“Sit down, Master Lucian, sit down, sir,” said Morgan.
“Annie,” he called through one of the numerous doors, “here’s Master Lucian, the parson, would like a drop of cider. Fetch a jug, will you, directly?”
“Very well, father,” came the voice from the dairy and presently the girl entered, wiping the jug she held. In his boyish way Lucian had been a good deal disturbed by Annie Morgan; he could see her on Sundays from his seat in church, and her skin, curiously pale, her lips that seemed as though they were stained with some brilliant pigment, her black hair, and the quivering black eyes, gave him odd fancies which he had hardly shaped to himself. Annie had grown into a woman in three years, and he was still a boy. She came into the kitchen, curtsying and smiling.
“Good-day, Master Lucian, and how is Mr. Taylor, sir?”
“Pretty well, thank you. I hope you are well.”
“Nicely, sir, thank you. How nice your voice do sound in church, Master Lucian, to be sure. I was telling father about it last Sunday.”
Lucian grinned and felt uncomfortable, and the girl set down the jug on the round table and brought a glass from the dresser. She bent close over him as she poured out the green oily cider, fragrant of the orchard; her hand touched his shoulder for a moment, and she said, “I beg your pardon, sir,” very prettily. He looked up eagerly at her face; the black eyes, a little oval in shape, were shining, and the lips smiled. Annie wore a plain dress of some black stuff, open at the throat; her skin was beautiful. For a moment the ghost of a fancy hovered unsubstantial in his mind; and then Annie curtsied as she handed him the cider, and replied to his thanks with, “And welcome kindly, sir.”
The drink was really good; not thin, nor sweet, but round and full and generous, with a fine yellow flame twinkling through the green when one held it up to the light. It was like a stray sunbeam hovering on the grass in a deep orchard, and he swallowed the glassful with relish, and had some more, warmly commending it. Mr. Morgan was touched.
“I see you do know a good thing, sir,” he said. “Is, indeed, now, it’s good stuff, though it’s my own makin’. My old grandfather he planted the trees in the time of the wars, and he was a very good judge of an apple in his day and generation. And a famous grafter he was, to be sure. You will never see no swelling in the trees he grafted at all whatever. Now there’s James Morris, Penyrhaul, he’s a famous grafter, too, and yet them Redstreaks he grafted for me five year ago, they be all swollen-like below the graft already. Would you like to taste a Blemmin pippin, now, Master Lucian? there be a few left in the loft, I believe.”
Lucian said he should like an apple very much, and the farmer went out by another door, and Annie stayed in the kitchen talking. She said Mrs. Trevor, her married sister, was coming to them soon to spend a few days.
“She’s got such a beautiful baby,” said Annie, “and he’s quite sensible-like already, though he’s only nine months old. Mary would like to see you, sir, if you would be so kind as to step in; that is, if it’s not troubling you at all, Master Lucian. I suppose you must be getting a fine scholar now, sir?”
“I am doing pretty well, thank you,” said the boy. “I was first in my form last term.”
“Fancy! To think of that! D’you hear, father, what a scholar Master Lucian be getting?”
“He be a rare grammarian, I’m sure,” said the farmer. “You do take after your father, sir; I always do say that nobody have got such a good deliverance in the pulpit.”
Lucian did not find the Blenheim Orange as good as the cider, but he ate it with all the appearance of relish, and put another, with thanks, in his pocket. He thanked the farmer again when he got up to go; and Annie curtsied and smiled, and wished him good-day, and welcome, kindly.
Lucian heard her saying to her father as he went out what a nice-mannered young gentleman he was getting, to be sure; and he went on his way, thinking that Annie was really very pretty, and speculating as to whether he would have the courage to kiss her, if they met in a dark lane. He was quite sure she would only laugh, and say, “Oh, Master Lucian!”
