Mitch also had a certain matter weighing on his mind that he needed to get straight with Des. It was something heavy, something unavoidable, something he had to tell her. And he would, when the time was right. But to date, beyond one oafish attempt that he desperately wished he could take back, he still hadn’t gotten it done. And it was beginning to create some tension between them. Because anytime he edged anywhere near the subject, a melon-sized lump would form in his throat. Sensing his discomfort, Des would immediately morph from his green-eyed sweet patootie into a taut, six- foot-one-inch predatory cat. Her Wary, Scary Look, he’d taken to calling it.
Quickly, he would change the subject. She did carry a loaded semiautomatic weapon, after all.
Still, Mitch looked forward to each winter day out on Big Sister with great enthusiasm. All except for this getting-out-of-bed part, he had to admit as he lay there listening to the early-morning snowflakes patter softly against the skylight over his head. Mitch’s sleeping loft happened to be unheated, aside from the open trapdoor in the floor. During the summer the trapdoor helped to ventilate the loft. Now it allowed the heat from the kitchen below to waft upward at suppertime, warming the loft just enough so that Mitch didn’t have to look at his breath when he climbed into the feathers. Trouble was, by morning it was a meat locker-and Mitch was just so nice and warm buried there under two Hudson Bay blankets, a goose-down comforter, a Clemmie and a Quirt. Quirt, who was Mitch’s lean, sinewy, outdoor hunter, had taken to sleeping on his chest. Clemmie, his lazy meat loaf of a house cat, lay on Mitch’s belly. The cats assumed these same sleeping positions every night, by some territorial arrangement that they’d worked out between themselves. They never varied.
Reluctantly, Mitch awakened them, and the three musketeers shared a huge morning yawn. First Clemmie, who passed it to Mitch, who passed it to Quirt. Then, as they began stretching and washing themselves-the cats, that is-Mitch got up and coaxed his pudgy self down the steep, narrow stairs to crank up the heat, shivering in his gray sweatpants and complimentary red sweatshirt for Rob Zombie’s House of 1,000 Corpses.
Mitch had one very open, good-sized room to live and work in downstairs, with exposed, hand-hewn chestnut posts and beams, a big stone fireplace and views-views everywhere. He had a kitchen and bath. And, upstairs, his sleeping loft. It was a tiny house by most people’s standards. But it was everything Mitch had ever wanted.
There was still a good warm bed of coals in the fireplace. He fed the fire and got it going again, then put his coffeemaker on, first preheating the pot with hot tap water. If he didn’t, the boiling water would shatter its ice-cold glass on contact. Mitch had learned this the hard way.
The thermometer outside his kitchen window said it was a balmy two degrees this morning. An oil barge was heading for the big tanks in New Haven, riding low. No one else was out on the water. Even though it was snowing pretty steadily, there was a thin sliver of burnt orange sunrise layered in between the waterline and the cloud cover. Mitch had never seen such a sunrise phenomenon before. He went and fetched his camera, but by then it was already gone-all that was left was a faint orange glow on the water. Red sky at morning, sailor take warning. What did orange mean? Was this a good or a bad omen?
He turned on the Weather Channel, which was something he’d taken to doing no more than twenty times a day since winter had arrived. The National Weather Service was predicting three-to-five inches of new snow on the Connecticut shoreline this morning, tapering off to flurries by afternoon and followed by-surprise, surprise-gale-force winds. And this was actually good news. What they were experiencing was the relatively harmless northern edge of winter storm Caitlin, which was heading out to sea south of Long Island by way of the Delmarva Peninsula.
He shaved and drank his coffee while he made himself a large bowl of Irish oatmeal topped with dried cranberries and Vermont maple syrup. Oatmeal was Mitch’s main form of cold-weather sustenance before noon. After that, he moved on to his world-famous American chop suey, which he cooked up by the vast pot load, reheating the pot again and again until it had formed a truly magnificent crust.
Mitch had owned a good, arctic-weight Eddie Bauer goose-down parka for years, but out here it was not nearly enough protection. Not without layers and layers underneath it. First a T-shirt, then a cotton turtleneck, then a wool shirt, then a heavy wool fisherman’s sweater. He’d never needed long Johns when he’d lived in the city. Now he wore a pair made of itch-free merino wool under beefy twenty-four-ounce wool field pants. He’d never bothered with a hat either. Now he owned a festive red-and-black-checked Double Mackinaw Wool number complete with sheepskin earflaps. His socks were heavy-duty wool. His boots were insulated Gore Tex snow boots. His gloves were lined with shearling. Much of his new winter wardrobe he’d ordered from C.C. Filson and Company, the Victoria’s Secret catalog of foul-weather geeks the world over.
