When the shaman was done with the meal, Jagiellon's huge form loomed beside him again. "Take the platter with you to your quarters," commanded the grand duke, his heavy voice sliding out the words like ingots from a mold. "Do not clean it. Display it prominently. It will help you to remember the consequences of failure."
The shaman bobbed his head in nervous obedience.
"My project in Venice will require subtlety, shaman, lest the spirit that guards the city be roused from its slumber. That is why I summoned you here. My last shaman was subtle enough, but he lacked sufficient courage. See to it that you have both."
The shaman was confused. He had heard of Venice, but knew nothing about the city. Somewhere in Italy, he thought.
"I will explain later. Go now. You may take this with you also. It will remind you of the consequences of success."
As he rose from the table, clutching the platter, the shaman beheld a woman standing next to the grand duke. She was very beautiful.
"You will not have the use of it for long," warned the grand duke. "Soon enough, the thing must be sent off to Venice."
The shaman bobbed his head again; more with eagerness, now, than anxiety. The shaman was not given to lingering over such pleasures, in any event. In that, too, he was a creature of the wilderness.
* * *
By the time he reached his chambers, the woman following obediently in his wake, the shaman had come to realize that she was no woman at all. Simply the form of one, which his master had long since turned into his vessel.
The shaman did not care in the least. A vessel would serve his purpose well enough; and did so. But the time came, his lust satisfied, when the shaman rolled over in his bed and found himself staring into an empty platter instead of empty eyes. And he wondered whether he had made such a wise decision, answering the summons of the Grand Duke of Lithuania.
Not that he had had much choice, of course. Jagiellon was . . . famous.
FERRARA
Each hammer blow was a neat, precise exercise of applied force. Enrico Dell'este loved this process, this shaping of raw metal into the folded and refolded blade-steel. His mind and spirit found surcease from trouble in the labor. At the moment, as for the past several years, he needed that surcease. Needed it badly.
Besides, a duke who worked steel was intensely popular among his steelworking commons. Duke Dell'este, Lord of Ferrara, Modena, Este, and Reggio nell'Emilia, needed that also. Ferrara stood between too many enemies in the shifting morass of Italian politics in the year of our Lord 1537. Ferrara had no natural defenses like Venice, and no great allies. All it had was the Duke Enrico Dell'este—the Old Fox, as his populace called him—and the support of that populace.
A page entered the forge-room. Shouted above the steady hammering. "Milord. Signor Bartelozzi is here to see you. He awaits you in the sword salon."
The duke nodded, without stopping or even looking up from his work. "Antimo will wait a few moments. Steel won't." He forced himself to remain calm, to finish the task properly. If Antimo Bartelozzi had bad news he would have sent a messenger, or simply sent a letter. The fact that he needed to talk to the duke . . .
That could only mean good news about his grandchildren. Or news which was at least hopeful.
Dell'este lifted the bar of hammered metal with the tongs and lowered it into the quenching tank. He nodded at the blacksmith standing nearby, who stepped forward to continue the work. The duke hung his tools neatly and took the towel from the waiting factotum. "The Old Fox," he murmured, as he dried the sweat. "Tonight I just feel old."
* * *
The room the duke entered was spartan. Stone-flagged, cool. Its only furnishings a wooden table which leaned more to sturdiness and functionality than elegance; and a single chair, simple and not upholstered. Hardly what one would expect the lair of the Lord of the cities of Ferrara, Este, Modena, and Reggio nell' Emilia to look like. On the wall above the fireplace was a solitary piece of adornment. And that was absolutely typical of Dell'este. It was a sword, hung with crimson tassels. The pommel showed faint signs of generations of careful polishing. The wall opposite the fireplace contained an entire rack of such weapons.
The Old Fox sat at the table and looked at the colorless man standing quietly in the corner. Antimo Bartelozzi had the gift of being the last person in a crowd of two that you'd ever notice. He was also utterly loyal, as the duke well knew. Bartelozzi had had ample opportunity to betray the Dell'este in times past.
