by William Hill
They had both been bled white. Below the girl’s shapely face, a second mouth had been opened on her throat, a savage grin of torn skin. The boy’s hands had been removed, the stumps of his arms ragged and chewed by the teeth of God alone knew how many vampires. There was not a drop of blood on either of the bodies, and it turned Carpenter’s stomach to think about where such a huge volume of liquid had gone.
“Sir.”
It was Private Miller’s voice, and Julian looked in his direction.
“What is it, Private?”
“Footprints, sir.” The young man gestured, and Carpenter followed the sweep of his arm. Several people had walked through the blood when it was still wet, toward a door set inconspicuously in the corner of the wood paneling, through which they had disappeared.
Carpenter nodded to Turner. The gray-eyed major stepped carefully forward and placed his ear against the wooden door. After a couple of seconds, he stepped back, drew the T-Bone from his belt, and kicked the door open. The frame shattered, and the door flew against a stone wall, cracking almost in two. There was a pregnant moment, then Turner stepped through the opening.
“Clear,” he said.
They stood in a narrow stone corridor, lit by an overhanging lightbulb. The walls were bare, and a worn staircase descended in front of them. Turner led them down it, his T-Bone pointing steadily before him. Carpenter drew his own weapon, motioned for the rest of the men to do the same, and followed.
After perhaps twenty steps, the floor leveled off and the passage widened into a large cellar. Shelves of dry goods lined one wall: sacks of rice and flour, barrels of olive oil and bottles of vinegar, sides of cured meat. The opposite wall was covered in a long row of floor-to-ceiling wooden racks, in which stood hundreds of bottles of wine, port and champagne. At the far end of the room, the final rack had been thrown over, smashing tens of bottles on the hard stone floor and filling the air with the strong scent of rotting fruit. They made their way through the cellar, and stopped in front of the downed rack. Behind it was an ancient carved stone arch, leading into utter blackness.
“Light,” said Carpenter.
Private Miller unclipped the torch from his belt and shone the beam into the hole. It illuminated the snarling face of a vampire, his teeth bared, his eyes crimson as he rushed toward them.
Julian wiped blood from his beard and flicked it disgustedly onto the floor.
“First guard,” said Turner, quietly.
“Agreed,” replied Frankenstein. “It’s possible they know we’re coming.”
“I don’t think so,” said Carpenter. “I think it was expecting police, or one of the family. I don’t think it raised an alarm.”
“Let’s hope you’re right,” said Frankenstein.
The team advanced into the darkness, the beams of their torches illuminating a round stone passage, moving as quietly as possible. The path led around a corner and began to widen, until they were standing in front of a heavy-looking wooden door. Carpenter motioned Connor forward, and the young private lowered his shoulder and slowly pushed it open. The hinges screamed as he did so, the door opening onto another stretch of passage. Connor stepped through it, and as the order to wait rose in Carpenter’s throat, a dark shadow fell from the ceiling, driving him to the ground. The torch beams converged, and the team watched in stunned horror as a vampire girl, who appeared to be no older than eleven or twelve, ripped his helmet from his head and sank her teeth into his neck. Connor screamed and thrashed in her grip. Blood flew in the enclosed space, splattering the walls and the floor, and when she clamped her teeth together and tore into his throat, the scream dissolved into a terrible gurgling sound.
Turner was the first to react, as always. He stepped forward, pulled the stake from his belt, and slammed it into the girl’s left eye. She howled in pain, released Connor, and jumped to her feet, blood and yellow jelly pouring from her ruined eye socket. Frankenstein had drawn his T-Bone, and he pulled the trigger. The projectile thumped into her chest, driving her back along the passage, until she exploded in a torrent of gore. The stake whistled back into the barrel, and the four men rushed to where Private Connor lay bleeding.