Properly swaddled and insulated, earflaps down, collar up, Mitch slogged his way out into the two-degree snow, feeling very much like the Michelin Man’s heavyset Jewish cousin. The snowflakes stung his cheeks a bit. Otherwise he was plenty warm. Three or so inches of fresh powder had already fallen, the snow creating a wondrous muffled silence, as if cotton batting were wrapped around everything. There had been some frozen rain last night before the snow came. His boots crunched hard against it as he plowed his way toward the barn, where he filled his wheelbarrow with firewood. He rolled it back to the house and stacked the wood by the door under the overhang. Then he trudged down the narrow path toward Big Sister’s beach. Each and every tuft of tall, golden meadow grass was swathed in white. Snowflakes dusted the sharp green of the cedar trees and clung to the gnarly, iron-gray bare branches of the old sugar maples.
Mitch walked Big Sister’s beach every morning, no matter the weather. There was a desolate, windswept beauty to the beach in the winter. And he felt it was a precious gift to be here. After he’d lost his beloved wife, Maisie, to ovarian cancer, Mitch had promised himself he would never again take a moment of happiness for granted. And he’d kept that promise.
The water was choppy this morning and the tide was going out, leaving a crust of ice behind on the sand. Blocks of ice as big as manhole covers had floated down the Connecticut River and washed ashore like so many pieces of a giant jigsaw puzzle. Mitch had to navigate his way through them as he made his way along the water’s edge. A dozen or so giant tree trunks had washed up, too, encased in ice, looking very much like dinosaur bones. A few hardy gulls and mergansers were poking along for their breakfast. Supposedly there were eagles around, although Mitch still hadn’t seen one. As he passed the old lighthouse, he came upon the broken remains of a Hobie Cat that someone with too much money and too few brains had left behind on the town beach at summer’s end. Each morning now, it turned up in a different place out on Big Sister’s beach, its mast long gone.
Mitch shared Big Sister with the surviving members of the blue-blooded Peck clan, who had held title to it since the sixteen hundreds. There were five houses in all, not counting the decommissioned lighthouse, which was the second tallest in New England. When he reached Bitsy Peck’s mammoth shingled cottage, he dutifully climbed the snow-packed wooden steps to her door and poked his head inside to make sure her furnace was running. Then he retraced his footsteps and continued on to Evan Peck’s stone cottage. The Pecks didn’t believe in shutting their island houses down over the winter-sometimes they felt like using them. The furnaces had to be kept running or their pipes would freeze, so someone had to keep an eye on the places. A caretaker, in other words. Mitch had happily volunteered.
His daily rounds completed, Mitch arrived at the island’s highly compromised wooden causeway, which had so many planks and railings missing it reminded him of a suspension bridge in an Indiana Jones movie. As he stepped gingerly across it, mindful of the frigid, choppy surf directly below, he hoped that his cottage’s 275-gallon fuel tank didn’t run dry before he was able to get the causeway repaired. Because no oil truck co
uld make it out there right now. If he was careful, he had enough oil to last him for another month. But if he ran short in March, he’d have to tote emergency supplies out in five-gallon cans.
His bulbous, kidney-colored 1956 Studebaker pickup was parked by the gate under a blanket of snow and ice. Paul Fiore, Dorset’s plowman, hadn’t been by yet, so the dirt road that curved its way back through the Peck’s Point Nature Preserve to Old Shore Road was invisible save for the slender guide poles that Paul used. The Preserve was a windswept peninsula that jutted right out into the Sound at the mouth of the Connecticut River. The Pecks had donated it to the Nature Conservancy for tax reasons. During warm months, it was very popular with local bird-watchers, dog walkers and joggers. There were footpaths along the bluffs. A meadow tumbled down to the tidal marshes, where osprey, least tern and the highly endangered piping plover nested.