The duke used other spies and agents for various other tasks. Antimo Bartelozzi was for family affairs. To the duke that was the only thing more precious than good sword-steel.
"Greetings, Antimo. Tell me the worst."
The lean gray-haired man smiled. "Always the same. The worst first. The 'worst' is that I did not find them, milord. Either one. Nor do I have knowledge of their whereabouts."
The Old Fox shuddered, trying to control the relief which poured through him. "My grandsons are alive."
Bartelozzi paused. "It's . . . not certain. To be honest, milord, all I've established is that Marco Valdosta was last seen the night your daughter Lorendana was killed. And I had established that much two years ago. But I did find this."
The duke's agent reached into a small pouch. He handed over a small, sheathed knife, whose pommel was chased and set with an onyx. "This dagger is a signed Ferrara blade that turned up in the thieves market at Mestre. The seller was . . . questioned. He admitted to having bought it from one of the Jesolo marsh-bandits."
The duke hissed between his teeth. He took the blade and unscrewed the pommel. Looked at the tiny marks on the tang. "This was Marco Valdosta's blade." He looked at the wall. At the empty space next to one of the hereditary blades on its rack. The space for a small dagger given to a boy, next to the sword—still in its place—destined for the man. His grandson Marco's blades.
"And you don't take this as another bad sign? Perhaps whoever stole the dagger from him killed the boy." The Old Fox eyed Bartelozzi under lowered eyebrows. "You found one of the bandits. Questioned him."
Antimo nodded. "They robbed the boy, yes. Beat him badly. Badly enough that the bandits assumed he would not survive. But . . . there are rumors."
"The Jesolo is full of rumors," snorted Dell'este. "Still, it's something."
He moved toward the blade-rack. "Tell me that I can return it to its place, Antimo. You know the tradition."
Behind him, he heard a little noise. As if Bartelozzi was choking down a sarcastic reply. The duke smiled grimly.
" 'No Ferrara blade, once given to a Dell'este scion, may be returned until it is blooded.' You may hang it in the rack, milord. That blade is well and truly blooded. I slid the bandit into the water myself. The thief-vendor also. There was barely enough blood left in them to draw the fish."
Dell'este hung the dagger and turned back. "And the younger boy? Sforza's bastard?"
Antimo Bartelozzi looked decidedly uncomfortable. "Milord. We don't know that the condottiere was his father."
"Spare me," growled the duke. "My younger grandson was the spitting image of Sforza by the time he was ten. You knew my slut daughter, as well as I did. She was enamored of all things Milanese, and Sforza was already then the greatest captain in Visconti's service."
Antimo studied Dell'este for a moment, as if gauging the limits of his master's forbearance. It was a brief study. For Bartelozzi, the Old Fox's limits were . . . almost nonexistent.
"That is a disservice to her memory, milord, and you know it perfectly well. To begin with, her devotion was to the Montagnard cause, not to Milan. Your daughter was a fanatic, yes; a traitor . . . not really."
The duke's jaws tightened, but he did not argue the point. Bartelozzi continued:
"Nor was she a slut. Somewhat promiscuous, yes; a slut, no. She rebuffed Duke Visconti himself, you know, shortly after she arrived in Milan. Quite firmly, by all accounts—even derisively. A bold thing for a woman to do, who had cast herself into Milan's coils.
That may well have been the final factor which led Visconti to have her murdered, once she had fallen out of favor with her lover Sforza. Not even Visconti would have been bold enough to risk his chief military captain's anger."
Dell'este restrained his own anger. It was directed at the daughter, anyway, not the agent. Besides, it was an old thing, now. A dull ember, not a hot flame. And . . . that core of honesty which had always lain at the center of the Old Fox's legendary wiliness accepted the truth of Bartelozzi's words. The duke's daughter Lorendana had been headstrong, willful, given to wild enthusiasms, reckless—yes, all those. In which, the duke admitted privately, she was not really so different from the duke himself at an early age. Except that Enrico Dell'este had possessed, even as a stripling prince, more than his share of acumen. And . . . he had been lucky.