Carpenter knelt beside him and took his hand. Connor was on the verge of going into shock, his eyes rolling wildly, his pulse irregular and rapid. Blood was gushing out of the hole in his neck, and Turner took a wad of gauze from the medical kit on his belt and thrust it into the wound, pinching the artery shut. Connor screamed, blood frothing from his lips as he did so, but Turner didn’t even flinch.
“Easy, son,” said Carpenter. “Easy. We’re going to get you out of here.”
“Oh God,” said Miller. He was standing motionless, staring down at the blood-soaked man, his face a mask of utter horror.
“Come on,” said Carpenter. “Let’s get him up. Turner, call for an evac. We need to get him out of here, right now.”
Nobody moved.
“Come on!” roared Carpenter. “Those were direct orders!”
“Julian,” said Frankenstein, in a low voice. “You know it’s too late for that. We’re at least two hours away from the nearest place we can give him the transfusion he needs. If he doesn’t die, he’ll have turned by then.”
“I don’t accept that,” replied Carpenter, his voice bristling with anger. “And I don’t care if you’re right—we’re going to try anyway. I’m not going to let him die down here.”
“Sir . . .” Private Connor’s voice was thick, as though it was being spoken underwater. Carpenter looked down at him.
“I know there’s . . . nothing you can . . . do,” the young operator continued. “Don’t . . . let me turn. Please. Don’t . . . let me. . . .”
Connor’s eyes rolled back white, and his mouth fell open. His chest was still rising and falling but barely, and blood had started running from his neck again, soaking Turner’s hand red.
Carpenter stood up and looked at the three men around him. Miller was staring blankly down at Connor, his eyes blank and lifeless. Frankenstein was returning Julian’s gaze, an even look on his face, and Turner was looking up at him with his expressionless gray eyes. Carpenter clenched his jaw, reached down, and pulled the Glock from its holster.
At the sight of the gun, Miller cried out. “What are you doing?”
“What needs to be done,” said Frankenstein.
“He needs a hospital!” shouted Miller, tears brimming in the corners of his eyes. “He doesn’t need putting down like a sick dog!”
“We don’t let people turn. Ever. And he doesn’t want to. You heard him say so.”
“He doesn’t know what he’s saying!”
“Yes,” said Frankenstein, firmly. “He does.”
Miller’s face contorted into an expression of such terrible misery that Carpenter’s heart nearly broke.
“But . . . it’s not fair,” he said, his voice cracking.
“I know,” said Carpenter. “It’s not. But letting him turn would be worse than letting him die. You understand that, right?”
Miller nodded, slowly.
Carpenter turned back to Connor, who was still unconscious. He knelt down beside him and placed the muzzle of the Glock against the young private’s temple. Turner stayed knelt on his other side, staring levelly at his commanding officer. Julian placed his other hand above the barrel and pulled the trigger.
The remainder of the team were silent as they made their way deeper into the tunnels, passing through a second door and arriving at a large stone arch, topped with a sculpted image of the crucifixion. Turner shoved open the ancient wooden door, and the four operators walked into a wide circular chapel. The walls were covered with statues of saints, and a huge stone crucifix stood behind a plain stone altar at the rear of the room.
The floor was covered in vampires.
There had to be at least twenty of them, sleeping, tightly packed together like bats. As they took in the scene, Private Miller gasped. The vampire nearest to them, an old man with a beard almos
t to his bare waist, opened his eyes, which instantly boiled red. He let out a piercing scream, and every vampire in the room awoke, and leapt to their feet.
The Blacklight team launched themselves into the chapel, a blur of black uniforms and piercing weapons. Frankenstein lowered his head and barreled into them, sending vampires flying in every direction. He pulled the MP5 from his belt and emptied it into the crowd of stumbling, half-asleep vampires, who were so tightly packed together, they were struggling to move. The bullets tore into them. Miller, whose young face bore the look of a man who had already seen more than he had ever wanted to, attacked the disorientated crowd with a fervor that bordered on mania, staking vampire after vampire, an inarticulate roar emanating from his wide open mouth. Turner sidestepped along the wall and drew his T-Bone. Calmly, without hurrying, he shot six vampires one after the other, letting the stake wind back in each time, then taking new aim and firing again. Carpenter ran to Frankenstein’s side, and the two of them pressed the howling, injured vampires back against the stone wall, then staked them in a flurry of sharpened metal.
