Where is Ken?Comes the question from nowhere. Where is Ken? She repeats to herself, and she holds this stranger closer to her, dreaming about how things could have been and not how they were.
The Good Life
"Where are you from?" asks Ken, leaning back on the booth' s leather, so smooth and lavish.
"Right from here, Miami," says Sonia, and smoke escapes from her crimson lips. Her fingers capped with matching crimson fingernails hold a Virginia Slim slowly dissolving itself into the conditioned air. "Where did you think I was from? I' m as American as you, honey."
The "honey" raises a faded memory in Ken' s mind, but he quickly gets over it. Sonia' s nipples stand like rivets under a silk dress that duplicates the smoothness of her sable hair. He feels taken by her thick and dark eyebrows arching over her deep brown eyes, and that cleavage, exuberant and pleading to break loose, right on his face. Damn it. What would Ortega say if he knew she was with him in this stylish restaurant, Ken wonders, having a nice dinner paid for with his own money?
"Don' t you worry about Ortega," she says.
"What?"
"Don' t you worry about Ortega," she repeats.
"Do you read minds?" Ken gives her a baffled look, and she laughs, her bosom trembling in ripples of tight flesh.
"I don' t read minds, only faces, and your face was wondering about me and the boss. I can go out with anybody I please as long I' m available to him at the snap of his fingers."
"Oh," said Ken, not knowing how to answer. He wishes he could be as cool as Bogart in Casablanca.
"Just like you, honey, ready to jump when he asks for it."
"Hey, I just fly for the guy."
"I just spread them for him," she says in a whisper mixed with smoke. "What' s the difference?" Her tongue' s tip goes around her lips once, a slow and provocative motion. An indecipherable signal as far as Ken went.
Ken takes a sip from his drink - not a mug - but a fancy glass with ice cubes in it. Even the little cubes look expensive. "You have a way to screw any body' s evening up, you know."
"Yes, I do. But I' m also good at making up for it," she says with a smirk. "If I feel so inclined," she adds.
"How do you feel tonight?" asks Ken, one finger in his drink chasing an ice cube around the glass' s rim.
"I feel willing."
They made love in his place, on the rented couch, listening to Chuck Mangione' s Feels so good in the rented stereo. Rent to own. Pay now, don' t need to buy later. Everything is for rent for a price. Her dark and hirsute pubis intrigues Ken the most, rising like shadowy smoke up her navel. Her dark and huge nipples stand like hubcaps over her breasts, quite a mouthful of flesh, of woman.
After doing it twice, she returns from the bathroom and gets dressed in silence.
"Where’ re you going?" asks Ken from the floor, lying between the couch and the coffee table where he had landed after his last orgasm.
"Have to go, honey," she says and smiles.
She picks her Newman-Marcus purse up and leaves, turning before going out of the door to say "Will see you again; it was good."
"Yeah, right," says Ken sitting on the floor naked, his hard on still up, and confused about how things happened so fast. Expensive women, and plenty of money, and a new truck - paid for - for his dad. And flying big iron between Colombia and Florida. Money coming out of his ass like farts after a chili and beer dinner. Damn.
Ken reclines his head on the couch and laughs. He connects the"honey" to Debbie, like if his mind were a pinball machine and the little ball had finally made it all the way to the bottom. Debbie, that cute whore from Daytona Beach, and he thinks that he knows what she felt when he used to slip a twenty dollar bill up her dress and into her panties, if she happened to be wearing any.
Debbie Does Dallas
Traffic on LBJ became the customary four-lane parking lot at rush hour. Hordes of commuters inched out of downtown Dallas on their way home to fan into the northern suburbia like ants leaving their nest, and Debbie got caught in the middle of it. But she didn' t mind it too much; the minivan had a nice stereo and the A/C worked real well, so well she had goose bumps and her nipples had turned hard.
The child seat behind her had been a clever touch. John had bought it at a pawnshop to give the van that wholesome mom look. She smoked with great panache, blowing the smoke out through the small slit between the door' s frame and the window glass, the stereo playing Stevie Ray Vaughan' s Life by the Drop. Another easy few grand. No more whoring. She only had to screw John, her boss, which wouldn' t be so bad if it wasn' t for his fetishism for anal sex. Debbie shifted in her seat. It felt like hemorrhoids, she thought. Why do men like that more than pussy? She couldn' t figure it out. Maybe it is because they cannot do it with nice girls, so here comes Dee, all greased up like a fair pig - and they want her to squeal like one too.
