Praise for Tanya Anne Crosby’s National Bestseller, The Girl Who Stayed:
“A beautifully written, page-turning novel packed with emotion.”
– #1 New York Times bestselling author Barbara Freethy
“The Girl Who Stayed is a deeply moving story. I am fascinated by the concept and by Tanya Crosby’s stunning storytelling.”
– Stella Cameron, New York Times bestselling author
“The Girl Who Stayed defies type. Crosby’s tale is honest and sensitive, eerie and tragic. It’s a homecoming tale of a past ever with us and irrevocably lost forever. A haunting vision of that chasm between life and death we call ‘missing.’”
– Pamela Morsi, bestselling author of Simple Jess
“An intense, mesmerizing Southern drama about a young woman who returns to her coastal home to put to rest the haunting ghost of her sister’s tragic past. Told in the rich, lyrical style of Siddons and Conroy, The Girl Who Stayed is a woman’s story of discovery and acceptance, redefined by Tanya Anne Crosby’s dramatic storytelling, sharp characters, and well-defined plot. A must read for any woman who believes she can never go back home. Fabulous, rich, and evocative!”
– New York Times bestselling author Jill Barnett
“Crosby tugs heartstrings in a spellbinding story of a woman trying to move beyond her past.”
– New York Times bestselling author Susan Andersen
“In one word, exceptional!”
– Literarily Illumined
Redemption Song
Tanya Anne
Crosby
This is a work of fiction. Names, characters, places, and incidents either are the product of the author’s imagination or are used fictitiously. Any resemblance to actual events, locales, organizations, or persons living or dead is entirely coincidental and beyond the intent of either the author or the publisher.
Studio Digital CT, LLC
P.O. Box 4331
Stamford, CT 06907
Copyright © 2017 by Tanya Anne Crosby
Jacket design by Barbara Aronica Buck
Story Plant Hardcover ISBN-13: 978-1-61188-249-0
Fiction Studio Books E-book ISBN-13: 978-1-945839-11-5
Visit our website at www.TheStoryPlant.com
All rights reserved, which includes the right to reproduce this book or portions thereof in any form whatsoever except as provided by U.S. Copyright Law. For information, address The Story Plant.
First Story Plant hardcover printing: January 2018
To my own mami, Isabel, whose birth city, Jerez, inspired Redemption Song, and who instilled in me not merely a love for all things Spanish, but a love for storytelling as well. Madre mia, tu eres mi luz.
And also to my husband, Scott Thomas Straley, whose love inspires every story I tell.
To get back up to the shining world from there
My guide and I went into that hidden tunnel,
And following its path, we took no care
To rest, but climbed: he first, then I—so far,
through a round aperture I saw appear
Some of the beautiful things that Heaven bears,
Where we came forth, and once more saw the stars.
– Dante Alighieri, Inferno
Pinoccaia
Life isn’t fair.
Or, as Caía’s friend Lucy from Athens, Georgia, used to say, “Life ain’t been fair, girlfriend.” But who ever said it was?
To the contrary, how many times had Caía heard these precise words: “Life. Isn’t. Fair.” And put more eloquently yet, “If life were fair, they wouldn’t make wheelchairs.”
Even so, Caía dared to defy the maxim. Why not? She had been profoundly happy as a child, experiencing life on a marvelous scale of superlatives. As an only child, she had been the “best” at everything. Her mother had pinched her cheeks so often she could still feel the sensation, like a muscle memory, flesh trapped firmly between thumb and knuckle—mostly the right cheek because her mom was left-handed.
“Caía, my dear, you are so lovely I could eat you up,” she would say, and with such ardor Caía couldn’t help but believe it. And, of course, such an intense declaration would naturally lend itself to a frightful duality, for while Caía was intensely pleased to be “so lovely,” she didn’t want to end up in her mother’s belly, again. But having exited said region once already, it remained a dreadful possibility. And sometimes her mom’s cute aggression would come in various other iterations, such as, “Caía, you are so smart I can die,” or, “Babisiu, you are so sweet I will not bear it.”
