by Adam Croft
‘The rest of you need not feel guiltless, though. Although it may have been the poisoned stamps administered by Don Preston which stopped Dave Spencer's heart from beating, it was the web of lies and deceit which killed him. The deceit which led to you, Billy Reynolds, obtaining a deadly poison which you must have at least suspected would be used for no good. The acts through which you, Marianne Spencer, deceived your husband by carrying out an affair with his agent and obtained money through his company. Even you, Miss de la Rue, are not infallible. You knowingly entered into a relationship with a married man. Indeed, this entire sorry saga could be said to originate with that very act. Would Marianne Spencer have begun an affair with Don Preston had she not suspected her husband's own infidelity? Only she can answer that. No, I have no doubt that our esteemed police officers here will find Don Preston guilty of murder and Billy Reynolds of conspiracy to murder, but I don't think any sane man could argue that each and every one of you is, in at least some small way, responsible for the demise and death of Dave Spencer. It seems that bitterness was the killer in more ways than one.’ Hardwick gestured for the two police detectives to begin their procedures and stepped down from the stage to stunned silence. It was Ellis Flint who spoke first to Hardwick.
‘I suppose you're right. Everyone had their part to play in the death of Charlie Sparks, be it deliberate or not.’
‘Indeed,’ replied Hardwick. ‘All too often we make decisions and carry out actions without any regard whatsoever for the consequences.’
‘So what now?’
‘Now? Now it's time for us to take a back seat. The situation will resolve itself, as all situations inevitably do. No, I don't imagine Marianne Spencer will carry on with Don Preston for much longer. You surely must have seen the look in her eyes when she realised her lover had killed her husband. As much as a woman scorned can appear not to care, it was plain from the start that Marianne Spencer still loved her husband very much. It's bitter-sweet that the victim's financial complications will quite probably be resolved by his death. It's the unfortunate but familiar paradox that any artist will be infinitely more successful in death than in life.’
‘But surely all of his money will go to Roxanne de la Rue?’
‘Not so, it seems. The will which we found in his house was never actually filed with a solicitor. I have one or two friends in the bar and one of them confirmed that Dave Spencer's entire estate was to be left to Marianne. It seems, perhaps, that the victim may have been playing his own game in leading us and, perhaps more pertinently, Marianne into believing that she would not stand to gain in the event of his death.’
‘But why?’ Ellis Flint asked.
‘Who knows? Perhaps he wanted to cause her some temporary anguish. The important point is that it was only ever to be temporary. Only in death would his true feelings and values be apparent. I don't pretend to know all there is to know about human behaviour, Ellis. Detection is a work of instinct and deduction over all else. Human emotion is of very little interest to me.’
Ellis Flint nodded, unsure of quite what to say in return. ‘Well, another drink, then?’
‘I think that would be just the ticket, Ellis.’
‘Campari?’
‘Oh, no. I think I need something a little less bitter.’
Get more of my books FREE!
Thank you for reading Exit Stage Left. I hope it was as much fun for you as it was for me writing it.
To say thank you, I’d like to give you some of my books and short stories for FREE. Read on to get yours...
If you enjoyed the book, please do leave a review on Amazon. Reviews mean an awful lot to writers and they help us to find new readers more than almost anything else. It would be very much appreciated.
I love hearing from my readers, too, so please do feel free to get in touch with me. You can contact me via my website, on Twitter @adamcroft and you can ‘like’ my Facebook page at http://www.facebook.com/adamcroftbooks.
Last of all, but certainly not least, I’d like to let you know that members of my email club have access to FREE, exclusive books and short stories which aren’t available anywhere else. There’s a whole lot more, too, so please join the club (for free!) at adamcroft.net/email-club
For more information, visit my website: adamcroft.net
Hardwick and Flint return in
THE WESTERLEA HOUSE MYSTERY
OUT NOW
When TV psychic Oscar Whitehouse is found murdered inside a locked room, private detective Kempston Hardwick and his friend Ellis Flint are called in to investigate.
Within a matter of days, a second murder takes place in the small village of Tollinghill and a local resident claims she saw the already-dead Oscar Whitehouse at the scene, apparently alive and well. Hardwick and Flint realise they have more than just a conventional mystery on their hands. Can they uncover the secret of the Tollinghill murders, before it’s too late?
Turn the page to read the first chapter...
The bowl of sweets clinked and rattled as the long, slender digits plunged in to retrieve a handful of sugar-laced goodness.
‘Oh, for Christ’s sake!’ the man exclaimed, throwing his treasure back into the bowl with a clink and a clatter. ‘I specifically said no blue ones!’
The make-up artist peered enquiringly over his shoulder as their eyes met in the mirror.
‘Sorry, Mr Whitehouse. It’s not really my remit, but I’ll go and find the person responsible.’
‘No, no. Leave it,’ the man replied, his eerie tones reminiscent of Vincent Price, or so she thought. ‘Not much point now. I’ll be on in five minutes anyway. Honestly, the whole thing has been a shambles. I clearly asked them for Belmore Hills spring water, and they gave me Shaffington Falls! I mean, why should I bother requesting a rider if you’re only going to ignore it?’
‘Mmmm, I know. Terrible,’ the make-up artist responded, her attention focused purely on the dark powder that she was applying to his eyes. Each time she had met him, he had insisted on being made to look eerie, as he had phrased it. She was quite sure that his un-made-up face looked far eerier than anything she could ever muster with her GNVQs and GHDs.
‘Three minute call, Mr Whitehouse. We’ll be starting in just a mo,’ the balding head said as it peered around the half-open door, its face far cheerier than it needed to be.
