"Is there any way to shake them off?" said Sinner.
I grinned. "Sure. Go places they won't dare follow us."
"I don't like the look of those three," Pretty Poison said mildly. "They have the stink of sanctity about them."
I looked where she was pointing, then cursed under my breath. "Now they are serious trouble. The Holy Trio. A man, a woman, and a recently departed spirit; all of them Jesuit demonologists and fully paid-up members of the Fun Is Evil Club. The flip side of tantric magic; they used the tensions caused by a lifetime of celibacy to power their spells. Result—energy to burn, and a really spiteful attitude to the world in general and the Nightside in particular. The Authorities don't normally let them in. Damn! Walker must be really serious about this. We can forget about any more hell-fire teleports; the Trio could stamp the flames out just by glaring at us."
"I could kill them," said Pretty Poison.
"No you couldn't," said Sinner. "Not if you want to stay with me."
"Well of course, Sidney darling. But you're going to have to explain this whole restraint concept to me again later."
Sinner looked at me suddenly, his usual mild gaze thoughtful and appraising. "I thought you were supposed to be the Vatican's blue-eyed boy, after you got the Unholy Grail back for them?"
"That was a special assignment for the Pope," I said. "Not the Vatican. And Walker has always been able to call on the Church, as well as the State and the Army, to back him up. But I haven't seen a gathering like this for years ... and never just for me."
"So what do we do?" said Madman, catching us all by surprise. It was easy to forget he was listening. It was easy to forget he was still there.
"I think ... we'll just let them follow us," I said. "It's not a long walk from here to the lair of the Lamentation. An awful lot of them will drop out, once they realise where we're going. I don't blame them. I wouldn't go there myself if I didn't have to. In fact, I do have to, and I'm still trying to think of a way out of it."
"The trouble with shadows," said Madman, "is they watch you all the time, but you can't see their eyes."
We all considered that for a while. "Congratulations," said Sinner. "That actually bordered on pertinent, not to mention lucid."
"No-one listens when I tell them things," Madman said sadly.
Sinner turned back to me in a determined sort of way. "I just had a thought," he said firmly. "Sandra Chance is supposed to have a relationship with the Lamentation these days; even if no-one is sure what it might be. Could we perhaps contact her and ask her for an introduction? Maybe even get her to act as an intermediary?"
"I doubt it," I said. "First, it's just gossip. And second, she's not too keen on me at the moment. Not since I let the butterfly get away."
Sinner waited until he realised I wasn't going to say any more, then sighed. "You have a history with practically everyone, don't you?"
"Not all of it bad," I said defensively. 'There must be someone in the Nightside who hasn't wanted to kill me at some time or other."
"I wouldn't put money on it," said Pretty Poison.
We walked out of Uptown, trailing our pack of observers behind us, and made our way through a series of increasingly seedy areas, where even the neon seemed grimy. The buildings huddled together, though the strangers on the streets kept resolutely to themselves. The windows were all shuttered or covered with metal grilles, and the doors were locked to everyone except those who knew the right things to say or ask for. We were in Freak Fair now, where all the fetishists, obsessives, and the more extreme enthusiasts came in search of things that most people wouldn't even recognise as pleasure. Not a place for tourists. The Freak Fair makes even the everyday residents of the Nightside feel dirty. I'd been here once before, on a case, and afterwards I had to burn my shoes.
The people we passed kept their eyes determinedly downcast and made a point of giving each other plenty of room. It was all very quiet and polite, though the stamp of perversion and morbidity hung heavily on the air. The people tracking us began to fall back in ones and twos, then in something of a rush, once it was clear where we were going, clearly deciding that there were very definite limits to their duty. Everyone draws the line somewhere, even in the Nightside. But the hardier souls stuck with us, shouldering people out of their way to maintain their line of sight. I could feel my shoulders hunching as we continued through the narrow streets, as though anticipating an attack. Freak Fair is not a comfortable place to be. Pretty Poison, on the other hand, actually blossomed, striding happily along with a smile for everyone. Sinner didn't seem to be affected at all, but then, he was in love with a demon succubus. Madman hummed cheerfully along with his sound track, which was currently Madonna's Erotica. Takes all sorts ...
