by Thomas Wolfe
"No," Eugene said.
"Why, I give you my word, my boy," he whispered solemnly, "without so much as 'By your leave,' she lifted her leg and kicked me, kicked me"--he howled--"in the stern! And she, my boy, was a New England woman."
"Whoo-o-op!" Aunt Louise was off again, rocking back and forth, holding her napkin over her mouth.
"Can you imagine, can you dream," said Bascom, his voice an intense whisper of disgust, "of a Southern lady, the flower of modesty and the old aristocracy, doing such a thing as that?"
"Yes-s," hissed Aunt Louise, her cackle subsiding, leaning intensely across the table and glaring at him, "and it suhved you wight! It suhved you wight! It suhved you wight! These things would nevah happen if you thought of any one's convenience but yoah own. What wight did you have to put yoah baggage there? What wight?"
"Ah," he replied, with a kind of precise snarl, profoundly contemptuous of her opinion, "you-don't-know-what-you're-talk-ing-about! What right? she says--Why all the right in the world," he yelled. "Have you ever read the conditions enumerated upon the back of railway tickets concerning the transportation of baggage?"
"Suttinly not!" she retorted crisply. "One does not need to wead the backs of wailway tickets to learn how to behave like a civilized pusson!"
"Well, I will tell them to you," said Uncle Bascom, licking his lips, and with a look of joy upon his face. And, at great length, with infinite gusto, lip-pursing, and legal pedantry of elocution, he would enumerate them all.
"And say, by the way, Eugene," he would continue without a halt, "there is a very charming young lady who occasionally comes to my office (with her mother, of course) who is very anxious to meet you. She is a musician: she appears quite often in public. They live in Melrose, but they came, originally, I believe, from New Hampshire. Finest people in the world: no question about it," his uncle said.
And suddenly alert, scenting adventure and seduction, the young man got the address from him immediately.
"Yes, my boy"--here Uncle Bascom fumbled through a mass of envelopes--"you may call her, without indiscretion, over the telephone at any time. I have spoken to her frequently about you: no doubt you'll find much in common. Or, say!"--here a flash of inspiration aroused him to volcanic action--"I could call her now and let you talk to her." And he plunged violently toward the telephone.
"No, no, no, no, no!" Eugene sprang after him and checked him. For he wanted to make his own appointment luxuriously in private, sealed darkly in a telephone booth, craftily to feel his way, speculating on the curve of the unseen hip by the sound of the voice; probing, with the most delicate innuendo, the depth and richness of the promise. He loathed all family intercession and interference: they placed, he felt, at the outset, a crushing restraint upon the adventure from which it could never recover.
"I had rather call her myself," he added, "when I have more time. I don't know when I could see her now: it might be awkward calling at just this time."
Later, while Uncle Bascom was poking furiously at the meagre coals of the tiny furnace in the cellar, setting up a clangorous and smoky din all through the house, Aunt Louise would bear down madly upon the boy, whispering:
"Did you hear him! Did you hear him! Still mad about the women at his age! Can't keep his hands off them! The lechewous old fool!" and she cackled bitterly. Then, with a fierce change: "He's mad about them, Eugene. He's had one after anothah for the last twenty yeahs! He has spent faw-chuns on them! Have you seen that gul in his office yet? The stenographer?"
He had, and believed he had rarely seen a more solidly dull unattractive female than this pallid course-featured girl. But he only said: "Yes."
"He has spent thousands on her, Gene! Thousands! The old fool! And all they do is laugh at him behind his back. Why, even at home heah," her eyes darting madly about the place, "he can hardly keep his hands off me at times! I have to lock myself in my woom to secure pwotection," and her bright old eyes muttered crazily about in her head.
He thought these outbursts the result of frantic and extravagant jealousy: fruit of some passionate and submerged affection that his aunt still bore for her husband. This, perhaps, was true, but later he was to find there was a surprising modicum of fact in what she had said.
During the wintry afternoon, he would sit and smoke one of his uncle's corn-cob pipes, filling it with the coarse cheap powerful tobacco that lay, loosely spread, upon a bread-board in the kitchen.
Meanwhile, his aunt, on these usual Sundays when she must remain at home, played entire operas from Wagner on her small victrola.
Most of the records had been given her by her two daughters, and during the week the voices of the music afforded her the only companionship she had. The boy listened attentively to all she said about music, because he knew little about it, and had got from poetry the kind of joy that music seemed to give to others. Shifting the records quickly, his aunt would point out the melodramatic effervescence of the Italians, the metallic precision, the orderly profusion, the thrill, the vibration, the emptiness of French composition. She liked the Germans and the Russians. She liked what she called the "barbaric splendour" of Rimsky, but was too late, of course, either to have heard or to care much for the modern composers.
She would play Wagner over and over again, lost in the enchanted forests of the music, her spirit wandering drunkenly down vast murky aisles of sound, through which the great hoarse throats of horns were baying faintly. And occasionally, on Sundays, on one of her infrequent excursions into the world, when her daughters bought her tickets for concerts at Symphony Hall--that great grey room lined on its sides with pallid plaster shells of Greece--she would sit perched high, a sparrow held by the hypnotic serpent's eye of music--following each motif, hearing minutely each subtle entry of the mellow flutes, the horns, the spinal ecstasy of violins--until her lonely and desolate life was spun out of her into aerial fabrics of bright sound.