Good money anyway, each trip, plus free coke. Sometimes more if the load was good. The traffic along the Loop unplugged itself and now hundreds of cars moved in a loose formation over the asphalt. The I-20 Shreveport exit sign appeared across the windshield, and Debbie smiled. She was on her way to Atlanta to pick a load; sometimes it was a kilo, sometimes as much as five, neat little bundles wrapped in shiny tape full of bitter dust. She would drive all day and night, straight. A couple of lines would keep her going strong. She felt like a million bucks, and she knew she could drive to New York if she wanted; well, maybe with the help of a couple of more lines along the way, just in case.
Cuban Hospitality
Cuba' s Eastern tip sneaked under the golden clouds that half hid the sinking sun. After circumventing Guantá namo base' s radar, the old Twin Beech followed the surf towards the yet invisible airstrip planted somewhere past the palm trees, right at the foot of the sierra. An open map laid spread on Ken' s lap and his eyes bounced back and forth between the coast and the paper, looking for the turn, the curve, the landmark that would give him his bearings.
Tony sat in the copilot' s seat, attired like Harrison Ford in Raiders of the Lost Ark, minus the whip. He had pleaded, like a little brat, with Ortega and Ken to come in this trip, just for the kicks of it. Dead weight is the last thing an overloaded smuggling plane needs, but both Ortega and Ken had agreed to let him have his way, poor big child.
"What the hell is that?" had asked Ken when he saw Tony getting ready to climb into the door less plane in Colombia with a black and boxy looking gun in his hand.
"I' m a sucker for these things, you know," had said Tony with a mischievous smile, like a kid trying to sneak a pet armadillo into the house. "It' s a MAC10."
"You ain' t taking that. All I need is you blowing a hole in my plane."
"Shit, man, don' t be such a party pooper," had pleaded Tony, all droopy eyes. Ken could have sworn he was ready to burst crying.
"O.K., but I don' t want you horsing around with that thing."
Now the end of their first leg of the trip appeared in sight over the nose. The Twin Beech had followed the coast line almost at coconut tree level until meeting a finger of land that showed the way to the airstrip, three clicks inland. Two parallel lines of sparse lights -homemade runway markers - titillated ahead against the background of darkening hills.
Mixture full rich, props forward, throttle back, flaps down, gear down, Ken greased a three point landing on the dirt strip, all done in a steady, coordinated ballet of pulling, twisting, reaching and manipulating of what looked like gizmos to Tony, who just sat with his toy on his lap, his fingers tapping its lock in nervous expectation. Cuban soldiers should be waiting.
A light flashed on one side of the runway. The black hills blocked the last flare of sunlight coming from the west, and neither Ken nor Tony could make out who was behind the light.
As the Beech taxied towards the light, Ken said to Tony," I' m gonna hit the landing light when we get closer. Keep an eye open for anything strange."
"What' s not supposed to be strange, anyway? Said Tony. "This is god damned Cuba."
>
"You know, something like the McDonald' s clown."
"Or Ed McMahon."
They both laughed until the landing light came on. It bathed in white halogen light a fatigue clad figure holding a flashlight in one hand, a rifle in the other. The figure brought one arm against its face to block the light.
"You blinded him," said Tony.
"And probably pissed him off," said Ken shaking his head.
The Beech came to a stop and the engines cut with a couple of pops. The runway lights, oil fires burning inside cans, shone against the unfathomable darkness of the sierra crowned by the scarlet remnants of the sunset to the west. A dark, inky blue sky suffused itself with the sea to the east.
Ken got up from his seat and squeezed past the bales of coke that formed a narrow corridor along the sides of the fuselage. Tony came behind, barely fitting through. First outside, Ken greeted the soldier, a young kid, eighteen at the most. Tony followed him, gun in his hand. Ken noticed Tony' s gun, and almost shit his pants.
The soldier and Tony sized each other up, and their guns. Tony walked to the soldier and said "buenos dí as" in a bad Spanish.
