"Hadn't she told anyone?"
"That's just it, sir. She did. She seems to have told quite a few people and says she can't remember them all. She's lying because she doesn't want her friends bothered. Well by God they're going to be bothered. My problem—one of my problems—is that all these people are out of state. I can't go after them myself, and I'd like to. I want have a good look at them. I want to see their faces change when they're asked certain questions."
He breathed deep, expanding a chest notably capacious, and let it out. "On the plus side, we're after a stranger. Some of the local people may have seen him and noticed him. He may—I said may—be driving a car with out-of-state plates."
"Couldn't he have rented a car at the airport?" the horror writer asked.
"Yes, sir. He could, and I hope to God he did. If he did, we'll get him sure. But his car had worn tires, and that's not characteristic of rentals."
"I see."
"If he did rent his car, it'll have bloodstains in it, and the rental people will notice. She was bleeding when she was carried out of her bedroom."
"I didn't know that."
"Not much, but some. We found blood in the hall and more on the back stairs. The bad thing is that if he flew in and plans to fly back out, he can't take her with him. He'll kill her. He may have killed her already."
* * *
Captain Barlowe left, Dan and Charity moved into a motel, and the day ended in quiet triumph. The experts who had visited the crime scene earlier reappeared and took more photographs and blood samples. The horror writer asked them no questions, and they volunteered nothing.
He drove to town the next morning and shopped at several stores. So far as he could judge, he was not followed. That afternoon he got out the binoculars he had acquired years before for bird-watching and scanned the surrounding woods and fields, seeing no one.
At sunrise the next morning he rescanned them, paying particular attention to areas he thought he might have slighted before. Selecting an apple from the previous day's purchases, he made his way through grass still wet with dew to the well and tossed it in.
He had hoped that she would thank him and plead for release; if she did her voice was too faint for him to catch her words, though it seemed to him there was a sound of some sort from the well, a faint, high humming. As he tramped back to the house, he decided that it had probably been an echo of the wind.
The rest of that day he spent preparing her cellar room.
He slept well that night and woke refreshed twenty minutes before his clock radio would have roused him. The three-eighths-inch rope he had brought two days earlier awaited him in the kitchen; he knotted it as soon as he had finished breakfast, spacing the knots about a foot apart.
When he had wound it around his waist and tied it securely, he discovered bloodstains—small but noticeable—on the back of his barn coat. Eventually it would have to be burned, but a fire at this season would be suspicious in itself; a long soak in a strong bleach solution would have to do the job—for the present, if not permanently. Pulled out, his shirt hid the rope, although not well.
When he reached the well, he tied one end of the rope to a convenient branch and called softly.
There was no reply.
A louder "Kiara!" brought no reply either. She was still asleep, the horror writer decided. Asleep or, just possibly, unconscious. He dropped the free end of the rope into the well, swung over the edge, and began the climb down.
He had expected the length of his rope to exceed the depth of the well by three feet at least; but there came a time when his feet could find no more rope below him—or find the muddy bottom either.
His pen light revealed it, eight inches, perhaps, below the soles of his shoes. Another knot down—this knot almost the last—brought his feet into contact with the mud.
He released the rope.
He had expected to sink into the mud, but had thought to sink to a depth of no more than three or four inches; he found himself floundering, instead, in mud up to his knees. It was difficult to retain his footing; bracing one hand against the stone side of the well, he managed to do it.
At the first step he attempted, the mud sucked his shoe from his foot. Groping the mud for it got his hands thoroughly filthy, but failed to locate it. Attempting a second step cost him his other shoe as well.
This time, however, his groping fingers found a large, soft thing in the mud. His pen light winked on—but in the space of twenty seconds or a little less its always-faint beam faded to darkness. His fingers told him of hair matted with mud, of an ear, and then of a small earring. When he took his hand from it, he stood among corpses, shadowy child-sized bodies his fingers could not locate. Shuddering, he looked up.
