When, a few years after Riddle’s departure from the school, a Dark wizard of immense power called Lord Voldemort became active in the wizarding world, Slughorn did not immediately recognise him as his old pupil. He had never been privy to the private name that Riddle was already using to his cronies at Hogwarts, and Voldemort had undergone several physical transformations since last they met. When Slughorn realised that this frightening wizard was, indeed, Tom Riddle, he was horrified, and on the night that Voldemort returned to Hogwarts, seeking a teaching post, Slughorn hid in his office, frightened that the visitor would come and claim acquaintance. Voldemort did not trouble to greet his former Potions master on that occasion, but Slughorn’s relief was short-lived.
When the wizarding world fell into war, and rumours swirled that Voldemort had, somehow, made himself immortal, Slughorn was sure that it was he who had made Voldemort invincible, by teaching him about Horcruxes (this guilt was misplaced, as Riddle already knew how to make a Horcrux, and had feigned innocence in order to find out what might happen if a wizard made more than one). Slughorn became ill with guilt and fright. Albus Dumbledore, now Headmaster, treated his colleague with particular kindness at this time, which had the paradoxical effect of increasing Slughorn’s guilt, reinforcing his determination never to tell a living soul what a dreadful mistake he had made.
Lord Voldemort made no attempt to seize Hogwarts on his first ascent to power. Slughorn believed, correctly, that he was safest remaining in his post rather than risking the outside world while Voldemort was at large. When Voldemort met his match upon attacking the infant Harry Potter, Slughorn was even more jubilant than most of the wizarding population. If Voldemort had been killed, Slughorn reasoned, then he could not have made a Horcrux, which meant that he, Slughorn, was innocent after all. It was Slughorn’s extremity of relief, and the disjointed phrases he let fall in the first rush of emotion after hearing of Voldemort’s defeat, that first alerted Dumbledore to the possibility that Slughorn had shared Dark secrets with Tom Riddle. Dumbledore’s gentle attempts to question Slughorn, however, caused him to clam up. A few days later, Slughorn (who had now completed a half century of service to the school) tendered his resignation.
Retirement
Horace intended to enjoy a delightful retirement, free from the cares of teaching and the burden of guilt and fear that had been with him for years. He returned to the comfortable home of his parents (now dead), where he had enjoyed school holidays, now taking up permanent residence.
For nearly a decade, Slughorn enjoyed his well-stocked cellar and library, paying occasional visits to old members of the Slug Club, and hosting reunion feasts at his home. He missed teaching, however, and occasionally felt a sad chill at the thought that the famous faces of tomorrow were now passing through Hogwarts without the slightest knowledge of who he was.
About a decade into Slughorn’s retirement, word reached him through his extensive contacts that Lord Voldemort was still alive, although in some disembodied form. This, of all the news in the world, was what Slughorn most feared, for it suggested that his deepest dread had been well founded; that Voldemort lived on, in some fragmented spectral form, because his younger self had successfully created one or more Horcruxes.
Slughorn’s retirement now became a fraught affair. Sleepless and frightened, he asked himself whether he had been wise to leave Hogwarts, where Voldemort had previously feared to invade, and where Dumbledore would surely be well informed about what was going on.
Hiding
Shortly after the conclusion of the Triwizard Tournament at Hogwarts (which Slughorn had been following with rapt attention in the press), the wizarding world erupted with fresh rumours. Harry Potter had survived the competition under dubious circumstances, returning to the Hogwarts grounds clutching the body of a fellow competitor, whom he claimed had been killed by a reborn Voldemort.
While Harry’s story was widely dismissed by both the Ministry of Magic and the wizarding press, Horace Slughorn believed it. Confirmation came three nights after the death of Cedric Diggory, when the Death Eater Corban Yaxley arrived at Slughorn’s house under cover of night, clearly intending to recruit him, or take him by force to Voldemort.