"Buenas noches," responded the soldier.
Tony reached into his front pocket and pulled a pack of Winstons and offered one to the soldier, who took one with a smile. Now Ken started breathing again.
The soldier stood at a distance, AK-47 shouldered and smoking Tony' s American cigarette without any trace of socialist remorse. Tony gave him the whole pack," hell, the poor kid probably is smoking some shitty Russian stuff." While Tony pumped gas by hand into the Beech from a drum, Ken added oil to the oil tanks. Standing on the wing, Ken saw headlights approaching the runway.
"Mira, mira," said Ken to the soldier while pointing in the direction of the approaching lights. The soldier looked under the airplane in the direction Ken pointed. He extinguished, very carefully as not to damage it, his cigarette, put the butt in his pocket and stood facing whatever was coming, rifle in hand.
A small Army truck stopped a few yards away and a mustached man wearing a pistol holder came out followed by the driver, a tall, black soldier armed with a rifle. Ken didn' t like their looks, and neither did Tony who kept pumping gas with one arm, the other holding onto his gun.
The kid snapped a big salute and stood at attention, but the new guys past by, ignoring him. The pistol man stood behind the wing and motioned Ken to come down. The rifleman stood behind the pistol man, his weapon at the ready across his chest. Tony kept on pumping gas, his gun hidden behind his big chest.
"Si," said Ken, and the pistol man started talking Spanish, fast.
"No españ ol. No comprende," said Ken.
The pistol man became agitated at Ken' s answer. "Money," he said and his thumb and index rubbed each other in greed. "Dollars. Much dollars."
According to the Colombians, everything was taken care of. Why was this guy asking for money? wondered Ken.
"No money, no pesos," said Ken shaking his head vigorously from side to side. Ken put his hands into his jeans and pulled the pockets out. Only lint and used ticket movie stubs came with them.
The pistol man' s unfriendly face became angrier. He reached for his holster and had started to pull his pistol out when a hammering of automatic fire passed Ken by his side and struck both the pistol man and the rifleman. Blood splattered on Ken' s face as the Cubans fell dropping their guns. Ken looked back and saw Tony holding his gun at the hip. He saw him pointing his gun at something further to the right, behind him. Ken looked that way and saw the kid with his rifle in his hand with a face as surprised as his own.
The kid dropped his rifle and put his arms up. Tony ran toward the Cubans on the ground, still wriggling like worms, and kicked their guns out of their reach.
"Quick! Get his gun!" yelled Tony while gesturing towards the kid. Ken ran, picked the kid' s rifle and returned.
"Take the damn thing!" Ken yelled half scared, half angry, giving the rifle to Tony. "What in hell did you do this for?"
"Do you want to rot in a Cuban jail?" shouted back Tony.
Bouncing headlights now approached from the same place the two greedy Cubans had come, three or four trucks, who knows how many soldiers, a beehive buzzing with Tony' s gunshots.
"We need to get the fuck out of here!" shouted Ken. In a frenzy they pulled the fuel hose from the tank, closed the tank and rolled the drum out of the way.
"Get in there and crank that mother!"Yelled Tony. Ken jumped into the Beech, ran sideways towards the cockpit and sat on the left seat. Shit. . . shit . . . where' s the fucking flashlight? . . . Here . . .Fuel on . . . Mixture rich . . . Master on . . . Fuck the check list. . . Shit . . . Throttle, not much, don' t want to flood it . . .Come on, come on . . .
Sweat dribbled down Ken' s forehead. The small flashlight stuck in his mouth shone a red light over the instrument panel where his quick fingers bounced from switch to switch to the center pedestal were the prop and engine controls were. The left prop started to turn agonizingly slow. Ken felt in the marrow of his bones the strain in the starter as each prop revolution went by under his red light shining through the Plexiglas of his side window. The starter hummed and the prop spun, faster and faster.
Shit . . . Come oooooon . . .
The engine popped and fire shot out from the exhaust pipes. Give it power, slowly. Oil pressure is up. Right engine now . . . Comeooooooooooon baby.
