by Paul Doherty
Sometimes we met other travellers and conversation with them enlivened the boredom: merchants, wandering friars, the occasional hunting party, clerics or landless men looking for labour. They constantly warned us of the danger of the roads, about the thieves and vagabonds who dressed in green or brown buckram and played Robin Hood in the dark forests or wastelands we passed through. At other times my master, tired by the reticence of Agrippa and the others, continued his absorption with alchemy. Both of us did try to draw Ruthven further on his outburst in the taproom but he openly scorned us. He became withdrawn, chatting only to Moodie.
At last we turned off the main high road and approached the city of Leicester. The mayor and civic dignitaries met us in a blaze of colour at Bow Bridge with the usual greetings and pleasantries. My master studied the bridge carefully.
'Roger,' he whispered, 'you know Richard III, the Great Usurper, passed over here on his route to Bosworth? As he passed, his leg struck the side of the bridge and an old witch prophesied that when he returned his head would strike the same spot.' Benjamin leaned closer. 'Richard's naked corpse was brought back slung across a donkey. Tonight we are to lodge at the Blue Boar inn near High Cross, the same tavern the Usurper rested at before Bosworth. Now I suspect some villainy so when we get there, slip away. Go to the Greyfriars Church, conceal yourself somewhere so you can watch a spot, a place in the Lady Chapel on the left side of the sanctuary. Stay there as long as you can. Only when it is dark should you leave – and be careful! Whatever happens, just observe.'
That's what I liked about Benjamin, always kind and considerate, and of course he needn't have advised old Shallot to stay out of danger! We wound our way through the cobbled streets of Leicester past the great, four-storeyed houses of the merchants, jutting out above us, and into the Newarks. The great Blue Boar inn was a half-stone tavern mansion, its glazed horned windows stared out over the market place. My master pulled me back, watching the riders mill around, paying particular attention to the green-slimed horse trough in front of the Blue Boar.
[You know, of course, the Blue Boar was once called the White Boar but after Bosworth, they changed the colour from white to blue. I once talked to an old retainer of the Usurper who claimed Richard hid five hundred pounds in gold in the great bed there. I have been back to the tavern but have never found this treasure.]
Ah, well! I took a wineskin and went through the alleys and byeways of Leicester to Greyfriars Church. Inside it was cool and sombre, the pillars stretching up into the blackness, the nave and aisles silent except for the birds which nested under the eaves outside. I genuflected before the winking sanctuary lamp and concealed myself in one of the side chapels. From there I had a good view of a beautiful statue of the Madonna and Child lit by the flickering flames of candlelight, as well as of a small raised plinth of stone which I supposed marked the tomb of some notable. I sat, dozed, slurped from the wineskin, said a few prayers and kept my eyes fastened on the Lady Chapel. Some of the devout did come in; a mother and child, an old woman, and a dusty cloaked Franciscan. I watched the light fade outside the windows as the church grew cold, sombre and eerie.
'Hic est terriblis locus – this is a terrible place.' The words were scrawled on the frontal of the marble high altar. A terrible place indeed! Night fell, the candle flames flickered out and the ghosts of the dead came back to their resting place (or so the old wives say), somewhere sacred, a fitting protection against the assaults of the demons. The church door remained closed. I shivered and cursed my master. A lay brother came by, keys clanking. He wanted to close the church so I made myself known, claiming I was making a pilgrimage in atonement for my sins. He looked strangely at me, muttered something about coming back within the hour, and sauntered off. I went back to my hiding place. At last the door opened. A dark, cowled figure came in and went up to stand in the Lady Chapel. I crouched down to hide behind a pillar, and watched. The mysterious figure stared down at the tomb and then turned.
'Roger Shallot!' The voice was low and hollow. 'Roger Shallot, I know you are there!'
Oh, Lord, my heart beat quicker and a sudden sweat drenched my body.
'Shallot!' the ghostly figure bellowed. 'Come out!' The voice echoed in the high arches of the church.
I came out, shaking with fright, and watched the cowled figure sweep towards me. I saw a white hand draw back the hood and my master's innocent face grinned at me.