Oscar Whitehouse instinctively checked his watch. Although he couldn’t stand being late for anything, he also had a particular dislike for over-exaggeration.
‘Right. I think that’s eerie enough, thank you, Charlotte. I’d best be heading through,’ he said to the make-up artist.
‘Right you are, Mr Whitehouse,’ she replied. ‘Knock’em dead!’
He paused briefly. ‘Oh, I’ll be doing far more than that, don’t you worry.’
He squinted under the bright lights as the black-shirted production staff led him through the darkened wings before asking him to wait at the final door. The speech from inside the studio was now more than audible.
‘So please give a very warm welcome to my guest, Oscar Whitehouse!’
The green lighting effects and creaking door noise, courtesy of the sound department, would have had Oscar Whitehouse convulsing at the sheer galloping insolence were it not for the camera now trained on his face. Turning to feign laughter at what he knew he must accept as absolutely hilarious, he raised his hand in a casual wave to the audience, shook the host’s hand and sat down on the sofa.
‘Good afternoon, Oscar. Did you like the welcome?’ the bright orange host asked, his teeth gleaming like two rows of ivory soldiers.
‘Oh, yes, absolutely. Very good indeed,’ he replied, the blood now seeping from his heavily-bitten tongue. ‘Very original.’
‘Now, Oscar, you’re known all over the country and, indeed, all over the world for your paranormal investigations and insight into the supernatural. What was it that first had you interested in the supernatural realm?’
Never been asked that one befor
e, he thought to himself, before replying, graciously. ‘Well, I remember one particular experience back when I was a young boy,’ he said, before pausing for dramatic effect. ‘I was lying in bed one night – I must have only been six or seven years old – and I recall having the overriding urge to sit bolt upright. When I did, I saw my grandmother standing at the end of my bed, telling me everything was going to be all right. When I woke up the next morning, my father told me that my grandmother had died in the night, at the exact time I saw her in my bedroom.’
The on-cue oohs and aahs from the audience were perfectly timed as Oscar Whitehouse reeled out the story for the hundredth time. He was always amazed that the press hadn’t yet discovered that his grandmother was actually alive and well in a nursing home in Bognor Regis. (If ‘well’ could be used to describe a woman who dribbled constantly and was convinced that Richard Madeley was the devil incarnate.) Seven television sets later, the family had wisely decided that she’d be far better off with a radio, following which, she had taken up the notion that the Shipping Forecast was actually a daily dose of Nazi propaganda.
The interview carried on in its inane manner, and Oscar Whitehouse continued to discuss his new book, Life After Death: A History of Supernatural Activity in the Afterlife, in a thinly-veiled manner only ever seen on daytime television.
‘Now, you’ve been on our screens for a few years, and have taken part in hundreds, if not thousands of paranormal investigations,’ the host continued, shifting to cross his legs the other way for the umpteenth time that minute. ‘And your book focuses almost solely on your belief that our spirits live on after death. Do you expect that this book will convince the nay-sayers that the paranormal world is real?’
Oscar Whitehouse chuckled as he rubbed at his fingernail. ‘No, I expect there will always be cynics. However, I know that the world will soon have proof of life after death. That much is true. Evil will always live on.’
The oohs and aahs from the audience were well cued by the school-leaver in the black t-shirt, who flailed his arms at the front when wishing to elucidate any sort of audience reaction. A nervous chuckle from the host ensured that the interview moved on rather swiftly, and he turned to address camera five.
‘Oscar Whitehouse, for the moment, thank you. Now,’ the host began his sentence in his well-accustomed way. ‘We’re on the lookout for haunted houses all over the country for a new feature on this programme. Do you live in, or know of, a haunted house anywhere in Britain? Perhaps your house – or your friend’s house – has its very own spooky spectre. If so, give us a call and we’ll get you on for a chat later in the show.’
The host stood from his interview chair and made his way over to the maniacally-grinning potters whose whirring machinery graced the other side of the stage, ready and waiting for the next ten soul-destroying minutes of television.
Ellis Flint used to quite like Greensleeves. But, having been kept on hold for an interminable amount of time listening to the piece, he had seriously considered forgetting all about his reason for calling and instead subjecting the other party to an historical diatribe on how Henry VIII had tried (and, with hindsight, hilariously failed) to claim that he had written it. When the phone was finally answered, he decided that plan of action would be a little too heavy for a Friday afternoon, and instead reverted to his initial script.
‘Oh, yes, hello there. I’m just calling about the piece you’re doing on haunted houses. It’s about a friend of mine, actually, who lives in a really spooky old house at Tollinghill. Used to be a rectory. The place gives me the creeps.’
The over-excitement of the production assistant on the other end of the phone seemed to indicate that take-up for this particular segment of the show had been disappointing at best. As a result, Ellis Flint was very quickly assured that he would be put through to the host in the next few moments.
Ellis smiled and sat back down to enjoy the rest of the programme.
For more information, visit my website: adamcroft.net
Fancy something gritty?
TOO CLOSE FOR COMFORT
OUT NOW
DS Wendy Knight is Mildenheath CID’s newest murder squad recruit. In trying to solve the murder of Ella Barrington, a known prostitute, Wendy comes to realise that she has a serial killer on her hands.
As the murder investigation continues, Wendy begins to suspect that her new love interest, Robert Ludford, may have more than a passing interest in the murders in Mildenheath. The complete truth, however, is a little too close for comfort...
For more information, visit my website: adamcroft.net
