Anny reminded us of the exact date when we last had seen you: April 24, 1983. It was in the television film about the two friends, “Virginie” and “Camilla,” and how they meet two interesting but very different men and accompany them on a holiday in Cannes. One of the men is a celebrated singer whose wife (not shown) has left him for some egocentric reason (not explained). The other is an architect with political connections. The singer does not know the architect has been using bribery and blackmail to obtain government contracts. Right at the beginning you make a mistake and choose the architect, having rejected the singer because of his social manner, diffident and shy. “Virginie” settles for the singer. It turns out that she has never heard of him and does not know he has sold millions of records. She has been working among the deprived in a remote mountain region, where reception is poor.
Anny found that part of the story hard to believe. As she said, even the most forlorn Alpine villages are equipped for winter tourists, and skiers won’t stay in places where they can’t watch the programs. At any rate, the singer is captivated by “Virginie,” and the two sit in the hotel bar, which is dimly lighted, comparing their views and principles. While this is taking place, you, “Camilla,” are upstairs in a flower-filled suite, making mad love with the architect. Then you and he have a big quarrel, because of his basic indifference to the real world, and you take a bunch of red roses out of a vase and throw them in his face. (I recognized your quick temper.) He brushes a torn leaf from his bare chest and picks up the telephone and says, “Madame is leaving the hotel. Send someone up for her luggage.” In the next scene you are on the edge of a highway trying to get a lift to the airport. The architect has given you your air ticket but nothing for taxis.
Anny and Robert had not been married long, but she knew about you and how much you figured in our memories. She sympathized with your plight and thought it was undeserved. You had shown yourself to be objective and caring and could have been won round (by the architect) with a kind word. She wondered if you were playing your own life and if the incident at Cannes was part of a pattern of behavior. We were unable to say, inasmuch as you had vanished from our lives in the seventies. To me, you seemed not quite right for the part. You looked too quick and intelligent to be standing around with no clothes on, throwing flowers at a naked man, when you could have been putting on a designer dress and going out for dinner. Robert, who had been perfectly silent, said, “Alda was always hard to cast.” It was a remark that must have come out of old café conversations, when he was still seeing actors. I had warned Anny he would be hard to live with. She took him on trust.
My husband took some people on trust, too, and he died disappointed. I once showed you the place on Place d’Italie where our restaurant used to be. After we had to sell it, it became a pizza restaurant, then a health-food store. What it is now I don’t know. When I go by it I look the other way. Like you, he picked the wrong person. She was a regular lunchtime customer, as quiet as Anny; her husband did the talking. He seemed to be involved with the construction taking place around the Porte de Choisy and at that end of the Avenue. The Chinese were moving into these places as fast as they were available; they kept their promises and paid their bills, and it seemed like a wise investment. Something went wrong. The woman disappeared, and the husband retired to that seaside town in Portugal where all the exiled kings and queens used to live. Portugal is a coincidence: I am not implying any connection with you or your relations or fellow-citizens. If we are to create the Europe of the twenty-first century, we must show belief in one another and take our frustrated expectations as they come.
What I particularly admired, last night, was your pronunciation of “ozone.” Where would you be if I hadn’t kept after you about your “o”s? “Say ‘Rhône,’ ” I used to tell you. “Not ‘run.’ ” Watching you drive off in the Jaguar, I wondered if you had a thought to spare for Robert’s old Renault. The day you went away together, after the only quarrel I ever had with my son, he threw your suitcase in the back seat. The suitcase was still there the next morning, when he came back alone. Later, he said he hadn’t noticed it. The two of you had spent the night in the car, for you had no money and nowhere to go. There was barely room to sit. He drives a Citroën BX now.
I had been the first to spot your condition. You had an interview for a six-day modelling job – Rue des Rosiers, wholesale – and nothing to wear. I gave you one of my own dresses, which, of course, had to be taken in. You were thinner than ever and had lost your appetite for breakfast. You said you thought the apricot jam was making you sick. (I bought you some honey from Provence, but you threw that up, too.) I had finished basting the dress seams and was down on my knees, pinning the hem, when I suddenly put my hand flat on the front of the skirt and said, “How far along are you?” You burst into tears and said something I won’t repeat. I said, “You should have thought of all that sooner. I can’t help you. I’m sorry. It’s against the law and, besides, I wouldn’t know where to send you.”