'Benjamin Daunbey!' I snarled. 'My arse and thighs are sore from a day's hard riding. I have lurked like some ghost in this cold, dank church, and now you appear, making a merry jest of it all!'
He laughed and clasped my hand. 'Roger,' he quipped, 'you look as frightened as a gargoyle! I'm sorry I scared you.' He beckoned me closer. 'Did you see anyone come in? I mean, go to the tomb over there? Pay their respects or place a white rose?'
I shook my head angrily. 'Nothing, Master. Why should they?'
He linked his arm through mine and we walked over to the tomb. Benjamin tapped it gently with his boot.
'Here, Roger, lie the mortal remains of King Richard III. His body was brought back to Leicester after the battle of Bosworth Field and thrown into the horse trough at the Blue Boar. The present King's father, his conscience pricked, had the corpse buried here and later erected this tomb.'
[Oh, by the way, when Bluff King Hal broke with Rome because he wanted to get amongst Boleyn's petticoats, the tomb was wrecked and Richard's corpse dumped into the River Stour.]
'So, Master,' I blurted out, 'King Richard lies here? What did you expect?'
Benjamin chewed on his lip and stared up into the darkness.
'What did I expect? Well, here we are in Leicester at the final resting place of the White Boar himself. Members of Les Blancs Sangliers, the Guardians of the White Rose, are supposed to be amongst our party. Yet no one comes here to pay their respects…'He rubbed the side of his face. 'I find that strange.' He put an arm round my shoulder and walked me back towards the church door. 'See, what do we have here, Roger? A Scottish doctor murdered in the Tower. Why? Because he spoke riddles in verse, or because he didn't believe the story of Flodden? What really happened at that battle? Why did Queen Margaret re-marry so quickly? Why does my good uncle send us to plead for her?' He waved his hand. 'There's a mystery here, Roger, something quite terrible. I don't trust my uncle, and I certainly don't trust Queen Margaret!'
'And Doctor Agrippa?' I asked.
Benjamin let his arm fall away. 'I'm not sure,' he murmured. 'Who is spying on whom? Agrippa is reputedly the agent of the Cardinal, as Carey, Moodie and Catesby are of Queen Margaret. But whom do they really work for? Is it in truth the Cardinal, or our gracious sovereign, or the Earl of Angus? Or even some other foreign potentate
…? After all, the present Regent of Scotland is by education a Frenchman. He, too, might be involved in this macabre, mysterious dance.'
We left Leicester and reached Royston Manor late the next afternoon. As a weak sun died and the shadows closed in around us, we saw the high pointed gables and turreted walls of the fortified manor house beckoning darkly to us over the treetops. Royston was a cold, sombre place which blighted our spirits as soon as we glimpsed it. Benjamin and I had been entertaining the group with a French madrigal, my deep bass a smooth foil to my master's well-modulated tenor: a stupid little song about a maid who lost her wealth and her virtue in the great city. Queen Margaret declared the sound was sweet and despatched a small purse of silver in token of her thanks.
As we entered the main causeway which snaked through the trees to the manor's main door, the sight of Royston killed the song on our lips and the joy in our hearts.
My master deepened my unease with a story about the stark, square building's previous owners, the Templars; the monks of war who, two centuries previously, had been brutally crushed by the papacy and the French crown because of their alleged involvement in witchcraft, dabbling in the Black Arts as well as such unnatural vices as sodomy and the worship of a huge black cat. A
s we dismounted and the grooms hurried about gathering the reins of our horses, Benjamin continued his low-voiced description of the fallen order. (Sometimes, I think, my master liked to frighten me.)
'Do you know, Roger, the Templars worshipped a mysterious image, a dreadful face printed on a cloth.'
At the time I smiled wanly and wished Benjamin would leave me alone. [I only mention this because he was in fact wrong. The Templars were crushed but some of them remained as a secret coven and I have crossed swords with them over the years. I have seen their dreadful face and the stories are true – strong men have lost their reason and wits once they have looked upon it. My chaplain begs me to say more but I shan't satisfy him!]