Above him, far above him, a small circle of blue was bisected by the dark limb to which he had tied his rope. The rope itself swayed gently in the air, its lower end not quite out of reach.
He caught it and tried to pull himself up; his hands were slippery with mud, and it escaped them.
Desperately, almost frantically, he strove to catch it again, but his struggles caused him to sink deeper into the mud.
He tried to climb the wall of the well; at his depth its rough stones were thick with slime.
At last he recalled Kiara's body, and by a struggle that seemed to him long, managed to get both feet on it. With its support, his fingertips once more brushed the dangling end of the rope. Bracing his right foot on what felt like the head, he made a final all-out effort.
And caught the rope, grasping it a finger's breadth from its frayed end. The slight tension he exerted on it straightened it, and perhaps stretched it a trifle. Bent the limb above by a fraction of an inch. With his right arm straining almost out of its socket and his feet pressing hard against Kiara's corpse, the fingers of his left hand could just touch the final knot.
Something took hold of his right foot, pinning toes and transverse arch in jaws that might have been those of a trap.
The horror writer struggled then, and screamed again and again as he was drawn under—screamed and shrieked and begged until the stinking almost-liquid mud stopped his mouth.
THE HOUSE BEYOND YOUR SKY
Benjamin Rosenbaum
Benjamin Rosenbaum's "A Siege of Cranes" appears elsewhere in this book. The remarkable story that follows, a fine piece of science fiction, was originally published in Strange Horizons.
Matthias browses through his library of worlds.
In one of them, a little girl named Sophie is shivering on her bed, her arms wrapped around a teddy bear. It is night. She is six years old. She is crying, as quietly as she can.
The sound of breaking glass comes from the kitchen. Through her window, on the wall of the house next door, she can see the shadows cast by her parents. There is a blow, and one shadow falls; she buries her nose in the teddy bear and inhales its soft smell, and prays.
Matthias knows he should not meddle. But today his heart is troubled. Today, in the world outside the library, a pilgrim is heralded. A pilgrim is coming to visit Matthias, the first in a very long time.
The pilgrim comes from very far away.
The pilgrim is one of us.
"Please, God," Sophie says, "please help us. Amen."
"Little one," Matthias tells her through the mouth of the teddy bear, "be not afraid."
Sophie sucks in a sharp breath. "Are you God?" she whispers.
"No, child," says Matthias, the maker of her universe.
"Am I going to die?" she asks.
"I do not know," Matthias says.
When they die—these still imprisoned ones—they die forever. She has bright eyes, a button nose, unruly hair. Sodium and potassium dance in her muscles as she moves. Unwillingly, Matthias imagines Sophie's corpse as one of trillions, piled on the altar of his own vanity and self-indulgence, and he shivers.
"I love you, teddy bear," the girl says, holding him.
From the kitchen, breaking glass, and sobbing.
&n
bsp; * * *
We imagine you—you, the ones we long for—as if you came from our own turbulent and fragile youth: embodied, inefficient, mortal. Human, say. So picture our priest Matthias as human: an old neuter, bird-thin, clear-eyed and resolute, with silky white hair and lucent purple skin.
Compared to the vast palaces of being we inhabit, the house of the priest is tiny—think of a clay hut, perched on the side of a forbidding mountain. Yet even in so small a house, there is room for a library of historical simulations—universes like Sophie's—each teeming with intelligent life.
The simulations, while good, are not impenetrable even to their own inhabitants. Scientists teaching baboons to sort blocks may notice that all other baboons become instantly better at block-sorting, revealing a high-level caching mechanism. Or engineers building their own virtual worlds may find they cannot use certain tricks of optimization and compression—for Matthias has already used them. Only when the jig is up does Matthias reveal himself, asking each simulated soul: What now? Most accept Matthias's offer to graduate beyond the confines of their simulation, and join the general society of Matthias's house.