Slughorn reacted with a speed that would have astounded those who had watched him grow slower and fatter through the years of his retirement. Transfiguring himself into an armchair, he successfully evaded Yaxley’s detection. Once the Death Eater had left, Slughorn packed a few necessities into a bag, locked up his house behind him, and went on the run.
For over a year, Slughorn moved from house to house, often squatting in Muggle dwellings when the owners were away, because he did not dare stay with friends who might subsequently betray – whether willingly or under duress – his whereabouts. It was a miserable existence, made still more wretched by the fact that he did not know precisely what Voldemort wanted from him. He thought it most likely that his old student simply wanted to recruit him to his army, which was still small compared to what it had been at the height of his previous power; in his darkest moments, however, Slughorn wondered whether Voldemort did want to kill him, to prevent him ever betraying the source of the latter’s continuing invulnerability.
Later Teaching Career
Though Slughorn’s charms and hexes kept him a few steps ahead of the Death Eaters, they were insufficient to keep him concealed from Albus Dumbledore, who finally ran him to ground in the village of Budleigh Babberton, where Slughorn had commandeered a Muggle dwelling. The Headmaster was not fooled by the disguise that had hoodwinked Yaxley, and asked Slughorn to return to Hogwarts as a teacher. As an added inducement, Dumbledore had brought along Harry Potter, whom Slughorn now met for the first time: the most famous student Hogwarts had ever seen, he was also the son of one of Slughorn’s all-time favourite students, Lily Evans.
Although initially resistant, Slughorn could not resist the combined allure of a safe place of residence and of Harry himself, who had a glamour that exceeded even Tom Riddle’s. Slughorn suspected that Dumbledore might have a further motive, but was confident that he could resist Dumbledore’s attempts to wheedle out of him any assistance he might have given Lord Voldemort. He armed himself against this eventuality by preparing a fake ‘memory’ of the night that Riddle had approached him with a request to be taught about Horcruxes.
Slughorn resumed his post as Potions master at Hogwarts with gusto, once again instituting the Slug Club and attempting to collect all the most talented or well-connected students of the day. As Dumbledore had expected and intended, Slughorn was captivated by Harry Potter, whom he believed (erroneously) to be supremely talented in his own subject. Harry finally succeeded in prising from Slughorn the true memory of his Horcrux conversation with Riddle, after using Slughorn’s own potion against him: Felix Felicis, which made Harry irresistibly lucky.
Hogwarts under Death Eater Rule
Once the school had been taken over by Lord Voldemort, with Severus Snape as Headmaster and the Death Eater Carrows taking key roles in subjugating staff and pupils, Slughorn learned that Voldemort had nothing worse in store for him than to remain in post and teach pure- and half-bloods. This he did, keeping his profile as low as he dared, though never enforcing the violent discipline advocated by the Carrows, and attempting to look after the students in his care as best he could.
The Battle of Hogwarts
Slughorn’s behaviour during the most dangerous night of his life reveals the worth of the man. Initially he appeared to have escaped the fight, having led the Slytherins out of the castle to safety. Once in Hogsmeade, however, he helped to rouse and mobilise the villagers, returning with Charlie Weasley at the head of reinforcements at a crucial point in the battle. What is more, he was one of the last three (with Minerva McGonagall and Kingsley Shacklebolt) to duel Voldemort before the latter’s final confrontation with Harry. Slughorn sought redemption in these selfless acts of courage, risking his life against his erstwhile pupil.
Slughorn’s genuine
remorse for the damage he had done in telling Riddle what he wanted to know is conclusive proof that he is not, and never was, Death Eater material. A little weak, a little lazy and certainly snobbish, Slughorn is nevertheless kind-hearted, with a fully functional conscience. In his final test, Slughorn revealed himself to be implacably opposed to the Dark Arts. When his bravery at the Battle of Hogwarts was publicised, his actions (along with those of Regulus Black, which gained attention in the aftermath of Voldemort’s demise) removed much of the stigma that had been attached to Slytherin house for hundreds of years past. Though now (permanently) retired, his portrait has a place of honour in the Slytherin common room.