Bartelozzi was continuing. "All we know about the younger boy is what we learned two years ago. He was thrown out of Theodoro Mantesta's care once the true story of Lorendana's death leaked out. Mantesta, not surprisingly, was terrified of Milanese assassins himself. Your youngest grandson seems to have then joined the canal-brats."
"Damn Mantesta, anyway—I would have seen to his safety." For a moment, he glowered, remembering a night when he had slipped into Venice incognito. The Duke of Ferrara was no mean bladesman himself. Theodoro Mantesta had been almost as terrified of him as he had been of Milanese assassins. Almost, but . . . not quite. And for good reason. In the end, Dell'este had let him live.
The Old Fox waved his hand irritably. "I know all this, Antimo! Shortly thereafter, you discovered that a child very like him, from the poor description we had, was killed about three weeks later. And while it wasn't certain—hundreds of poor children live under the bridges and pilings of Venice—it seemed logical enough that the victim was my youngest grandson. So tell me what you have learned since, if you please."
Antimo smiled. "What I have learned since, milord, is that the boy whose throat was slit had actually died of disease the day before."
The duke's eyes widened. "Who would be that cunning? Not my grandson! He was only twelve at the time."
"Two ladies by the name of Claudia and Valentina would be that cunning, milord." Bartelozzi shook his head. "You would not know them. But in their own circles they are quite famous. Notorious, it might be better to say. Tavern musicians, officially—excellent ones, by all account—but also thieves. Excellent thieves, by reputation. And according to rumor, shortly thereafter the two women gained an accomplice. A young boy, about twelve. I've not laid eyes on him myself, mind you—neither have any of my agents. The boy seems to have been well trained in stealth. But I have gotten a description, quite a good one. In fact, the description came from a former mercenary in Sforza's service. 'Could be one of the Wolf's by-blows,' as he put it. 'Lord knows he's scattered them across Italy.' "
The Duke of Ferrara closed his eyes, allowing the relief to wash over him again. It made sense, yes—it all made sense. His youngest grandson had been a wily boy—quite unlike the older. As if all of the legendary cunning of Dell'este had been concentrated in the one, at the expense of the other. Combined, alas, with the amorality of the father Sforza. Even when the boy had been a toddler, the duke had found his youngest grandson . . . troubling.
His musings were interrupted by Bartelozzi. Antimo's next words brought the duke's eyes wide open again.
"The two women who may have succored your grandson are also reputed to be Strega. Genuine Strega, too, not peddlers and hucksters. The reputation seems well founded, from what I could determine."
"Strega? Why would they care what happened to the bloodline of Valdosta and Dell'este?"
Bartelozzi stared at him. After a moment, Dell'este looked away. Away, and down. "Because Venice is the best refuge of the Strega," he answered his own question. "Has been for centuries. If Venice falls . . ."
A brief shudder went through his slender but still muscular body. "I have been . . . not myself, Antimo. These past two years. All my offspring dead . . . it was too much."
His most trusted agent's nod was one of understanding. But pitiless for all that.
"You have other offspring, milord. Of position if not of blood. All of Ferrara depends upon you. Venice too, I suspect, in the end. There is no leadership in that city that can compare to yours. If you begin leading again, like a duke and not a grieving old man."
Dell'este tightened his lips, but accepted the reproof. It was a just one, after all.
"True," he said curtly. Then, after a moment, his lips began to curve into a smile. Hearing Bartelozzi's sigh of relief, he allowed his smile to broaden.
"You think it is time the Old Fox returned, eh?"
"Past time," murmured Bartelozzi. "The storm clouds are gathering, milord. Have been for some time, as you well know. If Venice is destroyed, Ferrara will go down with it."
The Duke of Ferrara began pacing about. For all his age, there was a spryness to his steps. "Venice first, I think. That will be the cockpit."