We finally arrived at the deconsecrated funeral parlour that currently housed that old and awful Being called the Lamentation. It changed its location regularly, partly because there were a hell of a lot of people (and others) who wanted it dead and gone, and also because its presence alone was enough to suck all the life out of any environment it inhabited. The Lamentation—also known as the God of Suicides, the Saint of Suffering, the Tyrant of Tears. It had many names but only one nature, and nobody worshipped it. You only turned to the Lamentation when you'd run out of belief, hope, and any kind of faith.
We stood together before the flimsy-looking front door, hanging just a little open between stained stone walls. There were no windows. Above the door was a tarnished brass plaque, giving the name of the place in Gothic Victorian script—the Maxwell Mausoleum. The funeral parlour had been around for almost two centuries, before it was shut down amid general outrage. (This was long before the Necropolis became the only supplier for funeral ceremonies in the Nightside.)
They still tell stories about what happened in the Maxwell Mausoleum all those years ago. Bad stories, even for the Nightside. Of what was done to the dead and the living, in dark and silenced rooms, where the Maxwell family worshipped the insides of bodies, and practised rites so revolting there aren't even words to describe them. The Maxwells were finally discovered, then dragged out and hanged from the nearest street-lamps, their bodies set alight while they were still kicking. Their remains were buried in the same coffin, after certain precautions, and for weeks afterwards people lined up to piss on the grave.
It was because of the terrible things that happened here that the Authorities decided to forget all about free enterprise, and determined that in the future all funeral practices would be supplied by the Necropolis, which they would watch over and control. The Maxwell Mausoleum had been abandoned for years before the Lamentation moved in but you could still feel the evil oozing out of the filthy old stones. The Lamentation presumably felt right at home.
It suddenly seemed a lot quieter than it had a few moments ago, and it took me a while to work out why. Madman's music had stopped. He stood right in front of the door, studying it closely while being careful not to touch it, and frowning, as though listening to a voice only he could hear. "Why don't the dead lie still?" he said, then turned away, without waiting for an answer.
I looked at Sinner. "Is it just me, or is he starting to make more sense?"
"It's probably just you," said Sinner. "So, what do we do? Knock loudly and announce our presence?"
"Oh, I think it knows we're here," I said. " The Lamentation is a Power and a Domination. Beings like that don't believe in being surprised."
I reached cautiously forward and gave the door a gentle push. It swung slowly inwards, the hinges squealing loudly. Like most of the older Beings, the Lamentation was a traditionalist and a bit of a drama queen. Beyond the doors was a dull red glow, a tense silence, and nothing else. Like opening a gate to Hell. We waited a while, but no-one came to greet us.
"I'm a bit surprised the door wasn't locked," said Sinner. "I mean, this is the Nightside, after all, where communal property tends to be defined as anything that isn't actually nailed down and guarded by trolls."
"Anyone s
tupid enough to invade the Lamentation's lair deserves every nasty thing that happens to them," I said. "And no-one inside ever leaves, except by the Lamentation's will."
"Excuse me," said Pretty Poison, "but are we ever going in, or is the plan to stand about on the doorstep discussing strategy until the Lamentation gets so bored it comes out to see us?"
I looked at Sinner. "Pushy girl-friend."
"You have no idea," said Sinner.
I led the way in, Sinner and Pretty Poison in flanking position, and Madman bumbling along in the rear. Behind us, the door slammed shut without anyone touching it, and none of us were in the least surprised. Drama queens, the lot of them. The interior of the Mausoleum turned out to be much bigger than its modest exterior indicated. The rooms of the original small business had been replaced by a vast, echoing hall, half-full of curling, blood-tinted mists. We couldn't see the end of the hall from where we were, but the high, vaulted ceiling suggested it was some way off in the distance. We were in a big, big place, and the small sounds of our feet on the uneven flagstones seemed to echo on and on before they reached the distant stone walls. There are those who say space expands to contain all the evil present. And this was the lair of the Lamentation. We had come to a bad place, one of the worst in the world, and all of us could feel it, in our water and in our bones and in our souls.