J.K. Rowling’s thoughts
Quintus Horatius Flaccus was one of the greatest Roman Poets, more commonly known as Horace. He gave Slughorn two of his Christian names. The name ‘Slughorn’ derives from the (Scots) Gaelic for ‘war cry’: sluagh-ghairm, which later gave rise to ‘slughorn’, a battle trumpet. I loved the word for its look and sound, but also for its many associations. The original Gaelic suggests a hidden ferocity, whereas the corrupted word seems to allude to the feeler of the Arion distinctus (or common land slug), which works well for such a seemingly sedentary, placid man. ‘Horn’ also hints at his trumpeting of famous names and illustrious associations.
Horace Slughorn was one of the most gifted Potion makers that Hogwarts had ever seen. Like Severus Snape, he had the power to bottle fame, brew glory, and even stopper death, but what makes a truly talented Potions master? According to J.K. Rowling, you need more than just a cauldron and the right ingredients to whip up a winning concoction.
POTIONS
BY J.K. ROWLING
It is often asked whether a Muggle could create a magic potion, given a Potions book and the right ingredients. The answer, unfortunately, is no. There is always some element of wandwork necessary to make a potion (merely adding dead flies and asphodel to a pot hanging over a fire will give you nothing but nasty-tasting, not to mention poisonous, soup).
Some potions duplicate the effects of spells and charms, but a few (for instance, the Polyjuice Potion and Felix Felicis) have effects impossible to achieve any other way. Generally speaking, witches and wizards favour whichever method they find easiest, or most satisfying, to produce their chosen end.
Potions are not for the impatient, but their effects are usually difficult to undo by any but another skilled potioneer. This branch of magic carries a certain mystique and therefore status. There is also the dark cachet of handling substances that are highly dangerous. The popular idea of a Potions expert within the wizarding community is of a brooding, slow-burning personality: Snape, in fact, conforms perfectly to the stereotype.
J.K. Rowling’s thoughts
Chemistry was my least favourite subject at school, and I gave it up as soon as I could. Naturally, when I was trying to decide which subject Harry’s arch-enemy, Severus Snape, should teach, it had to be the wizarding equivalent. This makes it all the stranger that I found Snape’s introduction to his subject quite compelling (‘I can teach you to bottle fame, brew glory, even stopper death…’), apparently part of me found Potions quite as interesting as Snape did; and indeed I always enjoyed creating potions in the books, and researching ingredients for them.
Many of the components of the various draughts and libations that Harry creates for Snape exist (or were once believed to exist) and have (or were believed to have) the properties I gave them. Dittany, for instance, really does have healing properties (it is an anti-inflammatory, although I would not advise Splinching yourself to test it); a bezoar really is a mass taken from the intestines of an animal, and it really was once believed that drinking water in which a bezoar was placed could cure you of poisoning.
You can hunt down dittany or find a bezoar in the real world, but you’d be hard pressed to track down a Bicorn horn – one of the key ingredients in Polyjuice Potion. This appearance-altering potion is undeniably powerful, whether used for good or evil; but what is the meaning behind each of the ingredients in the mixture, and why is Hermione’s ability to brew it as a second-year student so remarkable?
POLYJUICE POTION
BY J.K. ROWLING
The Polyjuice Potion, which is a complex and time-consuming concoction, is best left to highly skilled witches and wizards. It enables the consumer to assume the physical appearance of another person, as long as they have first procured part of that individual’s body to add to the brew (this may be anything – toenail clippings, dandruff or worse – but it is most usual to use hair). The idea that a witch or wizard might make evil use of parts of the body is an ancient one, and exists in the folklore and superstitions of many cultures.
The effect of the potion is only temporary, and depending on how well it has been brewed, may last anything from between ten minutes and twelve hours. You can change age, sex and race by taking the Polyjuice Potion, but not species.
The fact that Hermione is able to make a competent Polyjuice Potion at the age of twelve is testimony to her outstanding magical ability, because it is a potion that many adult witches and wizards fear to attempt.