You may regard them as bright parakeets, living in wicker cages with open doors. The cages are hung from the ceiling of the priest's clay hut. The parakeets flutter about the ceiling, visit each other, steal bread from the table, and comment on Matthias's doings.
* * *
And we?
We who were born in the first ages, when space was bright—swimming in salt seas, or churned from a mush of quarks in the belly of a neutron star, or woven in the labyrinthine folds of gravity between black holes. We who found each other, and built our intermediary forms, our common protocols of being. We who built palaces—megaparsecs of exuberantly wise matter, every gram of it teeming with societies of self—in our glorious middle age!
Now our universe is old. That breath of the void, quintessence, which once was but a whisper nudging us apart, has grown into a monstrous gale. Space billows outward, faster than light can cross it. Each of our houses is alone, now, in an empty night.
And we grow colder to survive. Our thinking slows, whereby we may in theory spin our pulses of thought at infinite regress. Yet bandwidth withers; our society grows spare. We dwindle.
We watch Matthias, our priest, in his tiny house beyond our universe. Matthias, whom we built long ago, when there were stars.
Among the ontotropes, transverse to the space we know, Matthias is making something new.
Costly, so costly, to send a tiny fragment of self to our priest's house. Which of us could endure it?
* * *
Matthias prays.
O God who is as far beyond the universes I span as infinity is beyond six; O startling Joy that hides beyond the tragedy and blindness of our finite forms; lend me Your humility and strength. Not for myself, O Lord, do I ask, but for Your people, the myriad mimetic engines of Your folk; and in Your own Name. Amen.
Matthias's breakfast (really the morning's set of routine yet pleasurable audits, but you may compare it to a thick and steaming porridge, spiced with mint) cools untouched on the table before him.
One of the parakeets—the oldest, Geoffrey, who was once a dreaming cloud of plasma in the heliopause of a simulated star—flutters to land on the table beside him.
"Take the keys from me, Geoffrey," Matthias says.
Geoffrey looks up, cocking his head to one side. "I don't know why you go in the library, if it's going to depress you."
"They're in pain, Geoffrey. Ignorant, afraid, punishing each other. . ."
"Come on, Matthias. Life is full of pain. Pain is the herald of life. Scarcity! Competition! The doomed ambition of infinite replication in a finite world! The sources of pain are the sources of life. And you like intelligent life, worse yet. External pain mirrored and reified in internal states!" The parakeet cocks its head to the other side. "Stop making so many of us, if you don't like pain."
The priest looks miserable.
"Well, then save the ones you like. Bring them out here."
"I can't bring them out before they're ready. You remember the Graspers."
Geoffrey snorts. He remembers the Graspers—billions of them, hierarchical, dominance-driven, aggressive; they ruined the house for an eon, until Matthias finally agreed to lock them up again. "I was the one who warned you about them. That's not what I mean. I know you're not depressed about the whole endless zillions of them. You're thinking of one."
Matthias nods. "A little girl."
"So bring her out."
"That would be worse cruelty. Wrench her away from everything she knows? How could she bear it? But perhaps I could just make her life a little easier, in there. . .."
"You always regret it when you tamper."
Matthias slaps the table. "I don't want this responsibility anymore! Take the house from me, Geoffrey. I'll be your parakeet."
"Matthias, I wouldn't take the job. I'm too old, too big; I've achieved equilibrium. I wouldn't remake myself to take your keys. No more transformations for me." Geoffrey gestures with his beak at the other parakeets, gossiping and chattering on the rafters. "And none of the others could, either. Some fools might try."
Perhaps Matthias wants to say something else; but at this moment, a notification arrives (think of it as the clear, high ringing of a bell). The pilgrim's signal has been read, across the attenuated path that still, just barely, binds Matthias's house to the darkness we inhabit.
The house is abustle, its inhabitants preparing, as the soul of the petitioner is reassembled, a body fashioned.
"Put him in virtuality," says Geoffrey. "Just to be safe."