The inside of Royston Manor was equally grim: it usually stood empty, being used by the court as a place to rest during royal progresses and then left in the tender care of an old steward and a bustling, aged retainer. The steward answered Agrippa's insistent knocking and took us into the main hallway. The house was built in a square, with a broad staircase sweeping up into the darkness. At the top were two galleries, one to the left, the other to the right, which turned again to form a perfect square. On each gallery were chambers and our group was directed into these, servants being left to sleep in the hall, buttery or stables behind the manor house. Sconce torches were fixed in the wall but only a few of these were lit. Now and again we came across the signs and secret symbols of the Templar Order: huge black crosses, thinly covered with whitewash, whilst the arms and escutcheons of long dead knights still hung high on the walls.
The chambers themselves were bleak, containing truckle beds, a few pieces of furniture, a table and a bowl and jug for washing. The windows were mere arrow-slits now blocked by wooden shutters; the air was so damp with a pervasive chill that Queen Margaret insisted fires be lit in her rooms before she retired for the night. A cold meal was hastily served, a few words exchanged, and everyone speedily retired as Catesby insisted that on the morrow we would rise early as there was a great deal of business to be done.
Now it is important for me to tell the story correctly. At first there was a period of confusion as porters, cursing and sweating, brought up bags, chests and coffers. Ruthven was placed in the chamber next to ours and came upstairs just after us. I heard him lock the chamber door and, a few minutes later, the mewing of his cat scratching at the wood for admittance. I went out into the gallery, Ruthven's door opened, the Scotsman came out, picked up the cat, smiled at me and went inside. I heard the key turn. I was going to knock for I was still intrigued by him but Benjamin called me so I let the matter rest.
We retired to bed but I couldn't sleep. I felt restless, uneasy in that haunted, creaking manor house. My terrors would have increased if I had known how once again Murder was stalking us, in that Godforsaken place.
Chapter 5
We were up early next morning. A heavy mist had fallen, drowning the countryside in its white vapour and making Royston Manor even more sinister. We breakfasted in the dingy Great Hall. Queen Margaret came in, leaning heavily on Catesby's arm. The desultory conversation faded. Catesby looked around.
'Where's Ruthven? I ordered everyone to rise early.' He glanced across at me. 'Shallot, be so courteous as to tell Master Ruthven we await him here.'
Carey heard this as he marched in, his bad temper apparent.
'Yes, go and tell him. Hurry up!' he snapped.
Now I would have stood my ground, I wasn't a dog to be sent running hither and thither, but Benjamin added his plea with his eyes.
'Melford, go with him,' Catesby added.
We went back up the staircase and I hammered on the door. There was no answer though I heard the faint mewing of the cat. We tried the door but it was locked.
'Is anything wrong?' Carey called from the hall below.
'No answer,' Melford shouted back. 'Was Ruthven seen this morning?'
Carey hurried up, then Catesby, followed by Moodie and a worried servant.
'Try the door again,' Carey ordered.
Benjamin joined us. We knocked, shouted and pushed. Catesby instructed us to take a bench leaning against the far wall and, though the space was narrow, we began to pound at the door like besiegers breaking into a castle. The old steward came hurrying up, huffing and puffing, but Carey snarled at him so he slunk away. One final shove and the buckled door flew back on its leather hinges.
I'll describe things as they were: Ruthven was slumped across the desk, his head on his arm, his face a whitish-blue, mouth open, eyes staring but sightless. In the far corner, the cat cowered as if it knew it was in the presence of death. On the table near Ruthven stood an empty pewter goblet. Carey lifted the body carefully.
'Dead,' he muttered. 'Dead as a stone! Place him on the bed.'
We carried him across, arranging the cold, lifeless form, trying to impose some dignity for already rigor mortis had set in. The look on the dead man's face was ghastly, as if some phantom of the night had stopped his heart. I wondered where the soul had gone. Was it still with us? Do the souls of the dead stand behind some invisible mirror, watching us who cannot see them?
'Look!' Moodie suddenly yelled.
He pointed to the bolster at the top of the bed where a small, white rose lay like some gift waiting to be presented. We all stood staring at the flower as if it were responsible for Ruthven's death.