Mitch kept a scraper, an ice pick, a can of W-D 40 and a shovel in the back of the truck under a tarp. He scraped the snow and ice from the windows, grabbed hold of the driver’s side-door handle and tried to yank it open. No chance-it was frozen solid shut. He carefully chipped away at the ice with the pick, sprayed W-D 40 in the crack and tried again, putting every ounce of his considerable weight to the task. The top third of the door pulled open, the bottom two-thirds remained stubbornly shut. More W-D 40, more big boy pulling… and success. Mitch jumped in and tried the ignition. The engine kicked right over on the first try. The battery was brand new, plus his Studey was steadfast and true, aside from the fact that it had no heat. He stamped his feet on the floorboards to warm them up, found first gear and went roaring off, skidding on the sparkling blanket of virgin white snow as he slalomed his way between the guide poles. He did have snow tires, and two sixty-pound bags of sand over each rear wheel. But when there was ice under the snow, traction was not easy to come by.
Old Shore Road had been plowed and sanded already. But the Dorset Street historic district, with its majestic 250-year-old colonial mansions and towering sugar maples, still had not. Mitch chugged his way slowly through it, windshield wipers swatting the snowflakes to one side as he gazed out in wide-eyed wonder at the steepled, white Congregational Church, at John’s barbershop with its antique Wildroot sign, the old library, town hall, the Dorset Academy of Fine Arts. He could not believe how beautiful, how calm it all was. And how much he felt as if he’d been magically transported to a place far, far away from the real world. A kindly place where no crazed suburban commuters were scrambling their way to and from their snap-together modular homes built around a cul-de-sac one-half mile down the road from the newest on-ramp to nowhere. A contented place, a place where people led happy, meaningful lives.
Paradise, in other words.
Not that Dorset was. Mitch had been here long enough to know that a lot of good, generous people lived inside the village’s picture-postcard colonial mansions. But they were real people leading real lives, lives that routinely spun out of control. In short, Dorset was just like everywhere else, only prettier.
Because there was no such place as paradise. Not if people were living in it.
School had been canceled. As Mitch rounded the bend by Johnny Cake Hill Road, he saw that dozens of pink-cheeked neighborhood kids were already using their freedom to sled down the hill by way of the Dorset Country Club’s third fairway. Mitch could hear their joyous laughter as he drove past. Part of him, a big part, wanted to pull over and join them. But he was all grown up now, or at least his body was, so he kept on going toward the Big Brook Road shopping district, watching them wistfully in his rearview mirror.
He stopped first at the post office to pick up his mail and that of his three elderly charges-Sheila Enman, a retired school teacher well into her nineties; Sheila’s girlhood friend, Tootie Breen; and seventy-eight-year-old Rutherford Peck, a distant cousin of the Big Sister Island Pecks who had recently dozed off behind the wheel and lost his driver’s license. Mitch honestly didn’t mind running errands for them. It was no trouble. Besides, Mrs. Enman made him chocolate chip cookies, Mr. Peck supplied him with bottles of his excellent home-brewed stout and Tootie paid him each and every day with a shiny new quarter. Already, he’d earned almost six dollars this winter.
During the summer, when Dorset’s population doubled to nearly fourteen thousand, the A amp; P would be packed with hyper, sunburned fun-seekers shouting into their cell phones and scratching at their mosquito bites. The aisles were utterly deserted now as Mitch clumped his way along, earflaps up, shopping lists in hand. His grocery cart, which hadn’t been serviced since the Ford administration, kept driving hard to the left and slamming into the shelves. Elton John’s “Benny and the Jets” was playing over the store’s tinny sound system, a bit slooowwer than usual, it seemed. It sounded way more like a lullaby than it did a rock anthem. Actually, the scattered handful of aimless store workers seemed to be living in slo-mo as well.
Yesterday’s leftover rotisserie chickens were on sale-he got one for each of his elders. A box of Pilot crackers and three cans of chicken noodle soup for Mr. Peck. Clamato juice and Cream of Wheat for Mrs. Enman. A one-week supply of butter-pecan-flavored Ensure for Tootie. For himself Mitch collected the closely guarded secret ingredients to his American chop suey: one large jar of Ragu, one pound of ground beef, one pound of spaghetti, an onion, a green pepper and a package of frozen mixed vegetables. Garlic salt to taste.
It was in the frozen food aisle that Mitch ran smack into a local innkeeper named Les Josephson, who was not exactly Mitch’s favorite Dorseteer right now-for reasons that had to do with this upcoming weekend and with Les’s famous mother-in-law, Ada Geiger. Les, who operated Astrid’s Castle with his wife, Norma, had talked him into participating in something that Mitch would never in a million years be caught doing were it not for the fact that Les had, well, lied to him.
“Mitch, I am so glad I ran into you,” Les exclaimed, smiling at him radiantly as he stood there, cradling a gallon jug of milk under one arm. “I was just going to call you.”