After the night in the Renault you went to a café, so that Robert could shave in the washroom. He said, “Why don’t you start a conversation with that woman at the next table? She looks as if she might know.” Sure enough, when he came back a few minutes later, your attention was turned to the stranger. She wrote something on the back of an old Métro ticket (the solution, most probably) and you put it away in your purse, perhaps next to the diploma. You seemed to him eager and hopeful and excited, as if you could see a better prospect than the six-day modelling job or the solution to your immediate difficulty or even a new kind of life – better than any you could offer each other. He walked straight out to the street, without stopping to speak, and came home. He refused to say a word to me, changed his clothes, and left for the day. A day like any other, in a way.
When the commercial ended we sat in silence. Then Anny got up and began to clear away the dessert no one had finished. The debate on hepatitis was now deeply engaged. Six or seven men who seemed to be strangling in their collars and ties sat at a round table, all of them yelling. The program presenter had lost control of the proceedings. One man shouted above the others that there were people who sincerely wanted to be ill. No amount of money poured into the health services could cure their muddled impulses. Certain impulses were as bad as any disease. Anny, still standing, cut off the sound (her only impatient act), and we watched the debaters opening and shutting their mouths. Speaking quietly, she said that life was a long duty, not a gift. She often thought about her own and had come to the conclusion that only through reincarnation would she ever know what she might have been or what important projects she might have carried out. Her temperament is Swiss. When she speaks, her genes are speaking.
I always expected you to come back for the suitcase. It is still here, high up on a shelf in the hall closet. We looked inside – not to pry but in case you had packed something perishable, such as a sandwich. There was a jumble of cotton garments and a pair of worn sandals and some other dresses I had pinned and basted for you, which you never sewed. Or sewed with such big, loose stitches that the seams came apart. (I had also given you a warm jacket with an embroidered Tyrolian-style collar. I think you had it on when you left.) On that first day, when I made the remark that your suitcase weighed next to nothing, you took it for a slight and said, “I am small and I wear small sizes.” You looked about fifteen and had poor teeth and terrible posture.
The money you owed came to a hundred and fifty thousand francs, counted the old way, or one thousand five hundred in new francs. If we include accumulated inflation, it should amount to a million five hundred thousand; or, as you would probably prefer to put it, fifteen thousand. Inflation ran for years at 12 percent, but I think that over decades it must even out to ten. I base this on the fact that in 1970 half a dozen eggs were worth one new franc, while today one has to pay nine or ten. As for interest, I’m afraid it would be impossible to work out after so much time. It would depend on the year and the whims of this
or that bank. There have been more prime ministers and annual budgets and unpleasant announcements and changes in rates than I can count. Actually, I don’t want interest. To tell the truth, I don’t want anything but the pleasure of seeing you and hearing from your own lips what you are proud of and what you regret.
My only regret is that my husband never would let me help in the restaurant. He wanted me to stay home and create a pleasant refuge for him and look after Robert. His own parents had slaved in their bistro, trying to please greedy and difficult people who couldn’t be satisfied. He did not wish to have his only child do his homework in some dim corner between the bar and the kitchen door. But I could have been behind the bar, with Robert doing homework where I could keep an eye on him (instead of in his room with the door locked). I might have learned to handle cash and checks and work out tips in new francs and I might have noticed trouble coming, and taken steps.
I sang a lot when I was alone. I wasn’t able to read music, but I could imitate anything I heard on records that suited my voice, airs by Delibes or Massenet. My muses were Lily Pons and Ninon Vallin. Probably you have never heard of them. They were before your time and are traditionally French.