'What's the matter?' Agrippa, accompanied by Scawsby, stood in the doorway. Melford pointed to the corpse on the bed and the flower still lying there. Scawsby hurried over, full of his own importance. The fool failed to realise the significance of the white rose, but instead peered down at Ruthven.
'A seizure!' he announced. 'Quite common in a man of choleric humour.'
Melford snorted, mocking him. Agrippa smiled, going up beside the doctor and picking up the white rose.
'I think not, good physician,' he whispered. 'Master Ruthven was murdered and the assassin left his token.' He twirled the rose between his fingers as he looked around. 'The murderer is here in Royston. The question is, who?'
We just stared back. The last time I had seen a white rose had been in that filthy room in the Tower. My master stared at the flower curiously before bending over Ruthven's corpse. He examined the eyes, tongue and nails of the dead man minutely, taking deep sniffs at the gaping mouth.
'Master Ruthven was poisoned,' he declared. 'But how?' He walked over and picked up the pewter goblet, sniffing at it carefully. 'Nothing,' he murmured, 'but the faint tinge of claret. Who brought this up?'
Agrippa shrugged. 'Ruthven did so himself. I saw him as he left the table last night.'
'I smell no potion,' Benjamin replied. He turned to 'Scawsby. 'Master Physician,' he asked tactfully, 'you would agree?'
Scawsby took the wine cup and held it under his long, arrogant nose.
'Nothing,' he answered.
Agrippa took the cup from him, rubbed his finger around it to collect the dregs and, despite the gasps of Moodie and Carey, licked it noisily.
'Correct, Master Daunbey, no poison.'
'Are you an authority on poisons, Master Daunbey?' Melford asked sharply.
'No,' Benjamin replied tartly. 'But as Physician Scawsby will testify, as Clerk to the Justices I have viewed enough corpses and have some knowledge of…'
His voice trailed away as Doctor Agrippa spread his hands.
'Yet,' Agrippa interrupted briskly, 'Ruthven was poisoned, even though he ate and drank only what we all did yesterday evening. So, did anyone else visit him in his room?'
A chorus of denials greeted his question and, because of my sleepless night, I could confirm these. I had heard no human footfalls in the corridor.
Carey stepped forward. 'So Ruthven locks himself in his chamber, he visits no one and no one visits him, but the next morning he is found poisoned and a white rose discovered lying on the bed.'
'Just like Selkirk,' Agrippa added flatly.
'Are there any secret passages?' Moodie squeaked.
Catesby glan
ced despairingly at the ceiling; still, the old steward was summoned and questioned. The man was frightened, unable to tear his eyes away from Ruthven's corpse, but he shook his head.
'No tunnels,' he declared roundly. 'No passageways or trap doors, but there are ghosts,' he said defiantly. 'The monk knights still walk the corridors.'
Melford sneered in derision.
'Did Master Ruthven go down to the kitchen or buttery or ask for any victuals to be sent up?' asked Catesby.
The old man shook his head and was dismissed.
'Is there anything else?' my master asked.
'What do you mean?' snapped Carey.
'Something in the room perhaps?'
A brief search was made but nothing untoward was found. Ruthven's ink-stained quill was lying on the floor. My master picked it up, scrutinised it carefully then threw it on the table.
'A mystery,' Agrippa announced. He glared round at all of us. 'But someone here is a murderer who knows how Ruthven died!' He sighed and looked at Carey. 'Enough of this, Queen Margaret must be informed.'
We all trooped downstairs, my master staying behind to scrutinise the room once more then joining me outside, shaking his head.
'Doctor Agrippa is right,' he whispered. 'A true mystery. How can a man, hale and hearty before he retired, be found poisoned the next morning, when no one visited him and he remained locked in his room?' He looked at me sharply. 'You saw him?'
I nodded. 'You heard me,' I replied. 'He opened his chamber door, smiled at me and picked up his cat.'
'So how was he poisoned?'
The question dominated our discussions as we gathered in what used to be the long Chapter Room of the Knights Templar.
Queen Margaret sat at the head of the cracked, dangerously shaky table whilst Catesby ordered benches to be brought in for the rest. The King's sister was white-faced and tight-lipped, obviously finding it difficult to control her anger.