“Is that right?” Mitch noticed that Les was not only blocking his path but had a firm grip on his left-leaning grocery cart as well. “What about, Les?”
“I want to throw myself on your mercy. I feel as if I got you involved under false pretenses.”
“Only because you did, Les.”
“You’re absolutely right,” he agreed readily. “You couldn’t be more right.”
He was a most agreeable fellow, Les Josephson was. Outgoing, friendly, helpful-everything you could ask for in an innkeeper. Although, in fact, he had been one only since he latched on to Norma a few years back. Les was actually a retired Madison Avenue advertising executive, which Mitch felt explained a lot about him. Because this was a man who was always selling something, always on, and never totally on the level. Les was in his early sixties, not quite five feet nine but very chesty and broad-shouldered, with a big head of wavy silver hair that he was obviously very proud of since he never wore a hat, not even in the snow. Taking good care of himself was clearly important to Les. He held himself very erect-shoulders back, chin up, feet planted wide apart. His smooth, squarish face had a healthy pink glow to it, his teeth looked exceedingly white and strong. He wore a Kelly-green ski jacket with the Astrid’s Castle tower insignia stitched on its left breast, corduroy trousers and L. L. Bean duck boots.
“I’m hoping I can make this up to you, Mitch,” Les went on, as the sound system segued into “Born to Run” by Bruce Springsteen, the funeral dirge re-mix. “I’d really like to, if you’ll let me.”
Mitch tried to pull away, but Les wouldn’t let go of his cart. “If you don’t mind, Les, I really have to get these groceries delivered.”
“But Ada really wants to meet you. Before this weekend, I mean.”
Mitch immediately felt his pulse quicken. “She does?”
“Absolutely. She’s most insistent. After all, you’re the man who dubbed her The Queen of the B’s.”
“No, that wasn’t
me. That was Manny Farber, years and years ago.”
“Ada’s very grateful to you, Mitch. She wants to thank you personally.”
Norma’s legendary ninety-four-year-old mother, Ada Geiger, was one of the twentieth century’s most illustrious, controversial and remarkable cultural figures. Also one of Mitch’s absolute idols. It was safe to say that Ada Geiger was the only person, living or dead, who had been a colleague of both Amelia Earhart and the Rolling Stones. The beautiful, fiercely independent daughter of millionaire Wall Street financier Moses Geiger, Ada had captured America’s imagination back in the Roaring Twenties when, at the age of sixteen she became the youngest woman ever to fly solo from New York to Washington. That feat earned her a charter membership in the Ninety-Nines, a group of daring young female pilots whose first president was Earhart. After brief stints as a socialite, fashion model and Broadway actress, the spirited young Ada bought herself a Speed Graphic and stormed the rollicking world of New York tabloid journalism as a crime scene photographer. Soon she was writing the news copy that went with her uncommonly lurid photos. By 1934, she’d moved on to penning politically charged plays that were being staged by a band of upstarts called the Group Theatre. Among the Group’s founders were Harold Clutman, Lee Strasberg and Clifford Odets. Among its discoveries was the brilliant young Brooklyn playwright Luther Altshuler, whom Ada would marry.
When World War II came, Ada Geiger served as a combat correspondent for Life magazine: Her collected dispatches and combat photographs, To Serve Man, became America’s unofficial scrapbook of the war. Practically everyone who made it home owned a copy. It was the top-selling book of the post-war era, an era that found Ada and Luther out in Hollywood raising a family and producing low-budget movies together. Ada directed several of the films herself, making her the only woman besides Ida Lupino and Dorothy Arzner to crash through the industry’s concrete gender barrier. Her films were reminiscent of her photographs-shadowy, gritty, and unfailingly bleak. And while they attracted only very small audiences at the time, she began to develop an ardent cult following through the years among critics and film buffs. Mitch stumbled on to her work at the Bleecker Street Cinema when he was a teenager and was totally blown away. For him, Ten Cent Dreams, her taut, twisted 1949 love triangle about a conniving dance hall girl (Marie Windsor), a consumptive bookie (Edmond O’Brien) and a crooked cop (Robert Mitchum) ranked right up there with Out of the Past as one of the greatest noir dramas ever filmed. And he thought that her seldom-screened 1952 melodrama about big-city political corruption, Whip-saw, totally eclipsed the universally overrated High Noon as a parable about the dangers of the Hollywood blacklist. When he became a critic, Mitch championed it as a lost American classic. And hailed Ada Geiger as “the greatest American film director no one has ever seen.”
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