"I like it here," said Pretty Poison. "It feels like home."
The air was bitterly cold, but quite still. The bloodred mists moved of their own accord, gusting and billowing, thickening and thinning apparently at random. The flagstones beneath our feet were covered in grave dirt. One wall let in shafts of light, falling through old-fashioned stained-glass windows, each depicting the awful deaths of saints and martyrs, the vivid colours glowing through the mists. A dull red glow from the far end of the great hall coloured the mists, pulsing slowly, so that as we moved cautiously forward, it was like walking through the bloodstream of a dying god. The mists smelled of blood and meat and recent death.
"Have we come at last to Hell?" said Madman.
"This isn't Hell," said Pretty Poison. "But you can see Hell from here."
We kept walking. The end of the hall seemed impossibly far away. I had no idea how long we'd been inside the Mausoleum. We were all shivering now, even Madman. The cold was leaching the living warmth right out of us.
We stuck close together. And from out of the bloodred mists, the dead came walking to meet us, to welcome their new guests. There were hundreds of them, men and women and even some children, and there was no mistaking the fact that they were all corpses. They still wore the wounds that killed them, the self-inflicted cuts and rope burns they'd used to end their lives. They showed off then-gaping wounds and dried blood, their stretched and broken necks, with simple indifference. Their skins were colourless, even the insides of their injuries only pale, muted colours, and their faces were blank. Until you looked into their unblinking eyes and saw a suffering there that would never end.
An army of the dead, shuffling forward on unfeeling feet, the rags of their clothes just the tatters of so many scarecrows. They all raised one hand, and beckoned us forward. An aisle opened up through the mass of them, and I led the way into it. The ranks of the dead continued to open silently up before us, then close behind us. We weren't going anywhere they didn't want us to. Some of the dead pawed at me, the way the street people had in Rats' Alley. They looked at me with their dead eyes, and muttered with their pale mouths, in the barest ghosts of voices.
Help us. Free us from the Lamentation. We didn 't know. We didn't know it would be like this. We want to lie down, and rest. Help us. Free us. Destroy us.
And all I could do was keep on walking.
The Lamentation was an old, old Being. Older than most of what passes for history in the Nightside. Served and powered by suicides, it fed on suffering and despair and death. The dead bodies pressed close around us, showing off the deep noose marks on their crooked necks, or the ragged exit wounds in the backs of their heads where they'd shot themselves in the mouth, or in the eye. There were faces thick and puffy from the gasses they'd breathed, or the pills they'd swallowed. Pale red mouths at wrists and throats. The heavy marks of falls and vehicle collisions. They wore their deaths like open books, not as a warning but as proof of their damnation.
And finally, signs began to appear that we were near-ing the Lamentation itself. Hanging nooses dropped from the high ceiling like jungle liana, and we had to push our way through them. There were great sculptures made entirely out of razor blades, and we edged carefully between them. It was just the Lamentation, making itself at home. The blood-tinged mists were thinning out now, taking on the smells and tastes of all kinds of poisonous gasses.
That last development almost took me by surprise. The others weren't affected by the increasingly deadly mists, for their own various reasons, but the first I knew of the danger was when my head began to go all swimmy, and I couldn't seem to get my breath. My thoughts stuttered and repeated themselves, feeling increasingly far away, and then the voice of the unicorn's horn pin sounded loudly in my head.
Poison! Poison gasses, you idiot! Defend yourself! Eat the celery!
I thrust a numbing hand into an inside coat pocket, pulled out the piece of celery, and chewed on it. I always keep a piece handy, pre-prepared with all kinds of useful substances, for just such occasions as this. It tasted bitter as I chewed, but it cleared my head rapidly. It's an old trick but a good one, taught me long ago by a Travelling Doctor I met at the Hawk's Wind Bar & Grill.
Guns and bullets lay scattered in spirals across the dirty flagstones, and we kicked them out of our way. A rainbow of discarded pills crunched under our feet. The dead closed in around us. I kept staring straight ahead.