It was over in less than a minute.
“Alexandru?” asked Carpenter, breathing deeply.
Turner shook his head.
“In there?” suggested Frankenstein, motioning toward the altar.
They walked forward. Behind the altar, beneath the sculpted crucifixion, was the entrance to a short corridor. Carpenter leaned down and looked along it. The stone passage was no more than twenty feet and ended in what looked like a prayer room; he could see a kneeling board against the back wall.
Frankenstein led them into the corridor, bending slightly to fit his large frame through the opening. He had replaced the empty MP5 on his belt and had drawn the silver and black riot shotgun he always carried with him; he loaded it with solid shot, and it could blow a hole through a tree trunk.
They were almost at the door when something emerged from it, moving fast. Frankenstein pulled the trigger on the shotgun, and fire exploded from the barrel as a deafening noise filled the passage. The thing smashed against the wall, slid to the floor, and started to scream.
As the smoke cleared, Carpenter stepped forward and looked at the shape. A beautiful female face, twisted into a grimace of agony, stared back at him.
“Ilyana,” he said. “Where is your husband?”
She snarled and then spit a thick wad of blood into his face.
“Too late, valet! He’s gone! Too late!” she shrieked.
Julian’s boot thumped into her ribs, sending her crashing into the wall. An enormous hole had been blown in her stomach, and blood was gushing out across the stone floor.
“Too late! Too late!” She started crawling again, screeching obscenities as she did so, and Julian walked back to the rest of his team.
“He’s not here,” Carpenter said.
“What do you mean, he’s not here?” asked Turner.
“I mean he’s not here,” Julian snapped. “He’s somewhere else, he’s gone, he’s not here. Understand?”
Turner didn’t reply, but nor did he drop his gaze. “I’ll finish her,” he said. “She’s a valuable target. It means the mission wasn’t a failure.”
“Tell that to Connor,” said Miller.
“No. I’ll do it,” said Carpenter, pulling the T-Bone from his belt. “You stay here.”
He walked down the corridor.
Ilyana had dragged herself into the room at the end, and Julian followed her in. Above the kneeling step, a carving of the Virgin Mary stared down at him as he entered, the door swinging shut behind him.
At the other end of the corridor, the three Blacklight operators waited. From behind the door came a piercing scream, a rush of air, then a wet splashing sound. The door opened and Julian Carpenter emerged, his uniform soaked in blood. Behind him, the walls of the room dripped red, and he left crimson footprints on the stone floor as he returned to his men.
27
THREE’S A CROWD
Jamie lifted his hands away from his face and looked at Frankenstein. He had covered himself when the monster finished his story; he didn’t want to let him see his tears.
“So that’s why Alexandru has my mother?” he said, his voice shaking. “Because Dad killed his wife?”
“I don’t know,” said Frankenstein. “It would appear so.”
“Why does it appear so?” said Jamie, anger filling his voice. “It seems pretty clear to me.”
“I’m sure it does,” replied Frankenstein. His calm tone was maddening.
“Why doesn’t it to you then?” he said, fiercely. “What aren’t you telling me?”
The monster sighed. “There are a lot of people who, in light of what happened later, don’t believe your father killed Ilyana at all. Neither Major Turner or I saw her die. We just heard the shot.”
Jamie stared at him. “You think he faked it.”
Frankenstein slammed his fist down on the surface of the table. “I was your father’s closest friend,” he said, his voice like ice. “And I have stood at the side of your family for almost ninety years. And yet you sit there and question where my loyalties lie? I have done things in the protection and service of your ancestors that would make your ears bleed, and you question me?”