J.K. Rowling’s thoughts
I remember creating the full list of ingredients for the Polyjuice Potion. Each one was carefully selected. Lacewing flies (the first part of the name suggested an intertwining or binding together of two identities); leeches (to suck the essence out of one and into the other); horn of a Bicorn (the idea of duality); knotgrass (another hint of being tied to another person); fluxweed (the mutability of the body as it changed into another) and Boomslang skin (a shedded outer body and a new inner).
The name Polyjuice was supposed to make several allusions. ‘Poly’, meaning ‘many’, gave the idea that the potion could turn you into lots of different people; but ‘Polyjuice’ is also very near ‘Polydeuces’, who was a twin in Greek mythology.
If you’re going to cook up a goblet full of Polyjuice, or any other vile-tasting but powerful brew, you’re going to need a cauldron. Here’s a little history of this vital piece of magical equipment.
CAULDRONS
BY J.K. ROWLING
Cauldrons were once used by Muggles and wizards alike, being large metal cooking pots that could be suspended over fires. In time, magical and non-magical people alike moved on to stoves; saucepans became more convenient and cauldrons became the sole province of witches and wizards, who continued to brew potions in them. A naked flame is essential for the making of potions, which makes cauldrons the most practical pot of all.
All cauldrons are enchanted to make them lighter to carry, as they are most commonly made of pewter or iron. Modern inventions include the self-stirring and collapsible varieties of cauldron, and pots of precious metal are also available for the specialist, or the show-off.
J.K. Rowling’s thoughts
Cauldrons have had a magical association for centuries. They appear in hundreds of years’ worth of pictures of witches, and are also supposed to be where leprechauns keep treasure. Many folk and fairy tales make mention of cauldrons with special powers, but in the Harry Potter books they are a fairly mundane tool. I did consider making Helga Hufflepuff’s hallow a cauldron, but there was something slightly comical and incongruous about having such a large and heavy Horcrux; I wanted the objects Harry had to find to be smaller and more portable. However, a cauldron appears both in the four mythical jewels of Ireland (its magical power was that nobody ever went away from it unsatisfied) and in the legend of The Thirteen Treasures of Britain (the cauldron of Dyrnwch the giant would cook meat for brave men, but not for cowards).
The job of Potions master is not without risks, but it is the Defence Against the Dark Arts post that is the most dangerous. Of all the memorable DADA teachers who passed through Hogwarts, it might have been easy to forget quiet Professor Quirinus Quirrell, were it not for the fact that he turned out to have Voldemort on the back of his head. Here’s a little e
xtra information on the man who made a rather unconventional exit from his position at Hogwarts.
QUIRINUS QUIRRELL
BY J.K. ROWLING
BIRTHDAY:
26th September
WAND:
Alder and unicorn hair, nine inches long, bendy
HOGWARTS HOUSE:
Ravenclaw
SPECIAL ABILITIES:
Learned in the theory of Defensive Magic, less adept in the practice
PARENTAGE:
Half-blood
FAMILY:
Unmarried, no children
HOBBIES:
Travel, pressing wild flowers
Harry’s first Defence Against the Dark Arts teacher is a clever young wizard who took a ‘Grand Tour’ around the world before taking up his teaching post at Hogwarts. When Harry first meets Quirrell, he has adopted a turban for everyday wear. His nerves, expressed most obviously in his stammer, are so pronounced that it is rumoured the turban is stuffed full of garlic, to ward off vampires.
I saw Quirrell as a gifted but delicate boy, who would probably have been teased for his timidity and nerves during his school life. Feeling inadequate and wishing to prove himself, he developed an (initially theoretical) interest in the Dark Arts. Like many people who feel themselves to be insignificant, even laughable, Quirrell had a latent desire to make the world sit up and notice him.
Short Stories from Hogwarts of Power, Politics and Pesky Poltergeists (Kindle Single) (Pottermore Presents) Page 3