The corpses were all around us now, filling the vast hall, the furthest of them only dim shadows in the churning mists. For the first time, I was sure I'd chosen the right companions for this case. Anyone else would already have run screaming, and I wasn't far from it myself. The living were never meant to come this close to death and all its horrors. The Lamentation was served by everyone who ever took their own life in the Nightside, and so had acquired the second biggest standing army in the Nightside, behind the Authorities. They allowed this to continue only because the Lamentation had never been much interested in how the Nightside was run. There was never any shortage of suffering and suicides in a place where it's always three o'clock in the morning, and the comfort of the dawn never comes.
The blood-tinted mists suddenly blew apart like curtains, revealing the Lamentation hanging supported in its cage. The great and terrible Being was held securely inside an intricate construction of rusting black metal, a massive cube thirty feet on a side. Black iron bars crisscrossed in elaborate patterns to make up the sides, and then thrust back and forth across the interior, piercing and transfixing the inhumanly stretched and distorted body inside the cage. It was hard to tell just how big the Being really was, bent over and twisted back upon itself, again and again. Its flesh was stretched taut by the strain of its contortions, and its skin was colourless and sweaty, though whether from pain or pleasure... There was something about it that suggested it might have started out as human, long and long ago ...
Whether the cage had been built around the Lamentation, or it had grown inside the cage, wasn't clear. There was no sign of a door or entrance in any of the six sides. The inhumanly long arms and legs stretched out from the crooked torso, twisted back upon themselves again and again, in defiance of all the rules of anatomy, held irrevocably in place by the rusting metal bars transfixing them. There was no trace of blood at any of the many puncture points. More iron bars punched in and out of the torso, which showed no signs of breathing or heartbeat, though the thick body hair swirled slowly, making patterns that sucked in the eye. The face thrust up against the bars of the cage, looking out at its new visitors; stretched impossibly wide, the skin was taut to the point of tearing, and a rusty black spike thrust up
out of one eye-socket. The nose had rotted away, or perhaps been bitten off, and the ears were gone, too. The mouth was a wide, suppurating wound, full of metal teeth. Cracked and crumbling goat's horns curled up from the wide, distorted brow.
It hurt to look at the Lamentation for any length of time. It was just too big, too ... other.
It stank of desperate emotions, of hate and despair and thwarted needs, and the sorrow that can only see one way out, and all of it was thick and overpowering with the headiness of musk. None of this was natural, of course. The Lamentation radiated all the horrors of sudden death, of unnecessary death, of suicides and lives wasted, of potential unrealised and families blighted. For suffering was food and drink for the Lamentation.
"Whose stupid idea was it to come here?" Sinner said quietly. There was something about the place that imposed quiet, like an anti-church.
"Yours," I said.
"Why do you listen to me?" said Sinner.
A clump of mists beside the cage suddenly dispersed, blown away by some unfelt breeze, revealing the dead remains of the Brittle Sisters of the Hive. Their bodies had been piled up to a great height, carelessly dumped there like so much rubbish. There had to be hundreds of them, maybe even thousands; enough to boggle the mind. Shimmering shells of insect husks, spindly limbs already rotting where they stuck out of the pile. Their devil's faces were cold and uninhabited, their compound eyes and complex mouth parts seeming somehow resigned. The Brittle Sisters of the Hive—genetic terrorists, insect saviours, ravagers of the subconscious mind. Hated by pretty much everyone. And yet still it didn't please me to see them lying broken and shattered, like offerings to the Lamentation.
When it spoke, the Lamentation's voice sounded like someone who pretends to be your friend, then whispers lies and distortions in your ear when you're at your most vulnerable.
"This is all of them," it said, its quiet rasping voice the only sound in the great hall. "There are no more. They came here earlier, looking for you, John Taylor. They intended to ambush you and bear you away to the dissecting tables, to open you up and dig out all your secrets. To steal your heritage for themselves. They knew you'd be coming here. They bought the knowledge from an oracle. They really should have inquired further. I will not permit anyone to interfere with my guests, or my intentions. So I lured them all in here, with lies they wanted to believe, then watched them all kill each other under my influence, until none were left. They screamed in quite a satisfactory way, for insects. And now they're all gone. The Hives stand empty, now and forever. My gift to you, John Taylor."
Hex In The City n-4 Page 13
