting out early on good behavior, for that matter. Could be one big jailbreak here at the GPFW.” The warden’s eyes are hard, the glint in them now undisguised anger.
“Ja
ime Berger’s not in the business of getting people out of prison,” I reply.
“That seems to be the business she’s in now. She’s not paying social calls on Bravo Pod.”
“This was how long ago, exactly? When she was here?”
“I understand she has a place in Savannah, a getaway. It’s just something I’ve heard.” She dismisses the information as gossip, while I’m certain it’s more than that.
If Jaime came here to the GPFW to interview someone on death row, she didn’t do so without going through exactly what I am right now. She sat down with Tara Grimm first. Social calls,as in more than one. A getaway from what, and for what purpose? It seems completely out of character for the New York prosecutor I used to know.
“She’s been coming here, and now you’re here,” the warden says. “I have a suspicion you’re someone who doesn’t believe in coincidences. I’ll let the officers know it’s all right to take that photograph in and leave it with Kathleen.”
She steps back inside her office, and I follow the long blue hallway, returning to the checkpoint, where a corrections officer in a gray uniform and baseball cap asks me to empty my pockets. I’m told to place everything in a plastic basket, and I hand over my driver’s license and the van keys and explain the photograph has been approved by the warden, and the officer says he’s aware and I can carry it in with me. I’m scanned, patted down, and given a clip-on red badge that says I’m official visitor number seventy-one. My right hand is stamped with a secret code word that will show up only under ultraviolet light when I’m leaving the facility later today.
“You might get in this place, but if your hand isn’t stamped, you’re never getting out,” the officer says, and I can’t tell if he’s being friendly or funny or something else.
His name is M. P. Macon, according to his nameplate, and he calls on his radio for Central Control to open the gate. A loud electronic buzz, and a heavy green metal door slides open and clacks shut behind us. Then a second one opens, and visitation rules posted in red warn that I’m entering a zero-tolerance workplace for inmate-employee relationships. The tile floor has just been waxed and is tacky beneath my loafers as I follow Officer Macon along a gray corridor where every door is metal and locked and every corner and intersection are hung with convex security mirrors.
My escort is powerfully built and has a vigilant air that borders on combat wariness, his brown eyes constantly scanning as we reach another door that is remotely opened. We emerge into the yard in the heat, and low, ragged clouds stream overhead as if fleeing some encroaching danger. Lightning shimmers in the distance, thunder cracks, and the first drops of rain are the size of quarters on the concrete walkway they smack. I smell ozone and freshly cut grass, and the rain soaks through the thin cotton of my shirt as we walk fast.
“I was thinking this would hold off for a while.” Officer Macon looks up at a dark churning sky that any second is going to split open directly over us. “This time of year, it’s every day. Starts out sunny with a blue sky, just pretty as can be. Then we get us a bad storm, usually by four or five in the afternoon. Clears the air, though. This evening it will be cooled off nice. At least for this time of year in these parts. You don’t want to be here in July and August.”
“I used to live in Charleston.”
“Well, then you know. If I could take summers off, I’d head up to where you just came from. Probably a good twenty degrees cooler in Boston,” he adds, and I don’t like it that he knows where I started out this morning.
Not exactly a difficult deduction to make, I remind myself. Anyone who checks would find out I work in Cambridge, and the nearest airport is Logan in Boston. He unlocks an outer gate and leads me along a walkway with high fencing and rolls of razor wire on either side. Bravo Pod looks no different from the other units, but when the outer door clicks open and we step inside, I feel a collective misery and oppressiveness that seems to seep from gray cinder block and polished gray concrete and heavy green steel. The control room on the second level is behind one-way mirrored glass directly across from the entrance, and there is a laundry room, an ice machine, a kitchen, and a grievance box.
I wonder if it’s true, that this is where Jaime Berger came when she was here. I wonder what she talked about with Lola Daggette and if it is connected to Kathleen Lawler’s being moved into protective custody and how any of it might relate to me. For Jaime to come here and deliberately place someone in harm’s way doesn’t sound like her, either. It’s inconceivable to me that she could have been the source of a rumor about Kathleen Lawler’s past that engendered hostility among the other inmates. Jaime is smart, shrewd, and exceedingly cautious. If anything, she is careful to a fault. Or she used to be. I haven’t seen her in six months. I haven’t a clue what is going on in her life. My niece, Lucy, never mentions her or what happened, and I don’t ask.