Of course, Caía didn’t want her mother to die, so maybe “smart” should be kept under wraps? And “sweet,” while it had a far less frightening trade-off, she could do without that, as well. And yet, for all this magnificent devotion, Caía had begun to believe herself immortal—at least she had until she’d turned ten and soon thereafter discovered her nose was growing at a faster pace than the rest of her face, a small detail she’d discovered through Robbie Bowles on the day he’d nicknamed her Pinoccaia.
Get it, Jack? Caía plus Pinocchio equals Pinoccaia.
What a clever little bastard.
The nickname sent Caía home sobbing to her pop, with said nose as rufous as a beet. Mostly because Robbie Bowles had been a cute boy Caía had crushed on forever, and on that hideous day Robbie had revealed to her the unthinkable: that Caía was neither perfect nor immortal. So, of course, she was devastated. All the proof she’d ever need that she was but a hapless mortal lay in the unendurable truth: Robbie’s taunts hurt so badly, Caía feared she could and would die over the heartache she’d suffered that day. What was more, she’d feared she might do it right there on the dirty gray floor of her fourth-grade class.
“You are half Polish,” her sensible father had explained when Caía returned home from school, tears burning her cheeks. “You have a perfectly good nose, Caía. You will grow into it someday.” He had that no-nonsense way about him, and although Caía sensed he was moved by her tears, he would never have allowed her to wallow in self-pity.
Her baba had been Polish, he’d reminded her, and Caía was named after her, albeit with one important distinction: Caía Alicja Nowakowa was an “owa,” because she’d been a widow, and Caía was Nowakówna, because she was not yet wed. That she would never graduate from being an ówna to an owa had never occurred to Caía any more than it had to wonder over her own lack of perfection. Such was the nature of being an only child, delivered to older, first-generation immigrants, who so readily showered their one and only bundle of joy with all their foundling hopes.
Well, so, her father assured her that the first Caía— Caía’s grandmother—had had a fine face and a decorous nose that, while not particularly on the delicate side, most folks considered refined. And it was, Caía was forced to agree, as she’d studied the black-and-white portrait her mom kept on the dining room sideboard. With pale yellow hair, and frail shoulders wrapped in a rich fur shawl, her father’s mother stared back at her from the depths of the photograph with a serenity that Caía knew in some unerring place in her heart that it must come from a bone-deep assurance that no matter what troubles life would hurl your way, life was, indeed, quite fair.
“Hold your head high,” her mother had chided. “Jak cie widza, tak cie pisza.” How they see you, that’s how they perceive you. And so, armed with this attitude, Caía dismissed the Robbie Bowleses of the world. She set her sights on the distant horizon, because she’d always understood there would be more to life than what was awaiting her there in Athens, Georgia. She was fabulous with languages, her mother said.
So, perhaps, she might even become an interpreter someday. Or the ambassador to Poland? But, then, that would be a smart thing to do.
Eventually, as her father promised, Caía grew into her fine nose, one that was likened on many occasions to Helen Mirren’s. Slightly pointed, long and straight, by the time she was twenty, her nose was no longer too big for her face.
She went on to marry Gregg Paine, the star quarterback of her high school football team, despite the fact that Gregg firmly believed a wife’s place was in the home. Poof. There went Caía’s dreams of becoming the ambassador to Poland, but it didn’t matter; she was over the moon—even more so once they’d placed her newborn baby in her arms.
That’s you, Jack.
Perfect nose. Ten toes. Ten fingers. So tiny and fabulous.
Jack Lawrence Paine was everything Caía had ever dreamt of as a mom, and not even the inequitable fact that she couldn’t seem to bear any more children diminished her joy. Life was, as her father proclaimed it would be, as her son was . . . inherently perfect.
But then she woke up one morning, at the age of thirty-four, despairing, and so full of loathing that even the sky was darkened by its potency. She was so angry, in fact, that anger didn’t properly express the superlative nature of her fury. She was incandescently furious—and willing to kill over it—because, goddamn it, life was so goddamned unfair.