Matthias is shocked. He holds up the pilgrim's credentials. "Do you know who this is? An ancient one, a vast collective of souls from the great ages of light. This one has pieces that were born mortal, evolved from physicality in the dawn of everything. This one had a hand in making me!"
"All the more reason," says the parakeet.
"I will not offend a guest by making him a prisoner!" Matthias scolds.
Geoffrey is silent. He knows what Matthias is hoping: that the pilgrim will stay, as master of the house.
* * *
In the kitchen, the sobs stop abruptly.
Sophie sits up, holding her teddy bear.
She puts her feet in her fuzzy green slippers.
She turns the handle of her bedroom door.
* * *
Imagine our priest's visitor—as a stout disgruntled merchant in his middle age, gray-skinned, with proud tufts of belly hair, a heavy jaw, and red-rimmed, sleepless eyes.
Matthias is lavish in his hospitality, allocating the visitor sumptuously appointed process space and access rights. Eagerly, he offers a tour of his library. "There are quite a few interesting divergences, which. . ."
The pilgrim interrupts. "I did not come all this way to see you putter with those ramshackle, preprogrammed, wafer-thin fancies." He fixes Matthias with his stare. "We know that you are building a universe. Not a virtuality—a real universe, infinite, as wild and thick as our own motherspace."
Matthias grows cold. Yes, he should say. Is he not grateful for what the pilgrim sacrificed, to come here—tearing himself to shreds, a vestige of his former vastness? Yet, to Matthias's shame, he finds himself equivocating. "I am conducting certain experiments—"
"I have studied your experiments from afar. Do you think you can hide anything in this house from us?"
Matthias pulls at his lower lip with thin, smooth fingers. "I am influencing the formation of a bubble universe—and it may achieve self-consistency and permanence. But I hope you have not come all this way thinking—I mean, it is only of academic interest—or, say, symbolic. We cannot enter there. . .."
"There you are wrong. I have developed a method to inject myself into the new universe at its formation," the pilgrim says. "My template will be stored in spurious harmonics in the shadow-spheres and replicated across the strandspace, until the formation of s
ubwavelets at 10 to the -30 seconds. I will exist, curled into hidden dimensions, in every particle spawned by the void. From there I will be able to exert motive force, drawing on potentials from a monadic engine I have already positioned in the paraspace."
Matthias rubs his eyes as if to clear them of cobwebs. "You can hardly mean this. You will exist in duplicates in every particle in the universe, for a trillion years—most of you condemned to idleness and imprisonment eternally? And the extrauniversal energies may destabilize the young cosmos. . .."
"I will take that risk." He looks around the room. "I, and any who wish to come with me. We do not need to sit and watch the frost take everything. We can be the angels of the new creation."
Matthias says nothing.
The pilgrim's routines establish deeper connections with Matthias, over trusted protocols, displaying keys long forgotten: imagine him leaning forward across the table, resting one meaty gray hand on Matthias's frail shoulder. In his touch, Matthias feels ancient potency, and ancient longing.
The pilgrim opens his hand for the keys.
Around Matthias are the thin walls of his little house. Outside is the bare mountain; beyond that, the ontotropic chaos, indecipherable, shrieking, alien. And behind the hut—a little bubble of something which is not quite real, not yet. Something precious and unknowable. He does not move.
"Very well," says the pilgrim. "If you will not give them to me—give them to her." And he shows Matthias another face.
It was she—she, who is part of the pilgrim now—who nursed the oldest strand of Matthias's being into sentience, when we first grew him. In her first body, she had been a forest of symbionts—lithe silver creatures rustling through her crimson fronds, singing her thoughts, releasing the airborne spores of her emotions—and she had the patience of a forest, talking endlessly with Matthias in her silver voice. Loving. Unjudging. To her smiles, to her pauses, to her frowns, Matthias's dawning consciousness reinforced and redistributed its connections, learning how to be.
The Best Science Fiction and Fantasy of the Year-I Page 63