During this time, Uncle Bascom, who also knew nothing about music, and cared so little for it that he treated his wife's passion for it with contempt, would bury himself in the Sunday papers, or thumb deliberately through the pages of an ancient edition of the Encyclopædia Britannica in search of arbitrament for some contested point.
"Ah! Here we are, just as I thought," he would declare suddenly, with triumphant satisfaction. "'Upon the fifth, however, in spite of the heavy rains which had made of the roads quaking bogs, Jackson appeared suddenly from the South, at the head of an army of 33,000 men.'"
Then they would wrangle furiously over the hour, the moment, the place of dead event: each rushing from the room fiercely to produce the document which would support his own contention.
"Your aunt, my boy, is not the woman she once was," Bascom would say regretfully during her absence. "No question about that! At one time she was a very remarkable woman! Yes, sir, a woman of very considerable intelligence--considerable, that is, for a woman," he said, with a slight sneer.
And she, whispering, when he had gone: "You have noticed, of course, Gene?"
"What?"
"His mind's going," she muttered. "What a head he had fifteen years ago! But now!--Senile decay--G. Stanley Hall--forgets everything--" she whispered hoarsely, as she heard his returning footfalls.
Or, as the winter light darkened greyly, slashed on the western sky by fierce cold red, his uncle passed sheaf after sheaf of his verse to him, sniggering nosily, and prodding the boy with his great fingers, while his aunt cleared the table or listened to the music. The great majority of these verses, laboured and pedantic as they were, were variations of the motif of agnosticism, the horn on which his ministry in the Church had fatally gored itself--and still a brand that smouldered in his brain--not now so much from an all-mastering conviction, as from some desire to justify himself. These verses, which he asserted were modelled on those of his great hero, Matthew Arnold, were all remarkably like this one:
MY CREED
"Is there a land beyond the stars
Where we may f
ind eternal day,
Life after death, peace after wars?
Is there? I cannot say.
Shall we find there a happier life,
All joy that here we never know,
Love in all things, an end of strife?
Perhaps: it may be so."
And so on.
And sniggering down his nose, Bascom would prod the young man stiffly with his great fingers, saying, as he slyly thrust another verse into his hand:
"Something in a lighter vein, my boy. Just a little foolishness, you know. (Phuh! Phuh! Phuh! Phuh! Phuh)" Which was:
"Mary had a little calf,
It followed up her leg,
And everywhere that Mary went,
The boys were sure to beg."
And so on.
Uncle Bascom had hundreds of them: Poems--Chiefly Religious, he sent occasionally to the morning papers. They were sometimes printed in the Editor's Correspondence or The Open Forum. But Poems--Chiefly Profane he kept apparently for his own regalement.
Then, as it darkened, toward five o'clock, the boy would depart, leaving them at times bitterly involved in a political wrangle, with the strewn Sunday numbers of The Boston Herald and The Boston Post around them, she parroting intensely the newspaper jargon, assaulting Borah and "the Senate iwweconcilables," he angrily defending Senator Lodge as a scholar and a gentleman, with whom he had not always been in agreement, but from whom he had once received a most courteous letter--a fact which seemed to distinguish him in Bascom's mind as the paragon of statesmanship.
And as Eugene left, he would note, with a swift inchoate pang, the sudden mad loneliness in Aunt Louise's eyes, doomed for another week to her grim imprisonment. But he did not know that her distended and exhausted heart hissed audibly each time she ascended from futile labour on the cold furnace, stoked with cheap slag and coke, and that her thin blood was fed by gristly butcher's leavings, in answer to the doctor's call for meat.
And his aunt would go with Eugene to the frost-glazed door, open it, and stand huddled meagrely and hugging herself together beneath the savage desolation of the Northern cold; talking to him for a moment and calling brightly after him as he went down the icy path: "Come again, boy! Always glad to see you!"
And in the dull cold Sunday light he strode away, his spirit braced by the biting air, the Northern cold, the ragged bloody sky, which was somehow prophetic to him of glorious fulfilment, and at the same time depressed by the grey enormous weight of Sunday tedium and dreariness all around him.
And yet, he never lost heart that out of this dullness he would draw some rich adventure. He strode away with quickening pulse, hoping to see it issue from every warmly lighted house, to find it in the street cars, the subway or at a restaurant. Then he would go back into the city and dine at one of the restaurants where the pretty waitresses served him. Later he would go out on the sparsely peopled Sunday streets, turning finally, as a last resort, into Washington Street, where the moving-picture places and cheap vaudeville houses were filled with their Sunday Irish custom.