According to Anny and Marie-Laure, fashions of the seventies are on the way back. Anny never buys herself anything, but Marie-Laure has several new outfits with softly draped skirts and jackets with a peasant motif – not unlike the clothes I gave you. If you like, I could make over anything in the suitcase to meet your social and professional demands. We could take up life where it was broken off, when I was on my knees, pinning the hem. We could say simple things that take the sting out of life, the way Anny does. You can come and fetch the suitcase any day, at any time. I am up and dressed by half past seven, and by a quarter to nine my home is ready for unexpected guests. There is an elevator in the building now. You won’t have the five flights to climb. At the entrance to the building you will find a digit-code lock. The number that lets you in is K630. Be careful not to admit anyone who looks suspicious or threatening. If some stranger tries to push past just as you open the door, ask him what he wants and the name of the tenant he wishes to see. Probably he won’t even try to give you a credible answer and will be scared away.
The concierge you knew stayed on for another fifteen years, then retired to live with her married daughter in Normandy. We voted not to have her replaced. A team of cleaners comes in twice a month. They are never the same, so one never gets to know them. It does away with the need for a Christmas tip and you don’t have the smell of cooking permeating the whole ground floor, but one misses the sense of security. You may remember that Mme. Julie was alert night and day, keeping track of everyone who came in and went out. There is no one now to bring mail to the door, ring the doorbell, make sure we are still alive. You will notice the row of mailboxes in the vestibule. Some of the older tenants won’t put their full name on the box, just their initials. In their view, the name is no one’s business. The postman knows who they are, but in summer, when a substitute makes the rounds, he just throws their letters on the floor. There are continual complaints. Not long ago, an intruder tore two or three boxes off the wall.
You will find no changes in the apartment. The inventory you once signed could still apply, if one erased the words “electric heater.” Do not send a check – or, indeed, any communication. You need not call to make an appointment. I prefer to live in the expectation of hearing the elevator stop at my floor and then your ring, and of having you tell me you have come home.
The Fenton Child
1
IN A LONG room filled with cots and undesired infants, Nora Abbott had her first sight of Neil, who belonged to Mr. and Mrs. Boyd Fenton. The child was three months old but weedy for his age, with the face of an old man who has lost touch with his surroundings. The coarse, worn, oversized gown and socks the nuns had got him up in looked none too fresh. Four large safety pins held in place a chafing and voluminous diaper. His bedding – the whole nursery, in fact – smelled of ammonia and carbolic soap and in some way of distress.
Nora was seventeen and still did not know whether she liked children or saw them as part of a Catholic woman’s fate. If they had to come along, then let them be clear-eyed and talcum-scented, affectionate and quick to learn. The eyes of the Fenton baby were opaquely grey, so rigidly focused that she said to herself, He is blind. They never warned me. But as she bent close, wondering if his gaze might alter, the combs at her temples slipped loose and she saw him take notice of the waves of dark hair that fell and enclosed him. So, he perceived things. For the rest, he remained as before, as still as a doll, with both hands folded tight.
Like a doll, yes, but not an attractive one: no little girl would have been glad to find him under a Christmas tree. The thought of a rebuffed and neglected toy touched Nora deeply. She lifted him from his cot, expecting – though not precisely – the limpness of a plush or woolly animal: a lamb, say. But he was braced and resistant, a wooden soldier, every inch of him tense. She placed him against her shoulder, her cheek to his head, saying, “There you go. You’re just grand. You’re a grand little boy.” Except for a fringe of down around his forehead, he was perfectly bald. He must have spent his entire life, all three months of it, flat on his back with his hair rubbing off on the pillow.
In a narrow aisle between rows of beds, Mr. Fenton and a French-Canadian doctor stood at ease. Actually, Dr. Alex Marchand was a pal from Mr. Fenton’s Montreal regiment. What they had in common was the recent war and the Italian campaign. Mr. Fenton appeared satisfied with the state and condition of his son. (With her free hand Nora pulled back her hair so he could see the baby entirely.) The men seemed to take no notice of the rest of the room: the sixty-odd puny infants, the heavily pregnant girl of about fourteen, waxing the floor on her hands and knees, or the nun standing by, watching hard to be sure they did not make off with the wrong child. The pregnant girl’s hair had been cropped to the skull. She was dressed in a dun-colored uniform with long sleeves and prickly-looking black stockings. She never once looked up.