For many months he had occasional fits of recollection, both cold and hot; but the bridge of time, gradually lengthening, made those dreadful and delicious images grow more and more indistinct, till at last they all passed into that wonderland which a youth looks back upon in amazement, not knowing why this used to be a symbol of terror or that of joy. At the end of each term he would come home and find his father a little more despondent, and harder to cheer even for a moment; and the wall paper and the furniture grew more and more dingy and shabby. The two cats, loved and ancient beasts, that he remembered when he was quite a little boy, before he went to school, died miserably, one after the other. Old Polly, the pony, at last fell down in the stable from the weakness of old age, and had to be killed there; the battered old trap ran no longer along the well-remembered lanes. There was long meadow grass on the lawn, and the trained fruit trees on the wall had got quite out of hand. At last, when Lucian was seventeen, his father was obliged to take him from school; he could no longer afford the fees. This was the sorry ending of many hopes, and dreams of a double-first, a fellowship, distinction and glory that the poor parson had long entertained for his son, and the two moped together, in the shabby room, one on each side of the sulky fire, thinking of dead days and finished plans, and seeing a grey future in the years that advanced towards them. At one time there seemed some chance of a distant relative coming forward to Lucian’s assistance; and indeed it was quite settled that he should go up to London with certain definite aims. Mr. Taylor told the good news to his acquaintances—his coat was too green now for any pretence of friendship; and Lucian himself spoke of his plans to Burrows the doctor and Mr. Dixon, and one or two others. Then the whole scheme fell through, and the parson and his son suffered much sympathy. People, of course, had to say they were sorry, but in reality the news was received with high spirits, with the joy with which one sees a stone, as it rolls down a steep place, give yet another bounding leap towards the pool beneath. Mrs. Dixon heard the pleasant tidings from Mrs. Colley, who came in to talk about the Mothers’ Meeting and the Band of Hope. Mrs. Dixon was nursing little Athelwig, or some such name, at the time, and made many affecting observations on the general righteousness with which the world was governed. Indeed, poor Lucian’s disappointment seemed distinctly to increase her faith in the Divine Order, as if it had been some example in Butler’s Analogy.
“Aren’t Mr. Taylor’s views very extreme?” she said to her husband the same evening.
“I am afraid they are,” he replied. “I was quite grieved at the last Diocesan Conference at the way in which he spoke. The dear old bishop had given an address on Auricular Confession; he was forced to do so, you know, after what had happened, and I must say that I never felt prouder of our beloved Church.”
Mr. Dixon told all the Homeric story of the conference, reciting the achievements of the champions, “deploring” this and applauding that. It seemed that Mr. Taylor had had the audacity to quote authorities which the bishop could not very well repudiate, though they were directly opposed to the “safe” Episcopal pronouncement.
Mrs. Dixon of course was grieved; it was “sad” to think of a clergyman behaving so shamefully.
“But you know, dear,” she proceeded, “I have been thinking about that unfortunate Taylor boy and his disappointments, and after what you’ve just told me, I am sure it’s some kind of judgment on them both. Has Mr. Taylor forgotten the vows he took at his ordination? But don’t you think, dear, I am right, and that he has been punished: ‘The sins of the fathers’?”