Officer Macon unlocks a small room that has large plate-glass windows flanking the steel door. Inside are a white Formica table and two blue plastic chairs.
“If you just wait here, I’ll bring in Miss Lawler,” he says. “I may as well warn you, she’s a talker.”
“I’m a pretty good listener.”
“The inmates sure do love attention.”
“Does she have visitors often?”
“She’d like that, all right. An audience around the clock. Almost all of them would.” He doesn’t answer my question.
“Matter where I sit?”
“No, ma’am,” he says.
Typically in interview rooms if there is a hidden camera it will be mounted diagonally across from the subject, which in this instance would be the inmate and not me. There is no camera in here, I’m fairly certain, and I sit down and scan for hidden audio surveillance microphones, fixing my attention on the ceiling directly over the table, noticing the metal fire sprinkler and next to it a tiny hole surrounded by a white mounting ring. My conversation with Kathleen Lawler will be recorded. It will be listened to by Tara Grimm and possibly others.
4
Since Kathleen Lawler was moved into protective custody, she has been locked up twenty-three hours a day inside a cell the size of a toolshed with a view through metal mesh of grass and steel fencing. She can no longer see the concrete picnic tables, benches, or flower beds she’s described in e-mails to me. She rarely catches a glimpse of another inmate or a rescued dog.
The one hour she is allowed out for recreation she walks in “boring perfect squares” inside a small caged area while a corrections officer watches from a chair parked next to a bright yellow ten-gallon cooler. If Kathleen wants a drink of water, a small paper cup is pushed through chain link. She’s forgotten the human touch, the brush of fingers against hers or what it’s like to be hugged, she says, with a dramatic flair, as if she’s been in Bravo Pod most of her life instead of only two weeks. Being in PC, or protective custody, is the same thing as death row, she says, about the new situation she finds herself in.
She no longer has access to e-mail, she explains, or to other inmates unless they yell cell to cell or stealthily carom folded notes called “kites” under the doors, a feat that requires rather remarkable ingenuity and dexterity. She’s allowed to write a limited number of letters each day but can’t afford stamps and is very grateful when “busy people like you bother to think about people like me and pay a little attention,” she makes a point of saying. When she isn’t reading or writing she watches a thirteen-inch TV built of transparent plastic with tamper-resistant screws. It has no internal speakers and the signal is weak, the reception very poor in her new confines, the worst ever, and she conjectures it’s because of “all the electromagnetic interference in Bravo Pod.”
“Spying,” she claims. “All these male guards and a chance to see me with my clothes off. Locked up in here all by myself, and who’s going to witness what really goes on? I need to move back to where I was.”
Allowed only three showers per week, she worries about her hygiene. She worries about when she wi
ll be allowed to get her hair and nails done again by inmates who aren’t the most skilled stylists, and she irritably indicates her overprocessed short dyed blond hair. She complains bitterly about the toll incarceration has taken on her, about what it’s done to her looks, “because that’s the way they degrade you in here, that’s the way they get you good.” The polished-steel mirror over the steel sink in her cell is a constant reminder of her real punishment for the laws she’s broken, she says to me, as if it is the laws themselves that are her victims, not human beings she has violated or killed.
“I keep trying to make myself feel better by thinking, Well, Kathleen, it’s not a real glass mirror,” she muses from the other side of the white Formica table. “Everything that reflects anything in this place must cause distortion, don’t you think? The same way something is distorting the TV signal. So maybe when I look at myself, what I’m seeing is distorted. Maybe I don’t really look like this.”
She waits for me to affirm that her beauty really isn’t lost, that her steel mirror is guilty of fraudulent reflections. Instead I comment that what she describes sounds terribly difficult and if I found myself in a similar situation I’m sure I’d share many of her same concerns. I would miss feeling fresh air on my face and seeing sunsets and the ocean. I would miss hot baths and skilled hairstylists, and I sympathize with her about the food especially, because food is more than sustenance to me and I feel comfortable talking about it freely. Food is a ritual, a reward, a way of soothing my nerves and brightening my mood after all I see.
In fact, as Kathleen Lawler continues to talk and complain and blame others for her punishing life, I think about dinner and look forward to it. I won’t eat in my hotel room. That would be the last thing I feel like doing after being trapped in a dirty stinking cargo van and now inside a prison with an invisible code word stamped on my hand. When I check into my hotel in Savannah’s historic district, I will wander along River Street and find something Cajun or Greek. Better yet, Italian.
Red Mist ks-19 Page 3