"Let' s get the fuck moving!" Ken heard Tony shouting from the tail section. At that moment a distant cracking noise came over the noise of the running engine, and tracers started to draw paths of fire in the humid night. A report of automatic fire came from the tail section. Ken figured it was Tony hanging out of the door returning fire into the incoming headlights.
The right engine caught. Ken advanced the throttles with full brakes applied; once the engines reached full R.P.M., he released the brakes and aimed the Beech' s nose straight ahead between the marker lights for a take off that would have to use only over half the available runway. The tracers converged on the plane until the airframe shuddered and clinked with the impact of bullets striking aluminum.
Shit . . . Ten degrees of flaps . . . The old Beech roared down the runway heading into a solid darkness filled with unknown obstacles, but Ken had no time to ponder that; they were taking fire from the Cubans, and all that mattered was full power. Balls to the wall, now!
Twice Ken tried to lift off, but the heavy plane settled back on to the ground as the runway lights quickly and forever disappeared behind him. At the third attempt the plane remained airborne. Ken retracted the gear and kept the airplane in ground effect, rushing towards a darkness he remembered contained a line of palm trees beyond which awaited the ocean. He flicked the landing light on just in time to see the trees growing bigger by the second. He pulled on the joke gritting his teeth and praying for enough speed to clear the palms. The scrapping noise of vegetation came through his feet but the old plane cleared the tree wall in one piece. Ken lowered the nose and skimmed the top of the waves at full power, heading for Florida followed by a whirl of sea spray that rose on his wake.
A few minutes passed before he could release his shaky sweaty hands from the yoke. He thanked God it was a clear night and the horizon had a sharp edge to tell him which way was up. He climbed to 500 feet, throttled the engines back to cruise power, trimmed the aircraft, and checked his instruments. All needles stuck in the green. Fuel gages read almost full, so he was not leaking fuel, at least not in huge amounts. Fucking luck.
"Tony?" Ken yelled in the direction of the tail. No answer.
"Toooony!" Ken shouted many more times, but no answer came from the rear. The airplane felt tail heavy, so Ken knew that Tony was back there. No autopilot; not even an old fashion win-leveler; the instrument panel had an empty space where the autopilot was supposed to be. Flying the old plane at low altitude demanded Ken' s constant attention, and he could not release the yoke to check on Tony.
It would be a lon
g trip, and Ken felt sicker by the mile.
The Good Samaritan
Debbie' s van rides westward on I-20, flanked by flat expanses of cotton fields. Her windshield is dusty, and the sunset diffuses its rays into a fan of golden light slathered across the glass where the wiper' s path is demarcated by a lighter hue. The road stretches and shows the way to a dying sun, and Debbie tries to catch up with it, but she can' t.
Like many other things she had always tried to catch up with, this one also slithers out of her reach, she thinks. But not to worry; tomorrow, the same sun will pop on the east, then it will vault to its zenith and will catch up with her. Things always turn out fine, one way or another, she tries to convince herself.
She does the speed limit, no need to attract nosy cops. A big Buick stands still on the freeway' s shoulder. A white haired old man, dressed in his best Polyester, is looking under the hood. A white haired old lady stands beside him, and both look lost, like if they were gazing at some incomprehensible riddle that had usurped the engine' s place.
Debbie pulls off the highway, stops, and backs up to where the old couple stands like shipwrecks on a raft in the middle of the ocean.
"Hi there," says Debbie as the old man approaches her window. "What' s the problem?"
"The darn car died on us," says the old man, tall and skinny like a pole.
"If you want I can give you a ride," offers Debbie, her cute smile a flag of friendliness and good intentions.
"We would really appreciate it, ma' am."
The van is back on the road. The old lady, Edna, sits on the bench seat behind Debbie, beside the empty child seat. The old man, Bob, seats on the passenger seat at front. By the time they reach the next exit and a gas station, both Bob and Edna have concluded that Danielle is a delightful young lady, so perky and generous, and they thank her and wish her the best of things as they get out of the van.
"Such a nice girl," says Edna.
"God bless her," says Bob.
Debbie continues towards Dallas, happy of having helped the old couple, thinking of the money she will get after she delivers the five kilos hidden inside the sliding door' s cavity. Her butt hole itches when she recalls John' s damned habits, also awaiting, but pain is bearable when the money is good.
Snapshots of Modern Love Page 6