Although this was a hot and humid morning in late summer, real Montreal weather, the air a heavy vapor, the men wore three-piece dark suits, vest and all, and looked thoroughly formal and buttoned up. The doctor carried a Panama hat. Mr. Fenton had stuck a carnation in his lapel, broken off from a bunch he had presented to the Mother Superior downstairs, a few minutes before. His slightly rash approach to new people seemed to appeal. Greeting him, the nuns had been all smiles, accepting without shadow his alien presence, his confident ignorance of French, his male sins lightly borne. The liquor on his breath was enough to knock the Mother Superior off her feet (he was steady on his) but she may have taken it to be part of the natural aura of men.
“Well, Nora!” said Mr. Fenton, a lot louder than he needed to be. “You’ve got your baby.”
What did he mean? A trained nanny was supposed to be on her way over from England. Nora was filling in, as a favor; that was all. He behaved as if they had known each other for years, had even suggested she call him “Boyd.” (She had pretended not to hear.) His buoyant nature seemed to require a sort of fake complicity or comradeship from women, on short notice. It was his need, not Nora’s, and in her mind she became all-denying. She was helping out because her father, who knew Mr. Fenton, had asked if she would, but nothing more. Mr. Fenton was in his late twenties, a married man, a father, some sort of Protestant – another race.
Luckily, neither the girl in uniform nor the attendant nun seemed to know English. They might otherwise have supposed Nora to be Neil’s mother. She could not have been the mother of anyone. She had never let a man anywhere near. If ever she did, if ever she felt ready, he would be nothing like Mr. Fenton – typical Anglo-Montreal gladhander, the kind who said, “Great to see you!” and a minute later forgot you were alive. She still had no image of an acceptable lover (which meant husband) but rather of the kind she meant to avoid. For the moment, it took in just about every type and
class. What her mother called “having relations” was a source of dirty stories for men and disgrace for girls. It brought bad luck down even on married couples unless, like the Fentons, they happened to be well-off and knew how to avoid accidents and had no religious barrier that kept them from using their knowledge. When a mistake did occur – namely, Neil – they weren’t strapped for cash or extra space. Yet they were helpless in some other way, could not tend to an infant without outside assistance, and for that reason had left Neil to founder among castaways for his first twelve weeks.
So Nora reasoned, gently stroking the baby’s back. She wondered if he had managed to capture her thoughts. Apparently infants came into the world with a gift for mind reading, an instinct that faded once they began to grasp the meaning of words. She had been assured it was true by her late Aunt Rosalie, a mother of four. The time had come to take him out of this sour place, see him fed, washed, put into new clothes and a clean bed. But the two men seemed like guests at a disastrous party, unable to get away, rooted in place by a purely social wish to seem agreeable.
How sappy they both look, ran Nora’s thoughts. As sappy as a couple of tenors. (“Sappy-looking as a tenor” was an expression of her father’s.) I’ll never get married. Who wants to look at some sappy face the whole day.
As though he had heard every silent word and wished to prove he could be lively and attentive, the doctor looked all around the room, for the first time, and remarked, “Some of these children, it would be better for everybody if they died at birth.” His English was exact and almost without accent, but had the singsong cadence of French Montreal. It came out, “Most of these children, it would be better for everybody …” Nora held a low opinion of that particular lilt. She had been raised in two languages. To get Nora to answer in French, particularly after she had started attending an English high school, her mother would pretend not to understand English. I may not be one of your intellectuals, Nora decided (an assurance her father gave freely), but I sound English in English and French in French. She knew it was wrong of her to criticize an educated man such as Dr. Marchand, but he had said a terrible thing. It would have sounded bad spoken heedfully by the King himself. (The King, that August morning, was still George the Sixth.)
Across the Bridge Page 16