Somehow or other Lucian divined the atmosphere of threatenings and judgments, and shrank more and more from the small society of the countryside. For his part, when he was not “mooning” in the beloved fields and woods of happy memory, he shut himself up with books, reading whatever could be found on the shelves, and amassing a store of incongruous and obsolete knowledge. Long did he linger with
the men of the seventeenth century; delaying the gay sunlit streets with Pepys, and listening to the charmed sound of the Restoration Revel; roaming by peaceful streams with Izaak Walton, and the great Catholic divines; enchanted with the portrait of Herbert the loving ascetic; awed by the mystic breath of Crashaw. Then the cavalier poets sang their gallant songs; and Herrick made Dean Prior magic ground by the holy incantation of a verse. And in the old proverbs and homely sayings of the time he found the good and beautiful English life, a time full of grace and dignity and rich merriment. He dived deeper and deeper into his books; he had taken all obsolescence to be his province; in his disgust at the stupid usual questions, “Will it pay?” “What good is it?” and so forth, he would only read what was uncouth and useless. The strange pomp and symbolism of the Cabala, with its hint of more terrible things; the Rosicrucian mysteries of Fludd, the enigmas of Vaughan, dreams of alchemists—all these were his delight. Such were his companions, with the hills and hanging woods, the brooks and lonely waterpools; books, the thoughts of books, the stirrings of imagination, all fused into one phantasy by the magic of the outland country. He held himself aloof from the walls of the fort; he was content to see the heaped mounds, the violent height with faerie bulwarks, from the gate in the lane, and to leave all within the ring of oaks in the mystery of his boyhood’s vision. He professed to laugh at himself and at his fancies of that hot August afternoon, when sleep came to him within the thicket, but in his heart of hearts there was something that never faded—something that glowed like the red glint of a gypsy’s fire seen from afar across the hills and mists of the night, and known to be burning in a wild land. Sometimes, when he was sunken in his books, the flame of delight shot up, and showed him a whole province and continent of his nature, all shining and aglow; and in the midst of the exultation and triumph he would draw back, a little afraid. He had become ascetic in his studious and melancholy isolation, and the vision of such ecstasies frightened him. He began to write a little; at first very tentatively and feebly, and then with more confidence. He showed some of his verses to his father, who told him with a sigh that he had once hoped to write—in the old days at Oxford, he added.
“They are very nicely done,” said the parson; “but I’m afraid you won’t find anybody to print them, my boy.”
So he pottered on; reading everything, imitating what struck his fancy, attempting the effect of the classic meters in English verse, trying his hand at a masque, a Restoration comedy, forming impossible plans for books which rarely got beyond half a dozen lines on a sheet of paper; beset with splendid fancies which refused to abide before the pen. But the vain joy of conception was not altogether vain, for it gave him some armor about his heart.
The months went by, monotonous, and sometimes blotted with despair. He wrote and planned and filled the waste-paper basket with hopeless efforts. Now and then he sent verses or prose articles to magazines, in pathetic ignorance of the trade. He felt the immense difficulty of the career of literature without clearly understanding it; the battle was happily in a mist, so that the host of the enemy, terribly arrayed, was to some extent hidden. Yet there was enough of difficulty to appall; from following the intricate course of little nameless brooks, from hushed twilight woods, from the vision of the mountains, and the breath of the great wind, passing from deep to deep, he would come home filled with thoughts and emotions, mystic fancies which he yearned to translate into the written word. And the result of the effort seemed always to be bathos! Wooden sentences, a portentous stilted style, obscurity, and awkwardness clogged the pen; it seemed impossible to win the great secret of language; the stars glittered only in the darkness, and vanished away in clearer light. The periods of despair were often long and heavy, the victories very few and trifling; night after night he sat writing after his father had knocked out his last pipe, filling a page with difficulty in an hour, and usually forced to thrust the stuff away in despair, and go unhappily to bed, conscious that after all his labor he had done nothing. And these were moments when the accustomed vision of the land alarmed him, and the wild domed hills and darkling woods seemed symbols of some terrible secret in the inner life of that stranger—himself. Sometimes when he was deep in his books and papers, sometimes on a lonely walk, sometimes amidst the tiresome chatter of Caermaen “society,” he would thrill with a sudden sense of awful hidden things, and there ran that quivering flame through his nerves that brought back the recollection of the matted thicket, and that earlier appearance of the bare black boughs enwrapped with flames. Indeed, though he avoided the solitary lane, and the sight of the sheer height, with its ring of oaks and molded mounds, the image of it grew more intense as the symbol of certain hints and suggestions. The exultant and insurgent flesh seemed to have its temple and castle within those olden walls, and he longed with all his heart to escape, to set himself free in the wilderness of London, and to be secure amidst the murmur of modern streets.