He did not even bother to glance at Bartelozzi to see his agent's nod of agreement. So much was obvious to them both. "Which means we must find an anchor of support in the city. A great house which can serve to rally the populace of Venice. The current quality of Venetian leadership is dismal, but the population will respond well—as they have for a thousand years—if a firm hand takes control." He sighed regretfully. "Doge Foscari was capable once, and still has his moments. But—he is too old, now."
"If either of your grandsons is alive . . ."
The Old Fox shook his head firmly. "Not yet, Antimo. Let our enemies think the ancient house of Valdosta is well and truly destroyed. That will be our secret weapon, when the time comes. For the moment—assuming they are still alive—my grandsons are far safer hidden amongst the poor and outcast of Venice."
"We could bring them here, milord."
The duke hesitated, his head warring with his heart. But only for an instant, before the head began shaking firmly. Not for nothing did that head—that triangular, sharp-jawed face—resemble the animal he had been named after.
"No," he said firmly. "As you said yourself, Antimo, I have a responsibility to all of my offspring. Those of position as well as those of blood." For a moment, he paused in his pacing; stood very erect. "Dell'este honor has always been as famous as its cunning. Without the one, the other is meaningless."
Bartelozzi nodded. In obeisance as much as in agreement. He shared, in full measure, that loyalty for which the retainers of Dell'este were also famous.
"Valdosta cannot serve, for the moment." The Old Fox resumed his pacing. "Of the others . . . Brunelli is foul, as you well know, however cleverly that house has managed to disguise it. Dorma has potential, but the head of the house is still too young, unsure of himself."
"Petro Dorma may surprise you, milord."
The duke glanced at him. "You know something I don't?"
Bartelozzi shrugged. "Simply an estimate, nothing more."
Dell'este stared out the window which opened on to the little city of Ferrara. Looked past the city itself to the lush countryside beyond. "Perhaps, Antimo. I'm not sure I agree. Petro Dorma is a judicious man, true enough. And, I think, quite an honorable one. But that's not enough. A sword must have an edge also."
The duke sighed. "If only Montescue . . . There's the man with the right edge. And, for all his age, the tested blade to hold it."
Hearing Bartelozzi's little choke, the duke smiled wryly. "Don't tell me. He's still trying to have my grandsons assassinated."
"It seems so, milord. Apparently the same rumors have reached him as well."
The Old Fox turned his head and gazed squarely upon his most trusted agent and adviser. "Instruct me, Antimo. In this matter, I do not entirely trust myself."
Bartelozzi hesitated. Then: "Do nothing, milord. Casa Montescue has fallen on such bad times that old Lodovico Montescue will not be able to afford better than middling murderers. And"—again, he hesitated—"we may as well disc
over now, at the beginning of the contest, how sharp a blade your grandsons will make."
The Duke of Ferrara pondered the advice, for a moment. Then, nodded. "Spoken like a Dell'este. See to it then, Antimo. Pass the word in Venice—very quietly—that if either of my grandsons come to the surface, we will pay well for whoever takes them under his wing. Until then . . . they will have to survive on their own. Blades, as you say, must be tempered."
His lips tightened, became a thin line. Those of a craftsman, gauging his material. "No doubt iron would scream also, if it could feel the pain of the forge and the hammer and the quenching tank. No matter. So is steel made."
Chapter 1
The silhouette of the Basilica of St. Mark was black against the paling predawn sky. The pillar and the winged lion in the Piazza San Marco could just be made out.
In the bow of the gondola Benito shifted uneasily, looking at it. "Figlio di una puttana, woman," he said, trying to sound older than fourteen. "Can't you get a move on? It'll be sunup before I'm home." He wished his voice would stop cracking like that. Marco said it was just part of growing up. He wished that that would stop too. Being bigger was no advantage for climbing or running. And if he stopped growing, he might stop being so hungry all of the time.
The Shadow of the Lion Page 3