But then, who ever said it was?
One
The truth will set you free,
but first it will piss you off.
– Gloria Steinem
Jeréz, Spain, present day, 3:12 p.m.
There he was. Right on time. Walking down the street with that pretty little girl, wearing her lime-green dress and those bright red sneakers. It was impossible to miss those happy colors. And what was he wearing? Jeans and a faded blue T-shirt—all laid back and punchy as though he hadn’t a care in the world. When was the last time Caía had worn anything but black?
How was this possible? The girl was clinging to him, trusting him to keep her safe. But how could anyone trust that man? What about him was remotely trustworthy?
Like a Nazi, he was hiding here in this sunny little village in southern Spain. But, then again, wasn’t this appropriate? He, the escaped villain; Caía, the harbinger of justice . . . although what justice should entail, Caía didn’t yet know.
She focused her attention on the varicolored pair, attempting to ignore the swarming pigeons. Some were perched upon the crenellations of an ancient, ruined fortress next to the coffee shop. Some hopped about, pilfering droppings from customers at Rincon Escondido—a small sidewalk café nestled along the path Caía knew he would take. Over the past few weeks, she’d studied his schedule, knew exactly where he would go and at what time.
Oblivious to the potential nuclear fallout of Caía’s wrath, old men dressed in black defied modernity, with bolero hats tipped slightly forward, shielding wrinkled old eyes from a ruthless afternoon sun. All the while sucking on unfiltered cigarettes, they baked themselves from the inside and out, putting out lung fires with baby cervezas.
Seated near the pigeon-infested fountain, a busker strummed his guitar beneath the shade of an orange tree. He stopped now and again to pluck up a cigarette he’d left burning at the edge of the fountain and slip the butt between his lips, sucking hard, before putting it down again to return to his guitar. He looked pleased with himself as he exhaled, putting nearly as much attention into his smoke work as he did his music.
All the while, black-clad servers with moist brows bustled to and fro, sliding cafélitos and small plates onto nearby tables. But, hey, at least no one was ogling their phones.
Distracted, or more like pretending at distraction, Caía tore a fleshy bite from the bollo in her bread basket. Crumbling it between her fingertips, she scattered the spongy bits alongside her table, watching in her peripheral as a fat, greedy pigeon rushed forward for a feast. But she never took her eyes off the man walking down the street.
Who was the girl?
Smiling, the child skipped along beside him, and seeing them together made Caía’s face burn hotter than the glowing tip of the busker’s cigarette.
Fury welled up inside her, so utterly potent in its incarnation that she had to suck in a breath. Tears pricked at her eyes. Anger stemmed the flow.
He shouldn’t get to walk any child across any street, most certainly not that child. He shouldn’t get to hold her little hand—or be the recipient of her sweet, innocent glances upward.
God help her, the sight of that child’s innocent smile threatened to empty Caía’s heart of all its animosity . . . except . . . she couldn’t let it go.
No. She wouldn’t.
Jack would never again get to look at anyone that way.
Jack. Jack. Jack. Jack.
She repeated the name like a litany in her head, as though she were in danger of forgetting it altogether. Right here and now, she longed to shout out his name—test the sound upon her lips. Jack! she wanted to scream. Would he turn around? And did he remember her son’s name?
My sweet, sweet Jack, Caía lamented silently.
How long had it been since she’d spoken his name out loud? Too, too long. And maybe she never would again. That possibility burned like acid in her gut. Because now who was left to hear what she had to say about Jack? Two short years, and people already turned away whenever she brought him up, casting sidelong glances at her that said, “Caía, oh, Caía, aren’t you over him yet?”
No.
I am not.
I will never be over you, Jack.
But maybe that’s not what they were thinking at all. Maybe it was really their own discomfort over not being able to change the inalterable truth: Everyone dies. Even babies with their whole lives left to be lived. Even that little girl. Even Jack.