II
Lucian was growing really anxious about his manuscript. He had gained enough experience at twenty-three to know that editors and publishers must not be hurried; but his book had been lying at Messrs Beit’s office for more than three months. For six weeks he had not dared to expect an answer, but afterwards life had become agonizing. Every morning, at post-time, the poor wretch nearly choked with anxiety to know whether his sentence had arrived, and the rest of the day was racked with alternate pangs of hope and despair. Now and then he was almost assured of success; conning over these painful and eager pages in memory, he found parts that were admirable, while again, his inexperience reproached him, and he feared he had written a raw and awkward book, wholly unfit for print. Then he would compare what he remembered of it with notable magazine articles and books praised by reviewers, and fancy that after all there might be good points in the thing; he could not help liking the first chapter for instance. Perhaps the letter might come tomorrow. So it went on; week after week of sick torture made more exquisite by such gleams of hope; it was as if he were stretched in anguish on the rack, and the pain relaxed and kind words spoken now and again by the tormentors, and then once more the grinding pang and burning agony. At last he could bear suspense no longer, and he wrote to Messrs Beit, inquiring in a humble manner whether the manuscript had arrived in safety. The firm replied in a very polite letter, expressing regret that their reader had been suffering from a cold in the head, and had therefore been unable to send in his report. A final decision was promised in a week’s time, and the letter ended with apologies for the delay and a hope that he had suffered no inconvenience. Of course the “final decision” did not come at the end of the week, but the book was returned at the end of three weeks, with a circular thanking the author for his kindness in submitting the manuscript, and regretting that the firm did not see their way to producing it. He felt relieved; the operation that he had dreaded and deprecated for so long was at last over, and he would no longer grow sick of mornings when the letters were brought in. He took his parcel to the sunny corner of the garden, where the old wooden seat stood sheltered from the biting March winds. Messrs Beit had put in with the circular one of their short lists, a neat booklet, headed: Messrs Beit & Co.’s Recent Publications.
He settled himself comfortably on the seat, lit his pipe, and began to read: “A Bad Un to Beat: a Novel of Sporting Life, by the Honorable Mrs. Scudamore Runnymede, author of Yoicks, With the Mudshire Pack, The Sportleigh Stables, etc., etc., 3 vols. At all Libraries.” The Press, it seemed, pronounced this to be a “charming book. Mrs. Runnymede has wit and humor enough to furnish forth half-a-dozen ordinary sporting novels.” “Told with the sparkle and vivacity of a past-mistress in the art of novel writing,” said the Review; while Miranda, of Smart Society, positively bubbled with enthusiasm. “You must forgive me, Aminta,” wrote this young person, “if I have not sent the description I promised of Madame Lulu’s new creations and others of that ilk. I must a tale unfold; Tom came in yesterday and began to rave about the Honorable Mrs. Scudamore Run
nymede’s last novel, A Bad Un to Beat. He says all the Smart Set are talking of it, and it seems the police have to regulate the crowd at Mudie’s. You know I read everything Mrs. Runnymede writes, so I set out Miggs directly to beg, borrow or steal a copy, and I confess I burnt the midnight oil before I laid it down. Now, mind you get it, you will find it so awfully chic.” Nearly all the novelists on Messrs Beit’s list were ladies, their works all ran to three volumes, and all of them pleased the Press, the Review, and Miranda of Smart Society. One of these books, Millicent’s Marriage, by Sarah Pocklington Sanders, was pronounced fit to lie on the school-room table, on the drawing-room bookshelf, or beneath the pillow of the most gently nurtured of our daughters. “This,” the reviewer went on, “is high praise, especially in these days when we are deafened by the loud-voiced clamor of self-styled ‘artists.’ We would warn the young men who prate so persistently of style and literature, construction and prose harmonies, that we believe the English reading public will have none of them. Harmless amusement, a gentle flow of domestic interest, a faithful reproduction of the open and manly life of the hunting field, pictures of innocent and healthy English girlhood such as Miss Sanders here affords us; these are the topics that will always find a welcome in our homes, which remain bolted and barred against the abandoned artist and the scrofulous stylist.”
The Arthur Machen Megapack: 25 Classic Works Page 32