“I’ll question whatever I want!” yelled Jamie, standing up from the table and sending his chair clattering to the floor. He put his hands onto the surface and leaned toward Frankenstein. “Do you think Ilyana is still alive? That my father let her go? Tell me!”
The monster slowly unfolded himself out of his chair and rose to his full height. His shadow engulfed Jamie. “Listen to me,” he said. “I would have died for Julian Carpenter. I never doubted or questioned him, until a swarm of vampires brought the Blacklight jet down in a ball of fire on the runway of this base, killing eight good men in the process. It happened a quarter of a mile beyond the outer fence, on the edge of the most strictly classified and highly protected base in the country. A place that doesn’t exist on any map, a place that planes and satellites are not permitted to fly over. A place—”
“A place where hundreds of people work every day,” interrupted Jamie. “Any of them could have told Alexandru where we are.”
“No,” said Frankenstein. “They couldn’t. The civilian staff are flown in and out every day on a plane with no windows, from an airport fifty miles away from here. They have no idea where they are. Only senior operators are allowed to come and go.”
“And there’s how many of them? A hundred? Two hundred? More?”
“About two hundred. And you’re right, any of them could have told Alexandru where Blacklight is. But very few of them could have given him a map of the infrared sensors that fill the woods for ten miles beyond the fence. Only about six people in Department 19 have access to that information. And without that information, there would have been time for the passengers to pull their chutes. But she was so low when they hit her, there was no time for anyone to do anything. She exploded, right out there on the runway. The investigation was still ongoing when your father died, ten days after the crash. He left base the night he died without warning or permission, without telling anyone where he was going. But he was still logged into the network when he left, and a duty officer saw something unusual on his screen. When they investigated, they found an e-mail your father had sent to an unknown address. Attached to it were maps of the infrared sensor array.”
Jamie walked stiffly away from the table and slid down the wall to the floor. He wrapped his arms around his knees and buried his head against them. When he spoke again, his voice was tiny. “Why would he do it? It doesn’t make any sense.”
Frankenstein lowered himself back into his chair. “After he died, the data forensics team dug through every key Julian had ever pressed on a Blacklight computer. Buried way down in his personal folders, behind about a dozen passwords and layers of encryption, they found a letter he had written. In it, he claimed to be righting the wrongs that had been done to your f
amily, the injustice you had suffered at the hands of the other founding families. He believed that they still only thought of him as the descendant of a valet, and they would never see or treat him as an equal. He cited the fact that no Carpenter has ever been director as proof of how your family was perceived, and he said that he was not going to tolerate it any longer.”
“How would bringing down the jet accomplish that?” asked Jamie, without raising his head.
“The Mina’s pilots that day were John and George Harker,” said Frankenstein. “Two descendants of arguably the most famous name in Blacklight history.”
The image of the plaque in the rose garden burst into Jamie’s mind.
Oh God. Oh God. Oh, Dad. What did you do? There was only one thing he didn’t understand: one final straw to cling to. “Why did Alexandru come for us, if Dad was working with him? Why would he want us dead?”
“I don’t know,” Frankenstein said, simply. “Maybe Julian did kill Ilyana and made a deal with Alexandru so that he would spare you and your mother. Maybe Alexandru double-crossed him. Or maybe he did let Ilyana live, and Alexandru double-crossed him for the sheer hell of it. It doesn’t matter now. He’s gone.”
Jamie raised his head and looked at Frankenstein with puffy, teary eyes. “Isn’t there any part of you that still believes in him?” he asked. “That believes he didn’t do it?”
The monster turned his chair toward Jamie, rested his elbows on his knees, and leaned forward. “I believed in him for as long as I could,” he said. “I fought his case for months after he died. I examined every scrap of the evidence against him, reviewed every line of the data forensics report, checked and double-checked every word. I refused to even entertain the idea that Julian could have done such a thing; I threatened to resign a dozen times.”