Or perhaps it was more like this: With kids of their own—especially ones who were struggling to maintain a grip on innocence—maybe it was a bit like peeping into Snow White’s mirror? “Mirror, mirror on the wall,” she could hear them all say. “Who’s the saddest, most pathetic parent of all?”
“Why it’s still Caía Paine,” the mirror would reply. “But beware . . .”
At this point, both of Caía’s parents were gone. Gone—a euphemism for dead. But dead was dead. And yet, there must be a bright side to being six feet under. Neither of her parents would ever get to witness a world without Jack. Bleak, empty—so at odds with the bright blue day, with all the twittering birds. And all that laughter.
The lady at the table behind Caía giggled, and the easy chatter that followed gave her a stab of envy—an ugly sensation that cast shadows over the powder-blue day. Like a dirty chimney, the smoldering exhaust of her anger obscured the sun, spreading despair and lowering clouds until they pressed firmly against the pate of her head. Speaking too softly for Caía to hear actual words, their tone nevertheless said it all. They were lovers, flirtatious and familiar. Another stab of envy—and anger—accosted her. She was a great big ball of fury—a hot mass, burning like the sun.
No, her anger was more like a tsunami, threatening to devastate everything within its path. Gathering far at sea, it nevertheless gained momentum, like a cyclone, powering toward an indeterminate shore. When and where—and how—it would descend, Caía had no way of knowing. All she knew right now was that every day that passed without relief only made the impending disaster more terrifying. Because there he was. That man. Walking that sweet kid across a busy street, without a care in the world. So damned full of himself that he was oblivious to everyone around him. Certainly, he had never noticed Caía—not once.
She watched as he led the child across the street. Cars crawled past on the narrow road, so slow she imagined their tires melting into the gaps between hot cobblestones.
It could happen now, as the girl lifted her red sneaker onto the curb and the heino
us thought made Caía’s heart hurt.
Symbolically, she picked up the newspaper she’d been reading and rolled it up, twisting it at its center. This was her soul now. Wrung dry. Every time she watched that man walk that child across the road . . . a little more of her humanity was squeezed away. Because in her mind, she heard the screams of passersby—or maybe they could be her own? She imagined again that terrible thud, the sound of metal crunching bones. She could hear it plainly, and saw it as clearly as though she had been there . . .
But you weren’t there, were you, Caía?
In fact, no, she wasn’t around to see the sun winking against a silver bumper stained with blood. Jack’s blood. Her sweet little boy.
Jack. Jack. Jack. Jack.
Pinching the bread cruelly, Caía hurled more bits onto the sidewalk, keeping her eyes fixed upon the man and the child.
The girl turned another adoring smile up at him, laughing over something he said, and she suddenly jerked her hands free, clapping them together, and Caía’s heart leapt into her throat. But that man—yes, she knew his name—seized her hand back.
So, now you pay attention.
Now it matters to you that cars are screaming past.
Except, no they weren’t. Not here.
More screams battered Caía’s brain, but these were screams of anguish. And yes, they were her own. An image blinked out from the depths of her consciousness, a ferocious but frightened blood-spattered face, with pale blue eyes peering out from the veiny cracks in a bathroom mirror.
Violently thrusting the memory aside, Caía sat back, watching the pair escape, all the while voices shrieked in her head. Oh, my God, Caía! What have you done? Don’t move.
And then, in the background, she’d overheard her husband’s frantic conversation with 911, distorted by a Xanax-induced high. Hurry! It’s my wife. She’s . . . bleeding.
Caía swallowed. Maybe it had been right for Gregg to put her away, but she hated him for it nonetheless. The truth was that Caía didn’t quite trust herself, even now. Certainly, she didn’t want to see that little girl get hurt, but she did want him to suffer—as Caía had suffered. She wanted him to cry and scream and moan, and beat his head against a wall, railing all the while about the injustice of it all. “Life isn’t fair!” she wanted him to scream.
Redemption Song Page 1