Sometimes he went in, but as one weary act succeeded the other, and the empty brutal laughter of the people echoed in his ears, seeming to him forced and dishonest, as if people laughed at the ghosts of mirth, the rotten husks of stale wit, the sordidness, hopelessness, and sterility of their lives oppressed him hideously. On the stage he would see the comedian again display his red neck-tie with a leer, and hear the people laugh about it; he would hear again that someone was a big piece of cheese, and listen to them roar; he would observe again the pert and cheap young comedian with nothing to offer waste time portentously, talk in a low voice with the orchestra leader; and the only thing he liked would be the strength and balance of the acrobats.
Finally, drowned in a sea-depth of grey horror, and with the weary brutal laughter of the audience ringing in his ears, he would rush out on the street again, filled with its hideous Sunday dullness and the sterile wink of the chop-suey signs, and take the train to Cambridge.
And there, as the night grew late, his spirit would surge up in him; sunken in books at midnight, with the soft numb prescience of brooding snow upon the air, the feeling of exultancy, joy, and invincible strength would come back; and he was sure that the door would open for him, the magic word be spoken, and that he would make all of the glory, power, and beauty of the earth his own.
XVIII
One day the boy telephoned the girl of whom his Uncle Bascom had spoken. She was coy and cautious, but sounded hopeful: he liked her voice. When, after some subtle circumlocutions, he asked her for an early meeting, she countered swiftly by asking him to meet her the following evening at the North Station: she was coming in to town to perform at a dinner. She played the violin. He understood very well that she was really anxious to see him before admitting him to the secure licence of a suburban parlour; so he bathed himself, threw powder under his arm-pits, and put on a new shirt, which he bought for the occasion.
It was November: rain fell coldly and drearily. He buttoned himself in his long raincoat and went to meet her. She had promised to wear a red carnation; the suggestion was her own, and tickled him hugely. As the pink-faced suburbanites poured, in an icy stream, into the hot waiting-room, he looked for her. Presently he saw her: she came toward him immediately, since his height was unmistakable. They talked excitedly flustered, but gradually getting some preliminary sense of each other.
She was a rather tall, slender girl, dressed in garments that seemed to have been left over, in good condition, from the early part of the century. She wore a flat but somehow towering hat: it seemed to perch upon her head as do those worn by the Queen of England. She was covered with a long blue coat, which flared and bustled at the hips, and had screws and curls of black corded ornament; she looked respectable and antiquated, but her costume, and a naïve stupidity in her manner, gave her a quaintness that he liked. He took her to the subway, having arranged a meeting at her home for the following night.
The girl, whose name was Genevieve Simpson, lived with her mother and her brother, a heavy young lout of nineteen years, in a two-family house at Melrose. The mother, a small, full, dumpling-face woman, whose ordinary expression in repose, in common with that of so many women of the middle class in America who have desired one life and followed another and found perhaps that its few indispensable benefits, as security, gregariousness, decorum, have not been as all-sufficient as they had hoped, was one of sullen, white, paunch-eyed discontent.
It was this inner petulance, the small carping disparagement of everyone and everything that entered the mean light of her world, that made absurdly palpable the burlesque mechanism of social heartiness. Looking at her while she laughed with shrill falsity at all the wrong places, he would rock with huge guffaws, to which she would answer with eager renewal, believing that both were united in their laughter over something of which she was, it is true, a little vague.
It was, she felt, her business to make commercially attractive to every young man the beauty and comfort of the life she had made for her family, and although the secret niggling discontent of their lives was plainly described on both her own and her daughter's face, steeped behind their transparent masks in all the small poisons of irritability and bitterness, they united in their pretty tableau before the world--a tableau, he felt, something like those final exhibitions of grace and strength with which acrobats finish the act, the strained smile of ease and comfort, as if one could go on hanging by his toes for ever, the grieving limbs, the whole wrought torture which will collapse in exhausted relief the second the curtain hides it.
"We want you to feel absolutely at home here," she said brightly. "Make this your headquarters. You will find us simple folk here, without any frills," she continued, with a glance around the living-room, letting her eye rest with brief satisfaction upon the striped tiles of the hearth, the flowered vases of the mantel, the naked doll, tied with a pink sash, on the piano, and the pictures of "The Horse Fair," the lovers flying be
fore the storm, Maxfield Parrish's "Dawn," and Leonardo da Vinci's "Last Supper," which broke the spaces of the wall, "but if you like a quiet family life, a welcome is always waiting for you here. Oh, yes--everyone is for each other here: we keep no secrets from each other in our little family."
Eugene thought that this was monstrous if it was true; a swift look at Genevieve and Mama convinced him, however, that not everything was being told. A mad exultancy arose in him: the old desire returned again to throw a bomb into the camp, in order to watch its effect; to express murderous opinions in a gentle Christian voice, further entrenched by an engaging matter-of-factness, as if he were but expressing the commonplace thought of all sensible people; bawdily, lewdly, shockingly with a fine assumption of boyish earnestness, sincerity, and naïveté. So, in a voice heavily coated with burlesque feeling, he said: "Thank you, thank you, Mrs. Simpson. You have no idea what it means to me to be able to come to a place like this."
"I know," said Genevieve with fine sympathy, "when you're a thousand miles from home--"
